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From: "Michael Ramalho (mramalho)" <mramalho@cisco.com>
To: "Roni Even" <ron.even.tlv@gmail.com>, "Peter Saint-Andre" <stpeter@stpeter.im>, <codec@ietf.org>
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All,

I strongly agree with Roni here, re: "I think that the if the charter
describes a list of applications it need to have a separate requirement
for each application on which this proposed group is going to develop a
separate codec."

Let's consider two SIMPLE examples.

Example 1 - Let's assume I have an application that requires a certain
linearity within a certain BW ranges (need > 25 dB of waveform linearity
in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
uses adaptive signal processing techniques and linearity is important.
Perhaps it is a far-end echo cancellation application, or a microphone
beam array processing application that processes multiple streams at the
receiver end. I could go on with any number of interesting examples.
Note that such an applications would generate specific REQUIREMENTS to
meet these use cases. The candidate codec would probably be
waveform-based (at least in the bands having the linearity
requirements).

Example 2 - Many voice codecs use spectral techniques (such as spectral
band replication, SBR) above 4k. Such codecs, while potentially
capturing the spectral content well enough, will NOT preserve the phase
(as the phase information is not in the compressed representation). Such
a codec would NOT meet the simple > 20 dB linearity requirement (of the
4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
a human - perhaps, as the human auditory system is not as sensitive to
phase in this region. Additionally, many of these codecs are speech
model based - and typically have < 20 dB of linearity on unvoiced speech
even in 0 - 4k region. (You could throw in an entropy coding stage after
the model to fix this - at the cost of BW - but I digress).

One might ask why codec manufacturers use techniques such as SBR?
Answer: because they are generally more efficient (precisely because
they don't require as much phase information in the compressed domain)
and sound good to humans.

I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
can satisfy both examples above ... because both APPLICATIONS would
result in different REQUIREMENTS.

I think the rush to a "single-codec" requirements here is premature ...
I agree with Roni ... one size does not fit all.

Given the simple examples above - isn't it clear that we need to define
applications (one might call them use cases) - and then requirements for
them - before we determine how a given candidate satisfies the
requirements?

At a minimum, I see two legitimate codec classes:

CLASS 1) codecs that are bandwidth efficient and sound good to humans
(and perhaps satisfy tendeming or tone pass-through requirements), and

CLASS 2) codecs whose output may later be processed by sophisticated
signal processing functions (high-quality mixing, many
classification-based applications such as speaker/sound/intrusion
identification) that have SNR/waveform/distortion criteria generally
exceeding CLASS 1.

Granted, we should make each use case as broad as possible so as not to
have too many of them. Once one codec is standardized for a particular
application type - a subsequent candidate codec/application would need
to prove it is "sufficiently different" from the existing codec(s) to go
further. The WG chairs need to exert leadership to ensure the desired
result (of the smallest number of codecs spanning the greatest
application space).

IF
a given codec meets the requirements of its use case
AND
that use case is valid
THEN
I (for one) don't have an issue with the IETF "rubber stamping" of it.

If you have a specific use case - then get together with other similarly
minded folks and generate a "use case" draft and then a requirements
draft for that use case. Don't try to solve world hunger in one step.

Off Soapbox,

Michael Ramalho, Ph.D.

[Flames expected ... but please try to disprove my debate above when
doing so ... I dislike flames that do not disprove a thesis ;-) ]

PS - I think CLASS 1 codecs should be addressed first by the WG ... and
later consider other classes as people advocate for their use case.

-----Original Message-----
From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
Of Roni Even
Sent: Friday, October 30, 2009 6:34 PM
To: 'Peter Saint-Andre'; codec@ietf.org
Subject: Re: [codec] questions to be answered

Hi Peter,
I am not sure that there is a consensus about what the group need to
deliver. I do not feel that the issue of the number of codecs and how to
decide which codecs are in scope for this working group is agreed. My
view
that this issue is not addressed since I assume that all the parties
that
submitted candidate codecs would like their codecs to be approved at the
IETF which will make this group a rubber stamping WG.
I think that the if the charter describes a list of applications it need
to
have a separate requirement for each application on which this proposed
group is going to develop a separate codec. If there is one requirement
document for all apllications there should be one codec to address it.

Thanks
Roni Even



> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Peter Saint-Andre
> Sent: Friday, October 30, 2009 10:12 PM
> To: codec@ietf.org
> Subject: [codec] questions to be answered
>=20
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
>=20
> RFC 5434 has a list of questions that need to be answered before a WG
> is
> formed, and I think we have fairly clear answers to these questions:
>=20
> 1. Is there a problem that needs solving?
>=20
> (Yes, see problem statement in charter.)
>=20
> 2. Is the scope of the problem well defined and understood?
>=20
> (Yes, see objectives in charter, guidelines I-D, and requirements
I-D.)
>=20
> 3. Is there agreement on what the WG needs to deliver?
>=20
> (Yes, see deliverables in charter, guidelines I-D, and requirements I-
> D.)
>=20
> 4. Are there enough IETF participants to do the work?
>=20
> (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>=20
> 5. Does the WG have a reasonable probability of success?
>=20
> (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
> emphasis on "reasonable" because we won't know until we try.)
>=20
> 6. Is the IETF is the right place to do the work?
>=20
> (Maybe. I think this is the major item to clarify at the BoF.)
>=20
> Peter
>=20
> - --
> Peter Saint-Andre
> https://stpeter.im/
>=20
>=20
> -----BEGIN PGP SIGNATURE-----
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> Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>=20
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> lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
> =3D9vPK
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_______________________________________________
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From jean-marc.valin@octasic.com  Mon Nov  2 06:23:52 2009
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Hi Michael,

Defining the requirements for each set of applications is exactly what 
we've been trying to do in section 2 of the requirements draft. Maybe we 
just need to expand this section with more detailed requirements.

> Example 1 - Let's assume I have an application that requires a certain
> linearity within a certain BW ranges (need > 25 dB of waveform linearity
> in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
> uses adaptive signal processing techniques and linearity is important.
> Perhaps it is a far-end echo cancellation application, or a microphone
> beam array processing application that processes multiple streams at the
> receiver end.

Well, right now there is no application that requires waveform similarity 
in the draft, so if that is needed, we should add a section to the 
requirements draft.

> I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> can satisfy both examples above ... because both APPLICATIONS would
> result in different REQUIREMENTS.
> 
> I think the rush to a "single-codec" requirements here is premature ...
> I agree with Roni ... one size does not fit all.

Indeed, I am now thinking that we really shouldn't set a maximum number of 
codecs for the proposed WG until we have a complete list of target 
applications and requirements.

> Given the simple examples above - isn't it clear that we need to define
> applications (one might call them use cases) - and then requirements for
> them - before we determine how a given candidate satisfies the
> requirements?

As I said, this is really the intent of Section 2 of the requirements 
draft. Though I agree it can probably be improved with more requirements 
and more details on the existing ones.

> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and

It seems like all the applications we have so far belong to this class.

> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing, many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.

Can you formulate uses cases for that one?

My personal opinion is that with some work it should possible to satisfy 
both classes you list above with a single codec (possibly with different 
encoding options), but of course that remains to be verified in practice.

> Granted, we should make each use case as broad as possible so as not to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).

I don't think mapping applications to different codecs is something that 
can be done in advance. In fact, I wouldn't be too surprised if we ended up 
  with some classes of applications needing two codecs and/or having 
several applications covered by the same codec.

> IF
> a given codec meets the requirements of its use case
> AND
> that use case is valid
> THEN
> I (for one) don't have an issue with the IETF "rubber stamping" of it.

Wouldn't that lead to more codecs than necessary?

> PS - I think CLASS 1 codecs should be addressed first by the WG ... and
> later consider other classes as people advocate for their use case.

Well, your two classes above represents a split along one possible 
dimension, which is waveform vs perceptual-only approach. There are many 
more possible splits, for instance: layered vs non-layered, algorithmic 
delay, VBR vs CBR, speech vs music, fullband vs narrowband, ...

Having one codec for each is neither desirable, nor necessary. We will need 
to take a more global approach to split things up. Otherwise, one can argue 
that all the already-submitted codecs will fall into a different class a 
can be rubberstamped on its own. And if we do that, Roni will not be happy 
:-) Nor will I.

Cheers,

	Jean-Marc


From ron.even.tlv@gmail.com  Mon Nov  2 07:11:50 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Jean-Marc Valin'" <jean-marc.valin@octasic.com>, "'Michael Ramalho \(mramalho\)'" <mramalho@cisco.com>
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Hi Jean-Marc,
I looked at section 2 and it does not provide enough information why you
need multiple codecs
I would like to start with editorial comment. If you want to show
requirements you should start with the parameters by which you define the
codec like bit rate , sampling rate, hands free support,... and build a
table that will include all the values for each application you think should
be addressed. This will enable to justify the need for different codecs and
to be able to qualify a codec for application. I think that having such
information deserves a separate requirement document for each application.
The current text has some values for some of the examples and some do not
have any values. 

Regards
Roni Even



> -----Original Message-----
> From: Jean-Marc Valin [mailto:jean-marc.valin@octasic.com]
> Sent: Monday, November 02, 2009 4:24 PM
> To: Michael Ramalho (mramalho)
> Cc: Roni Even; Peter Saint-Andre; codec@ietf.org
> Subject: Re: [codec] questions to be answered
> 
> Hi Michael,
> 
> Defining the requirements for each set of applications is exactly what
> we've been trying to do in section 2 of the requirements draft. Maybe
> we
> just need to expand this section with more detailed requirements.
> 
> > Example 1 - Let's assume I have an application that requires a
> certain
> > linearity within a certain BW ranges (need > 25 dB of waveform
> linearity
> > in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this
> application
> > uses adaptive signal processing techniques and linearity is
> important.
> > Perhaps it is a far-end echo cancellation application, or a
> microphone
> > beam array processing application that processes multiple streams at
> the
> > receiver end.
> 
> Well, right now there is no application that requires waveform
> similarity
> in the draft, so if that is needed, we should add a section to the
> requirements draft.
> 
> > I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> > can satisfy both examples above ... because both APPLICATIONS would
> > result in different REQUIREMENTS.
> >
> > I think the rush to a "single-codec" requirements here is premature
> ...
> > I agree with Roni ... one size does not fit all.
> 
> Indeed, I am now thinking that we really shouldn't set a maximum number
> of
> codecs for the proposed WG until we have a complete list of target
> applications and requirements.
> 
> > Given the simple examples above - isn't it clear that we need to
> define
> > applications (one might call them use cases) - and then requirements
> for
> > them - before we determine how a given candidate satisfies the
> > requirements?
> 
> As I said, this is really the intent of Section 2 of the requirements
> draft. Though I agree it can probably be improved with more
> requirements
> and more details on the existing ones.
> 
> > CLASS 1) codecs that are bandwidth efficient and sound good to humans
> > (and perhaps satisfy tendeming or tone pass-through requirements),
> and
> 
> It seems like all the applications we have so far belong to this class.
> 
> > CLASS 2) codecs whose output may later be processed by sophisticated
> > signal processing functions (high-quality mixing, many
> > classification-based applications such as speaker/sound/intrusion
> > identification) that have SNR/waveform/distortion criteria generally
> > exceeding CLASS 1.
> 
> Can you formulate uses cases for that one?
> 
> My personal opinion is that with some work it should possible to
> satisfy
> both classes you list above with a single codec (possibly with
> different
> encoding options), but of course that remains to be verified in
> practice.
> 
> > Granted, we should make each use case as broad as possible so as not
> to
> > have too many of them. Once one codec is standardized for a
> particular
> > application type - a subsequent candidate codec/application would
> need
> > to prove it is "sufficiently different" from the existing codec(s) to
> go
> > further. The WG chairs need to exert leadership to ensure the desired
> > result (of the smallest number of codecs spanning the greatest
> > application space).
> 
> I don't think mapping applications to different codecs is something
> that
> can be done in advance. In fact, I wouldn't be too surprised if we
> ended up
>   with some classes of applications needing two codecs and/or having
> several applications covered by the same codec.
> 
> > IF
> > a given codec meets the requirements of its use case
> > AND
> > that use case is valid
> > THEN
> > I (for one) don't have an issue with the IETF "rubber stamping" of
> it.
> 
> Wouldn't that lead to more codecs than necessary?
> 
> > PS - I think CLASS 1 codecs should be addressed first by the WG ...
> and
> > later consider other classes as people advocate for their use case.
> 
> Well, your two classes above represents a split along one possible
> dimension, which is waveform vs perceptual-only approach. There are
> many
> more possible splits, for instance: layered vs non-layered, algorithmic
> delay, VBR vs CBR, speech vs music, fullband vs narrowband, ...
> 
> Having one codec for each is neither desirable, nor necessary. We will
> need
> to take a more global approach to split things up. Otherwise, one can
> argue
> that all the already-submitted codecs will fall into a different class
> a
> can be rubberstamped on its own. And if we do that, Roni will not be
> happy
> :-) Nor will I.
> 
> Cheers,
> 
> 	Jean-Marc


From mknappe@juniper.net  Mon Nov  2 07:52:23 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "ron.even.tlv@gmail.com" <ron.even.tlv@gmail.com>, "jean-marc.valin@octasic.com" <jean-marc.valin@octasic.com>, "mramalho@cisco.com" <mramalho@cisco.com>
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Roni,

As per my email last Friday, I will have a draft of that table out today fo=
r comment.

Cheers,

Mike


----- Original Message -----
From: codec-bounces@ietf.org <codec-bounces@ietf.org>
To: 'Jean-Marc Valin' <jean-marc.valin@octasic.com>; 'Michael Ramalho (mram=
alho)' <mramalho@cisco.com>
Cc: codec@ietf.org <codec@ietf.org>
Sent: Mon Nov 02 10:11:10 2009=0A=
Subject: Re: [codec] questions to be answered

Hi Jean-Marc,
I looked at section 2 and it does not provide enough information why you
need multiple codecs
I would like to start with editorial comment. If you want to show
requirements you should start with the parameters by which you define the
codec like bit rate , sampling rate, hands free support,... and build a
table that will include all the values for each application you think shoul=
d
be addressed. This will enable to justify the need for different codecs and
to be able to qualify a codec for application. I think that having such
information deserves a separate requirement document for each application.
The current text has some values for some of the examples and some do not
have any values.=20

Regards
Roni Even



> -----Original Message-----
> From: Jean-Marc Valin [mailto:jean-marc.valin@octasic.com]
> Sent: Monday, November 02, 2009 4:24 PM
> To: Michael Ramalho (mramalho)
> Cc: Roni Even; Peter Saint-Andre; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>=20
> Hi Michael,
>=20
> Defining the requirements for each set of applications is exactly what
> we've been trying to do in section 2 of the requirements draft. Maybe
> we
> just need to expand this section with more detailed requirements.
>=20
> > Example 1 - Let's assume I have an application that requires a
> certain
> > linearity within a certain BW ranges (need > 25 dB of waveform
> linearity
> > in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this
> application
> > uses adaptive signal processing techniques and linearity is
> important.
> > Perhaps it is a far-end echo cancellation application, or a
> microphone
> > beam array processing application that processes multiple streams at
> the
> > receiver end.
>=20
> Well, right now there is no application that requires waveform
> similarity
> in the draft, so if that is needed, we should add a section to the
> requirements draft.
>=20
> > I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> > can satisfy both examples above ... because both APPLICATIONS would
> > result in different REQUIREMENTS.
> >
> > I think the rush to a "single-codec" requirements here is premature
> ...
> > I agree with Roni ... one size does not fit all.
>=20
> Indeed, I am now thinking that we really shouldn't set a maximum number
> of
> codecs for the proposed WG until we have a complete list of target
> applications and requirements.
>=20
> > Given the simple examples above - isn't it clear that we need to
> define
> > applications (one might call them use cases) - and then requirements
> for
> > them - before we determine how a given candidate satisfies the
> > requirements?
>=20
> As I said, this is really the intent of Section 2 of the requirements
> draft. Though I agree it can probably be improved with more
> requirements
> and more details on the existing ones.
>=20
> > CLASS 1) codecs that are bandwidth efficient and sound good to humans
> > (and perhaps satisfy tendeming or tone pass-through requirements),
> and
>=20
> It seems like all the applications we have so far belong to this class.
>=20
> > CLASS 2) codecs whose output may later be processed by sophisticated
> > signal processing functions (high-quality mixing, many
> > classification-based applications such as speaker/sound/intrusion
> > identification) that have SNR/waveform/distortion criteria generally
> > exceeding CLASS 1.
>=20
> Can you formulate uses cases for that one?
>=20
> My personal opinion is that with some work it should possible to
> satisfy
> both classes you list above with a single codec (possibly with
> different
> encoding options), but of course that remains to be verified in
> practice.
>=20
> > Granted, we should make each use case as broad as possible so as not
> to
> > have too many of them. Once one codec is standardized for a
> particular
> > application type - a subsequent candidate codec/application would
> need
> > to prove it is "sufficiently different" from the existing codec(s) to
> go
> > further. The WG chairs need to exert leadership to ensure the desired
> > result (of the smallest number of codecs spanning the greatest
> > application space).
>=20
> I don't think mapping applications to different codecs is something
> that
> can be done in advance. In fact, I wouldn't be too surprised if we
> ended up
>   with some classes of applications needing two codecs and/or having
> several applications covered by the same codec.
>=20
> > IF
> > a given codec meets the requirements of its use case
> > AND
> > that use case is valid
> > THEN
> > I (for one) don't have an issue with the IETF "rubber stamping" of
> it.
>=20
> Wouldn't that lead to more codecs than necessary?
>=20
> > PS - I think CLASS 1 codecs should be addressed first by the WG ...
> and
> > later consider other classes as people advocate for their use case.
>=20
> Well, your two classes above represents a split along one possible
> dimension, which is waveform vs perceptual-only approach. There are
> many
> more possible splits, for instance: layered vs non-layered, algorithmic
> delay, VBR vs CBR, speech vs music, fullband vs narrowband, ...
>=20
> Having one codec for each is neither desirable, nor necessary. We will
> need
> to take a more global approach to split things up. Otherwise, one can
> argue
> that all the already-submitted codecs will fall into a different class
> a
> can be rubberstamped on its own. And if we do that, Roni will not be
> happy
> :-) Nor will I.
>=20
> Cheers,
>=20
> 	Jean-Marc

_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec

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On 11/2/09 8:11 AM, Roni Even wrote:
> Hi Jean-Marc,
> I looked at section 2 and it does not provide enough information why you
> need multiple codecs
> I would like to start with editorial comment. If you want to show
> requirements you should start with the parameters by which you define the
> codec like bit rate , sampling rate, hands free support,... and build a
> table that will include all the values for each application you think should
> be addressed. This will enable to justify the need for different codecs and
> to be able to qualify a codec for application. I think that having such
> information deserves a separate requirement document for each application.
> The current text has some values for some of the examples and some do not
> have any values. 

Roni and all, this is a great discussion and just the kind of work that
a Codec WG should be doing. So let's charter the WG and get moving. :)

Peter

- --
Peter Saint-Andre
https://stpeter.im/


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From stpeter@stpeter.im  Mon Nov  2 09:42:29 2009
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Gregory and all, thanks for the feedback. Taking into account all the
feedback received so far (on and off the list), I've created a second
draft of the agenda:

###

1. Note Well & agenda bashing (5 minutes)

2. Progress to date (10 minutes)
   a. BoF at IETF 75 established constituency and interest
   b. Open issues: work process, requirements, ITU-T coordination
   c. Several individual drafts have been published and discussed on the
list
   d. Coordination has been occurring with ITU-T SG 16
   e. Consensus converging around draft charter

3. Charter discussion (45 minutes)
   a. Problem statement
   b. Objectives
   c. Deliverables
   d. Milestones

4. Is it reasonable to do this work at the IETF? (45 minutes)
   a. Informational presentation about ITU-T Study Group 16
   b. Informational presentation about IETF Codec WG
   c. Discussion about alternatives (including other SDOs)

5. Questions to be answered (15 minutes)
   a. Is there a problem that needs solving?
   b. Is the scope of the problem well defined and understood?
   c. Is there agreement on what a WG would need to deliver?
   d. Are there people willing to do the work?
      i. Writing drafts
      ii. Reviewing drafts
      iii. Implementing / testing / characterizing / other
   e. Would a Codec WG have a reasonable probability of success?

###

I'm having trouble accessing the datatracker, but I shall upload the
agenda as soon as possible.

Peter

On 10/31/09 9:26 AM, Gregory M. Lebovitz wrote:
> At 10:43 AM 10/30/2009, Peter Saint-Andre wrote:
> Eric Burger and I have created a *draft* agenda for the Codec BoF.
> Feedback is welcome!
> 
> ###
> 
> 1. Note Well & Agenda Bashing (5 minutes)
> 
> 2. Progress to Date (15 minutes)
>    a. BoF at IETF 75 established constituency and interest
>    b. Open issues: work process, requirements, ITU-T coordination
>    c. Several individual drafts published and discussed on the list
>    d. Coordination has occurred with ITU-T SG 16
> 
>> s/has occurred/is occurring
> 
>> Justification:  We have had a good call between IETF leaders and ITU-T
>> SG 16 and other ITU-T leaders to ensure good coordination around this
>> topic. I and Cullen are drafting a formal Liaison to the ITU-T, which is
>> being reviewed by the IAB and will be sent this weekend. But this effort
>> will entail continued and on-going coordination with ITU-T, as they have
>> much to offer in this process.
> 
>> Gregory.
> 
>    e. Consensus converging around draft charter
> 
> 3. Key Question to Answer: Is IETF the Right Forum? (45 minutes)
> 
>> Possible restatement:
> 
>> "Does IETF have a reasonable chance of success compared to other forums?"
> 
>> Justification:  The term "Right" is overloaded. Right based on what
>> criteria? It's not that black and white. But we may or may not have a
>> more reasonable chance of success _meeting the stated goals_ compared to
>> other forums. That's not right or wrong, its more objective.
> 
> 
>    a. Informational presentation about ITU-T Study Group 16
>    b. Informational presentation about IETF Codec WG
>    c. Discussion about alternatives
>    d. Determination of consensus
> 
> 4. If IETF Is or Might Be the Right Forum: Charter Bashing (45 minutes)
>    a. Problem statement
>    b. Objectives
>    c. Deliverables
>    d. Milestones
> 
> 5. Key WG Formation Hums (10 minutes)
>    a. Is IETF the best place to do this work?
>    b. If a WG is formed, will you write drafts?
>    c. If a WG is formed, will you review drafts?
> 
>> Do we need to add:
> 
>> "If a WG is formed, will you test and characterize candidate code?"
>> ?
> 
>> I think we've made a lot of progress on this agenda, and I look forward
>> to a constructive and interesting BoF.
> 
>> Gregory
> 
>    d. If a WG is formed, will you otherwise participate?
> 
> 
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From: Koen Vos <koen.vos@skype.net>
To: Roni Even <ron.even.tlv@gmail.com>
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Subject: Re: [codec] questions to be answered
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Can we be more clear about what "multiple codecs" really means. After  
all, two codecs can always be merged to create a new single codec  
(with two modes). One question is: should any implementation of the  
codec always support all modes? Probably not.

We do need to make sure that having different modes is no problem with  
respect to signaling. Things like: can we indicate during call  
negotiation what modes are available, and can we signal mode switches  
during a call? (I just don't know if these are straightforward or not.)

koen.


Quoting Roni Even <ron.even.tlv@gmail.com>:

> Hi Jean-Marc,
> I looked at section 2 and it does not provide enough information why you
> need multiple codecs
> I would like to start with editorial comment. If you want to show
> requirements you should start with the parameters by which you define the
> codec like bit rate , sampling rate, hands free support,... and build a
> table that will include all the values for each application you think should
> be addressed. This will enable to justify the need for different codecs and
> to be able to qualify a codec for application. I think that having such
> information deserves a separate requirement document for each application.
> The current text has some values for some of the examples and some do not
> have any values.
>
> Regards
> Roni Even
>
>
>
>> -----Original Message-----
>> From: Jean-Marc Valin [mailto:jean-marc.valin@octasic.com]
>> Sent: Monday, November 02, 2009 4:24 PM
>> To: Michael Ramalho (mramalho)
>> Cc: Roni Even; Peter Saint-Andre; codec@ietf.org
>> Subject: Re: [codec] questions to be answered
>>
>> Hi Michael,
>>
>> Defining the requirements for each set of applications is exactly what
>> we've been trying to do in section 2 of the requirements draft. Maybe
>> we
>> just need to expand this section with more detailed requirements.
>>
>> > Example 1 - Let's assume I have an application that requires a
>> certain
>> > linearity within a certain BW ranges (need > 25 dB of waveform
>> linearity
>> > in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this
>> application
>> > uses adaptive signal processing techniques and linearity is
>> important.
>> > Perhaps it is a far-end echo cancellation application, or a
>> microphone
>> > beam array processing application that processes multiple streams at
>> the
>> > receiver end.
>>
>> Well, right now there is no application that requires waveform
>> similarity
>> in the draft, so if that is needed, we should add a section to the
>> requirements draft.
>>
>> > I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
>> > can satisfy both examples above ... because both APPLICATIONS would
>> > result in different REQUIREMENTS.
>> >
>> > I think the rush to a "single-codec" requirements here is premature
>> ...
>> > I agree with Roni ... one size does not fit all.
>>
>> Indeed, I am now thinking that we really shouldn't set a maximum number
>> of
>> codecs for the proposed WG until we have a complete list of target
>> applications and requirements.
>>
>> > Given the simple examples above - isn't it clear that we need to
>> define
>> > applications (one might call them use cases) - and then requirements
>> for
>> > them - before we determine how a given candidate satisfies the
>> > requirements?
>>
>> As I said, this is really the intent of Section 2 of the requirements
>> draft. Though I agree it can probably be improved with more
>> requirements
>> and more details on the existing ones.
>>
>> > CLASS 1) codecs that are bandwidth efficient and sound good to humans
>> > (and perhaps satisfy tendeming or tone pass-through requirements),
>> and
>>
>> It seems like all the applications we have so far belong to this class.
>>
>> > CLASS 2) codecs whose output may later be processed by sophisticated
>> > signal processing functions (high-quality mixing, many
>> > classification-based applications such as speaker/sound/intrusion
>> > identification) that have SNR/waveform/distortion criteria generally
>> > exceeding CLASS 1.
>>
>> Can you formulate uses cases for that one?
>>
>> My personal opinion is that with some work it should possible to
>> satisfy
>> both classes you list above with a single codec (possibly with
>> different
>> encoding options), but of course that remains to be verified in
>> practice.
>>
>> > Granted, we should make each use case as broad as possible so as not
>> to
>> > have too many of them. Once one codec is standardized for a
>> particular
>> > application type - a subsequent candidate codec/application would
>> need
>> > to prove it is "sufficiently different" from the existing codec(s) to
>> go
>> > further. The WG chairs need to exert leadership to ensure the desired
>> > result (of the smallest number of codecs spanning the greatest
>> > application space).
>>
>> I don't think mapping applications to different codecs is something
>> that
>> can be done in advance. In fact, I wouldn't be too surprised if we
>> ended up
>>   with some classes of applications needing two codecs and/or having
>> several applications covered by the same codec.
>>
>> > IF
>> > a given codec meets the requirements of its use case
>> > AND
>> > that use case is valid
>> > THEN
>> > I (for one) don't have an issue with the IETF "rubber stamping" of
>> it.
>>
>> Wouldn't that lead to more codecs than necessary?
>>
>> > PS - I think CLASS 1 codecs should be addressed first by the WG ...
>> and
>> > later consider other classes as people advocate for their use case.
>>
>> Well, your two classes above represents a split along one possible
>> dimension, which is waveform vs perceptual-only approach. There are
>> many
>> more possible splits, for instance: layered vs non-layered, algorithmic
>> delay, VBR vs CBR, speech vs music, fullband vs narrowband, ...
>>
>> Having one codec for each is neither desirable, nor necessary. We will
>> need
>> to take a more global approach to split things up. Otherwise, one can
>> argue
>> that all the already-submitted codecs will fall into a different class
>> a
>> can be rubberstamped on its own. And if we do that, Roni will not be
>> happy
>> :-) Nor will I.
>>
>> Cheers,
>>
>> 	Jean-Marc
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>



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Koen Vos [koen.vos@skype.net] wrote:
> Can we be more clear about what "multiple codecs" really means. After
> all, two codecs can always be merged to create a new single codec
> (with two modes). One question is: should any implementation of the
> codec always support all modes? Probably not.

"should any implementation of the codec always support all modes"
Is a key question.

My basic view on the matter is that if a mode is something that we wouldn't
expect to make mandatory for all conforming implementations *and* taking
it out or implementing only that mode substantially reduces implementation
complexity,  then we should have two codecs instead.

If, on the other hand, there is some kind of mode which will either be so
widely useful that it would be mandatory or doesn't have much impact on
implementation complexity,  then we should just have one codec which
signals the mode in use in-band.


From ron.even.tlv@gmail.com  Mon Nov  2 11:48:09 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
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Peter,
This has to do with the charter, there need to be a decision how many =
codec are developed for one requirement document.
It looks to me based on the discussion that there is no consensus =
between the people who propose this charter since all have similar =
codecs they want to approve and are not looking at collaboration.
Roni Even

> -----Original Message-----
> From: Peter Saint-Andre [mailto:stpeter@stpeter.im]
> Sent: Monday, November 02, 2009 7:36 PM
> To: Roni Even
> Cc: 'Jean-Marc Valin'; 'Michael Ramalho (mramalho)'; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>=20
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
>=20
> On 11/2/09 8:11 AM, Roni Even wrote:
> > Hi Jean-Marc,
> > I looked at section 2 and it does not provide enough information why
> you
> > need multiple codecs
> > I would like to start with editorial comment. If you want to show
> > requirements you should start with the parameters by which you =
define
> the
> > codec like bit rate , sampling rate, hands free support,... and =
build
> a
> > table that will include all the values for each application you =
think
> should
> > be addressed. This will enable to justify the need for different
> codecs and
> > to be able to qualify a codec for application. I think that having
> such
> > information deserves a separate requirement document for each
> application.
> > The current text has some values for some of the examples and some =
do
> not
> > have any values.
>=20
> Roni and all, this is a great discussion and just the kind of work =
that
> a Codec WG should be doing. So let's charter the WG and get moving. :)
>=20
> Peter
>=20
> - --
> Peter Saint-Andre
> https://stpeter.im/
>=20
>=20
> -----BEGIN PGP SIGNATURE-----
> Version: GnuPG v1.4.8 (Darwin)
> Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>=20
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> 9HQAoNjwao8FF8Pwem5WGWOtGFvOgvDO
> =3D5EdO
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Peter Saint-Andre'" <stpeter@stpeter.im>, "'Gregory M. Lebovitz'" <gregory.ietf@gmail.com>
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Date: Mon, 2 Nov 2009 21:49:55 +0200
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Subject: Re: [codec] *draft* agenda
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Hi Peter,
Who is going to give all these presentations, I am used to see the
presenters in agendas
Regards
Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Peter Saint-Andre
> Sent: Monday, November 02, 2009 7:43 PM
> To: Gregory M. Lebovitz
> Cc: codec@ietf.org
> Subject: Re: [codec] *draft* agenda
> 
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
> 
> Gregory and all, thanks for the feedback. Taking into account all the
> feedback received so far (on and off the list), I've created a second
> draft of the agenda:
> 
> ###
> 
> 1. Note Well & agenda bashing (5 minutes)
> 
> 2. Progress to date (10 minutes)
>    a. BoF at IETF 75 established constituency and interest
>    b. Open issues: work process, requirements, ITU-T coordination
>    c. Several individual drafts have been published and discussed on
> the
> list
>    d. Coordination has been occurring with ITU-T SG 16
>    e. Consensus converging around draft charter
> 
> 3. Charter discussion (45 minutes)
>    a. Problem statement
>    b. Objectives
>    c. Deliverables
>    d. Milestones
> 
> 4. Is it reasonable to do this work at the IETF? (45 minutes)
>    a. Informational presentation about ITU-T Study Group 16
>    b. Informational presentation about IETF Codec WG
>    c. Discussion about alternatives (including other SDOs)
> 
> 5. Questions to be answered (15 minutes)
>    a. Is there a problem that needs solving?
>    b. Is the scope of the problem well defined and understood?
>    c. Is there agreement on what a WG would need to deliver?
>    d. Are there people willing to do the work?
>       i. Writing drafts
>       ii. Reviewing drafts
>       iii. Implementing / testing / characterizing / other
>    e. Would a Codec WG have a reasonable probability of success?
> 
> ###
> 
> I'm having trouble accessing the datatracker, but I shall upload the
> agenda as soon as possible.
> 
> Peter
> 
> On 10/31/09 9:26 AM, Gregory M. Lebovitz wrote:
> > At 10:43 AM 10/30/2009, Peter Saint-Andre wrote:
> > Eric Burger and I have created a *draft* agenda for the Codec BoF.
> > Feedback is welcome!
> >
> > ###
> >
> > 1. Note Well & Agenda Bashing (5 minutes)
> >
> > 2. Progress to Date (15 minutes)
> >    a. BoF at IETF 75 established constituency and interest
> >    b. Open issues: work process, requirements, ITU-T coordination
> >    c. Several individual drafts published and discussed on the list
> >    d. Coordination has occurred with ITU-T SG 16
> >
> >> s/has occurred/is occurring
> >
> >> Justification:  We have had a good call between IETF leaders and
> ITU-T
> >> SG 16 and other ITU-T leaders to ensure good coordination around
> this
> >> topic. I and Cullen are drafting a formal Liaison to the ITU-T,
> which is
> >> being reviewed by the IAB and will be sent this weekend. But this
> effort
> >> will entail continued and on-going coordination with ITU-T, as they
> have
> >> much to offer in this process.
> >
> >> Gregory.
> >
> >    e. Consensus converging around draft charter
> >
> > 3. Key Question to Answer: Is IETF the Right Forum? (45 minutes)
> >
> >> Possible restatement:
> >
> >> "Does IETF have a reasonable chance of success compared to other
> forums?"
> >
> >> Justification:  The term "Right" is overloaded. Right based on what
> >> criteria? It's not that black and white. But we may or may not have
> a
> >> more reasonable chance of success _meeting the stated goals_
> compared to
> >> other forums. That's not right or wrong, its more objective.
> >
> >
> >    a. Informational presentation about ITU-T Study Group 16
> >    b. Informational presentation about IETF Codec WG
> >    c. Discussion about alternatives
> >    d. Determination of consensus
> >
> > 4. If IETF Is or Might Be the Right Forum: Charter Bashing (45
> minutes)
> >    a. Problem statement
> >    b. Objectives
> >    c. Deliverables
> >    d. Milestones
> >
> > 5. Key WG Formation Hums (10 minutes)
> >    a. Is IETF the best place to do this work?
> >    b. If a WG is formed, will you write drafts?
> >    c. If a WG is formed, will you review drafts?
> >
> >> Do we need to add:
> >
> >> "If a WG is formed, will you test and characterize candidate code?"
> >> ?
> >
> >> I think we've made a lot of progress on this agenda, and I look
> forward
> >> to a constructive and interesting BoF.
> >
> >> Gregory
> >
> >    d. If a WG is formed, will you otherwise participate?
> >
> >
> -----BEGIN PGP SIGNATURE-----
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> _______________________________________________
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From ron.even.tlv@gmail.com  Mon Nov  2 11:53:32 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Gregory Maxwell'" <gmaxwell@juniper.net>, "'Koen Vos'" <koen.vos@skype.net>
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Subject: Re: [codec] questions to be answered
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Hi,
I thought that the group will not make mandatory requirements for
implementation so having a codec with extensions that can be negotiated is
the preferred direction.
Roni

> -----Original Message-----
> From: Gregory Maxwell [mailto:gmaxwell@juniper.net]
> Sent: Monday, November 02, 2009 8:03 PM
> To: Koen Vos; Roni Even
> Cc: codec@ietf.org
> Subject: RE: [codec] questions to be answered
> 
> Koen Vos [koen.vos@skype.net] wrote:
> > Can we be more clear about what "multiple codecs" really means. After
> > all, two codecs can always be merged to create a new single codec
> > (with two modes). One question is: should any implementation of the
> > codec always support all modes? Probably not.
> 
> "should any implementation of the codec always support all modes"
> Is a key question.
> 
> My basic view on the matter is that if a mode is something that we
> wouldn't
> expect to make mandatory for all conforming implementations *and*
> taking
> it out or implementing only that mode substantially reduces
> implementation
> complexity,  then we should have two codecs instead.
> 
> If, on the other hand, there is some kind of mode which will either be
> so
> widely useful that it would be mandatory or doesn't have much impact on
> implementation complexity,  then we should just have one codec which
> signals the mode in use in-band.


From stpeter@stpeter.im  Mon Nov  2 11:56:09 2009
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-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1

On 11/2/09 12:47 PM, Roni Even wrote:
> Peter, This has to do with the charter, there need to be a decision
> how many codec are developed for one requirement document. It looks
> to me based on the discussion that there is no consensus between the
> people who propose this charter since all have similar codecs they
> want to approve and are not looking at collaboration.

I see no evidence for that statement.

All of the individuals and teams who have submitted codecs have done so
with the understanding that each contribution will probably not be
approved, and even if approved would undergo modification (i.e., even a
codec that functioned as a "starting point" codec would be *adapted*,
not *adopted*). This is consistent with the following statement in
draft-valin-codec-guidelines-02:

   Furthermore, contributors need to be
   aware that any codec that results from work within the IETF is likely
   to be different from any existing codec that was contributed to the
   Internet Standards Process.

All of the speakers I heard at the BoF in Stockholm made it clear that
they expect to and are eager to collaborate on a codec that meets the
requirements, and that they do not expect to simply get their own codecs
approved as-is.

Peter

- --
Peter Saint-Andre
https://stpeter.im/


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Peter,
So if there is no problem have the charter reflect how many codecs there =
will be.=20
I suggest one for each requirement document
Roni Even

> -----Original Message-----
> From: Peter Saint-Andre [mailto:stpeter@stpeter.im]
> Sent: Monday, November 02, 2009 9:56 PM
> To: Roni Even
> Cc: 'Jean-Marc Valin'; 'Michael Ramalho (mramalho)'; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>=20
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
>=20
> On 11/2/09 12:47 PM, Roni Even wrote:
> > Peter, This has to do with the charter, there need to be a decision
> > how many codec are developed for one requirement document. It looks
> > to me based on the discussion that there is no consensus between the
> > people who propose this charter since all have similar codecs they
> > want to approve and are not looking at collaboration.
>=20
> I see no evidence for that statement.
>=20
> All of the individuals and teams who have submitted codecs have done =
so
> with the understanding that each contribution will probably not be
> approved, and even if approved would undergo modification (i.e., even =
a
> codec that functioned as a "starting point" codec would be *adapted*,
> not *adopted*). This is consistent with the following statement in
> draft-valin-codec-guidelines-02:
>=20
>    Furthermore, contributors need to be
>    aware that any codec that results from work within the IETF is
> likely
>    to be different from any existing codec that was contributed to the
>    Internet Standards Process.
>=20
> All of the speakers I heard at the BoF in Stockholm made it clear that
> they expect to and are eager to collaborate on a codec that meets the
> requirements, and that they do not expect to simply get their own
> codecs
> approved as-is.
>=20
> Peter
>=20
> - --
> Peter Saint-Andre
> https://stpeter.im/
>=20
>=20
> -----BEGIN PGP SIGNATURE-----
> Version: GnuPG v1.4.8 (Darwin)
> Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>=20
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> /2cAoIl3k1ih6Wb05EtVeEzlWIQ6g9lm
> =3DCswk
> -----END PGP SIGNATURE-----


From hoene@uni-tuebingen.de  Tue Nov  3 01:30:48 2009
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Subject: Re: [codec] questions to be answered
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Hello Michael,

> At a minimum, I see two legitimate codec classes:
>=20
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>=20
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing,=20

High-quality mixing? That do you have in mind? Stereo or binaural (3D =
sound)
mixing?

> many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.

You may add distributed speech recognition to the second class. However, =
to
my understanding the current offered codecs have not been designed with =
the
second class in mind. Also, class 2 might not fall in the interactive
category (which implies that communication takes place between humans).
By the way, are you training your classification-based applications =
while
taking the distortions caused by the transmission system into =
consideration?

You forgot: We need to add CLASS 3 for video and CLASS 4 for general
content, too.

> Granted, we should make each use case as broad as possible so as not =
to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to =
go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).

Yes, actually Noll and Jayant have proposed to use =B5-Law to support =
speech,
audio AND video compression. But to my understanding it is common =
consensus
to concentrate on a limited (e.g. class 1) scenario and finished this =
work
first before setting up another construction site.

Christian



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Subject: Re: [codec] questions to be answered
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Hello Peter,

> > Peter, This has to do with the charter, there need to be a decision
> > how many codec are developed for one requirement document. It looks
> > to me based on the discussion that there is no consensus between the
> > people who propose this charter since all have similar codecs they
> > want to approve and are not looking at collaboration.
> 
> I see no evidence for that statement.
> 
> All of the individuals and teams who have submitted codecs have done so
> with the understanding that each contribution will probably not be
> approved, and even if approved would undergo modification (i.e., even a
> codec that functioned as a "starting point" codec would be *adapted*,
> not *adopted*). This is consistent with the following statement in
> draft-valin-codec-guidelines-02:
> 
>    Furthermore, contributors need to be
>    aware that any codec that results from work within the IETF is likely
>    to be different from any existing codec that was contributed to the
>    Internet Standards Process.
> 
> All of the speakers I heard at the BoF in Stockholm made it clear that
> they expect to and are eager to collaborate on a codec that meets the
> requirements, and that they do not expect to simply get their own codecs
> approved as-is.

This all might be true. However, at the moment we are discussing the charter
and not the drafts nor any oral statements, which all can be updated or
revoked at any time. Thus, it would be beneficial having some high level
goals in the charter that help to decide on the number of codecs.

These could be for e.g. "Different codecs must have unmergable, orthogonal
requirements" or "One codec and a low number of optional extensions that
address additional requirements".

With best regards,

 Christian 




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Subject: [codec] Switching codecs and coding mode.
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This is a multi-part message in MIME format.

------=_NextPart_000_00AB_01CA5C70.C459EA40
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	charset="iso-8859-1"
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Hello,=20

=20

Last week we had a discussion on the impact of switching between codecs =
and
between coding modes. I made a short review of related work to =
understand
the current state of the art. Actually, we have to distinguish multiple
different effects.

1.       The first is based on the fact that in case of mode or coding
switching a segment of speech consists of parts having good quality and
parts having bad quality. The question arises on how the overall quality =
is
judged. Some pioneering studies in this field have been made by AD Clark =
=96
not in the case of switching the codecs/coding mode but for changing =
loss
rates. Refer to [1]. Also, [2] suggests an extension to the E-Model [2] =
to
support changing qualities.

2.       The event of changing the codec/coding mode might introduce
additional distortions. We can distinguish three cases:

a.       Changing of the bit rate, e.g. changing the frame size in CELT, =
the
bitpool value SBC and the coding rate in AMR/AMR-WB: I did not found any
listening-test results that there is any impairment beyond those =
described
in point 1. For example, it has been proven that CELT AND AMR do support =
the
seamless switching between coding modes.

b.      Changes in the packet rate might require a rescheduling of the
playout time because of the changed packetization delay. The resulting =
time
stretching or time compression might introduce additional distortions. =
Refer
to e.g. [3].=20

c.       Switching between two different codecs or switching the =
sampling
rate of a codec (e.g. 16 to 48 kHz in case of SBC, 32 to 48 kHz in case =
of
CELT, or between AMR-NB and AMR-WB) introduces distortions caused by the
needed synchronization of the decoder. Refer to [4] and [5] for
listening-tests in case of G.711 and G.722.2. In these publications they
noticed a notable distortion caused by switching between wideband and
narrowband. You hear them especially well if other transmission =
conditions
are good (e.g. no packet losses)

All these switching events might be concealed via various technical
approaches. However, I did not found any publications or patents on it =
=96
deeper literature survey might be required.

To conclude, we can state that it is important that the system supports =
the
seamless of codecs or coding modes. If not, the distortion will be quite
notable.

=20

Christian

=20

[1] AD Clark, =84
<http://www.ocecpr.org.cy/media/documents/Reports/ElectronicCom/EC_Public=
ati
on_Model-EffOfBurstPacketLoss-RecencyOnSVQ_EN_13-08-2003_VI.pdf> =
Modeling
the effects of burst packet loss and recency on subjective voice =
quality=93,
Proc. IP Telephony Workshop, 2001 for details.

[2] Lewcio, B., W=E4ltermann, M., M=F6ller, S., Vidales, P. (2009). =
"E-model
supported Switching between Narrowband and Wideband Speech Quality". In:
Proc. 1st Int. IEEE Workshop on Quality of Multimedia Experience (QoMEX
'09), 29-31 July, US-San Diego CA.

[3] Y. J. Liang, N. F=E4rber, and B. Girod, =93Adaptive playout =
scheduling and
loss concealment for voice communication over IP networks,=94 IEEE
Transactions on Multimedia, vol. 5, no. 4, pp. 532=96543, Dec. 2003.

[4] Lewcio, B., M=F6ller, S. ,Vidales,P. W=E4ltermann, M.,Kirschnick, N. =
(2008).
Methods for multimedia service adaptation in Next Generation Networks, =
in
Proceedings of the ETSI STQ 2008 Workshop on Effects of Transmission
Performance on Multimedia QoS,CZ-Prague, 17-19 June.

[5] M=F6ller, S., W=E4ltermann, M., Lewcio, B., Kirschnick, N., Vidales, =
P.
(2008). Handovers between Narrowband and Wideband Speech Transmission, =
in:
Sprachkommunikation 2008. Beitr=E4ge der 8. ITG-Fachtagung vom 8. bis =
10.
Oktober 2008 in Aachen, ITG-Fachbericht 211, VDE-Verlag, DE-Berlin.

=20

--------------------------------------------------------

Dr.-Ing. Christian Hoene

Interactive Communication Systems (ICS), University of T=FCbingen

Sand 13, 72076 T=FCbingen, Germany, Phone +49 7071 2970532

http://www.net.uni-tuebingen.de/

=20


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<div class=3DSection1>

<p class=3DMsoPlainText><span lang=3DEN-US>Hello, <o:p></o:p></span></p>

<p class=3DMsoPlainText><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB>Last week we had a discussion on =
the impact
of switching between codecs and between coding modes. I made a short =
review of
related work to understand the current state of the art. Actually, we =
have to
distinguish multiple different effects.<o:p></o:p></span></p>

<p class=3DMsoListParagraph style=3D'text-indent:-18.0pt;mso-list:l0 =
level1 lfo2'><![if !supportLists]><span
lang=3DEN-GB><span style=3D'mso-list:Ignore'>1.<span style=3D'font:7.0pt =
"Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span lang=3DEN-GB>The first is based on =
the fact
that in case of mode or coding switching a segment of speech consists of =
parts
having good quality and parts having bad quality. The question arises on =
how the
overall quality is judged. Some pioneering studies in this field have =
been made
by AD Clark &#8211; not in the case of switching the codecs/coding mode =
but for
changing loss rates. Refer to [1]. Also, [2] suggests an extension to =
the
E-Model [2] to support changing qualities.<o:p></o:p></span></p>

<p class=3DMsoListParagraph style=3D'text-indent:-18.0pt;mso-list:l0 =
level1 lfo2'><![if !supportLists]><span
lang=3DEN-GB><span style=3D'mso-list:Ignore'>2.<span style=3D'font:7.0pt =
"Times New Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span lang=3DEN-GB>The event of changing =
the
codec/coding mode might introduce additional distortions. We can =
distinguish three
cases:<o:p></o:p></span></p>

<p class=3DMsoListParagraph =
style=3D'margin-left:72.0pt;text-indent:-18.0pt;
mso-list:l0 level2 lfo2'><![if !supportLists]><span lang=3DEN-GB><span
style=3D'mso-list:Ignore'>a.<span style=3D'font:7.0pt "Times New =
Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span lang=3DEN-GB>Changing of the bit =
rate, e.g.
changing the frame size in CELT, the bitpool value SBC and the coding =
rate in
AMR/AMR-WB: I did not found any listening-test results that there is any
impairment beyond those described in point 1. For example, it has been =
proven
that CELT AND AMR do support the seamless switching between coding =
modes.<o:p></o:p></span></p>

<p class=3DMsoListParagraph =
style=3D'margin-left:72.0pt;text-indent:-18.0pt;
mso-list:l0 level2 lfo2'><![if !supportLists]><span lang=3DEN-GB><span
style=3D'mso-list:Ignore'>b.<span style=3D'font:7.0pt "Times New =
Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span lang=3DEN-GB>Changes in the packet =
rate
might require a rescheduling of the playout time because of the changed
packetization delay. The resulting time stretching or time compression =
might
introduce additional distortions. Refer to e.g. [3]. =
<o:p></o:p></span></p>

<p class=3DMsoListParagraph =
style=3D'margin-left:72.0pt;text-indent:-18.0pt;
mso-list:l0 level2 lfo2'><![if !supportLists]><span lang=3DEN-GB><span
style=3D'mso-list:Ignore'>c.<span style=3D'font:7.0pt "Times New =
Roman"'>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
</span></span></span><![endif]><span lang=3DEN-GB>Switching between two =
different
codecs or switching the sampling rate of a codec (e.g. 16 to 48 kHz in =
case of
SBC, 32 to 48 kHz in case of CELT, or between AMR-NB and AMR-WB) =
introduces
distortions caused by the needed synchronization of the decoder. Refer =
to [4]
and [5] for listening-tests in case of G.711 and G.722.2. In these =
publications
they noticed a notable distortion caused by switching between wideband =
and
narrowband. You hear them especially well if other transmission =
conditions are
good (e.g. no packet losses)<o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB>All these switching events might =
be
concealed via various technical approaches. However, I did not found any
publications or patents on it &#8211; deeper literature survey might be
required.<o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB>To conclude, we can state that =
it is
important that the system supports the seamless of codecs or coding =
modes. If
not, the distortion will be quite notable.<o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB>Christian<o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB>[1] AD Clark, &#8222;<a
href=3D"http://www.ocecpr.org.cy/media/documents/Reports/ElectronicCom/EC=
_Publication_Model-EffOfBurstPacketLoss-RecencyOnSVQ_EN_13-08-2003_VI.pdf=
"><span
style=3D'color:windowtext;text-decoration:none'>Modeling the effects of =
burst
packet loss and recency on subjective voice quality</span></a>&#8220;, =
Proc. IP
Telephony Workshop, 2001 for details.<o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-US>[2] Lewcio, B., W=E4ltermann, =
M., M=F6ller, S.,
Vidales, P. (2009). </span><span lang=3DEN-GB>&quot;E-model supported =
Switching
between Narrowband and Wideband Speech Quality&quot;. In: Proc. 1st Int. =
IEEE
Workshop on Quality of Multimedia Experience (QoMEX '09), 29-31 July, =
US-San
Diego CA.<o:p></o:p></span></p>

<p class=3DMsoNormal><span lang=3DEN-GB>[3] Y. J. Liang, N. F=E4rber, =
and B. Girod,
&#8220;Adaptive playout scheduling and loss concealment for voice =
communication
over IP networks,&#8221; IEEE Transactions on Multimedia, vol. 5, no. 4, =
pp.
532&#8211;543, Dec. 2003.<o:p></o:p></span></p>

<p class=3DMsoNormal>[4] Lewcio, B., M=F6ller, S. ,Vidales,P. =
W=E4ltermann,
M.,Kirschnick, N. (2008). <em><span lang=3DEN-GB =
style=3D'font-family:"Calibri","sans-serif"'>Methods
for multimedia service adaptation in Next Generation =
Networks</span></em><span
lang=3DEN-GB>, in Proceedings of the ETSI STQ 2008 Workshop on Effects =
of
Transmission Performance on Multimedia QoS,CZ-Prague, 17-19 =
June.<o:p></o:p></span></p>

<p class=3DMsoNormal>[5] M=F6ller, S., W=E4ltermann, M., Lewcio, B., =
Kirschnick, N.,
Vidales, P. (2008). <em><span =
style=3D'font-family:"Calibri","sans-serif"'>Handovers
between Narrowband and Wideband Speech Transmission</span></em>, in: =
Sprachkommunikation
2008. Beitr=E4ge der 8. ITG-Fachtagung vom 8. bis 10. Oktober 2008 in =
Aachen,
ITG-Fachbericht 211, VDE-Verlag, DE-Berlin.<o:p></o:p></p>

<p class=3DMsoPlainText><o:p>&nbsp;</o:p></p>

<p class=3DMsoPlainText><span =
lang=3DEN-US>--------------------------------------------------------<o:p=
></o:p></span></p>

<p class=3DMsoPlainText><span lang=3DEN-US>Dr.-Ing. Christian =
Hoene<o:p></o:p></span></p>

<p class=3DMsoPlainText><span lang=3DEN-US>Interactive Communication =
Systems (ICS),
University of T=FCbingen<o:p></o:p></span></p>

<p class=3DMsoPlainText><span lang=3DEN-US>Sand 13, 72076 T=FCbingen, =
Germany, Phone
+49 7071 2970532<o:p></o:p></span></p>

<p class=3DMsoPlainText><span =
lang=3DEN-US>http://www.net.uni-tuebingen.de/<o:p></o:p></span></p>

<p class=3DMsoPlainText><span lang=3DEN-US><o:p>&nbsp;</o:p></span></p>

</div>

</body>

</html>

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From ingemar.s.johansson@ericsson.com  Tue Nov  3 04:54:53 2009
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	charset="iso-8859-1"
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Hi
=20
Please note the observation that AMR and AMR-WB does not give any =
switching artifacts when switching between codec modes. In fact the =
whole idea with AMR (Adaptive MultiRate) is to be able to freely switch =
between codec rates without artifacts.=20
=20
Regards
Ingemar


________________________________

	From: Christian Hoene [mailto:hoene@uni-tuebingen.de]=20
	Sent: den 3 november 2009 10:30
	To: codec@ietf.org
	Subject: [codec] Switching codecs and coding mode.
=09
=09

	Hello,=20

	=20

	Last week we had a discussion on the impact of switching between codecs =
and between coding modes. I made a short review of related work to =
understand the current state of the art. Actually, we have to =
distinguish multiple different effects.

	1.       The first is based on the fact that in case of mode or coding =
switching a segment of speech consists of parts having good quality and =
parts having bad quality. The question arises on how the overall quality =
is judged. Some pioneering studies in this field have been made by AD =
Clark - not in the case of switching the codecs/coding mode but for =
changing loss rates. Refer to [1]. Also, [2] suggests an extension to =
the E-Model [2] to support changing qualities.

	2.       The event of changing the codec/coding mode might introduce =
additional distortions. We can distinguish three cases:

	a.       Changing of the bit rate, e.g. changing the frame size in =
CELT, the bitpool value SBC and the coding rate in AMR/AMR-WB: I did not =
found any listening-test results that there is any impairment beyond =
those described in point 1. For example, it has been proven that CELT =
AND AMR do support the seamless switching between coding modes.

	b.      Changes in the packet rate might require a rescheduling of the =
playout time because of the changed packetization delay. The resulting =
time stretching or time compression might introduce additional =
distortions. Refer to e.g. [3].=20

	c.       Switching between two different codecs or switching the =
sampling rate of a codec (e.g. 16 to 48 kHz in case of SBC, 32 to 48 kHz =
in case of CELT, or between AMR-NB and AMR-WB) introduces distortions =
caused by the needed synchronization of the decoder. Refer to [4] and =
[5] for listening-tests in case of G.711 and G.722.2. In these =
publications they noticed a notable distortion caused by switching =
between wideband and narrowband. You hear them especially well if other =
transmission conditions are good (e.g. no packet losses)

	All these switching events might be concealed via various technical =
approaches. However, I did not found any publications or patents on it - =
deeper literature survey might be required.

	To conclude, we can state that it is important that the system supports =
the seamless of codecs or coding modes. If not, the distortion will be =
quite notable.

	=20

	Christian

	=20

	[1] AD Clark, "Modeling the effects of burst packet loss and recency on =
subjective voice quality =
<http://www.ocecpr.org.cy/media/documents/Reports/ElectronicCom/EC_Public=
ation_Model-EffOfBurstPacketLoss-RecencyOnSVQ_EN_13-08-2003_VI.pdf> ", =
Proc. IP Telephony Workshop, 2001 for details.

	[2] Lewcio, B., W=E4ltermann, M., M=F6ller, S., Vidales, P. (2009). =
"E-model supported Switching between Narrowband and Wideband Speech =
Quality". In: Proc. 1st Int. IEEE Workshop on Quality of Multimedia =
Experience (QoMEX '09), 29-31 July, US-San Diego CA.

	[3] Y. J. Liang, N. F=E4rber, and B. Girod, "Adaptive playout =
scheduling and loss concealment for voice communication over IP =
networks," IEEE Transactions on Multimedia, vol. 5, no. 4, pp. 532-543, =
Dec. 2003.

	[4] Lewcio, B., M=F6ller, S. ,Vidales,P. W=E4ltermann, M.,Kirschnick, =
N. (2008). Methods for multimedia service adaptation in Next Generation =
Networks, in Proceedings of the ETSI STQ 2008 Workshop on Effects of =
Transmission Performance on Multimedia QoS,CZ-Prague, 17-19 June.

	[5] M=F6ller, S., W=E4ltermann, M., Lewcio, B., Kirschnick, N., =
Vidales, P. (2008). Handovers between Narrowband and Wideband Speech =
Transmission, in: Sprachkommunikation 2008. Beitr=E4ge der 8. =
ITG-Fachtagung vom 8. bis 10. Oktober 2008 in Aachen, ITG-Fachbericht =
211, VDE-Verlag, DE-Berlin.

	=20

	--------------------------------------------------------

	Dr.-Ing. Christian Hoene

	Interactive Communication Systems (ICS), University of T=FCbingen

	Sand 13, 72076 T=FCbingen, Germany, Phone +49 7071 2970532

	http://www.net.uni-tuebingen.de/

	=20


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<DIV dir=3Dltr align=3Dleft><SPAN class=3D342415012-03112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Hi</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D342415012-03112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D342415012-03112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Please note the observation that AMR and AMR-WB =
does not=20
give any switching artifacts when switching between codec modes. In fact =
the=20
whole idea with AMR (Adaptive MultiRate) is to be able to freely switch =
between=20
codec rates without artifacts. </FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D342415012-03112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D342415012-03112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Regards</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D342415012-03112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Ingemar</FONT></SPAN></DIV><BR>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> Christian Hoene=20
  [mailto:hoene@uni-tuebingen.de] <BR><B>Sent:</B> den 3 november 2009=20
  10:30<BR><B>To:</B> codec@ietf.org<BR><B>Subject:</B> [codec] =
Switching codecs=20
  and coding mode.<BR></FONT><BR></DIV>
  <DIV></DIV>
  <DIV class=3DSection1>
  <P class=3DMsoPlainText><SPAN lang=3DEN-US>Hello, =
<o:p></o:p></SPAN></P>
  <P class=3DMsoPlainText><SPAN =
lang=3DEN-US><o:p>&nbsp;</o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB>Last week we had a discussion =
on the=20
  impact of switching between codecs and between coding modes. I made a =
short=20
  review of related work to understand the current state of the art. =
Actually,=20
  we have to distinguish multiple different =
effects.<o:p></o:p></SPAN></P>
  <P class=3DMsoListParagraph=20
style=3D"TEXT-INDENT: -18pt; mso-list: l0 level1 lfo2"><![if =
!supportLists]><SPAN=20
  lang=3DEN-GB><SPAN style=3D"mso-list: Ignore">1.<SPAN=20
  style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </SPAN></SPAN></SPAN><![endif]><SPAN lang=3DEN-GB>The first is based =
on the fact=20
  that in case of mode or coding switching a segment of speech consists =
of parts=20
  having good quality and parts having bad quality. The question arises =
on how=20
  the overall quality is judged. Some pioneering studies in this field =
have been=20
  made by AD Clark =96 not in the case of switching the codecs/coding =
mode but for=20
  changing loss rates. Refer to [1]. Also, [2] suggests an extension to =
the=20
  E-Model [2] to support changing qualities.<o:p></o:p></SPAN></P>
  <P class=3DMsoListParagraph=20
style=3D"TEXT-INDENT: -18pt; mso-list: l0 level1 lfo2"><![if =
!supportLists]><SPAN=20
  lang=3DEN-GB><SPAN style=3D"mso-list: Ignore">2.<SPAN=20
  style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </SPAN></SPAN></SPAN><![endif]><SPAN lang=3DEN-GB>The event of =
changing the=20
  codec/coding mode might introduce additional distortions. We can =
distinguish=20
  three cases:<o:p></o:p></SPAN></P>
  <P class=3DMsoListParagraph=20
  style=3D"MARGIN-LEFT: 72pt; TEXT-INDENT: -18pt; mso-list: l0 level2 =
lfo2"><![if !supportLists]><SPAN=20
  lang=3DEN-GB><SPAN style=3D"mso-list: Ignore">a.<SPAN=20
  style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </SPAN></SPAN></SPAN><![endif]><SPAN lang=3DEN-GB>Changing of the bit =
rate, e.g.=20
  changing the frame size in CELT, the bitpool value SBC and the coding =
rate in=20
  AMR/AMR-WB: I did not found any listening-test results that there is =
any=20
  impairment beyond those described in point 1. For example, it has been =
proven=20
  that CELT AND AMR do support the seamless switching between coding=20
  modes.<o:p></o:p></SPAN></P>
  <P class=3DMsoListParagraph=20
  style=3D"MARGIN-LEFT: 72pt; TEXT-INDENT: -18pt; mso-list: l0 level2 =
lfo2"><![if !supportLists]><SPAN=20
  lang=3DEN-GB><SPAN style=3D"mso-list: Ignore">b.<SPAN=20
  style=3D"FONT: 7pt 'Times New Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </SPAN></SPAN></SPAN><![endif]><SPAN lang=3DEN-GB>Changes in the =
packet rate=20
  might require a rescheduling of the playout time because of the =
changed=20
  packetization delay. The resulting time stretching or time compression =
might=20
  introduce additional distortions. Refer to e.g. [3]. =
<o:p></o:p></SPAN></P>
  <P class=3DMsoListParagraph=20
  style=3D"MARGIN-LEFT: 72pt; TEXT-INDENT: -18pt; mso-list: l0 level2 =
lfo2"><![if !supportLists]><SPAN=20
  lang=3DEN-GB><SPAN style=3D"mso-list: Ignore">c.<SPAN=20
  style=3D"FONT: 7pt 'Times New =
Roman'">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  </SPAN></SPAN></SPAN><![endif]><SPAN lang=3DEN-GB>Switching between =
two=20
  different codecs or switching the sampling rate of a codec (e.g. 16 to =
48 kHz=20
  in case of SBC, 32 to 48 kHz in case of CELT, or between AMR-NB and =
AMR-WB)=20
  introduces distortions caused by the needed synchronization of the =
decoder.=20
  Refer to [4] and [5] for listening-tests in case of G.711 and G.722.2. =
In=20
  these publications they noticed a notable distortion caused by =
switching=20
  between wideband and narrowband. You hear them especially well if =
other=20
  transmission conditions are good (e.g. no packet =
losses)<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB>All these switching events =
might be=20
  concealed via various technical approaches. However, I did not found =
any=20
  publications or patents on it =96 deeper literature survey might be=20
  required.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB>To conclude, we can state that =
it is=20
  important that the system supports the seamless of codecs or coding =
modes. If=20
  not, the distortion will be quite notable.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB><o:p>&nbsp;</o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN =
lang=3DEN-GB>Christian<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB><o:p>&nbsp;</o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB>[1] AD Clark, =84<A=20
  =
href=3D"http://www.ocecpr.org.cy/media/documents/Reports/ElectronicCom/EC=
_Publication_Model-EffOfBurstPacketLoss-RecencyOnSVQ_EN_13-08-2003_VI.pdf=
"><SPAN=20
  style=3D"COLOR: windowtext; TEXT-DECORATION: none">Modeling the =
effects of burst=20
  packet loss and recency on subjective voice quality</SPAN></A>=93, =
Proc. IP=20
  Telephony Workshop, 2001 for details.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-US>[2] Lewcio, B., W=E4ltermann, =
M., M=F6ller,=20
  S., Vidales, P. (2009). </SPAN><SPAN lang=3DEN-GB>"E-model supported =
Switching=20
  between Narrowband and Wideband Speech Quality". In: Proc. 1st Int. =
IEEE=20
  Workshop on Quality of Multimedia Experience (QoMEX '09), 29-31 July, =
US-San=20
  Diego CA.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal><SPAN lang=3DEN-GB>[3] Y. J. Liang, N. F=E4rber, =
and B. Girod,=20
  =93Adaptive playout scheduling and loss concealment for voice =
communication over=20
  IP networks,=94 IEEE Transactions on Multimedia, vol. 5, no. 4, pp. =
532=96543,=20
  Dec. 2003.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal>[4] Lewcio, B., M=F6ller, S. ,Vidales,P. =
W=E4ltermann,=20
  M.,Kirschnick, N. (2008). <EM><SPAN lang=3DEN-GB=20
  style=3D"FONT-FAMILY: 'Calibri','sans-serif'">Methods for multimedia =
service=20
  adaptation in Next Generation Networks</SPAN></EM><SPAN lang=3DEN-GB>, =
in=20
  Proceedings of the ETSI STQ 2008 Workshop on Effects of Transmission=20
  Performance on Multimedia QoS,CZ-Prague, 17-19 =
June.<o:p></o:p></SPAN></P>
  <P class=3DMsoNormal>[5] M=F6ller, S., W=E4ltermann, M., Lewcio, B., =
Kirschnick, N.,=20
  Vidales, P. (2008). <EM><SPAN=20
  style=3D"FONT-FAMILY: 'Calibri','sans-serif'">Handovers between =
Narrowband and=20
  Wideband Speech Transmission</SPAN></EM>, in: Sprachkommunikation =
2008.=20
  Beitr=E4ge der 8. ITG-Fachtagung vom 8. bis 10. Oktober 2008 in =
Aachen,=20
  ITG-Fachbericht 211, VDE-Verlag, DE-Berlin.<o:p></o:p></P>
  <P class=3DMsoPlainText><o:p>&nbsp;</o:p></P>
  <P class=3DMsoPlainText><SPAN=20
  =
lang=3DEN-US>--------------------------------------------------------<o:p=
></o:p></SPAN></P>
  <P class=3DMsoPlainText><SPAN lang=3DEN-US>Dr.-Ing. Christian=20
  Hoene<o:p></o:p></SPAN></P>
  <P class=3DMsoPlainText><SPAN lang=3DEN-US>Interactive Communication =
Systems=20
  (ICS), University of T=FCbingen<o:p></o:p></SPAN></P>
  <P class=3DMsoPlainText><SPAN lang=3DEN-US>Sand 13, 72076 T=FCbingen, =
Germany, Phone=20
  +49 7071 2970532<o:p></o:p></SPAN></P>
  <P class=3DMsoPlainText><SPAN=20
  lang=3DEN-US>http://www.net.uni-tuebingen.de/<o:p></o:p></SPAN></P>
  <P class=3DMsoPlainText><SPAN=20
lang=3DEN-US><o:p>&nbsp;</o:p></SPAN></P></DIV></BLOCKQUOTE></BODY></HTML=
>

------_=_NextPart_001_01CA5C84.DF9217E1--

From mramalho@cisco.com  Tue Nov  3 07:33:35 2009
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From: "Michael Ramalho (mramalho)" <mramalho@cisco.com>
To: "Christian Hoene" <hoene@uni-tuebingen.de>, <codec@ietf.org>
X-OriginalArrivalTime: 03 Nov 2009 15:33:53.0979 (UTC) FILETIME=[0CE968B0:01CA5C9B]
Subject: Re: [codec] questions to be answered
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Hi Christian,

My replies are in-line below (w/ MAR:).

Thanks for your consideration.

Michael Ramalho

-----Original Message-----
From: Christian Hoene [mailto:hoene@uni-tuebingen.de]=20
Sent: Tuesday, November 03, 2009 4:30 AM
To: Michael Ramalho (mramalho); codec@ietf.org
Subject: RE: [codec] questions to be answered

Hello Michael,

> At a minimum, I see two legitimate codec classes:
>=20
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>=20
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing,=20

High-quality mixing? That do you have in mind? Stereo or binaural (3D =
sound)
mixing?

MAR: I continued in the email to say that I could potentially think of =
lots of other examples that require some bounds on the linear distortion =
because of the signal processing desired at the receiver. But yes, one =
could conceive of mixing to reproduce the effect of where spatially the =
sound came from in the sending location using only the signals rendered =
at the receiver.

> many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.

You may add distributed speech recognition to the second class. However, =
to
my understanding the current offered codecs have not been designed with =
the
second class in mind.

MAR: Precisely. I am purposely not limiting my thinking to the current =
offered codecs.

MAR: Please note that I am not proposing Class 2 work at this time ... =
my point is that some organization in the future could advocate such in =
the future and NOT burden the present "Class 1" codec work with (what I =
believe are) unnecessary requirements.

MAR: Personally, I think there will be a need for Class 2 codecs soon =
... but I think it is most important NOT to burden the present work with =
"low-runner" or "special-application" requirements. The whole point of =
my dissertation was that one codec cannot fit "all Internet =
applications". We should focus first on what the WG feels is the most =
pressing application - a bandwidth efficient, Internet-friendly, =
human-consumable codec. This codec is likely to be model-based. If =
someone has a "pet requirement" outside the general Class 1 codec =
consensus - let them propose a use case (which would include a market =
need statement) and let the WG consider whether that "pet requirement" =
should be included in our first work or left for another day.

Also, class 2 might not fall in the interactive
category (which implies that communication takes place between humans).
By the way, are you training your classification-based applications =
while
taking the distortions caused by the transmission system into =
consideration?

MAR: If the application is not real-time interaction ... we would send =
via reliable protocols ... and such a codec need not be as robust to =
packet loss.

MAR: Again I am not advocating a Class 2 codec at this time ... but =
apparently you are knowledgeable about matched training/testing =
conditions for ASR systems and the like.

You forgot: We need to add CLASS 3 for video and CLASS 4 for general
content, too.

MAR: No, I didn't. I'll let someone who has convinced the WG chairs of a =
market need, a use case, proposed requirements for any additional =
classes to be considered. I would hope that a very limited number of =
codecs are developed (see next paragraph).

> Granted, we should make each use case as broad as possible so as not =
to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to =
go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).

Yes, actually Noll and Jayant have proposed to use =B5-Law to support =
speech,
audio

MAR: This is patently false if you consider audio to have content above =
4 kHz. All natural signals with finite energy (a guitar string pluck, a =
glottal speech pulse) have a spectral roll-off with increasing frequency =
(e.g., speech has approximately a 6 dB roll-off per octave). G.711 has a =
flat distortion characteristic with frequency. This means if you go out =
far enough in frequency (depends on the signal) your SNR turns negative =
at some point. I have personally interacted with Dr. Jayant at Bell Labs =
Murray Hill and I can assure you that he would NOT advocate G.711 for =
other than a narrowband speech audio application.

AND video compression.

MAR: Definitely false ... but would require too long an explanation =
(luminance related) ;-). I can't tell if you sarcastic-mode is set to =
on.

But to my understanding it is common consensus
to concentrate on a limited (e.g. class 1) scenario and finished this =
work
first before setting up another construction site.

MAR: And that is, in essence, my proposal - except I have a tweak. If =
you have a "pet requirement", I (personally) don't want it to bugger-up =
the process of getting to a good a bandwidth efficient, =
Internet-friendly, human-consumable codec.

Christian



From mknappe@juniper.net  Tue Nov  3 08:42:32 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "mramalho@cisco.com" <mramalho@cisco.com>, "hoene@uni-tuebingen.de" <hoene@uni-tuebingen.de>, "codec@ietf.org" <codec@ietf.org>
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As I've been preparing the 'application vs. criteria matrix', it's become c=
lear that video-centric applications like telepresence will have audio code=
cs that are at least partially tied to or driven by characteristics of the =
video coding (e.g. frame size). Do we as a group want to tackle additional =
non-voice considerations in the WG?

Agree with MAR on G.711, logarithmic encoding with a relatively fixed SNR d=
oesn't cut it for monotonically decreasing frequency content sources like s=
peech beyond 3 kHz. That's why G.722 went with a simple two-band approach f=
or better representation of the upper octave, and there are of course many =
examples today of sub-band approaches.

Mike


----- Original Message -----
From: codec-bounces@ietf.org <codec-bounces@ietf.org>
To: Christian Hoene <hoene@uni-tuebingen.de>; codec@ietf.org <codec@ietf.or=
g>
Sent: Tue Nov 03 10:33:56 2009=0A=
Subject: Re: [codec] questions to be answered

Hi Christian,

My replies are in-line below (w/ MAR:).

Thanks for your consideration.

Michael Ramalho

-----Original Message-----
From: Christian Hoene [mailto:hoene@uni-tuebingen.de]=20
Sent: Tuesday, November 03, 2009 4:30 AM
To: Michael Ramalho (mramalho); codec@ietf.org
Subject: RE: [codec] questions to be answered

Hello Michael,

> At a minimum, I see two legitimate codec classes:
>=20
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>=20
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing,=20

High-quality mixing? That do you have in mind? Stereo or binaural (3D sound=
)
mixing?

MAR: I continued in the email to say that I could potentially think of lots=
 of other examples that require some bounds on the linear distortion becaus=
e of the signal processing desired at the receiver. But yes, one could conc=
eive of mixing to reproduce the effect of where spatially the sound came fr=
om in the sending location using only the signals rendered at the receiver.

> many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.

You may add distributed speech recognition to the second class. However, to
my understanding the current offered codecs have not been designed with the
second class in mind.

MAR: Precisely. I am purposely not limiting my thinking to the current offe=
red codecs.

MAR: Please note that I am not proposing Class 2 work at this time ... my p=
oint is that some organization in the future could advocate such in the fut=
ure and NOT burden the present "Class 1" codec work with (what I believe ar=
e) unnecessary requirements.

MAR: Personally, I think there will be a need for Class 2 codecs soon ... b=
ut I think it is most important NOT to burden the present work with "low-ru=
nner" or "special-application" requirements. The whole point of my disserta=
tion was that one codec cannot fit "all Internet applications". We should f=
ocus first on what the WG feels is the most pressing application - a bandwi=
dth efficient, Internet-friendly, human-consumable codec. This codec is lik=
ely to be model-based. If someone has a "pet requirement" outside the gener=
al Class 1 codec consensus - let them propose a use case (which would inclu=
de a market need statement) and let the WG consider whether that "pet requi=
rement" should be included in our first work or left for another day.

Also, class 2 might not fall in the interactive
category (which implies that communication takes place between humans).
By the way, are you training your classification-based applications while
taking the distortions caused by the transmission system into consideration=
?

MAR: If the application is not real-time interaction ... we would send via =
reliable protocols ... and such a codec need not be as robust to packet los=
s.

MAR: Again I am not advocating a Class 2 codec at this time ... but apparen=
tly you are knowledgeable about matched training/testing conditions for ASR=
 systems and the like.

You forgot: We need to add CLASS 3 for video and CLASS 4 for general
content, too.

MAR: No, I didn't. I'll let someone who has convinced the WG chairs of a ma=
rket need, a use case, proposed requirements for any additional classes to =
be considered. I would hope that a very limited number of codecs are develo=
ped (see next paragraph).

> Granted, we should make each use case as broad as possible so as not to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).

Yes, actually Noll and Jayant have proposed to use =B5-Law to support speec=
h,
audio

MAR: This is patently false if you consider audio to have content above 4 k=
Hz. All natural signals with finite energy (a guitar string pluck, a glotta=
l speech pulse) have a spectral roll-off with increasing frequency (e.g., s=
peech has approximately a 6 dB roll-off per octave). G.711 has a flat disto=
rtion characteristic with frequency. This means if you go out far enough in=
 frequency (depends on the signal) your SNR turns negative at some point. I=
 have personally interacted with Dr. Jayant at Bell Labs Murray Hill and I =
can assure you that he would NOT advocate G.711 for other than a narrowband=
 speech audio application.

AND video compression.

MAR: Definitely false ... but would require too long an explanation (lumina=
nce related) ;-). I can't tell if you sarcastic-mode is set to on.

But to my understanding it is common consensus
to concentrate on a limited (e.g. class 1) scenario and finished this work
first before setting up another construction site.

MAR: And that is, in essence, my proposal - except I have a tweak. If you h=
ave a "pet requirement", I (personally) don't want it to bugger-up the proc=
ess of getting to a good a bandwidth efficient, Internet-friendly, human-co=
nsumable codec.

Christian


_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec

From ron.even.tlv@gmail.com  Tue Nov  3 09:10:27 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Michael Knappe'" <mknappe@juniper.net>, <mramalho@cisco.com>, <hoene@uni-tuebingen.de>, <codec@ietf.org>
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Mike,
I am not sure what you mean by tied to video codec. I can think of the =
delay
which can be similar to the video.
The general requirements is support for hands free, full band with =
stereo
support and optional 5.1 support.
Current codecs used are AAC and G.719.
BTW: there is a different between tele-presence with multiple codecs and
hifh quality HD room systems with one video codec that provide
tele-presence" experience for small rooms.

Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Michael Knappe
> Sent: Tuesday, November 03, 2009 6:40 PM
> To: mramalho@cisco.com; hoene@uni-tuebingen.de; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>=20
> As I've been preparing the 'application vs. criteria matrix', it's
> become clear that video-centric applications like telepresence will
> have audio codecs that are at least partially tied to or driven by
> characteristics of the video coding (e.g. frame size). Do we as a =
group
> want to tackle additional non-voice considerations in the WG?
>=20
> Agree with MAR on G.711, logarithmic encoding with a relatively fixed
> SNR doesn't cut it for monotonically decreasing frequency content
> sources like speech beyond 3 kHz. That's why G.722 went with a simple
> two-band approach for better representation of the upper octave, and
> there are of course many examples today of sub-band approaches.
>=20
> Mike
>=20
>=20
> ----- Original Message -----
> From: codec-bounces@ietf.org <codec-bounces@ietf.org>
> To: Christian Hoene <hoene@uni-tuebingen.de>; codec@ietf.org
> <codec@ietf.org>
> Sent: Tue Nov 03 10:33:56 2009
> Subject: Re: [codec] questions to be answered
>=20
> Hi Christian,
>=20
> My replies are in-line below (w/ MAR:).
>=20
> Thanks for your consideration.
>=20
> Michael Ramalho
>=20
> -----Original Message-----
> From: Christian Hoene [mailto:hoene@uni-tuebingen.de]
> Sent: Tuesday, November 03, 2009 4:30 AM
> To: Michael Ramalho (mramalho); codec@ietf.org
> Subject: RE: [codec] questions to be answered
>=20
> Hello Michael,
>=20
> > At a minimum, I see two legitimate codec classes:
> >
> > CLASS 1) codecs that are bandwidth efficient and sound good to =
humans
> > (and perhaps satisfy tendeming or tone pass-through requirements),
> and
> >
> > CLASS 2) codecs whose output may later be processed by sophisticated
> > signal processing functions (high-quality mixing,
>=20
> High-quality mixing? That do you have in mind? Stereo or binaural (3D
> sound)
> mixing?
>=20
> MAR: I continued in the email to say that I could potentially think of
> lots of other examples that require some bounds on the linear
> distortion because of the signal processing desired at the receiver.
> But yes, one could conceive of mixing to reproduce the effect of where
> spatially the sound came from in the sending location using only the
> signals rendered at the receiver.
>=20
> > many
> > classification-based applications such as speaker/sound/intrusion
> > identification) that have SNR/waveform/distortion criteria generally
> > exceeding CLASS 1.
>=20
> You may add distributed speech recognition to the second class.
> However, to
> my understanding the current offered codecs have not been designed =
with
> the
> second class in mind.
>=20
> MAR: Precisely. I am purposely not limiting my thinking to the current
> offered codecs.
>=20
> MAR: Please note that I am not proposing Class 2 work at this time ...
> my point is that some organization in the future could advocate such =
in
> the future and NOT burden the present "Class 1" codec work with (what =
I
> believe are) unnecessary requirements.
>=20
> MAR: Personally, I think there will be a need for Class 2 codecs soon
> ... but I think it is most important NOT to burden the present work
> with "low-runner" or "special-application" requirements. The whole
> point of my dissertation was that one codec cannot fit "all Internet
> applications". We should focus first on what the WG feels is the most
> pressing application - a bandwidth efficient, Internet-friendly, =
human-
> consumable codec. This codec is likely to be model-based. If someone
> has a "pet requirement" outside the general Class 1 codec consensus -
> let them propose a use case (which would include a market need
> statement) and let the WG consider whether that "pet requirement"
> should be included in our first work or left for another day.
>=20
> Also, class 2 might not fall in the interactive
> category (which implies that communication takes place between =
humans).
> By the way, are you training your classification-based applications
> while
> taking the distortions caused by the transmission system into
> consideration?
>=20
> MAR: If the application is not real-time interaction ... we would send
> via reliable protocols ... and such a codec need not be as robust to
> packet loss.
>=20
> MAR: Again I am not advocating a Class 2 codec at this time ... but
> apparently you are knowledgeable about matched training/testing
> conditions for ASR systems and the like.
>=20
> You forgot: We need to add CLASS 3 for video and CLASS 4 for general
> content, too.
>=20
> MAR: No, I didn't. I'll let someone who has convinced the WG chairs of
> a market need, a use case, proposed requirements for any additional
> classes to be considered. I would hope that a very limited number of
> codecs are developed (see next paragraph).
>=20
> > Granted, we should make each use case as broad as possible so as not
> to
> > have too many of them. Once one codec is standardized for a
> particular
> > application type - a subsequent candidate codec/application would
> need
> > to prove it is "sufficiently different" from the existing codec(s) =
to
> go
> > further. The WG chairs need to exert leadership to ensure the =
desired
> > result (of the smallest number of codecs spanning the greatest
> > application space).
>=20
> Yes, actually Noll and Jayant have proposed to use =B5-Law to support
> speech,
> audio
>=20
> MAR: This is patently false if you consider audio to have content =
above
> 4 kHz. All natural signals with finite energy (a guitar string pluck, =
a
> glottal speech pulse) have a spectral roll-off with increasing
> frequency (e.g., speech has approximately a 6 dB roll-off per octave).
> G.711 has a flat distortion characteristic with frequency. This means
> if you go out far enough in frequency (depends on the signal) your SNR
> turns negative at some point. I have personally interacted with Dr.
> Jayant at Bell Labs Murray Hill and I can assure you that he would NOT
> advocate G.711 for other than a narrowband speech audio application.
>=20
> AND video compression.
>=20
> MAR: Definitely false ... but would require too long an explanation
> (luminance related) ;-). I can't tell if you sarcastic-mode is set to
> on.
>=20
> But to my understanding it is common consensus
> to concentrate on a limited (e.g. class 1) scenario and finished this
> work
> first before setting up another construction site.
>=20
> MAR: And that is, in essence, my proposal - except I have a tweak. If
> you have a "pet requirement", I (personally) don't want it to =
bugger-up
> the process of getting to a good a bandwidth efficient, Internet-
> friendly, human-consumable codec.
>=20
> Christian
>=20
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From br@brianrosen.net  Tue Nov  3 09:23:13 2009
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Date: Tue, 03 Nov 2009 12:23:20 -0400
From: Brian Rosen <br@brianrosen.net>
To: Roni Even <ron.even.tlv@gmail.com>, 'Michael Knappe' <mknappe@juniper.net>, <mramalho@cisco.com>, <hoene@uni-tuebingen.de>, <codec@ietf.org>
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Right, and the codec doesn't have anything special to match the delay:
that's done elsewhere.

Similarly, there is need for stereo and 5.1 acoustic echo cancel, but that'=
s
not part of the codec either, although we sometimes get tempted to put some
cues in the stream to help the echo cancellation.

There is no attempt to match frame sizes or anything else.  You match delay
to get lip sync right. Everything else is pretty independent.

Of course, you have to keep the delay low ("low" in video terms): under 150
ms one way end to end, including any mixers.  That's usually easy for the
audio, hard for the video, so you artificially delay the audio to match the
video.

Brian


On 11/3/09 1:09 PM, "Roni Even" <ron.even.tlv@gmail.com> wrote:

> Mike,
I am not sure what you mean by tied to video codec. I can think of the
> delay
which can be similar to the video.
The general requirements is support
> for hands free, full band with stereo
support and optional 5.1
> support.
Current codecs used are AAC and G.719.
BTW: there is a different
> between tele-presence with multiple codecs and
hifh quality HD room systems
> with one video codec that provide
tele-presence" experience for small
> rooms.

Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org
> [mailto:codec-bounces@ietf.org] On Behalf
> Of Michael Knappe
> Sent: Tuesday,
> November 03, 2009 6:40 PM
> To: mramalho@cisco.com; hoene@uni-tuebingen.de;
> codec@ietf.org
> Subject: Re: [codec] questions to be answered
> 
> As I've
> been preparing the 'application vs. criteria matrix', it's
> become clear that
> video-centric applications like telepresence will
> have audio codecs that are
> at least partially tied to or driven by
> characteristics of the video coding
> (e.g. frame size). Do we as a group
> want to tackle additional non-voice
> considerations in the WG?
> 
> Agree with MAR on G.711, logarithmic encoding
> with a relatively fixed
> SNR doesn't cut it for monotonically decreasing
> frequency content
> sources like speech beyond 3 kHz. That's why G.722 went
> with a simple
> two-band approach for better representation of the upper
> octave, and
> there are of course many examples today of sub-band
> approaches.
> 
> Mike
> 
> 
> ----- Original Message -----
> From:
> codec-bounces@ietf.org <codec-bounces@ietf.org>
> To: Christian Hoene
> <hoene@uni-tuebingen.de>; codec@ietf.org
> <codec@ietf.org>
> Sent: Tue Nov 03
> 10:33:56 2009
> Subject: Re: [codec] questions to be answered
> 
> Hi
> Christian,
> 
> My replies are in-line below (w/ MAR:).
> 
> Thanks for your
> consideration.
> 
> Michael Ramalho
> 
> -----Original Message-----
> From:
> Christian Hoene [mailto:hoene@uni-tuebingen.de]
> Sent: Tuesday, November 03,
> 2009 4:30 AM
> To: Michael Ramalho (mramalho); codec@ietf.org
> Subject: RE:
> [codec] questions to be answered
> 
> Hello Michael,
> 
> > At a minimum, I
> see two legitimate codec classes:
> >
> > CLASS 1) codecs that are bandwidth
> efficient and sound good to humans
> > (and perhaps satisfy tendeming or tone
> pass-through requirements),
> and
> >
> > CLASS 2) codecs whose output may
> later be processed by sophisticated
> > signal processing functions
> (high-quality mixing,
> 
> High-quality mixing? That do you have in mind?
> Stereo or binaural (3D
> sound)
> mixing?
> 
> MAR: I continued in the email
> to say that I could potentially think of
> lots of other examples that require
> some bounds on the linear
> distortion because of the signal processing
> desired at the receiver.
> But yes, one could conceive of mixing to reproduce
> the effect of where
> spatially the sound came from in the sending location
> using only the
> signals rendered at the receiver.
> 
> > many
> >
> classification-based applications such as speaker/sound/intrusion
> >
> identification) that have SNR/waveform/distortion criteria generally
> >
> exceeding CLASS 1.
> 
> You may add distributed speech recognition to the
> second class.
> However, to
> my understanding the current offered codecs have
> not been designed with
> the
> second class in mind.
> 
> MAR: Precisely. I am
> purposely not limiting my thinking to the current
> offered codecs.
> 
> MAR:
> Please note that I am not proposing Class 2 work at this time ...
> my point
> is that some organization in the future could advocate such in
> the future
> and NOT burden the present "Class 1" codec work with (what I
> believe are)
> unnecessary requirements.
> 
> MAR: Personally, I think there will be a need
> for Class 2 codecs soon
> ... but I think it is most important NOT to burden
> the present work
> with "low-runner" or "special-application" requirements.
> The whole
> point of my dissertation was that one codec cannot fit "all
> Internet
> applications". We should focus first on what the WG feels is the
> most
> pressing application - a bandwidth efficient, Internet-friendly,
> human-
> consumable codec. This codec is likely to be model-based. If
> someone
> has a "pet requirement" outside the general Class 1 codec consensus
> -
> let them propose a use case (which would include a market need
>
> statement) and let the WG consider whether that "pet requirement"
> should be
> included in our first work or left for another day.
> 
> Also, class 2 might
> not fall in the interactive
> category (which implies that communication takes
> place between humans).
> By the way, are you training your
> classification-based applications
> while
> taking the distortions caused by
> the transmission system into
> consideration?
> 
> MAR: If the application is
> not real-time interaction ... we would send
> via reliable protocols ... and
> such a codec need not be as robust to
> packet loss.
> 
> MAR: Again I am not
> advocating a Class 2 codec at this time ... but
> apparently you are
> knowledgeable about matched training/testing
> conditions for ASR systems and
> the like.
> 
> You forgot: We need to add CLASS 3 for video and CLASS 4 for
> general
> content, too.
> 
> MAR: No, I didn't. I'll let someone who has
> convinced the WG chairs of
> a market need, a use case, proposed requirements
> for any additional
> classes to be considered. I would hope that a very
> limited number of
> codecs are developed (see next paragraph).
> 
> > Granted,
> we should make each use case as broad as possible so as not
> to
> > have too
> many of them. Once one codec is standardized for a
> particular
> >
> application type - a subsequent candidate codec/application would
> need
> >
> to prove it is "sufficiently different" from the existing codec(s) to
> go
> >
> further. The WG chairs need to exert leadership to ensure the desired
> >
> result (of the smallest number of codecs spanning the greatest
> > application
> space).
> 
> Yes, actually Noll and Jayant have proposed to use =B5-Law to
> support
> speech,
> audio
> 
> MAR: This is patently false if you consider
> audio to have content above
> 4 kHz. All natural signals with finite energy (a
> guitar string pluck, a
> glottal speech pulse) have a spectral roll-off with
> increasing
> frequency (e.g., speech has approximately a 6 dB roll-off per
> octave).
> G.711 has a flat distortion characteristic with frequency. This
> means
> if you go out far enough in frequency (depends on the signal) your
> SNR
> turns negative at some point. I have personally interacted with Dr.
>
> Jayant at Bell Labs Murray Hill and I can assure you that he would NOT
>
> advocate G.711 for other than a narrowband speech audio application.
> 
> AND
> video compression.
> 
> MAR: Definitely false ... but would require too long
> an explanation
> (luminance related) ;-). I can't tell if you sarcastic-mode
> is set to
> on.
> 
> But to my understanding it is common consensus
> to
> concentrate on a limited (e.g. class 1) scenario and finished this
> work
>
> first before setting up another construction site.
> 
> MAR: And that is, in
> essence, my proposal - except I have a tweak. If
> you have a "pet
> requirement", I (personally) don't want it to bugger-up
> the process of
> getting to a good a bandwidth efficient, Internet-
> friendly,
> human-consumable codec.
> 
> Christian
> 
> 
>
> _______________________________________________
> codec mailing list
>
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
>
> codec@ietf.org
>=20
> https://www.ietf.org/mailman/listinfo/codec

_________________________________
> ______________
codec mailing
> list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec




From mknappe@juniper.net  Tue Nov  3 09:38:45 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "ron.even.tlv@gmail.com" <ron.even.tlv@gmail.com>, "mramalho@cisco.com" <mramalho@cisco.com>, "hoene@uni-tuebingen.de" <hoene@uni-tuebingen.de>, "codec@ietf.org" <codec@ietf.org>
Date: Tue, 3 Nov 2009 09:33:37 -0800
Thread-Topic: [codec] questions to be answered
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Frame size is the first thing that came to mind, but I was unsure as if the=
re may be other considerations that I was unaware of for video and was hopi=
ng for some feedback there.

Obviously you could pack and synchronize multiple short audio frames along =
with a longer duration video frame, but a codec with potential compression =
quality improvements with longer lookahead audio frames could take better a=
dvantage of the allowed video framing time.

This is just an example to explore  Michael Ramalho's discussion of how far=
 we should go to accomodate different application spaces.

Roni, for clarification, can you elaborate further on your 'BTW...' discuss=
ion of different telepresence codecs below? Thanks.

Cheers,

Mike


----- Original Message -----
From: Roni Even <ron.even.tlv@gmail.com>
To: Michael Knappe; mramalho@cisco.com <mramalho@cisco.com>; hoene@uni-tueb=
ingen.de <hoene@uni-tuebingen.de>; codec@ietf.org <codec@ietf.org>
Sent: Tue Nov 03 12:09:44 2009=0A=
Subject: RE: [codec] questions to be answered

Mike,
I am not sure what you mean by tied to video codec. I can think of the dela=
y
which can be similar to the video.
The general requirements is support for hands free, full band with stereo
support and optional 5.1 support.
Current codecs used are AAC and G.719.
BTW: there is a different between tele-presence with multiple codecs and
hifh quality HD room systems with one video codec that provide
tele-presence" experience for small rooms.

Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Michael Knappe
> Sent: Tuesday, November 03, 2009 6:40 PM
> To: mramalho@cisco.com; hoene@uni-tuebingen.de; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>=20
> As I've been preparing the 'application vs. criteria matrix', it's
> become clear that video-centric applications like telepresence will
> have audio codecs that are at least partially tied to or driven by
> characteristics of the video coding (e.g. frame size). Do we as a group
> want to tackle additional non-voice considerations in the WG?
>=20
> Agree with MAR on G.711, logarithmic encoding with a relatively fixed
> SNR doesn't cut it for monotonically decreasing frequency content
> sources like speech beyond 3 kHz. That's why G.722 went with a simple
> two-band approach for better representation of the upper octave, and
> there are of course many examples today of sub-band approaches.
>=20
> Mike
>=20
>=20
> ----- Original Message -----
> From: codec-bounces@ietf.org <codec-bounces@ietf.org>
> To: Christian Hoene <hoene@uni-tuebingen.de>; codec@ietf.org
> <codec@ietf.org>
> Sent: Tue Nov 03 10:33:56 2009
> Subject: Re: [codec] questions to be answered
>=20
> Hi Christian,
>=20
> My replies are in-line below (w/ MAR:).
>=20
> Thanks for your consideration.
>=20
> Michael Ramalho
>=20
> -----Original Message-----
> From: Christian Hoene [mailto:hoene@uni-tuebingen.de]
> Sent: Tuesday, November 03, 2009 4:30 AM
> To: Michael Ramalho (mramalho); codec@ietf.org
> Subject: RE: [codec] questions to be answered
>=20
> Hello Michael,
>=20
> > At a minimum, I see two legitimate codec classes:
> >
> > CLASS 1) codecs that are bandwidth efficient and sound good to humans
> > (and perhaps satisfy tendeming or tone pass-through requirements),
> and
> >
> > CLASS 2) codecs whose output may later be processed by sophisticated
> > signal processing functions (high-quality mixing,
>=20
> High-quality mixing? That do you have in mind? Stereo or binaural (3D
> sound)
> mixing?
>=20
> MAR: I continued in the email to say that I could potentially think of
> lots of other examples that require some bounds on the linear
> distortion because of the signal processing desired at the receiver.
> But yes, one could conceive of mixing to reproduce the effect of where
> spatially the sound came from in the sending location using only the
> signals rendered at the receiver.
>=20
> > many
> > classification-based applications such as speaker/sound/intrusion
> > identification) that have SNR/waveform/distortion criteria generally
> > exceeding CLASS 1.
>=20
> You may add distributed speech recognition to the second class.
> However, to
> my understanding the current offered codecs have not been designed with
> the
> second class in mind.
>=20
> MAR: Precisely. I am purposely not limiting my thinking to the current
> offered codecs.
>=20
> MAR: Please note that I am not proposing Class 2 work at this time ...
> my point is that some organization in the future could advocate such in
> the future and NOT burden the present "Class 1" codec work with (what I
> believe are) unnecessary requirements.
>=20
> MAR: Personally, I think there will be a need for Class 2 codecs soon
> ... but I think it is most important NOT to burden the present work
> with "low-runner" or "special-application" requirements. The whole
> point of my dissertation was that one codec cannot fit "all Internet
> applications". We should focus first on what the WG feels is the most
> pressing application - a bandwidth efficient, Internet-friendly, human-
> consumable codec. This codec is likely to be model-based. If someone
> has a "pet requirement" outside the general Class 1 codec consensus -
> let them propose a use case (which would include a market need
> statement) and let the WG consider whether that "pet requirement"
> should be included in our first work or left for another day.
>=20
> Also, class 2 might not fall in the interactive
> category (which implies that communication takes place between humans).
> By the way, are you training your classification-based applications
> while
> taking the distortions caused by the transmission system into
> consideration?
>=20
> MAR: If the application is not real-time interaction ... we would send
> via reliable protocols ... and such a codec need not be as robust to
> packet loss.
>=20
> MAR: Again I am not advocating a Class 2 codec at this time ... but
> apparently you are knowledgeable about matched training/testing
> conditions for ASR systems and the like.
>=20
> You forgot: We need to add CLASS 3 for video and CLASS 4 for general
> content, too.
>=20
> MAR: No, I didn't. I'll let someone who has convinced the WG chairs of
> a market need, a use case, proposed requirements for any additional
> classes to be considered. I would hope that a very limited number of
> codecs are developed (see next paragraph).
>=20
> > Granted, we should make each use case as broad as possible so as not
> to
> > have too many of them. Once one codec is standardized for a
> particular
> > application type - a subsequent candidate codec/application would
> need
> > to prove it is "sufficiently different" from the existing codec(s) to
> go
> > further. The WG chairs need to exert leadership to ensure the desired
> > result (of the smallest number of codecs spanning the greatest
> > application space).
>=20
> Yes, actually Noll and Jayant have proposed to use =B5-Law to support
> speech,
> audio
>=20
> MAR: This is patently false if you consider audio to have content above
> 4 kHz. All natural signals with finite energy (a guitar string pluck, a
> glottal speech pulse) have a spectral roll-off with increasing
> frequency (e.g., speech has approximately a 6 dB roll-off per octave).
> G.711 has a flat distortion characteristic with frequency. This means
> if you go out far enough in frequency (depends on the signal) your SNR
> turns negative at some point. I have personally interacted with Dr.
> Jayant at Bell Labs Murray Hill and I can assure you that he would NOT
> advocate G.711 for other than a narrowband speech audio application.
>=20
> AND video compression.
>=20
> MAR: Definitely false ... but would require too long an explanation
> (luminance related) ;-). I can't tell if you sarcastic-mode is set to
> on.
>=20
> But to my understanding it is common consensus
> to concentrate on a limited (e.g. class 1) scenario and finished this
> work
> first before setting up another construction site.
>=20
> MAR: And that is, in essence, my proposal - except I have a tweak. If
> you have a "pet requirement", I (personally) don't want it to bugger-up
> the process of getting to a good a bandwidth efficient, Internet-
> friendly, human-consumable codec.
>=20
> Christian
>=20
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From mknappe@juniper.net  Tue Nov  3 09:49:55 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "br@brianrosen.net" <br@brianrosen.net>, "ron.even.tlv@gmail.com" <ron.even.tlv@gmail.com>, "mramalho@cisco.com" <mramalho@cisco.com>, "hoene@uni-tuebingen.de" <hoene@uni-tuebingen.de>, "codec@ietf.org" <codec@ietf.org>
Date: Tue, 3 Nov 2009 09:46:56 -0800
Thread-Topic: [codec] questions to be answered
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Agreed, thanks.

One quick note on the 150 ms end-to-end requirement. That is a general rule=
-of-thumb (and ITU specified) requirement for interactive speech responsive=
ness and ease of conversation, but one that digging deeper is dependent on =
language, cultural, and use case factors. There are conference situations w=
hich are more forgiving to longer delays, and conversely language types tha=
t require tighter delay to avoid emotional misinterpretation of verbal ackn=
owledgements.=20

Mike



----- Original Message -----
From: Brian Rosen <br@brianrosen.net>
To: Roni Even <ron.even.tlv@gmail.com>; Michael Knappe; mramalho@cisco.com =
<mramalho@cisco.com>; hoene@uni-tuebingen.de <hoene@uni-tuebingen.de>; code=
c@ietf.org <codec@ietf.org>
Sent: Tue Nov 03 11:23:20 2009=0A=
Subject: Re: [codec] questions to be answered

Right, and the codec doesn't have anything special to match the delay:
that's done elsewhere.

Similarly, there is need for stereo and 5.1 acoustic echo cancel, but that'=
s
not part of the codec either, although we sometimes get tempted to put some
cues in the stream to help the echo cancellation.

There is no attempt to match frame sizes or anything else.  You match delay
to get lip sync right. Everything else is pretty independent.

Of course, you have to keep the delay low ("low" in video terms): under 150
ms one way end to end, including any mixers.  That's usually easy for the
audio, hard for the video, so you artificially delay the audio to match the
video.

Brian


On 11/3/09 1:09 PM, "Roni Even" <ron.even.tlv@gmail.com> wrote:

> Mike,
I am not sure what you mean by tied to video codec. I can think of the
> delay
which can be similar to the video.
The general requirements is support
> for hands free, full band with stereo
support and optional 5.1
> support.
Current codecs used are AAC and G.719.
BTW: there is a different
> between tele-presence with multiple codecs and
hifh quality HD room systems
> with one video codec that provide
tele-presence" experience for small
> rooms.

Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org
> [mailto:codec-bounces@ietf.org] On Behalf
> Of Michael Knappe
> Sent: Tuesday,
> November 03, 2009 6:40 PM
> To: mramalho@cisco.com; hoene@uni-tuebingen.de;
> codec@ietf.org
> Subject: Re: [codec] questions to be answered
>=20
> As I've
> been preparing the 'application vs. criteria matrix', it's
> become clear that
> video-centric applications like telepresence will
> have audio codecs that are
> at least partially tied to or driven by
> characteristics of the video coding
> (e.g. frame size). Do we as a group
> want to tackle additional non-voice
> considerations in the WG?
>=20
> Agree with MAR on G.711, logarithmic encoding
> with a relatively fixed
> SNR doesn't cut it for monotonically decreasing
> frequency content
> sources like speech beyond 3 kHz. That's why G.722 went
> with a simple
> two-band approach for better representation of the upper
> octave, and
> there are of course many examples today of sub-band
> approaches.
>=20
> Mike
>=20
>=20
> ----- Original Message -----
> From:
> codec-bounces@ietf.org <codec-bounces@ietf.org>
> To: Christian Hoene
> <hoene@uni-tuebingen.de>; codec@ietf.org
> <codec@ietf.org>
> Sent: Tue Nov 03
> 10:33:56 2009
> Subject: Re: [codec] questions to be answered
>=20
> Hi
> Christian,
>=20
> My replies are in-line below (w/ MAR:).
>=20
> Thanks for your
> consideration.
>=20
> Michael Ramalho
>=20
> -----Original Message-----
> From:
> Christian Hoene [mailto:hoene@uni-tuebingen.de]
> Sent: Tuesday, November 03,
> 2009 4:30 AM
> To: Michael Ramalho (mramalho); codec@ietf.org
> Subject: RE:
> [codec] questions to be answered
>=20
> Hello Michael,
>=20
> > At a minimum, I
> see two legitimate codec classes:
> >
> > CLASS 1) codecs that are bandwidth
> efficient and sound good to humans
> > (and perhaps satisfy tendeming or tone
> pass-through requirements),
> and
> >
> > CLASS 2) codecs whose output may
> later be processed by sophisticated
> > signal processing functions
> (high-quality mixing,
>=20
> High-quality mixing? That do you have in mind?
> Stereo or binaural (3D
> sound)
> mixing?
>=20
> MAR: I continued in the email
> to say that I could potentially think of
> lots of other examples that require
> some bounds on the linear
> distortion because of the signal processing
> desired at the receiver.
> But yes, one could conceive of mixing to reproduce
> the effect of where
> spatially the sound came from in the sending location
> using only the
> signals rendered at the receiver.
>=20
> > many
> >
> classification-based applications such as speaker/sound/intrusion
> >
> identification) that have SNR/waveform/distortion criteria generally
> >
> exceeding CLASS 1.
>=20
> You may add distributed speech recognition to the
> second class.
> However, to
> my understanding the current offered codecs have
> not been designed with
> the
> second class in mind.
>=20
> MAR: Precisely. I am
> purposely not limiting my thinking to the current
> offered codecs.
>=20
> MAR:
> Please note that I am not proposing Class 2 work at this time ...
> my point
> is that some organization in the future could advocate such in
> the future
> and NOT burden the present "Class 1" codec work with (what I
> believe are)
> unnecessary requirements.
>=20
> MAR: Personally, I think there will be a need
> for Class 2 codecs soon
> ... but I think it is most important NOT to burden
> the present work
> with "low-runner" or "special-application" requirements.
> The whole
> point of my dissertation was that one codec cannot fit "all
> Internet
> applications". We should focus first on what the WG feels is the
> most
> pressing application - a bandwidth efficient, Internet-friendly,
> human-
> consumable codec. This codec is likely to be model-based. If
> someone
> has a "pet requirement" outside the general Class 1 codec consensus
> -
> let them propose a use case (which would include a market need
>
> statement) and let the WG consider whether that "pet requirement"
> should be
> included in our first work or left for another day.
>=20
> Also, class 2 might
> not fall in the interactive
> category (which implies that communication takes
> place between humans).
> By the way, are you training your
> classification-based applications
> while
> taking the distortions caused by
> the transmission system into
> consideration?
>=20
> MAR: If the application is
> not real-time interaction ... we would send
> via reliable protocols ... and
> such a codec need not be as robust to
> packet loss.
>=20
> MAR: Again I am not
> advocating a Class 2 codec at this time ... but
> apparently you are
> knowledgeable about matched training/testing
> conditions for ASR systems and
> the like.
>=20
> You forgot: We need to add CLASS 3 for video and CLASS 4 for
> general
> content, too.
>=20
> MAR: No, I didn't. I'll let someone who has
> convinced the WG chairs of
> a market need, a use case, proposed requirements
> for any additional
> classes to be considered. I would hope that a very
> limited number of
> codecs are developed (see next paragraph).
>=20
> > Granted,
> we should make each use case as broad as possible so as not
> to
> > have too
> many of them. Once one codec is standardized for a
> particular
> >
> application type - a subsequent candidate codec/application would
> need
> >
> to prove it is "sufficiently different" from the existing codec(s) to
> go
> >
> further. The WG chairs need to exert leadership to ensure the desired
> >
> result (of the smallest number of codecs spanning the greatest
> > application
> space).
>=20
> Yes, actually Noll and Jayant have proposed to use =B5-Law to
> support
> speech,
> audio
>=20
> MAR: This is patently false if you consider
> audio to have content above
> 4 kHz. All natural signals with finite energy (a
> guitar string pluck, a
> glottal speech pulse) have a spectral roll-off with
> increasing
> frequency (e.g., speech has approximately a 6 dB roll-off per
> octave).
> G.711 has a flat distortion characteristic with frequency. This
> means
> if you go out far enough in frequency (depends on the signal) your
> SNR
> turns negative at some point. I have personally interacted with Dr.
>
> Jayant at Bell Labs Murray Hill and I can assure you that he would NOT
>
> advocate G.711 for other than a narrowband speech audio application.
>=20
> AND
> video compression.
>=20
> MAR: Definitely false ... but would require too long
> an explanation
> (luminance related) ;-). I can't tell if you sarcastic-mode
> is set to
> on.
>=20
> But to my understanding it is common consensus
> to
> concentrate on a limited (e.g. class 1) scenario and finished this
> work
>
> first before setting up another construction site.
>=20
> MAR: And that is, in
> essence, my proposal - except I have a tweak. If
> you have a "pet
> requirement", I (personally) don't want it to bugger-up
> the process of
> getting to a good a bandwidth efficient, Internet-
> friendly,
> human-consumable codec.
>=20
> Christian
>=20
>=20
>
> _______________________________________________
> codec mailing list
>
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
>
> codec@ietf.org
>=20
> https://www.ietf.org/mailman/listinfo/codec

_________________________________
> ______________
codec mailing
> list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec




From br@brianrosen.net  Tue Nov  3 10:09:11 2009
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Date: Tue, 03 Nov 2009 13:09:24 -0400
From: Brian Rosen <br@brianrosen.net>
To: Michael Knappe <mknappe@juniper.net>, "ron.even.tlv@gmail.com" <ron.even.tlv@gmail.com>, "mramalho@cisco.com" <mramalho@cisco.com>, "hoene@uni-tuebingen.de" <hoene@uni-tuebingen.de>, "codec@ietf.org" <codec@ietf.org>
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Could you cite the research for that?

We did some work in that space and discovered there were no cultural biases=
;
the timing was a factor in having arguments, interruptions, or fast change
of speaker, where turn taking behavior is not as controlled as it is
usually.  With delay longer than 150, arguments weren't possible naturally,
and behavior suffered significantly.  We only tested a limited range of
cultural differences, but they included US/Canada, Europe and Asia.
Granted, arguments in say, many Asian environments were much less common,
but our work suggested that it still mattered a whole lot.  Of course if th=
e
entire interaction is one way (a lecture with no questions), then delay is
not important as long as lip sync is achieved.

We did not find any advantage of having delay less than around 150.  Of
course, there is a range of human responses, so that 150 is a 95% or so
threshold.  We found the affect of delay is a cliff: once you go over the
edge, you can't converse normally (under some amount of stress), and making
it, say, 250ms vs 400 ms didn't help much.  We noticed no difference under
100ms down to effectively zero.

Lip sync was an issue, but factoring out the delay for the audio, we did no=
t
notice any delay issues for the video itself until it got really big (up
around 1/2 sec).  Then you see some artifacts.

Our research (it was at Marconi, not where I am presently) was not
published, but it was pretty thorough.  We also concluded that delay was
much more important than image quality: in our experiments, a QCIF image
with low delay was preferred overwhelmingly compared to a very high quality
image with lots of delay.

Brian

On 11/3/09 1:46 PM, "Michael Knappe" <mknappe@juniper.net> wrote:

> Agreed, thanks.
>=20
> One quick note on the 150 ms end-to-end requirement. That is a general
> rule-of-thumb (and ITU specified) requirement for interactive speech
> responsiveness and ease of conversation, but one that digging deeper is
> dependent on language, cultural, and use case factors. There are conferen=
ce
> situations which are more forgiving to longer delays, and conversely lang=
uage
> types that require tighter delay to avoid emotional misinterpretation of
> verbal acknowledgements.
>=20
> Mike
>=20
>=20
>=20
> ----- Original Message -----
> From: Brian Rosen <br@brianrosen.net>
> To: Roni Even <ron.even.tlv@gmail.com>; Michael Knappe; mramalho@cisco.co=
m
> <mramalho@cisco.com>; hoene@uni-tuebingen.de <hoene@uni-tuebingen.de>;
> codec@ietf.org <codec@ietf.org>
> Sent: Tue Nov 03 11:23:20 2009
> Subject: Re: [codec] questions to be answered
>=20
> Right, and the codec doesn't have anything special to match the delay:
> that's done elsewhere.
>=20
> Similarly, there is need for stereo and 5.1 acoustic echo cancel, but tha=
t's
> not part of the codec either, although we sometimes get tempted to put so=
me
> cues in the stream to help the echo cancellation.
>=20
> There is no attempt to match frame sizes or anything else.  You match del=
ay
> to get lip sync right. Everything else is pretty independent.
>=20
> Of course, you have to keep the delay low ("low" in video terms): under 1=
50
> ms one way end to end, including any mixers.  That's usually easy for the
> audio, hard for the video, so you artificially delay the audio to match t=
he
> video.
>=20
> Brian
>=20
>=20
> On 11/3/09 1:09 PM, "Roni Even" <ron.even.tlv@gmail.com> wrote:
>=20
>> Mike,
> I am not sure what you mean by tied to video codec. I can think of the
>> delay
> which can be similar to the video.
> The general requirements is support
>> for hands free, full band with stereo
> support and optional 5.1
>> support.
> Current codecs used are AAC and G.719.
> BTW: there is a different
>> between tele-presence with multiple codecs and
> hifh quality HD room systems
>> with one video codec that provide
> tele-presence" experience for small
>> rooms.
>=20
> Roni Even
>=20
>> -----Original Message-----
>> From: codec-bounces@ietf.org
>> [mailto:codec-bounces@ietf.org] On Behalf
>> Of Michael Knappe
>> Sent: Tuesday,
>> November 03, 2009 6:40 PM
>> To: mramalho@cisco.com; hoene@uni-tuebingen.de;
>> codec@ietf.org
>> Subject: Re: [codec] questions to be answered
>>=20
>> As I've
>> been preparing the 'application vs. criteria matrix', it's
>> become clear that
>> video-centric applications like telepresence will
>> have audio codecs that are
>> at least partially tied to or driven by
>> characteristics of the video coding
>> (e.g. frame size). Do we as a group
>> want to tackle additional non-voice
>> considerations in the WG?
>>=20
>> Agree with MAR on G.711, logarithmic encoding
>> with a relatively fixed
>> SNR doesn't cut it for monotonically decreasing
>> frequency content
>> sources like speech beyond 3 kHz. That's why G.722 went
>> with a simple
>> two-band approach for better representation of the upper
>> octave, and
>> there are of course many examples today of sub-band
>> approaches.
>>=20
>> Mike
>>=20
>>=20
>> ----- Original Message -----
>> From:
>> codec-bounces@ietf.org <codec-bounces@ietf.org>
>> To: Christian Hoene
>> <hoene@uni-tuebingen.de>; codec@ietf.org
>> <codec@ietf.org>
>> Sent: Tue Nov 03
>> 10:33:56 2009
>> Subject: Re: [codec] questions to be answered
>>=20
>> Hi
>> Christian,
>>=20
>> My replies are in-line below (w/ MAR:).
>>=20
>> Thanks for your
>> consideration.
>>=20
>> Michael Ramalho
>>=20
>> -----Original Message-----
>> From:
>> Christian Hoene [mailto:hoene@uni-tuebingen.de]
>> Sent: Tuesday, November 03,
>> 2009 4:30 AM
>> To: Michael Ramalho (mramalho); codec@ietf.org
>> Subject: RE:
>> [codec] questions to be answered
>>=20
>> Hello Michael,
>>=20
>>> At a minimum, I
>> see two legitimate codec classes:
>>>=20
>>> CLASS 1) codecs that are bandwidth
>> efficient and sound good to humans
>>> (and perhaps satisfy tendeming or tone
>> pass-through requirements),
>> and
>>>=20
>>> CLASS 2) codecs whose output may
>> later be processed by sophisticated
>>> signal processing functions
>> (high-quality mixing,
>>=20
>> High-quality mixing? That do you have in mind?
>> Stereo or binaural (3D
>> sound)
>> mixing?
>>=20
>> MAR: I continued in the email
>> to say that I could potentially think of
>> lots of other examples that require
>> some bounds on the linear
>> distortion because of the signal processing
>> desired at the receiver.
>> But yes, one could conceive of mixing to reproduce
>> the effect of where
>> spatially the sound came from in the sending location
>> using only the
>> signals rendered at the receiver.
>>=20
>>> many
>>>=20
>> classification-based applications such as speaker/sound/intrusion
>>>=20
>> identification) that have SNR/waveform/distortion criteria generally
>>>=20
>> exceeding CLASS 1.
>>=20
>> You may add distributed speech recognition to the
>> second class.
>> However, to
>> my understanding the current offered codecs have
>> not been designed with
>> the
>> second class in mind.
>>=20
>> MAR: Precisely. I am
>> purposely not limiting my thinking to the current
>> offered codecs.
>>=20
>> MAR:
>> Please note that I am not proposing Class 2 work at this time ...
>> my point
>> is that some organization in the future could advocate such in
>> the future
>> and NOT burden the present "Class 1" codec work with (what I
>> believe are)
>> unnecessary requirements.
>>=20
>> MAR: Personally, I think there will be a need
>> for Class 2 codecs soon
>> ... but I think it is most important NOT to burden
>> the present work
>> with "low-runner" or "special-application" requirements.
>> The whole
>> point of my dissertation was that one codec cannot fit "all
>> Internet
>> applications". We should focus first on what the WG feels is the
>> most
>> pressing application - a bandwidth efficient, Internet-friendly,
>> human-
>> consumable codec. This codec is likely to be model-based. If
>> someone
>> has a "pet requirement" outside the general Class 1 codec consensus
>> -
>> let them propose a use case (which would include a market need
>>=20
>> statement) and let the WG consider whether that "pet requirement"
>> should be
>> included in our first work or left for another day.
>>=20
>> Also, class 2 might
>> not fall in the interactive
>> category (which implies that communication takes
>> place between humans).
>> By the way, are you training your
>> classification-based applications
>> while
>> taking the distortions caused by
>> the transmission system into
>> consideration?
>>=20
>> MAR: If the application is
>> not real-time interaction ... we would send
>> via reliable protocols ... and
>> such a codec need not be as robust to
>> packet loss.
>>=20
>> MAR: Again I am not
>> advocating a Class 2 codec at this time ... but
>> apparently you are
>> knowledgeable about matched training/testing
>> conditions for ASR systems and
>> the like.
>>=20
>> You forgot: We need to add CLASS 3 for video and CLASS 4 for
>> general
>> content, too.
>>=20
>> MAR: No, I didn't. I'll let someone who has
>> convinced the WG chairs of
>> a market need, a use case, proposed requirements
>> for any additional
>> classes to be considered. I would hope that a very
>> limited number of
>> codecs are developed (see next paragraph).
>>=20
>>> Granted,
>> we should make each use case as broad as possible so as not
>> to
>>> have too
>> many of them. Once one codec is standardized for a
>> particular
>>>=20
>> application type - a subsequent candidate codec/application would
>> need
>>>=20
>> to prove it is "sufficiently different" from the existing codec(s) to
>> go
>>>=20
>> further. The WG chairs need to exert leadership to ensure the desired
>>>=20
>> result (of the smallest number of codecs spanning the greatest
>>> application
>> space).
>>=20
>> Yes, actually Noll and Jayant have proposed to use =B5-Law to
>> support
>> speech,
>> audio
>>=20
>> MAR: This is patently false if you consider
>> audio to have content above
>> 4 kHz. All natural signals with finite energy (a
>> guitar string pluck, a
>> glottal speech pulse) have a spectral roll-off with
>> increasing
>> frequency (e.g., speech has approximately a 6 dB roll-off per
>> octave).
>> G.711 has a flat distortion characteristic with frequency. This
>> means
>> if you go out far enough in frequency (depends on the signal) your
>> SNR
>> turns negative at some point. I have personally interacted with Dr.
>>=20
>> Jayant at Bell Labs Murray Hill and I can assure you that he would NOT
>>=20
>> advocate G.711 for other than a narrowband speech audio application.
>>=20
>> AND
>> video compression.
>>=20
>> MAR: Definitely false ... but would require too long
>> an explanation
>> (luminance related) ;-). I can't tell if you sarcastic-mode
>> is set to
>> on.
>>=20
>> But to my understanding it is common consensus
>> to
>> concentrate on a limited (e.g. class 1) scenario and finished this
>> work
>>=20
>> first before setting up another construction site.
>>=20
>> MAR: And that is, in
>> essence, my proposal - except I have a tweak. If
>> you have a "pet
>> requirement", I (personally) don't want it to bugger-up
>> the process of
>> getting to a good a bandwidth efficient, Internet-
>> friendly,
>> human-consumable codec.
>>=20
>> Christian
>>=20
>>=20
>>=20
>> _______________________________________________
>> codec mailing list
>>=20
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>=20
>> _______________________________________________
>> codec mailing list
>>=20
>> codec@ietf.org
>>=20
>> https://www.ietf.org/mailman/listinfo/codec
>=20
> _________________________________
>> ______________
> codec mailing
>> list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>=20
>=20
>=20



From jean-marc.valin@octasic.com  Tue Nov  3 10:12:09 2009
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Michael Knappe wrote:
> As I've been preparing the 'application vs. criteria matrix', it's
> become clear that video-centric applications like telepresence will have
> audio codecs that are at least partially tied to or driven by
> characteristics of the video coding (e.g. frame size). 

Actually, why would the frame size of the codec be related to the video 
codec? I don't see any valid reason for doing that and I would have a hard 
time imagining how one would have an audio codec with 29.97 frames per 
second (without using a sampling rate of 59.94 kHz).

 > Do we as a group
 > want to tackle additional non-voice considerations in the WG?

(I assume you mean non-audio considerations because we definitely want to 
consider music here) I'm not fundamentally opposed to the idea of including 
non-audio considerations, but there would have to be a good reason for 
that. Right now I cannot see any, but I may have missed something.

	Jean-Marc

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From: Michael Knappe <mknappe@juniper.net>
To: "br@brianrosen.net" <br@brianrosen.net>, "ron.even.tlv@gmail.com" <ron.even.tlv@gmail.com>, "mramalho@cisco.com" <mramalho@cisco.com>, "hoene@uni-tuebingen.de" <hoene@uni-tuebingen.de>, "codec@ietf.org" <codec@ietf.org>
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The language sensitivity was empirical from work in early voip deployments =
I was involved with in international markets. Always made an attempt to sta=
y below 100 ms if at all possible. On large deployments, the 5 percent 'out=
liers' become very important in terms of customer acceptance of new technol=
ogy (new at the time). You could counter that since the early days of voip,=
 cell phone quality has changed the delay acceptability bar as well with lo=
nger delays becoming more the norm. What I really like about the proposed c=
odec activity is moving internet communications towards being the high-qual=
ity choice (frequency range, number of channels, etc) rather than the low-c=
ost quality compromise that voip began its life as.

The 150 ms 'knee' was exactly that, with the impact on conversation grew in=
creasingly until you hit the 'CB radio' half-duplex asymptote past the 400-=
600 ms range. Agreed that below 150 ms, the quality impact curve quickly fo=
r the average listener/speaker levels out quickly. You raise an interesting=
 point about argumentative speech and low delay, involved multi-party confe=
rence communications should keep delay as low as possible.

Codec algorithmic delay is of course just a fraction of the end-to-end dela=
y equation, with the relative percent contribution of network quality (both=
 absolute delay and jitter) increasing as you optimize codec delay. Beyond =
the scope of the proposed WG, but worth keeping in mind in assessing the im=
pact of codec delay on its own.

Mike

----- Original Message -----
From: Brian Rosen <br@brianrosen.net>
To: Michael Knappe; ron.even.tlv@gmail.com <ron.even.tlv@gmail.com>; mramal=
ho@cisco.com <mramalho@cisco.com>; hoene@uni-tuebingen.de <hoene@uni-tuebin=
gen.de>; codec@ietf.org <codec@ietf.org>
Sent: Tue Nov 03 12:09:24 2009=0A=
Subject: Re: [codec] questions to be answered

Could you cite the research for that?

We did some work in that space and discovered there were no cultural biases=
;
the timing was a factor in having arguments, interruptions, or fast change
of speaker, where turn taking behavior is not as controlled as it is
usually.  With delay longer than 150, arguments weren't possible naturally,
and behavior suffered significantly.  We only tested a limited range of
cultural differences, but they included US/Canada, Europe and Asia.
Granted, arguments in say, many Asian environments were much less common,
but our work suggested that it still mattered a whole lot.  Of course if th=
e
entire interaction is one way (a lecture with no questions), then delay is
not important as long as lip sync is achieved.

We did not find any advantage of having delay less than around 150.  Of
course, there is a range of human responses, so that 150 is a 95% or so
threshold.  We found the affect of delay is a cliff: once you go over the
edge, you can't converse normally (under some amount of stress), and making
it, say, 250ms vs 400 ms didn't help much.  We noticed no difference under
100ms down to effectively zero.

Lip sync was an issue, but factoring out the delay for the audio, we did no=
t
notice any delay issues for the video itself until it got really big (up
around 1/2 sec).  Then you see some artifacts.

Our research (it was at Marconi, not where I am presently) was not
published, but it was pretty thorough.  We also concluded that delay was
much more important than image quality: in our experiments, a QCIF image
with low delay was preferred overwhelmingly compared to a very high quality
image with lots of delay.

Brian

On 11/3/09 1:46 PM, "Michael Knappe" <mknappe@juniper.net> wrote:

> Agreed, thanks.
>=20
> One quick note on the 150 ms end-to-end requirement. That is a general
> rule-of-thumb (and ITU specified) requirement for interactive speech
> responsiveness and ease of conversation, but one that digging deeper is
> dependent on language, cultural, and use case factors. There are conferen=
ce
> situations which are more forgiving to longer delays, and conversely lang=
uage
> types that require tighter delay to avoid emotional misinterpretation of
> verbal acknowledgements.
>=20
> Mike
>=20
>=20
>=20
> ----- Original Message -----
> From: Brian Rosen <br@brianrosen.net>
> To: Roni Even <ron.even.tlv@gmail.com>; Michael Knappe; mramalho@cisco.co=
m
> <mramalho@cisco.com>; hoene@uni-tuebingen.de <hoene@uni-tuebingen.de>;
> codec@ietf.org <codec@ietf.org>
> Sent: Tue Nov 03 11:23:20 2009
> Subject: Re: [codec] questions to be answered
>=20
> Right, and the codec doesn't have anything special to match the delay:
> that's done elsewhere.
>=20
> Similarly, there is need for stereo and 5.1 acoustic echo cancel, but tha=
t's
> not part of the codec either, although we sometimes get tempted to put so=
me
> cues in the stream to help the echo cancellation.
>=20
> There is no attempt to match frame sizes or anything else.  You match del=
ay
> to get lip sync right. Everything else is pretty independent.
>=20
> Of course, you have to keep the delay low ("low" in video terms): under 1=
50
> ms one way end to end, including any mixers.  That's usually easy for the
> audio, hard for the video, so you artificially delay the audio to match t=
he
> video.
>=20
> Brian
>=20
>=20
> On 11/3/09 1:09 PM, "Roni Even" <ron.even.tlv@gmail.com> wrote:
>=20
>> Mike,
> I am not sure what you mean by tied to video codec. I can think of the
>> delay
> which can be similar to the video.
> The general requirements is support
>> for hands free, full band with stereo
> support and optional 5.1
>> support.
> Current codecs used are AAC and G.719.
> BTW: there is a different
>> between tele-presence with multiple codecs and
> hifh quality HD room systems
>> with one video codec that provide
> tele-presence" experience for small
>> rooms.
>=20
> Roni Even
>=20
>> -----Original Message-----
>> From: codec-bounces@ietf.org
>> [mailto:codec-bounces@ietf.org] On Behalf
>> Of Michael Knappe
>> Sent: Tuesday,
>> November 03, 2009 6:40 PM
>> To: mramalho@cisco.com; hoene@uni-tuebingen.de;
>> codec@ietf.org
>> Subject: Re: [codec] questions to be answered
>>=20
>> As I've
>> been preparing the 'application vs. criteria matrix', it's
>> become clear that
>> video-centric applications like telepresence will
>> have audio codecs that are
>> at least partially tied to or driven by
>> characteristics of the video coding
>> (e.g. frame size). Do we as a group
>> want to tackle additional non-voice
>> considerations in the WG?
>>=20
>> Agree with MAR on G.711, logarithmic encoding
>> with a relatively fixed
>> SNR doesn't cut it for monotonically decreasing
>> frequency content
>> sources like speech beyond 3 kHz. That's why G.722 went
>> with a simple
>> two-band approach for better representation of the upper
>> octave, and
>> there are of course many examples today of sub-band
>> approaches.
>>=20
>> Mike
>>=20
>>=20
>> ----- Original Message -----
>> From:
>> codec-bounces@ietf.org <codec-bounces@ietf.org>
>> To: Christian Hoene
>> <hoene@uni-tuebingen.de>; codec@ietf.org
>> <codec@ietf.org>
>> Sent: Tue Nov 03
>> 10:33:56 2009
>> Subject: Re: [codec] questions to be answered
>>=20
>> Hi
>> Christian,
>>=20
>> My replies are in-line below (w/ MAR:).
>>=20
>> Thanks for your
>> consideration.
>>=20
>> Michael Ramalho
>>=20
>> -----Original Message-----
>> From:
>> Christian Hoene [mailto:hoene@uni-tuebingen.de]
>> Sent: Tuesday, November 03,
>> 2009 4:30 AM
>> To: Michael Ramalho (mramalho); codec@ietf.org
>> Subject: RE:
>> [codec] questions to be answered
>>=20
>> Hello Michael,
>>=20
>>> At a minimum, I
>> see two legitimate codec classes:
>>>=20
>>> CLASS 1) codecs that are bandwidth
>> efficient and sound good to humans
>>> (and perhaps satisfy tendeming or tone
>> pass-through requirements),
>> and
>>>=20
>>> CLASS 2) codecs whose output may
>> later be processed by sophisticated
>>> signal processing functions
>> (high-quality mixing,
>>=20
>> High-quality mixing? That do you have in mind?
>> Stereo or binaural (3D
>> sound)
>> mixing?
>>=20
>> MAR: I continued in the email
>> to say that I could potentially think of
>> lots of other examples that require
>> some bounds on the linear
>> distortion because of the signal processing
>> desired at the receiver.
>> But yes, one could conceive of mixing to reproduce
>> the effect of where
>> spatially the sound came from in the sending location
>> using only the
>> signals rendered at the receiver.
>>=20
>>> many
>>>=20
>> classification-based applications such as speaker/sound/intrusion
>>>=20
>> identification) that have SNR/waveform/distortion criteria generally
>>>=20
>> exceeding CLASS 1.
>>=20
>> You may add distributed speech recognition to the
>> second class.
>> However, to
>> my understanding the current offered codecs have
>> not been designed with
>> the
>> second class in mind.
>>=20
>> MAR: Precisely. I am
>> purposely not limiting my thinking to the current
>> offered codecs.
>>=20
>> MAR:
>> Please note that I am not proposing Class 2 work at this time ...
>> my point
>> is that some organization in the future could advocate such in
>> the future
>> and NOT burden the present "Class 1" codec work with (what I
>> believe are)
>> unnecessary requirements.
>>=20
>> MAR: Personally, I think there will be a need
>> for Class 2 codecs soon
>> ... but I think it is most important NOT to burden
>> the present work
>> with "low-runner" or "special-application" requirements.
>> The whole
>> point of my dissertation was that one codec cannot fit "all
>> Internet
>> applications". We should focus first on what the WG feels is the
>> most
>> pressing application - a bandwidth efficient, Internet-friendly,
>> human-
>> consumable codec. This codec is likely to be model-based. If
>> someone
>> has a "pet requirement" outside the general Class 1 codec consensus
>> -
>> let them propose a use case (which would include a market need
>>=20
>> statement) and let the WG consider whether that "pet requirement"
>> should be
>> included in our first work or left for another day.
>>=20
>> Also, class 2 might
>> not fall in the interactive
>> category (which implies that communication takes
>> place between humans).
>> By the way, are you training your
>> classification-based applications
>> while
>> taking the distortions caused by
>> the transmission system into
>> consideration?
>>=20
>> MAR: If the application is
>> not real-time interaction ... we would send
>> via reliable protocols ... and
>> such a codec need not be as robust to
>> packet loss.
>>=20
>> MAR: Again I am not
>> advocating a Class 2 codec at this time ... but
>> apparently you are
>> knowledgeable about matched training/testing
>> conditions for ASR systems and
>> the like.
>>=20
>> You forgot: We need to add CLASS 3 for video and CLASS 4 for
>> general
>> content, too.
>>=20
>> MAR: No, I didn't. I'll let someone who has
>> convinced the WG chairs of
>> a market need, a use case, proposed requirements
>> for any additional
>> classes to be considered. I would hope that a very
>> limited number of
>> codecs are developed (see next paragraph).
>>=20
>>> Granted,
>> we should make each use case as broad as possible so as not
>> to
>>> have too
>> many of them. Once one codec is standardized for a
>> particular
>>>=20
>> application type - a subsequent candidate codec/application would
>> need
>>>=20
>> to prove it is "sufficiently different" from the existing codec(s) to
>> go
>>>=20
>> further. The WG chairs need to exert leadership to ensure the desired
>>>=20
>> result (of the smallest number of codecs spanning the greatest
>>> application
>> space).
>>=20
>> Yes, actually Noll and Jayant have proposed to use =B5-Law to
>> support
>> speech,
>> audio
>>=20
>> MAR: This is patently false if you consider
>> audio to have content above
>> 4 kHz. All natural signals with finite energy (a
>> guitar string pluck, a
>> glottal speech pulse) have a spectral roll-off with
>> increasing
>> frequency (e.g., speech has approximately a 6 dB roll-off per
>> octave).
>> G.711 has a flat distortion characteristic with frequency. This
>> means
>> if you go out far enough in frequency (depends on the signal) your
>> SNR
>> turns negative at some point. I have personally interacted with Dr.
>>=20
>> Jayant at Bell Labs Murray Hill and I can assure you that he would NOT
>>=20
>> advocate G.711 for other than a narrowband speech audio application.
>>=20
>> AND
>> video compression.
>>=20
>> MAR: Definitely false ... but would require too long
>> an explanation
>> (luminance related) ;-). I can't tell if you sarcastic-mode
>> is set to
>> on.
>>=20
>> But to my understanding it is common consensus
>> to
>> concentrate on a limited (e.g. class 1) scenario and finished this
>> work
>>=20
>> first before setting up another construction site.
>>=20
>> MAR: And that is, in
>> essence, my proposal - except I have a tweak. If
>> you have a "pet
>> requirement", I (personally) don't want it to bugger-up
>> the process of
>> getting to a good a bandwidth efficient, Internet-
>> friendly,
>> human-consumable codec.
>>=20
>> Christian
>>=20
>>=20
>>=20
>> _______________________________________________
>> codec mailing list
>>=20
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>=20
>> _______________________________________________
>> codec mailing list
>>=20
>> codec@ietf.org
>>=20
>> https://www.ietf.org/mailman/listinfo/codec
>=20
> _________________________________
>> ______________
> codec mailing
>> list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>=20
>=20
>=20



From mknappe@juniper.net  Tue Nov  3 10:59:17 2009
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To: "jean-marc.valin@octasic.com" <jean-marc.valin@octasic.com>
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Of course codecs have not been tied directly to the 15 / 30 fps video requi=
rements from an evenly divisible sample rate perspective, but G.723.1 (30 m=
s) was closely associated with video conferencing. This was just an example=
 of a codec that structured its processing around longer frame times.

Enough said, I think its clear from discussion that we can keep audio and v=
ideo requirements separate for the purpose of this effort. Simplifying the =
problem space is a good thing.

Mike


----- Original Message -----
From: Jean-Marc Valin <jean-marc.valin@octasic.com>
To: Michael Knappe
Cc: mramalho@cisco.com <mramalho@cisco.com>; hoene@uni-tuebingen.de <hoene@=
uni-tuebingen.de>; codec@ietf.org <codec@ietf.org>
Sent: Tue Nov 03 13:12:28 2009=0A=
Subject: Re: [codec] questions to be answered

Michael Knappe wrote:
> As I've been preparing the 'application vs. criteria matrix', it's
> become clear that video-centric applications like telepresence will have
> audio codecs that are at least partially tied to or driven by
> characteristics of the video coding (e.g. frame size).=20

Actually, why would the frame size of the codec be related to the video=20
codec? I don't see any valid reason for doing that and I would have a hard=
=20
time imagining how one would have an audio codec with 29.97 frames per=20
second (without using a sampling rate of 59.94 kHz).

 > Do we as a group
 > want to tackle additional non-voice considerations in the WG?

(I assume you mean non-audio considerations because we definitely want to=20
consider music here) I'm not fundamentally opposed to the idea of including=
=20
non-audio considerations, but there would have to be a good reason for=20
that. Right now I cannot see any, but I may have missed something.

	Jean-Marc

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On 11/2/09 12:49 PM, Roni Even wrote:
> Hi Peter,
> Who is going to give all these presentations, I am used to see the
> presenters in agendas

You are right that the agenda needs to include the speakers. The chairs,
our sponsoring AD, and the IAB BoF shepherd are working to finalize the
presenters.

/psa
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From: Gregory Maxwell <gmaxwell@juniper.net>
To: Michael Knappe <mknappe@juniper.net>, "br@brianrosen.net" <br@brianrosen.net>, "ron.even.tlv@gmail.com" <ron.even.tlv@gmail.com>,  "mramalho@cisco.com" <mramalho@cisco.com>, "hoene@uni-tuebingen.de" <hoene@uni-tuebingen.de>, "codec@ietf.org" <codec@ietf.org>
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Michael Knappe wrote:
> One quick note on the 150 ms end-to-end requirement. That is a general ru=
le-of-thumb
> (and ITU specified) requirement for interactive speech responsiveness and=
 ease of
> conversation, but one that digging deeper is dependent on language, cultu=
ral, and use
> case factors. There are conference situations which are more forgiving to=
 longer delays,
> and conversely language types that require tighter delay to avoid emotion=
al
> misinterpretation of verbal acknowledgements.

Delay has come up before. A prior post from my cites research which found t=
hat 25ms one-way
was the perceptual boundary for interactive music performance:=20
http://www.ietf.org/mail-archive/web/codec/current/msg00360.html

One important take away is that while the codec delay is only one cause of =
delays it is the
*only* cause of delay which the proposed working group would be in a positi=
on to influence,=20
and some of the other causes of delays are the result of natural law, or ot=
her things nearly
as difficult to change (like OS audio APIs).  Since the user is unable to c=
hange the speed
of light and may have little control over their network the codec is one of=
 the few places
where delay can be shaved off, for applications that require lower delay.

Some more thoughts on delay=85

Minimizing the delay makes it easier to perform echo cancellation and with =
sufficiently low=20
delay (and gain management) echo cancellation can be avoided entirely becau=
se the residual=20
echo will be masked by room reflections.  This can be important because man=
y echo
cancellation implementations perform somewhat poorly on music, especially i=
n very reverberant
rooms.

There are video codecs which provide sub-frame latency (dirac pro, for exam=
ple) and although
it is challenging to find low delay video hardware there is interest in sub=
frame latency video
for tele-operating and tele-presence applications. =20

Another application where system latency is important is in remote-desktop =
applications, as
delayed audio can make the system appear less responsive.  (There are other=
 people on this
list who can comment better on the implications to online gaming than I can=
)

Even if a video system is imposing a particular minimum audio latency,  thi=
s does not necessarily
imply that larger audio frames are desirable:  The frame size also implies =
the minimum loss unit.
Larger frame sizes make random drops look more temporally bursty. With smal=
l frame sizes
good loss concealment can provide intelligible speech with random loss rate=
 in excess of 25%,
but this is much harder with larger frames or clumped losses.
(an interesting challenge for internet rate control: if you are seeing loss=
, do you use larger
packets to reduce rate/overhead, or do you use smaller packets to decrease =
gap per loss?)

The maximum received codec frame sizes translates directly into codec memor=
y requirements.
While encoders can potentially take advantage of additional lookahead witho=
ut changing the coding
unit, if larger frames are used the impact on the minimum device size is a =
potential consideration.



From ingemar.s.johansson@ericsson.com  Wed Nov  4 01:14:03 2009
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Hi

I have a comment on the introduction to the Codec BoF charter.
Quote:
"There are no standardized, high-quality audio codecs that are optimized =
for use in interactive Internet applications and that can be widely =
implemented and easily distributed among application developers, service =
operators, and end users."

This easily gives the hurried reader the impression that there are no =
codecs optimized for interactive internet applications available. This =
is not a correct statement. As I see it the main issue raised =
(especially on the codec list) is round the magic words "Royalty free". =
The statement above mix the tecnical and legal issues and I don't like =
that.

I would rather have seen a statement written something like.

"There exists a desire for standardized, high-quality codecs that can be =
widely implemented and easily distributed among application developers, =
service operators, and end users. Standards for this exists but the free =
use is restricted by royalty conditions"
Something like the above (perhaps with some better words) will give the =
reader a much better idea of what has actually been discussed on the =
codec list as well as during the last BoF

  =20
/Ingemar =20


=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
INGEMAR JOHANSSON  M.Sc.=20
Senior Research Engineer=20

Ericsson AB
Multimedia Technologies
Labratoriegr=E4nd 11
971 28, Lule=E5, Sweden
Phone +46-1071 43042
SMS/MMS +46-73 078 3289
ingemar.s.johansson@ericsson.com
www.ericsson.com=20
Visit http://labs.ericsson.com !
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D

From alexander.chemeris@gmail.com  Wed Nov  4 03:21:19 2009
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Hi Gregory,

On Tue, Nov 3, 2009 at 23:52, Gregory Maxwell <gmaxwell@juniper.net> wrote:
> One important take away is that while the codec delay is only one cause o=
f delays it is the
> *only* cause of delay which the proposed working group would be in a posi=
tion to influence,
> and some of the other causes of delays are the result of natural law, or =
other things nearly
> as difficult to change (like OS audio APIs). =C2=A0Since the user is unab=
le to change the speed
> of light and may have little control over their network the codec is one =
of the few places
> where delay can be shaved off, for applications that require lower delay.

Ability to perform well in presence of packet loss can also affect
delay. If you can
efficiently conceal lost packets, you can set lower watermark in your
jitter buffer.


--=20
Regards,
Alexander Chemeris.

From stpeter@stpeter.im  Wed Nov  4 12:57:35 2009
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Subject: [codec] agenda uploaded
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Eric and I have uploaded a draft agenda:

http://www.ietf.org/proceedings/09nov/agenda/codec.txt

Further tweaking is possible, and feedback is welcome on the list or
during agenda bashing at the meeting next Thursday.

Peter

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On 11/4/09 2:14 AM, Ingemar Johansson S wrote:
> Hi
> 
> I have a comment on the introduction to the Codec BoF charter. Quote:
>  "There are no standardized, high-quality audio codecs that are
> optimized for use in interactive Internet applications and that can
> be widely implemented and easily distributed among application
> developers, service operators, and end users."
> 
> This easily gives the hurried reader the impression that there are no
> codecs optimized for interactive internet applications available.
> This is not a correct statement. As I see it the main issue raised
> (especially on the codec list) is round the magic words "Royalty
> free". The statement above mix the tecnical and legal issues and I
> don't like that.
> 
> I would rather have seen a statement written something like.
> 
> "There exists a desire for standardized, high-quality codecs that can
> be widely implemented and easily distributed among application
> developers, service operators, and end users. Standards for this
> exists but the free use is restricted by royalty conditions" 
> Something like the above (perhaps with some better words) will give
> the reader a much better idea of what has actually been discussed on
> the codec list as well as during the last BoF

Thank you for the suggested text. I see several points:

1. The text you suggest says nothing about making sure that a codec is
optimized for use in Internet applications, and that is an important
consideration for the proposed work.

2. There exist codecs that can be widely implemented and easily
distributed, but they are not standardized through any SDO (and,
according to reports from application developers and service operators,
the lack of standardization and clear change control has hindered adoption).

3. There exist codecs that are standardized, but they cannot be widely
implemented and easily distributed (and, again according to reports from
application developers and service operators, the presence of usage
restrictions in the form of licensing fees and restriction has hindered
adoption).

My understanding is that the people who are interested in completing
this work would like to achieve a combination of (1) Internet-optimized,
(2) standardized through a SDO, and (3) free of usage restrictions.

I agree that this could be worded more clearly, and I'll try to do that
soon.

Peter

- --
Peter Saint-Andre
https://stpeter.im/


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From: Peter Saint-Andre <stpeter@stpeter.im>
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Subject: Re: [codec] Comments on BoF charter problem statement
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On 11/4/09 2:16 PM, Peter Saint-Andre wrote:
> On 11/4/09 2:14 AM, Ingemar Johansson S wrote:
>> Hi
> 
>> I have a comment on the introduction to the Codec BoF charter. Quote:
>>  "There are no standardized, high-quality audio codecs that are
>> optimized for use in interactive Internet applications and that can
>> be widely implemented and easily distributed among application
>> developers, service operators, and end users."
> 
>> This easily gives the hurried reader the impression that there are no
>> codecs optimized for interactive internet applications available.
>> This is not a correct statement. As I see it the main issue raised
>> (especially on the codec list) is round the magic words "Royalty
>> free". The statement above mix the tecnical and legal issues and I
>> don't like that.
> 
>> I would rather have seen a statement written something like.
> 
>> "There exists a desire for standardized, high-quality codecs that can
>> be widely implemented and easily distributed among application
>> developers, service operators, and end users. Standards for this
>> exists but the free use is restricted by royalty conditions" 
>> Something like the above (perhaps with some better words) will give
>> the reader a much better idea of what has actually been discussed on
>> the codec list as well as during the last BoF
> 
> Thank you for the suggested text. I see several points:
> 
> 1. The text you suggest says nothing about making sure that a codec is
> optimized for use in Internet applications, and that is an important
> consideration for the proposed work.
> 
> 2. There exist codecs that can be widely implemented and easily
> distributed, but they are not standardized through any SDO (and,
> according to reports from application developers and service operators,
> the lack of standardization and clear change control has hindered adoption).
> 
> 3. There exist codecs that are standardized, but they cannot be widely
> implemented and easily distributed (and, again according to reports from
> application developers and service operators, the presence of usage
> restrictions in the form of licensing fees and restriction has hindered
> adoption).
> 
> My understanding is that the people who are interested in completing
> this work would like to achieve a combination of (1) Internet-optimized,
> (2) standardized through a SDO, and (3) free of usage restrictions.
> 
> I agree that this could be worded more clearly, and I'll try to do that
> soon.
> 
> Peter

Unfortunately, describing this all in detailed requires more words. :)
Here is proposed text...

###

Problem Statement

According to reports from developers of Internet audio applications
and operators of Internet audio services, there are no standardized,
high-quality audio codecs that meet all of the following three
conditions:

1. Are optimized for use in interactive Internet applications.

2. Can be widely implemented and easily distributed among application
developers, service operators, and end users.

3. Are published by a recognized standards development organization
(SDO) and therefore subject to clear change control.

There exist codecs that provide high quality encoding of audio
information, but that are not optimized for the actual conditions of
the Internet; according to reports, this mismatch between design and
deployment has hindered adoption of such codecs in interactive Internet
applications.

There exist codecs that can be widely implemented and easily
distributed, but that are not standardized through any SDO; according
to reports, this lack of standardization and clear change control has
hindered adoption of such codecs in interactive Internet applications.

There exist codecs that are standardized, but that cannot be widely
implemented and easily distributed; according to reports, this presence
of various usage restrictions (e.g., in the form of licensing fees and
royalties) has hindered adoption of such codecs in interactive Internet
applications.

Therefore, there exists demand among application developers and service
operators for audio codecs that meet all three of these criteria.
According to reports, filling this perceived gap would enable protocol
designers to more easily specify mandatory-to-implement codecs in their
protocols and thus improve interoperability, would enable developers to
more easily build innovative, interactive applications for the Internet,
would enable service operators to more easily deploy affordable,
high-quality audio services on the Internet, and would enable end users
of Internet applications and services to enjoy an improved user experience.

###

/psa

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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Peter Saint-Andre'" <stpeter@stpeter.im>, "'Ingemar Johansson S'" <ingemar.s.johansson@ericsson.com>
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Hi, 
I think that Ingemar made a good point and it should be addressed.
I also do not agree that the reason for lack of deployment of wideband is
because of royalties.
My observation is that wideband is being used in markets where the parties
that had interest in wide band audio agreed to select specific codec from
the available codecs.
That can be seen in video conferencing and in 3GPP. This is also tied to my
view that if the group want to succeed it should define one codec.
Roni Even


> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Peter Saint-Andre
> Sent: Wednesday, November 04, 2009 11:17 PM
> To: Ingemar Johansson S
> Cc: codec@ietf.org
> Subject: Re: [codec] Comments on BoF charter problem statement
> 
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
> 
> On 11/4/09 2:14 AM, Ingemar Johansson S wrote:
> > Hi
> >
> > I have a comment on the introduction to the Codec BoF charter. Quote:
> >  "There are no standardized, high-quality audio codecs that are
> > optimized for use in interactive Internet applications and that can
> > be widely implemented and easily distributed among application
> > developers, service operators, and end users."
> >
> > This easily gives the hurried reader the impression that there are no
> > codecs optimized for interactive internet applications available.
> > This is not a correct statement. As I see it the main issue raised
> > (especially on the codec list) is round the magic words "Royalty
> > free". The statement above mix the tecnical and legal issues and I
> > don't like that.
> >
> > I would rather have seen a statement written something like.
> >
> > "There exists a desire for standardized, high-quality codecs that can
> > be widely implemented and easily distributed among application
> > developers, service operators, and end users. Standards for this
> > exists but the free use is restricted by royalty conditions"
> > Something like the above (perhaps with some better words) will give
> > the reader a much better idea of what has actually been discussed on
> > the codec list as well as during the last BoF
> 
> Thank you for the suggested text. I see several points:
> 
> 1. The text you suggest says nothing about making sure that a codec is
> optimized for use in Internet applications, and that is an important
> consideration for the proposed work.
> 
> 2. There exist codecs that can be widely implemented and easily
> distributed, but they are not standardized through any SDO (and,
> according to reports from application developers and service operators,
> the lack of standardization and clear change control has hindered
> adoption).
> 
> 3. There exist codecs that are standardized, but they cannot be widely
> implemented and easily distributed (and, again according to reports
> from
> application developers and service operators, the presence of usage
> restrictions in the form of licensing fees and restriction has hindered
> adoption).
> 
> My understanding is that the people who are interested in completing
> this work would like to achieve a combination of (1) Internet-
> optimized,
> (2) standardized through a SDO, and (3) free of usage restrictions.
> 
> I agree that this could be worded more clearly, and I'll try to do that
> soon.
> 
> Peter
> 
> - --
> Peter Saint-Andre
> https://stpeter.im/
> 
> 
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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
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Hi

The rewritten intro looks much better. One remaining concern is perhaps
that royalty free/licence free is not mentioned in bullet 2 but if I
understand it right you wanted to keep the 3 bullets short and explain
the details further down.=20
Anyway I now see that the apples and oranges (technical and legal
matters) are kept separate and that is good.

/Ingemar

> -----Original Message-----
> From: Peter Saint-Andre [mailto:stpeter@stpeter.im]=20
> Sent: den 4 november 2009 22:43
> To: Ingemar Johansson S
> Cc: codec@ietf.org
> Subject: Re: [codec] Comments on BoF charter problem statement
>=20
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
>=20
> On 11/4/09 2:16 PM, Peter Saint-Andre wrote:
> > On 11/4/09 2:14 AM, Ingemar Johansson S wrote:
> >> Hi
> >=20
> >> I have a comment on the introduction to the Codec BoF=20
> charter. Quote:
> >>  "There are no standardized, high-quality audio codecs that are=20
> >> optimized for use in interactive Internet applications and=20
> that can=20
> >> be widely implemented and easily distributed among application=20
> >> developers, service operators, and end users."
> >=20
> >> This easily gives the hurried reader the impression that=20
> there are no=20
> >> codecs optimized for interactive internet applications available.
> >> This is not a correct statement. As I see it the main issue raised=20
> >> (especially on the codec list) is round the magic words "Royalty=20
> >> free". The statement above mix the tecnical and legal issues and I=20
> >> don't like that.
> >=20
> >> I would rather have seen a statement written something like.
> >=20
> >> "There exists a desire for standardized, high-quality=20
> codecs that can=20
> >> be widely implemented and easily distributed among application=20
> >> developers, service operators, and end users. Standards for this=20
> >> exists but the free use is restricted by royalty conditions"
> >> Something like the above (perhaps with some better words)=20
> will give=20
> >> the reader a much better idea of what has actually been=20
> discussed on=20
> >> the codec list as well as during the last BoF
> >=20
> > Thank you for the suggested text. I see several points:
> >=20
> > 1. The text you suggest says nothing about making sure that=20
> a codec is=20
> > optimized for use in Internet applications, and that is an=20
> important=20
> > consideration for the proposed work.
> >=20
> > 2. There exist codecs that can be widely implemented and easily=20
> > distributed, but they are not standardized through any SDO (and,=20
> > according to reports from application developers and service=20
> > operators, the lack of standardization and clear change=20
> control has hindered adoption).
> >=20
> > 3. There exist codecs that are standardized, but they=20
> cannot be widely=20
> > implemented and easily distributed (and, again according to reports=20
> > from application developers and service operators, the presence of=20
> > usage restrictions in the form of licensing fees and=20
> restriction has=20
> > hindered adoption).
> >=20
> > My understanding is that the people who are interested in=20
> completing=20
> > this work would like to achieve a combination of (1)=20
> > Internet-optimized,
> > (2) standardized through a SDO, and (3) free of usage restrictions.
> >=20
> > I agree that this could be worded more clearly, and I'll try to do=20
> > that soon.
> >=20
> > Peter
>=20
> Unfortunately, describing this all in detailed requires more=20
> words. :) Here is proposed text...
>=20
> ###
>=20
> Problem Statement
>=20
> According to reports from developers of Internet audio=20
> applications and operators of Internet audio services, there=20
> are no standardized, high-quality audio codecs that meet all=20
> of the following three
> conditions:
>=20
> 1. Are optimized for use in interactive Internet applications.
>=20
> 2. Can be widely implemented and easily distributed among=20
> application developers, service operators, and end users.
>=20
> 3. Are published by a recognized standards development organization
> (SDO) and therefore subject to clear change control.
>=20
> There exist codecs that provide high quality encoding of=20
> audio information, but that are not optimized for the actual=20
> conditions of the Internet; according to reports, this=20
> mismatch between design and deployment has hindered adoption=20
> of such codecs in interactive Internet applications.
>=20
> There exist codecs that can be widely implemented and easily=20
> distributed, but that are not standardized through any SDO;=20
> according to reports, this lack of standardization and clear=20
> change control has hindered adoption of such codecs in=20
> interactive Internet applications.
>=20
> There exist codecs that are standardized, but that cannot be=20
> widely implemented and easily distributed; according to=20
> reports, this presence of various usage restrictions (e.g.,=20
> in the form of licensing fees and
> royalties) has hindered adoption of such codecs in=20
> interactive Internet applications.
>=20
> Therefore, there exists demand among application developers=20
> and service operators for audio codecs that meet all three of=20
> these criteria.
> According to reports, filling this perceived gap would enable=20
> protocol designers to more easily specify=20
> mandatory-to-implement codecs in their protocols and thus=20
> improve interoperability, would enable developers to more=20
> easily build innovative, interactive applications for the=20
> Internet, would enable service operators to more easily=20
> deploy affordable, high-quality audio services on the=20
> Internet, and would enable end users of Internet applications=20
> and services to enjoy an improved user experience.
>=20
> ###
>=20
> /psa
>=20
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>=20
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> F3wAn2Dbj9dW8S9/Exme0s3JMEt2KAVA
> =3DfCjL
> -----END PGP SIGNATURE-----
>=20

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Roni Even wrote:

> I also do not agree that the reason for lack of deployment of wideband is
> because of royalties.
> My observation is that wideband is being used in markets where the parties
> that had interest in wide band audio agreed to select specific codec from
> the available codecs.

I would agree with that, but there is still a preference for royalty
free, I have, for example, seen commercial deployments where speex was
chosen over amr-wb for exactly that reason.

From stpeter@stpeter.im  Thu Nov  5 09:20:29 2009
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On 11/5/09 5:16 AM, Ingemar Johansson S wrote:
> Hi
> 
> The rewritten intro looks much better. One remaining concern is perhaps
> that royalty free/licence free is not mentioned in bullet 2 but if I
> understand it right you wanted to keep the 3 bullets short and explain
> the details further down. 
> Anyway I now see that the apples and oranges (technical and legal
> matters) are kept separate and that is good.

Yes, I think it is good to separate those concerns.

I have updated the draft charter here:

http://trac.tools.ietf.org/bof/trac/attachment/wiki/BifIETF76/codec-charter.txt

So that we can have stable documents for review, probably Eric and I
won't upload further revisions to the draft charter before the BoF next
Thursday.

Peter

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On 11/5/09 8:12 AM, Darren Longhorn wrote:
> Roni Even wrote:
> 
>> I also do not agree that the reason for lack of deployment of wideband is
>> because of royalties.
>> My observation is that wideband is being used in markets where the parties
>> that had interest in wide band audio agreed to select specific codec from
>> the available codecs.
> 
> I would agree with that, but there is still a preference for royalty
> free, I have, for example, seen commercial deployments where speex was
> chosen over amr-wb for exactly that reason.

Thanks for the feedback. I think that is consistent with reports
received from service operators and application developers.

Peter

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On 11/3/09 2:30 AM, Christian Hoene wrote:
> Hello Peter,
> 
>>> Peter, This has to do with the charter, there need to be a decision
>>> how many codec are developed for one requirement document. It looks
>>> to me based on the discussion that there is no consensus between the
>>> people who propose this charter since all have similar codecs they
>>> want to approve and are not looking at collaboration.
>> I see no evidence for that statement.
>>
>> All of the individuals and teams who have submitted codecs have done so
>> with the understanding that each contribution will probably not be
>> approved, and even if approved would undergo modification (i.e., even a
>> codec that functioned as a "starting point" codec would be *adapted*,
>> not *adopted*). This is consistent with the following statement in
>> draft-valin-codec-guidelines-02:
>>
>>    Furthermore, contributors need to be
>>    aware that any codec that results from work within the IETF is likely
>>    to be different from any existing codec that was contributed to the
>>    Internet Standards Process.
>>
>> All of the speakers I heard at the BoF in Stockholm made it clear that
>> they expect to and are eager to collaborate on a codec that meets the
>> requirements, and that they do not expect to simply get their own codecs
>> approved as-is.
> 
> This all might be true. However, at the moment we are discussing the charter
> and not the drafts nor any oral statements, which all can be updated or
> revoked at any time. Thus, it would be beneficial having some high level
> goals in the charter that help to decide on the number of codecs.
> 
> These could be for e.g. "Different codecs must have unmergable, orthogonal
> requirements" or "One codec and a low number of optional extensions that
> address additional requirements".

These are good topics to discuss in the BoF.

Peter

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This message is intended to help participants prepare for the Codec BoF
at IETF 76.

Date: November 12, 2009

Time: 13:00-15:00 local time
      04:00-06:00 UTC

(Note: this is the evening of November 11 in North America!)

Building:
   ANA Crowne Plaza Hiroshima Hotel
   7-20 Nakamachi, Naka-ku
   Hiroshima 730-0037 JAPAN
   Tel: +81 82-241-1111
   http://www.anacrowneplaza-hiroshima.jp/en/

Room:
   Orchid East
   http://tools.ietf.org/agenda/76/venue/?room=orchid-east

Description:

   At IETF 75, the IETF held a BoF about the possibility of forming a
working group to develop one or more audio codecs that would be
optimized for use in Internet applications and that could be widely
implemented and easily distributed among application developers, service
operators, and end users. The BoF at IETF 75 was inconclusive regarding
the matter of forming a working group. Since then, the two main open
issues have been addressed through publication and discussion of
Internet-Drafts about the proposed work processes and technical
requirements of a Codec WG (see links below). In addition, the IETF and
ITU-T have held discussions pursuant to the liaison agreement in place
regarding cooperation and coordination of activities related to media
codecs. The BoF at IETF 76 will build on this work in an attempt to
reach consensus about whether to charter a working group.

Agenda:
   http://www.ietf.org/proceedings/09nov/agenda/codec.txt

Audio:
   http://videolab.uoregon.edu/events/ietf/ietf766.m3u

Chat Room:
   xmpp:codec@jabber.ietf.org?join

Chat Logs:
   http://www.ietf.org/jabber/logs/codec/

Draft Charter:
http://trac.tools.ietf.org/bof/trac/attachment/wiki/BifIETF76/codec-charter.txt

Summary of previous BoF:
   http://www.ietf.org/mail-archive/web/codec/current/msg00540.html

Proposed work process:
   http://tools.ietf.org/html/draft-valin-codec-guidelines-02

Proposed requirements:
   http://tools.ietf.org/html/draft-valin-codec-requirements-02

Submitted codecs:
   http://tools.ietf.org/html/draft-spiritdsp-ipmr-00
   http://tools.ietf.org/html/draft-valin-celt-codec-01
   http://tools.ietf.org/html/draft-vos-silk-00

Other related drafts:
   http://tools.ietf.org/html/draft-hoene-avt-acs-requirements-00

Mailing list archives:
   http://www.ietf.org/mail-archive/web/codec/current/maillist.html

Chairs: Eric Burger and Peter Saint-Andre

Responsible AD: Cullen Jennings

IAB Shepherd: Gregory Lebovitz

HTH,

Peter

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From: Koen Vos <koen.vos@skype.net>
To: Roni Even <ron.even.tlv@gmail.com>
References: <mailman.4448.1257266554.4669.codec@ietf.org> <130EBB38279E9847BAAAE0B8F9905F8C0228D54C@esealmw109.eemea.ericsson.se> <4AF1EF3D.9010503@stpeter.im> <4af2be4d.141bf30a.239d.4d9a@mx.google.com>
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Cc: 'Ingemar Johansson S' <ingemar.s.johansson@ericsson.com>, codec@ietf.org
Subject: Re: [codec] Comments on BoF charter problem statement
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Quoting Roni Even:
> This is also tied to my view that if the group want to succeed it  
> should define one codec.


Roni, could you please elaborate on what you mean by "one codec," and  
why you think it matters?

AMR-WB has several modes, is that ok?
H.264 consists a whole toolbox of models and modes (AVC, SVC, MVC),  
not all of them supported by all implementations of H.264. Is that ok?

thanks,
koen.

From ron.even.tlv@gmail.com  Fri Nov  6 05:35:12 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Koen Vos'" <koen.vos@skype.net>
References: <mailman.4448.1257266554.4669.codec@ietf.org> <130EBB38279E9847BAAAE0B8F9905F8C0228D54C@esealmw109.eemea.ericsson.se> <4AF1EF3D.9010503@stpeter.im> <4af2be4d.141bf30a.239d.4d9a@mx.google.com> <20091106014022.100031ckka9a7wna@mail.skype.net>
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Cc: 'Ingemar Johansson S' <ingemar.s.johansson@ericsson.com>, codec@ietf.org
Subject: Re: [codec] Comments on BoF charter problem statement
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Hi Koen,
The AMR-WB was defined as one codec as discussed in earlier thread by
Ingemar for a specific application. The operation point is negotiable. This
is a reasonable solution if the requirement will be for multiple operation
points (in this case BW). What is not reasonable is to have two different
codecs with overlapping operation points for the same application.  You do
not start with multiple application and the requirements for the multiple
application and let everyone choose the subset they wants to support.
If one of the worries is deployment by people who worry about the cost of
deployment than one of the aspect of cost is the need to support multiple
codecs. Cost is not only how much royalty you pay but also how you maintain
your solution and support your customers.
As for the video SVC and MVC are enhancements to AVC.
Roni Even

> -----Original Message-----
> From: Koen Vos [mailto:koen.vos@skype.net]
> Sent: Friday, November 06, 2009 11:40 AM
> To: Roni Even
> Cc: 'Peter Saint-Andre'; 'Ingemar Johansson S'; codec@ietf.org
> Subject: Re: [codec] Comments on BoF charter problem statement
> 
> Quoting Roni Even:
> > This is also tied to my view that if the group want to succeed it
> > should define one codec.
> 
> 
> Roni, could you please elaborate on what you mean by "one codec," and
> why you think it matters?
> 
> AMR-WB has several modes, is that ok?
> H.264 consists a whole toolbox of models and modes (AVC, SVC, MVC),
> not all of them supported by all implementations of H.264. Is that ok?
> 
> thanks,
> koen.


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From: Koen Vos <koen.vos@skype.net>
To: Roni Even <ron.even.tlv@gmail.com>
References: <mailman.4448.1257266554.4669.codec@ietf.org> <130EBB38279E9847BAAAE0B8F9905F8C0228D54C@esealmw109.eemea.ericsson.se> <4AF1EF3D.9010503@stpeter.im> <4af2be4d.141bf30a.239d.4d9a@mx.google.com> <20091106014022.100031ckka9a7wna@mail.skype.net> <4af4261e.0856100a.56d0.3f7e@mx.google.com>
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Cc: 'Ingemar Johansson S' <ingemar.s.johansson@ericsson.com>, codec@ietf.org
Subject: Re: [codec] Comments on BoF charter problem statement
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Hi Roni,

Maybe we should require that we will have a single codec, possibly  
with multiple modes - just to avoid confusion from circular definitions.

Is your wish simply to guarantee that all compliant implementations  
will be able to talk to each other?  That could for instance be  
guaranteed by requiring that any implementation needs to support more  
than half of the modes in the standard.

> What is not reasonable is to have two different
> codecs with overlapping operation points for the same application.

Not sure what you mean here, can you give an example? The same codec  
under two different names?

best,
koen.


Quoting Roni Even:
> Hi Koen,
> The AMR-WB was defined as one codec as discussed in earlier thread by
> Ingemar for a specific application. The operation point is negotiable. This
> is a reasonable solution if the requirement will be for multiple operation
> points (in this case BW). What is not reasonable is to have two different
> codecs with overlapping operation points for the same application.  You do
> not start with multiple application and the requirements for the multiple
> application and let everyone choose the subset they wants to support.
> If one of the worries is deployment by people who worry about the cost of
> deployment than one of the aspect of cost is the need to support multiple
> codecs. Cost is not only how much royalty you pay but also how you maintain
> your solution and support your customers.
> As for the video SVC and MVC are enhancements to AVC.
> Roni Even
>
>> -----Original Message-----
>> From: Koen Vos [mailto:koen.vos@skype.net]
>> Sent: Friday, November 06, 2009 11:40 AM
>> To: Roni Even
>> Cc: 'Peter Saint-Andre'; 'Ingemar Johansson S'; codec@ietf.org
>> Subject: Re: [codec] Comments on BoF charter problem statement
>>
>> Quoting Roni Even:
>> > This is also tied to my view that if the group want to succeed it
>> > should define one codec.
>>
>>
>> Roni, could you please elaborate on what you mean by "one codec," and
>> why you think it matters?
>>
>> AMR-WB has several modes, is that ok?
>> H.264 consists a whole toolbox of models and modes (AVC, SVC, MVC),
>> not all of them supported by all implementations of H.264. Is that ok?
>>
>> thanks,
>> koen.
>
>



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From: Michael Knappe <mknappe@juniper.net>
To: Michael Knappe <mknappe@juniper.net>, "bens@alum.mit.edu" <bens@alum.mit.edu>, Slava Borilin <Borilin@spiritdsp.com>
Date: Mon, 9 Nov 2009 11:11:50 -0800
Thread-Topic: [codec] codec tandeming/codec-requirements
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Having not heard any further comments on this thread, are we in consensus w=
ith the text as refined below? This would be an addition to section 5.8 (Le=
gacy compatibility) in the next revision of draft-valin-codec-requirements.

Cheers,

Mike


On 10/26/09 1:58 PM, "Michael Knappe" <mknappe@juniper.net> wrote:

For ease of reading, incorporating the edits it would read as:

The systems providing input to the encoder and receiving output from the de=
coder may be far from ideal in actual use.  Input and output audio streams =
may be corrupted by compounding non-linear artifacts from analog hardware a=
nd digital processing. The codecs to be developed should be tested to ensur=
e that they degrade gracefully under adverse audio conditions.  Types of di=
gital corruption that may be tested include tandem encoding with similar an=
d different codecs, low-quality resampling, and digital clipping.  Types of=
 analog corruption that may be tested include microphones with substantial =
background noise, analog clipping, and loudspeaker distortion. No specific =
end-to-end quality requirements are mandated for use with the proposed code=
c. It is advisable, however, that several typical in-situ environments/proc=
essing chains be specified for the purpose of benchmarking end-to-end quali=
ty with the proposed codec.


On 10/26/09 1:47 PM, "Michael Knappe" <mknappe@juniper.net> wrote:

Benjamin,

Well worded paragraph, thanks. I would add just some minor edits and a scop=
ing sentence at the end. My proposed changes are in italics.

Cheers,

Mike

Audio Corruption Robustness

The systems providing input to the encoder and s//receiving/ output from th=
e decoder s/are
likely to/may/ be far from ideal in actual use.  Input and output audio str=
eams
may be corrupted by s//compounding non-linear/ artifacts from analog hardwa=
re and digital processing. The codecs to be developed should be tested to e=
nsure that they degrade
gracefully under adverse audio conditions.  Types of digital corruption
that may be tested include tandem encoding with similar and different
codecs, low-quality resampling, and digital clipping.  Types of analog
corruption that may be tested include microphones with substantial
background noise, analog clipping, and loudspeaker distortion. s//No specif=
ic end-to-end quality requirements are mandated for use with the proposed c=
odec. It is advisable, however, that several typical in-situ environments/p=
rocessing chains be specified for the purpose of benchmarking end-to-end qu=
ality with the proposed codec./
"""

"




On 10/23/09 6:29 AM, "Benjamin M. Schwartz" <bmschwar@fas.harvard.edu> wrot=
e:

Slava Borilin wrote:
> Henry, e2e (or p2p) is cool but what about Legal interception for
> example in this case, which every cellco has to implemenet?

Whether or not we want to encourage it, interception of VoIP traffic does
not require a re-encode.  The encoded packets can just be copied to the
additional receiver.

To address the "tandeming" issue, I think the following text should be
added to the "Basic Requirements" or "Additional Considerations":

"""
Audio Corruption Robustness

The systems providing input to the encoder and output from the decoder are
likely to be far from ideal in actual use.  Input and output audio streams
may be corrupted by artifacts from analog hardware and digital processing.
 The codecs to be developed should be tested to ensure that they degrade
gracefully under adverse audio conditions.  Types of digital corruption
that may be tested include tandem encoding with similar and different
codecs, low-quality resampling, and digital clipping.  Types of analog
corruption that may be tested include microphones with substantial
background noise, analog clipping, and loudspeaker distortion.
"""


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From mknappe@juniper.net  Mon Nov  9 12:41:13 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "Michael Ramalho (mramalho)" <mramalho@cisco.com>, Roni Even <ron.even.tlv@gmail.com>, Peter Saint-Andre <stpeter@stpeter.im>, "codec@ietf.org" <codec@ietf.org>
Date: Mon, 9 Nov 2009 12:40:03 -0800
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In looking at building the table illustrating codec applications vs. criter=
ia, the problem space appears to be parameterized by three major criteria:

A) end-to-end latency: objectively, achieving the least amount of latency p=
ossible is better for real-time communications. Psychoacoustically, achievi=
ng end-to-end delays less than 150 ms has diminishing quality returns for h=
uman speech communication, while the specific application of live music int=
eraction requires less than 50 ms end-to-end delay (and ideally 25 ms or le=
ss). Clearly, the live music interaction requirement requires not only a lo=
w delay codec, but also a carefully controlled, minimal jitter and very low=
 propagation delay network. The 150 ms requirement, on the other hand, has =
more leeway in allocating latency budget between codec algorithmic delays a=
nd other sources of delay in the network. Bottom line: live music interacti=
on appears to be an outlier relative to other codec applications with respe=
ct to end-to-end latency.

B) number of channels: objectively, recreating as complete a representation=
 of the original source sound field is better for real-time communications.=
 For two-party speech communications, source material from a single microph=
one can obviously be transmitted with a single audio channel, with the deci=
sion to present the signal to one or more audio outputs made at the receivi=
ng end (e.g.  Single output telephone handset receiver, dual output binaura=
l headphones). However, even for two-party speech communications with a sin=
gle talker at each end, speakerphone communications can be improved by tran=
smitting two channels of audio from two microphones on the speakerphone, th=
at when listened to with stereo headphones at the receiving end, the 'barre=
l effect' common to mono microphone speakerphones is greatly reduced. This =
concept of transmission of soundfield along with speech (or music) becomes =
more important as more complex acoustic environments are involved (includin=
g the creation of virtual acoustic environments with multiple talker source=
s mixed into a common soundfield). Thus, the need for more transmission cha=
nnels should increase with the application's desire to produce a more immer=
sive environment. Bottom line: although single party source material in two=
-party communications could benefit from more than one transmission channel=
, applications like advanced conferencing / telepresence,  gaming and live =
music interaction are likely to benefit the most from multi-channel environ=
ments.

C) frequency bandwidth: objectively, reproducing the widest possible audio =
frequency bandwidth to cover the frequency content of the original source m=
aterial is better for real-time communications. Human speech has been trans=
mitted with intelligibility limitations for decades over bandwidths as narr=
ow as 3 kHz. Speech intelligibility improves significantly as bandwidth is =
increased to 6 or 7 kHz, with diminishing intelligibility improvements as b=
andwidth is increased past this, even though the subjective measure of 'nat=
uralness' may continue to improve up to the limits of human hearing. This c=
oncept of 'intelligibility' and 'naturalness' also applies to music - an ex=
ample of intelligibility here could be discerning between an oboe and basso=
on in a symphony, while naturalness is more a measure of how 'real' that si=
ngled-out oboe sounds. It would appear to follow that the more complex a so=
und source and soundfield that we wish to transmit, the wider the bandwidth=
 we should encode. In the high fidelity and professional recording domains,=
 this quest for 'naturalness' has extended beyond what we typically feel th=
e human limitation of 20 kHz auditory perception is, to sample rates up to =
192 kHz and beyond. Bottom line:  human speech in simple two-party interact=
ions will receive the most benefit in transmitting the first 7 kHz of audio=
 bandwidth, but more complex source material will continue to benefit from =
wider audio bandwidths, possibly extending beyond the traditional 20 kHz 'a=
uditory limit'.

I have not included in the above criteria the concept of fundamental codec =
type - many previous telephony compression algorithms rely on parameterizat=
ions of the human mechanics of the generation of speech (e.g. CELP based co=
decs) which do not translate well to parameterization of other source mater=
ial such as music, whereas auditory receiving end perceptual audio paramete=
rizations tend to work well for both music and speech, but historically hav=
e had latency limitations. My thought here, for this proposed codec, is tha=
t we should not be looking for a codec where a priori knowledge of the type=
 of audio material is required (although certainly the codec could be desig=
ned to optimize its performance dynamically for varying types of source mat=
erial).

Also not included above are fundamental concepts of distortion and noise - =
for me, this is a secondary requirement that once A,B and C are established=
, that sufficient signal-to-noise ratios be maintained to not undermine int=
elligibility and naturalness goals of the transmission. This may mean a nat=
ural progression to higher SNR targets for wider bandwidth, more immersive =
environments.

Thoughts?

Mike

On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wrote=
:

All,

I strongly agree with Roni here, re: "I think that the if the charter
describes a list of applications it need to have a separate requirement
for each application on which this proposed group is going to develop a
separate codec."

Let's consider two SIMPLE examples.

Example 1 - Let's assume I have an application that requires a certain
linearity within a certain BW ranges (need > 25 dB of waveform linearity
in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
uses adaptive signal processing techniques and linearity is important.
Perhaps it is a far-end echo cancellation application, or a microphone
beam array processing application that processes multiple streams at the
receiver end. I could go on with any number of interesting examples.
Note that such an applications would generate specific REQUIREMENTS to
meet these use cases. The candidate codec would probably be
waveform-based (at least in the bands having the linearity
requirements).

Example 2 - Many voice codecs use spectral techniques (such as spectral
band replication, SBR) above 4k. Such codecs, while potentially
capturing the spectral content well enough, will NOT preserve the phase
(as the phase information is not in the compressed representation). Such
a codec would NOT meet the simple > 20 dB linearity requirement (of the
4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
a human - perhaps, as the human auditory system is not as sensitive to
phase in this region. Additionally, many of these codecs are speech
model based - and typically have < 20 dB of linearity on unvoiced speech
even in 0 - 4k region. (You could throw in an entropy coding stage after
the model to fix this - at the cost of BW - but I digress).

One might ask why codec manufacturers use techniques such as SBR?
Answer: because they are generally more efficient (precisely because
they don't require as much phase information in the compressed domain)
and sound good to humans.

I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
can satisfy both examples above ... because both APPLICATIONS would
result in different REQUIREMENTS.

I think the rush to a "single-codec" requirements here is premature ...
I agree with Roni ... one size does not fit all.

Given the simple examples above - isn't it clear that we need to define
applications (one might call them use cases) - and then requirements for
them - before we determine how a given candidate satisfies the
requirements?

At a minimum, I see two legitimate codec classes:

CLASS 1) codecs that are bandwidth efficient and sound good to humans
(and perhaps satisfy tendeming or tone pass-through requirements), and

CLASS 2) codecs whose output may later be processed by sophisticated
signal processing functions (high-quality mixing, many
classification-based applications such as speaker/sound/intrusion
identification) that have SNR/waveform/distortion criteria generally
exceeding CLASS 1.

Granted, we should make each use case as broad as possible so as not to
have too many of them. Once one codec is standardized for a particular
application type - a subsequent candidate codec/application would need
to prove it is "sufficiently different" from the existing codec(s) to go
further. The WG chairs need to exert leadership to ensure the desired
result (of the smallest number of codecs spanning the greatest
application space).

IF
a given codec meets the requirements of its use case
AND
that use case is valid
THEN
I (for one) don't have an issue with the IETF "rubber stamping" of it.

If you have a specific use case - then get together with other similarly
minded folks and generate a "use case" draft and then a requirements
draft for that use case. Don't try to solve world hunger in one step.

Off Soapbox,

Michael Ramalho, Ph.D.

[Flames expected ... but please try to disprove my debate above when
doing so ... I dislike flames that do not disprove a thesis ;-) ]

PS - I think CLASS 1 codecs should be addressed first by the WG ... and
later consider other classes as people advocate for their use case.

-----Original Message-----
From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
Of Roni Even
Sent: Friday, October 30, 2009 6:34 PM
To: 'Peter Saint-Andre'; codec@ietf.org
Subject: Re: [codec] questions to be answered

Hi Peter,
I am not sure that there is a consensus about what the group need to
deliver. I do not feel that the issue of the number of codecs and how to
decide which codecs are in scope for this working group is agreed. My
view
that this issue is not addressed since I assume that all the parties
that
submitted candidate codecs would like their codecs to be approved at the
IETF which will make this group a rubber stamping WG.
I think that the if the charter describes a list of applications it need
to
have a separate requirement for each application on which this proposed
group is going to develop a separate codec. If there is one requirement
document for all apllications there should be one codec to address it.

Thanks
Roni Even



> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Peter Saint-Andre
> Sent: Friday, October 30, 2009 10:12 PM
> To: codec@ietf.org
> Subject: [codec] questions to be answered
>
> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
>
> RFC 5434 has a list of questions that need to be answered before a WG
> is
> formed, and I think we have fairly clear answers to these questions:
>
> 1. Is there a problem that needs solving?
>
> (Yes, see problem statement in charter.)
>
> 2. Is the scope of the problem well defined and understood?
>
> (Yes, see objectives in charter, guidelines I-D, and requirements
I-D.)
>
> 3. Is there agreement on what the WG needs to deliver?
>
> (Yes, see deliverables in charter, guidelines I-D, and requirements I-
> D.)
>
> 4. Are there enough IETF participants to do the work?
>
> (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>
> 5. Does the WG have a reasonable probability of success?
>
> (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
> emphasis on "reasonable" because we won't know until we try.)
>
> 6. Is the IETF is the right place to do the work?
>
> (Maybe. I think this is the major item to clarify at the BoF.)
>
> Peter
>
> - --
> Peter Saint-Andre
> https://stpeter.im/
>
>
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Subject: [codec] Scribes & Jabber Scribes
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We still need more Scribes & Jabber Scribes. Please get back to me  
ASAP if you can volunteer. This will be a packed session, and we will  
need multiple scribes.

Thanks.

From koen.vos@skype.net  Mon Nov  9 19:29:09 2009
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From: Koen Vos <koen.vos@skype.net>
To: Michael Knappe <mknappe@juniper.net>
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Subject: Re: [codec] questions to be answered
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These are good requirements at the high end, e.g. for virtual presence  
and interactive music.

At the low end, for basic voice, I think also -and sometimes more-  
important are:
- Bitrate
- Robustness to packet loss
- Complexity
- Real-time scalability (the ability to adjust parameters)
These aspects determine how well communications work in challenging  
scenarios like over wireless networks and on embedded devices.

koen.


Quoting Michael Knappe:
> In looking at building the table illustrating codec applications vs.  
> criteria, the problem space appears to be parameterized by three  
> major criteria:
>
> A) end-to-end latency: objectively, achieving the least amount of  
> latency possible is better for real-time communications.  
> Psychoacoustically, achieving end-to-end delays less than 150 ms has  
> diminishing quality returns for human speech communication, while  
> the specific application of live music interaction requires less  
> than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly,  
> the live music interaction requirement requires not only a low delay  
> codec, but also a carefully controlled, minimal jitter and very low  
> propagation delay network. The 150 ms requirement, on the other  
> hand, has more leeway in allocating latency budget between codec  
> algorithmic delays and other sources of delay in the network. Bottom  
> line: live music interaction appears to be an outlier relative to  
> other codec applications with respect to end-to-end latency.
>
> B) number of channels: objectively, recreating as complete a  
> representation of the original source sound field is better for  
> real-time communications. For two-party speech communications,  
> source material from a single microphone can obviously be  
> transmitted with a single audio channel, with the decision to  
> present the signal to one or more audio outputs made at the  
> receiving end (e.g.  Single output telephone handset receiver, dual  
> output binaural headphones). However, even for two-party speech  
> communications with a single talker at each end, speakerphone  
> communications can be improved by transmitting two channels of audio  
> from two microphones on the speakerphone, that when listened to with  
> stereo headphones at the receiving end, the 'barrel effect' common  
> to mono microphone speakerphones is greatly reduced. This concept of  
> transmission of soundfield along with speech (or music) becomes more  
> important as more complex acoustic environments are involved  
> (including the creation
>  of virtual acoustic environments with multiple talker sources mixed  
> into a common soundfield). Thus, the need for more transmission  
> channels should increase with the application's desire to produce a  
> more immersive environment. Bottom line: although single party  
> source material in two-party communications could benefit from more  
> than one transmission channel, applications like advanced  
> conferencing / telepresence,  gaming and live music interaction are  
> likely to benefit the most from multi-channel environments.
>
> C) frequency bandwidth: objectively, reproducing the widest possible  
> audio frequency bandwidth to cover the frequency content of the  
> original source material is better for real-time communications.  
> Human speech has been transmitted with intelligibility limitations  
> for decades over bandwidths as narrow as 3 kHz. Speech  
> intelligibility improves significantly as bandwidth is increased to  
> 6 or 7 kHz, with diminishing intelligibility improvements as  
> bandwidth is increased past this, even though the subjective measure  
> of 'naturalness' may continue to improve up to the limits of human  
> hearing. This concept of 'intelligibility' and 'naturalness' also  
> applies to music - an example of intelligibility here could be  
> discerning between an oboe and bassoon in a symphony, while  
> naturalness is more a measure of how 'real' that singled-out oboe  
> sounds. It would appear to follow that the more complex a sound  
> source and soundfield that we wish to transmit, the wider the  
> bandwidth we should enco
>  de. In the high fidelity and professional recording domains, this  
> quest for 'naturalness' has extended beyond what we typically feel  
> the human limitation of 20 kHz auditory perception is, to sample  
> rates up to 192 kHz and beyond. Bottom line:  human speech in simple  
> two-party interactions will receive the most benefit in transmitting  
> the first 7 kHz of audio bandwidth, but more complex source material  
> will continue to benefit from wider audio bandwidths, possibly  
> extending beyond the traditional 20 kHz 'auditory limit'.
>
> I have not included in the above criteria the concept of fundamental  
> codec type - many previous telephony compression algorithms rely on  
> parameterizations of the human mechanics of the generation of speech  
> (e.g. CELP based codecs) which do not translate well to  
> parameterization of other source material such as music, whereas  
> auditory receiving end perceptual audio parameterizations tend to  
> work well for both music and speech, but historically have had  
> latency limitations. My thought here, for this proposed codec, is  
> that we should not be looking for a codec where a priori knowledge  
> of the type of audio material is required (although certainly the  
> codec could be designed to optimize its performance dynamically for  
> varying types of source material).
>
> Also not included above are fundamental concepts of distortion and  
> noise - for me, this is a secondary requirement that once A,B and C  
> are established, that sufficient signal-to-noise ratios be  
> maintained to not undermine intelligibility and naturalness goals of  
> the transmission. This may mean a natural progression to higher SNR  
> targets for wider bandwidth, more immersive environments.
>
> Thoughts?
>
> Mike
>
> On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wrote:
>
> All,
>
> I strongly agree with Roni here, re: "I think that the if the charter
> describes a list of applications it need to have a separate requirement
> for each application on which this proposed group is going to develop a
> separate codec."
>
> Let's consider two SIMPLE examples.
>
> Example 1 - Let's assume I have an application that requires a certain
> linearity within a certain BW ranges (need > 25 dB of waveform linearity
> in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
> uses adaptive signal processing techniques and linearity is important.
> Perhaps it is a far-end echo cancellation application, or a microphone
> beam array processing application that processes multiple streams at the
> receiver end. I could go on with any number of interesting examples.
> Note that such an applications would generate specific REQUIREMENTS to
> meet these use cases. The candidate codec would probably be
> waveform-based (at least in the bands having the linearity
> requirements).
>
> Example 2 - Many voice codecs use spectral techniques (such as spectral
> band replication, SBR) above 4k. Such codecs, while potentially
> capturing the spectral content well enough, will NOT preserve the phase
> (as the phase information is not in the compressed representation). Such
> a codec would NOT meet the simple > 20 dB linearity requirement (of the
> 4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
> a human - perhaps, as the human auditory system is not as sensitive to
> phase in this region. Additionally, many of these codecs are speech
> model based - and typically have < 20 dB of linearity on unvoiced speech
> even in 0 - 4k region. (You could throw in an entropy coding stage after
> the model to fix this - at the cost of BW - but I digress).
>
> One might ask why codec manufacturers use techniques such as SBR?
> Answer: because they are generally more efficient (precisely because
> they don't require as much phase information in the compressed domain)
> and sound good to humans.
>
> I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> can satisfy both examples above ... because both APPLICATIONS would
> result in different REQUIREMENTS.
>
> I think the rush to a "single-codec" requirements here is premature ...
> I agree with Roni ... one size does not fit all.
>
> Given the simple examples above - isn't it clear that we need to define
> applications (one might call them use cases) - and then requirements for
> them - before we determine how a given candidate satisfies the
> requirements?
>
> At a minimum, I see two legitimate codec classes:
>
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing, many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.
>
> Granted, we should make each use case as broad as possible so as not to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).
>
> IF
> a given codec meets the requirements of its use case
> AND
> that use case is valid
> THEN
> I (for one) don't have an issue with the IETF "rubber stamping" of it.
>
> If you have a specific use case - then get together with other similarly
> minded folks and generate a "use case" draft and then a requirements
> draft for that use case. Don't try to solve world hunger in one step.
>
> Off Soapbox,
>
> Michael Ramalho, Ph.D.
>
> [Flames expected ... but please try to disprove my debate above when
> doing so ... I dislike flames that do not disprove a thesis ;-) ]
>
> PS - I think CLASS 1 codecs should be addressed first by the WG ... and
> later consider other classes as people advocate for their use case.
>
> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Roni Even
> Sent: Friday, October 30, 2009 6:34 PM
> To: 'Peter Saint-Andre'; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>
> Hi Peter,
> I am not sure that there is a consensus about what the group need to
> deliver. I do not feel that the issue of the number of codecs and how to
> decide which codecs are in scope for this working group is agreed. My
> view
> that this issue is not addressed since I assume that all the parties
> that
> submitted candidate codecs would like their codecs to be approved at the
> IETF which will make this group a rubber stamping WG.
> I think that the if the charter describes a list of applications it need
> to
> have a separate requirement for each application on which this proposed
> group is going to develop a separate codec. If there is one requirement
> document for all apllications there should be one codec to address it.
>
> Thanks
> Roni Even
>
>
>
>> -----Original Message-----
>> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>> Of Peter Saint-Andre
>> Sent: Friday, October 30, 2009 10:12 PM
>> To: codec@ietf.org
>> Subject: [codec] questions to be answered
>>
>> -----BEGIN PGP SIGNED MESSAGE-----
>> Hash: SHA1
>>
>> RFC 5434 has a list of questions that need to be answered before a WG
>> is
>> formed, and I think we have fairly clear answers to these questions:
>>
>> 1. Is there a problem that needs solving?
>>
>> (Yes, see problem statement in charter.)
>>
>> 2. Is the scope of the problem well defined and understood?
>>
>> (Yes, see objectives in charter, guidelines I-D, and requirements
> I-D.)
>>
>> 3. Is there agreement on what the WG needs to deliver?
>>
>> (Yes, see deliverables in charter, guidelines I-D, and requirements I-
>> D.)
>>
>> 4. Are there enough IETF participants to do the work?
>>
>> (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>>
>> 5. Does the WG have a reasonable probability of success?
>>
>> (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
>> emphasis on "reasonable" because we won't know until we try.)
>>
>> 6. Is the IETF is the right place to do the work?
>>
>> (Maybe. I think this is the major item to clarify at the BoF.)
>>
>> Peter
>>
>> - --
>> Peter Saint-Andre
>> https://stpeter.im/
>>
>>
>> -----BEGIN PGP SIGNATURE-----
>> Version: GnuPG v1.4.8 (Darwin)
>> Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>>
>> iEYEARECAAYFAkrrSIIACgkQNL8k5A2w/vxzmQCeINOY/RWKd924HGWH8p4BJmUz
>> lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
>> =9vPK
>> -----END PGP SIGNATURE-----
>> _______________________________________________
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>> https://www.ietf.org/mailman/listinfo/codec
>
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From hsinnrei@adobe.com  Mon Nov  9 20:46:02 2009
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From: Henry Sinnreich <hsinnrei@adobe.com>
To: Koen Vos <koen.vos@skype.net>, Michael Knappe <mknappe@juniper.net>
Date: Mon, 9 Nov 2009 20:46:19 -0800
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>- Robustness to packet loss

Are you thinking of burst packet loss or random distributed packet loss?
And what would be the metrics and values for either?

If we have no metrics and no credible values, I suggest to forget this rat =
hole.
Broadband Internet has IMO and negligible packet loss, except for congestio=
n events where the codec cannot do anything anyway.

Packet loss was a big deal in old analog modem times and pre-3G/4G wireless=
 networks :-)

My two cents,

Henry


On 11/10/09 12:29 PM, "Koen Vos" <koen.vos@skype.net> wrote:

These are good requirements at the high end, e.g. for virtual presence
and interactive music.

At the low end, for basic voice, I think also -and sometimes more-
important are:
- Bitrate
- Robustness to packet loss
- Complexity
- Real-time scalability (the ability to adjust parameters)
These aspects determine how well communications work in challenging
scenarios like over wireless networks and on embedded devices.

koen.


Quoting Michael Knappe:
> In looking at building the table illustrating codec applications vs.
> criteria, the problem space appears to be parameterized by three
> major criteria:
>
> A) end-to-end latency: objectively, achieving the least amount of
> latency possible is better for real-time communications.
> Psychoacoustically, achieving end-to-end delays less than 150 ms has
> diminishing quality returns for human speech communication, while
> the specific application of live music interaction requires less
> than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly,
> the live music interaction requirement requires not only a low delay
> codec, but also a carefully controlled, minimal jitter and very low
> propagation delay network. The 150 ms requirement, on the other
> hand, has more leeway in allocating latency budget between codec
> algorithmic delays and other sources of delay in the network. Bottom
> line: live music interaction appears to be an outlier relative to
> other codec applications with respect to end-to-end latency.
>
> B) number of channels: objectively, recreating as complete a
> representation of the original source sound field is better for
> real-time communications. For two-party speech communications,
> source material from a single microphone can obviously be
> transmitted with a single audio channel, with the decision to
> present the signal to one or more audio outputs made at the
> receiving end (e.g.  Single output telephone handset receiver, dual
> output binaural headphones). However, even for two-party speech
> communications with a single talker at each end, speakerphone
> communications can be improved by transmitting two channels of audio
> from two microphones on the speakerphone, that when listened to with
> stereo headphones at the receiving end, the 'barrel effect' common
> to mono microphone speakerphones is greatly reduced. This concept of
> transmission of soundfield along with speech (or music) becomes more
> important as more complex acoustic environments are involved
> (including the creation
>  of virtual acoustic environments with multiple talker sources mixed
> into a common soundfield). Thus, the need for more transmission
> channels should increase with the application's desire to produce a
> more immersive environment. Bottom line: although single party
> source material in two-party communications could benefit from more
> than one transmission channel, applications like advanced
> conferencing / telepresence,  gaming and live music interaction are
> likely to benefit the most from multi-channel environments.
>
> C) frequency bandwidth: objectively, reproducing the widest possible
> audio frequency bandwidth to cover the frequency content of the
> original source material is better for real-time communications.
> Human speech has been transmitted with intelligibility limitations
> for decades over bandwidths as narrow as 3 kHz. Speech
> intelligibility improves significantly as bandwidth is increased to
> 6 or 7 kHz, with diminishing intelligibility improvements as
> bandwidth is increased past this, even though the subjective measure
> of 'naturalness' may continue to improve up to the limits of human
> hearing. This concept of 'intelligibility' and 'naturalness' also
> applies to music - an example of intelligibility here could be
> discerning between an oboe and bassoon in a symphony, while
> naturalness is more a measure of how 'real' that singled-out oboe
> sounds. It would appear to follow that the more complex a sound
> source and soundfield that we wish to transmit, the wider the
> bandwidth we should enco
>  de. In the high fidelity and professional recording domains, this
> quest for 'naturalness' has extended beyond what we typically feel
> the human limitation of 20 kHz auditory perception is, to sample
> rates up to 192 kHz and beyond. Bottom line:  human speech in simple
> two-party interactions will receive the most benefit in transmitting
> the first 7 kHz of audio bandwidth, but more complex source material
> will continue to benefit from wider audio bandwidths, possibly
> extending beyond the traditional 20 kHz 'auditory limit'.
>
> I have not included in the above criteria the concept of fundamental
> codec type - many previous telephony compression algorithms rely on
> parameterizations of the human mechanics of the generation of speech
> (e.g. CELP based codecs) which do not translate well to
> parameterization of other source material such as music, whereas
> auditory receiving end perceptual audio parameterizations tend to
> work well for both music and speech, but historically have had
> latency limitations. My thought here, for this proposed codec, is
> that we should not be looking for a codec where a priori knowledge
> of the type of audio material is required (although certainly the
> codec could be designed to optimize its performance dynamically for
> varying types of source material).
>
> Also not included above are fundamental concepts of distortion and
> noise - for me, this is a secondary requirement that once A,B and C
> are established, that sufficient signal-to-noise ratios be
> maintained to not undermine intelligibility and naturalness goals of
> the transmission. This may mean a natural progression to higher SNR
> targets for wider bandwidth, more immersive environments.
>
> Thoughts?
>
> Mike
>
> On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wro=
te:
>
> All,
>
> I strongly agree with Roni here, re: "I think that the if the charter
> describes a list of applications it need to have a separate requirement
> for each application on which this proposed group is going to develop a
> separate codec."
>
> Let's consider two SIMPLE examples.
>
> Example 1 - Let's assume I have an application that requires a certain
> linearity within a certain BW ranges (need > 25 dB of waveform linearity
> in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
> uses adaptive signal processing techniques and linearity is important.
> Perhaps it is a far-end echo cancellation application, or a microphone
> beam array processing application that processes multiple streams at the
> receiver end. I could go on with any number of interesting examples.
> Note that such an applications would generate specific REQUIREMENTS to
> meet these use cases. The candidate codec would probably be
> waveform-based (at least in the bands having the linearity
> requirements).
>
> Example 2 - Many voice codecs use spectral techniques (such as spectral
> band replication, SBR) above 4k. Such codecs, while potentially
> capturing the spectral content well enough, will NOT preserve the phase
> (as the phase information is not in the compressed representation). Such
> a codec would NOT meet the simple > 20 dB linearity requirement (of the
> 4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
> a human - perhaps, as the human auditory system is not as sensitive to
> phase in this region. Additionally, many of these codecs are speech
> model based - and typically have < 20 dB of linearity on unvoiced speech
> even in 0 - 4k region. (You could throw in an entropy coding stage after
> the model to fix this - at the cost of BW - but I digress).
>
> One might ask why codec manufacturers use techniques such as SBR?
> Answer: because they are generally more efficient (precisely because
> they don't require as much phase information in the compressed domain)
> and sound good to humans.
>
> I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> can satisfy both examples above ... because both APPLICATIONS would
> result in different REQUIREMENTS.
>
> I think the rush to a "single-codec" requirements here is premature ...
> I agree with Roni ... one size does not fit all.
>
> Given the simple examples above - isn't it clear that we need to define
> applications (one might call them use cases) - and then requirements for
> them - before we determine how a given candidate satisfies the
> requirements?
>
> At a minimum, I see two legitimate codec classes:
>
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing, many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.
>
> Granted, we should make each use case as broad as possible so as not to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).
>
> IF
> a given codec meets the requirements of its use case
> AND
> that use case is valid
> THEN
> I (for one) don't have an issue with the IETF "rubber stamping" of it.
>
> If you have a specific use case - then get together with other similarly
> minded folks and generate a "use case" draft and then a requirements
> draft for that use case. Don't try to solve world hunger in one step.
>
> Off Soapbox,
>
> Michael Ramalho, Ph.D.
>
> [Flames expected ... but please try to disprove my debate above when
> doing so ... I dislike flames that do not disprove a thesis ;-) ]
>
> PS - I think CLASS 1 codecs should be addressed first by the WG ... and
> later consider other classes as people advocate for their use case.
>
> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Roni Even
> Sent: Friday, October 30, 2009 6:34 PM
> To: 'Peter Saint-Andre'; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>
> Hi Peter,
> I am not sure that there is a consensus about what the group need to
> deliver. I do not feel that the issue of the number of codecs and how to
> decide which codecs are in scope for this working group is agreed. My
> view
> that this issue is not addressed since I assume that all the parties
> that
> submitted candidate codecs would like their codecs to be approved at the
> IETF which will make this group a rubber stamping WG.
> I think that the if the charter describes a list of applications it need
> to
> have a separate requirement for each application on which this proposed
> group is going to develop a separate codec. If there is one requirement
> document for all apllications there should be one codec to address it.
>
> Thanks
> Roni Even
>
>
>
>> -----Original Message-----
>> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>> Of Peter Saint-Andre
>> Sent: Friday, October 30, 2009 10:12 PM
>> To: codec@ietf.org
>> Subject: [codec] questions to be answered
>>
>> -----BEGIN PGP SIGNED MESSAGE-----
>> Hash: SHA1
>>
>> RFC 5434 has a list of questions that need to be answered before a WG
>> is
>> formed, and I think we have fairly clear answers to these questions:
>>
>> 1. Is there a problem that needs solving?
>>
>> (Yes, see problem statement in charter.)
>>
>> 2. Is the scope of the problem well defined and understood?
>>
>> (Yes, see objectives in charter, guidelines I-D, and requirements
> I-D.)
>>
>> 3. Is there agreement on what the WG needs to deliver?
>>
>> (Yes, see deliverables in charter, guidelines I-D, and requirements I-
>> D.)
>>
>> 4. Are there enough IETF participants to do the work?
>>
>> (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>>
>> 5. Does the WG have a reasonable probability of success?
>>
>> (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
>> emphasis on "reasonable" because we won't know until we try.)
>>
>> 6. Is the IETF is the right place to do the work?
>>
>> (Maybe. I think this is the major item to clarify at the BoF.)
>>
>> Peter
>>
>> - --
>> Peter Saint-Andre
>> https://stpeter.im/
>>
>>
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>>
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>> lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
>> =3D9vPK
>> -----END PGP SIGNATURE-----
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
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> https://www.ietf.org/mailman/listinfo/codec
>


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<TITLE>Re: [codec] questions to be answered</TITLE>
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<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:=
13pt'>&gt;- Robustness to packet loss<BR>
<BR>
Are you thinking of burst packet loss or random distributed packet loss?<BR=
>
And what would be the metrics and values for either?<BR>
<BR>
If we have no metrics and no credible values, I suggest to forget this rat =
hole.<BR>
Broadband Internet has IMO and negligible packet loss, except for congestio=
n events where the codec cannot do anything anyway.<BR>
<BR>
Packet loss was a big deal in old analog modem times and pre-3G/4G wireless=
 networks :-)<BR>
<BR>
My two cents,<BR>
<BR>
Henry <BR>
<BR>
<BR>
On 11/10/09 12:29 PM, &quot;Koen Vos&quot; &lt;<a href=3D"koen.vos@skype.ne=
t">koen.vos@skype.net</a>&gt; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"=
><SPAN STYLE=3D'font-size:13pt'>These are good requirements at the high end=
, e.g. for virtual presence <BR>
and interactive music.<BR>
<BR>
At the low end, for basic voice, I think also -and sometimes more- <BR>
important are:<BR>
- Bitrate<BR>
- Robustness to packet loss<BR>
- Complexity<BR>
- Real-time scalability (the ability to adjust parameters)<BR>
These aspects determine how well communications work in challenging <BR>
scenarios like over wireless networks and on embedded devices.<BR>
<BR>
koen.<BR>
<BR>
<BR>
Quoting Michael Knappe:<BR>
&gt; In looking at building the table illustrating codec applications vs. <=
BR>
&gt; criteria, the problem space appears to be parameterized by three <BR>
&gt; major criteria:<BR>
&gt;<BR>
&gt; A) end-to-end latency: objectively, achieving the least amount of <BR>
&gt; latency possible is better for real-time communications. <BR>
&gt; Psychoacoustically, achieving end-to-end delays less than 150 ms has <=
BR>
&gt; diminishing quality returns for human speech communication, while <BR>
&gt; the specific application of live music interaction requires less <BR>
&gt; than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly, <BR>
&gt; the live music interaction requirement requires not only a low delay <=
BR>
&gt; codec, but also a carefully controlled, minimal jitter and very low <B=
R>
&gt; propagation delay network. The 150 ms requirement, on the other <BR>
&gt; hand, has more leeway in allocating latency budget between codec <BR>
&gt; algorithmic delays and other sources of delay in the network. Bottom <=
BR>
&gt; line: live music interaction appears to be an outlier relative to <BR>
&gt; other codec applications with respect to end-to-end latency.<BR>
&gt;<BR>
&gt; B) number of channels: objectively, recreating as complete a <BR>
&gt; representation of the original source sound field is better for <BR>
&gt; real-time communications. For two-party speech communications, <BR>
&gt; source material from a single microphone can obviously be <BR>
&gt; transmitted with a single audio channel, with the decision to <BR>
&gt; present the signal to one or more audio outputs made at the <BR>
&gt; receiving end (e.g. &nbsp;Single output telephone handset receiver, du=
al <BR>
&gt; output binaural headphones). However, even for two-party speech <BR>
&gt; communications with a single talker at each end, speakerphone <BR>
&gt; communications can be improved by transmitting two channels of audio <=
BR>
&gt; from two microphones on the speakerphone, that when listened to with <=
BR>
&gt; stereo headphones at the receiving end, the 'barrel effect' common <BR=
>
&gt; to mono microphone speakerphones is greatly reduced. This concept of <=
BR>
&gt; transmission of soundfield along with speech (or music) becomes more <=
BR>
&gt; important as more complex acoustic environments are involved <BR>
&gt; (including the creation<BR>
&gt; &nbsp;of virtual acoustic environments with multiple talker sources mi=
xed <BR>
&gt; into a common soundfield). Thus, the need for more transmission <BR>
&gt; channels should increase with the application's desire to produce a <B=
R>
&gt; more immersive environment. Bottom line: although single party <BR>
&gt; source material in two-party communications could benefit from more <B=
R>
&gt; than one transmission channel, applications like advanced <BR>
&gt; conferencing / telepresence, &nbsp;gaming and live music interaction a=
re <BR>
&gt; likely to benefit the most from multi-channel environments.<BR>
&gt;<BR>
&gt; C) frequency bandwidth: objectively, reproducing the widest possible <=
BR>
&gt; audio frequency bandwidth to cover the frequency content of the <BR>
&gt; original source material is better for real-time communications. <BR>
&gt; Human speech has been transmitted with intelligibility limitations <BR=
>
&gt; for decades over bandwidths as narrow as 3 kHz. Speech <BR>
&gt; intelligibility improves significantly as bandwidth is increased to <B=
R>
&gt; 6 or 7 kHz, with diminishing intelligibility improvements as <BR>
&gt; bandwidth is increased past this, even though the subjective measure <=
BR>
&gt; of 'naturalness' may continue to improve up to the limits of human <BR=
>
&gt; hearing. This concept of 'intelligibility' and 'naturalness' also <BR>
&gt; applies to music - an example of intelligibility here could be <BR>
&gt; discerning between an oboe and bassoon in a symphony, while <BR>
&gt; naturalness is more a measure of how 'real' that singled-out oboe <BR>
&gt; sounds. It would appear to follow that the more complex a sound <BR>
&gt; source and soundfield that we wish to transmit, the wider the <BR>
&gt; bandwidth we should enco<BR>
&gt; &nbsp;de. In the high fidelity and professional recording domains, thi=
s <BR>
&gt; quest for 'naturalness' has extended beyond what we typically feel <BR=
>
&gt; the human limitation of 20 kHz auditory perception is, to sample <BR>
&gt; rates up to 192 kHz and beyond. Bottom line: &nbsp;human speech in sim=
ple <BR>
&gt; two-party interactions will receive the most benefit in transmitting <=
BR>
&gt; the first 7 kHz of audio bandwidth, but more complex source material <=
BR>
&gt; will continue to benefit from wider audio bandwidths, possibly <BR>
&gt; extending beyond the traditional 20 kHz 'auditory limit'.<BR>
&gt;<BR>
&gt; I have not included in the above criteria the concept of fundamental <=
BR>
&gt; codec type - many previous telephony compression algorithms rely on <B=
R>
&gt; parameterizations of the human mechanics of the generation of speech <=
BR>
&gt; (e.g. CELP based codecs) which do not translate well to <BR>
&gt; parameterization of other source material such as music, whereas <BR>
&gt; auditory receiving end perceptual audio parameterizations tend to <BR>
&gt; work well for both music and speech, but historically have had <BR>
&gt; latency limitations. My thought here, for this proposed codec, is <BR>
&gt; that we should not be looking for a codec where a priori knowledge <BR=
>
&gt; of the type of audio material is required (although certainly the <BR>
&gt; codec could be designed to optimize its performance dynamically for <B=
R>
&gt; varying types of source material).<BR>
&gt;<BR>
&gt; Also not included above are fundamental concepts of distortion and <BR=
>
&gt; noise - for me, this is a secondary requirement that once A,B and C <B=
R>
&gt; are established, that sufficient signal-to-noise ratios be <BR>
&gt; maintained to not undermine intelligibility and naturalness goals of <=
BR>
&gt; the transmission. This may mean a natural progression to higher SNR <B=
R>
&gt; targets for wider bandwidth, more immersive environments.<BR>
&gt;<BR>
&gt; Thoughts?<BR>
&gt;<BR>
&gt; Mike<BR>
&gt;<BR>
&gt; On 11/2/09 5:41 AM, &quot;Michael Ramalho (mramalho)&quot; &lt;<a href=
=3D"mramalho@cisco.com">mramalho@cisco.com</a>&gt; wrote:<BR>
&gt;<BR>
&gt; All,<BR>
&gt;<BR>
&gt; I strongly agree with Roni here, re: &quot;I think that the if the cha=
rter<BR>
&gt; describes a list of applications it need to have a separate requiremen=
t<BR>
&gt; for each application on which this proposed group is going to develop =
a<BR>
&gt; separate codec.&quot;<BR>
&gt;<BR>
&gt; Let's consider two SIMPLE examples.<BR>
&gt;<BR>
&gt; Example 1 - Let's assume I have an application that requires a certain=
<BR>
&gt; linearity within a certain BW ranges (need &gt; 25 dB of waveform line=
arity<BR>
&gt; in the band 0 - 4k, &gt; 20 db from 4k - 8k, etc). Perhaps this applic=
ation<BR>
&gt; uses adaptive signal processing techniques and linearity is important.=
<BR>
&gt; Perhaps it is a far-end echo cancellation application, or a microphone=
<BR>
&gt; beam array processing application that processes multiple streams at t=
he<BR>
&gt; receiver end. I could go on with any number of interesting examples.<B=
R>
&gt; Note that such an applications would generate specific REQUIREMENTS to=
<BR>
&gt; meet these use cases. The candidate codec would probably be<BR>
&gt; waveform-based (at least in the bands having the linearity<BR>
&gt; requirements).<BR>
&gt;<BR>
&gt; Example 2 - Many voice codecs use spectral techniques (such as spectra=
l<BR>
&gt; band replication, SBR) above 4k. Such codecs, while potentially<BR>
&gt; capturing the spectral content well enough, will NOT preserve the phas=
e<BR>
&gt; (as the phase information is not in the compressed representation). Su=
ch<BR>
&gt; a codec would NOT meet the simple &gt; 20 dB linearity requirement (of=
 the<BR>
&gt; 4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD =
to<BR>
&gt; a human - perhaps, as the human auditory system is not as sensitive to=
<BR>
&gt; phase in this region. Additionally, many of these codecs are speech<BR=
>
&gt; model based - and typically have &lt; 20 dB of linearity on unvoiced s=
peech<BR>
&gt; even in 0 - 4k region. (You could throw in an entropy coding stage aft=
er<BR>
&gt; the model to fix this - at the cost of BW - but I digress).<BR>
&gt;<BR>
&gt; One might ask why codec manufacturers use techniques such as SBR?<BR>
&gt; Answer: because they are generally more efficient (precisely because<B=
R>
&gt; they don't require as much phase information in the compressed domain)=
<BR>
&gt; and sound good to humans.<BR>
&gt;<BR>
&gt; I could go on and on ... but I sincerely doubt that ONE MAGICAL codec<=
BR>
&gt; can satisfy both examples above ... because both APPLICATIONS would<BR=
>
&gt; result in different REQUIREMENTS.<BR>
&gt;<BR>
&gt; I think the rush to a &quot;single-codec&quot; requirements here is pr=
emature ...<BR>
&gt; I agree with Roni ... one size does not fit all.<BR>
&gt;<BR>
&gt; Given the simple examples above - isn't it clear that we need to defin=
e<BR>
&gt; applications (one might call them use cases) - and then requirements f=
or<BR>
&gt; them - before we determine how a given candidate satisfies the<BR>
&gt; requirements?<BR>
&gt;<BR>
&gt; At a minimum, I see two legitimate codec classes:<BR>
&gt;<BR>
&gt; CLASS 1) codecs that are bandwidth efficient and sound good to humans<=
BR>
&gt; (and perhaps satisfy tendeming or tone pass-through requirements), and=
<BR>
&gt;<BR>
&gt; CLASS 2) codecs whose output may later be processed by sophisticated<B=
R>
&gt; signal processing functions (high-quality mixing, many<BR>
&gt; classification-based applications such as speaker/sound/intrusion<BR>
&gt; identification) that have SNR/waveform/distortion criteria generally<B=
R>
&gt; exceeding CLASS 1.<BR>
&gt;<BR>
&gt; Granted, we should make each use case as broad as possible so as not t=
o<BR>
&gt; have too many of them. Once one codec is standardized for a particular=
<BR>
&gt; application type - a subsequent candidate codec/application would need=
<BR>
&gt; to prove it is &quot;sufficiently different&quot; from the existing co=
dec(s) to go<BR>
&gt; further. The WG chairs need to exert leadership to ensure the desired<=
BR>
&gt; result (of the smallest number of codecs spanning the greatest<BR>
&gt; application space).<BR>
&gt;<BR>
&gt; IF<BR>
&gt; a given codec meets the requirements of its use case<BR>
&gt; AND<BR>
&gt; that use case is valid<BR>
&gt; THEN<BR>
&gt; I (for one) don't have an issue with the IETF &quot;rubber stamping&qu=
ot; of it.<BR>
&gt;<BR>
&gt; If you have a specific use case - then get together with other similar=
ly<BR>
&gt; minded folks and generate a &quot;use case&quot; draft and then a requ=
irements<BR>
&gt; draft for that use case. Don't try to solve world hunger in one step.<=
BR>
&gt;<BR>
&gt; Off Soapbox,<BR>
&gt;<BR>
&gt; Michael Ramalho, Ph.D.<BR>
&gt;<BR>
&gt; [Flames expected ... but please try to disprove my debate above when<B=
R>
&gt; doing so ... I dislike flames that do not disprove a thesis ;-) ]<BR>
&gt;<BR>
&gt; PS - I think CLASS 1 codecs should be addressed first by the WG ... an=
d<BR>
&gt; later consider other classes as people advocate for their use case.<BR=
>
&gt;<BR>
&gt; -----Original Message-----<BR>
&gt; From: <a href=3D"codec-bounces@ietf.org">codec-bounces@ietf.org</a> [<=
a href=3D"mailto:codec-bounces@ietf.org">mailto:codec-bounces@ietf.org</a>]=
 On Behalf<BR>
&gt; Of Roni Even<BR>
&gt; Sent: Friday, October 30, 2009 6:34 PM<BR>
&gt; To: 'Peter Saint-Andre'; <a href=3D"codec@ietf.org">codec@ietf.org</a>=
<BR>
&gt; Subject: Re: [codec] questions to be answered<BR>
&gt;<BR>
&gt; Hi Peter,<BR>
&gt; I am not sure that there is a consensus about what the group need to<B=
R>
&gt; deliver. I do not feel that the issue of the number of codecs and how =
to<BR>
&gt; decide which codecs are in scope for this working group is agreed. My<=
BR>
&gt; view<BR>
&gt; that this issue is not addressed since I assume that all the parties<B=
R>
&gt; that<BR>
&gt; submitted candidate codecs would like their codecs to be approved at t=
he<BR>
&gt; IETF which will make this group a rubber stamping WG.<BR>
&gt; I think that the if the charter describes a list of applications it ne=
ed<BR>
&gt; to<BR>
&gt; have a separate requirement for each application on which this propose=
d<BR>
&gt; group is going to develop a separate codec. If there is one requiremen=
t<BR>
&gt; document for all apllications there should be one codec to address it.=
<BR>
&gt;<BR>
&gt; Thanks<BR>
&gt; Roni Even<BR>
&gt;<BR>
&gt;<BR>
&gt;<BR>
&gt;&gt; -----Original Message-----<BR>
&gt;&gt; From: <a href=3D"codec-bounces@ietf.org">codec-bounces@ietf.org</a=
> [<a href=3D"mailto:codec-bounces@ietf.org">mailto:codec-bounces@ietf.org<=
/a>] On Behalf<BR>
&gt;&gt; Of Peter Saint-Andre<BR>
&gt;&gt; Sent: Friday, October 30, 2009 10:12 PM<BR>
&gt;&gt; To: <a href=3D"codec@ietf.org">codec@ietf.org</a><BR>
&gt;&gt; Subject: [codec] questions to be answered<BR>
&gt;&gt;<BR>
&gt;&gt; -----BEGIN PGP SIGNED MESSAGE-----<BR>
&gt;&gt; Hash: SHA1<BR>
&gt;&gt;<BR>
&gt;&gt; RFC 5434 has a list of questions that need to be answered before a=
 WG<BR>
&gt;&gt; is<BR>
&gt;&gt; formed, and I think we have fairly clear answers to these question=
s:<BR>
&gt;&gt;<BR>
&gt;&gt; 1. Is there a problem that needs solving?<BR>
&gt;&gt;<BR>
&gt;&gt; (Yes, see problem statement in charter.)<BR>
&gt;&gt;<BR>
&gt;&gt; 2. Is the scope of the problem well defined and understood?<BR>
&gt;&gt;<BR>
&gt;&gt; (Yes, see objectives in charter, guidelines I-D, and requirements<=
BR>
&gt; I-D.)<BR>
&gt;&gt;<BR>
&gt;&gt; 3. Is there agreement on what the WG needs to deliver?<BR>
&gt;&gt;<BR>
&gt;&gt; (Yes, see deliverables in charter, guidelines I-D, and requirement=
s I-<BR>
&gt;&gt; D.)<BR>
&gt;&gt;<BR>
&gt;&gt; 4. Are there enough IETF participants to do the work?<BR>
&gt;&gt;<BR>
&gt;&gt; (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)=
<BR>
&gt;&gt;<BR>
&gt;&gt; 5. Does the WG have a reasonable probability of success?<BR>
&gt;&gt;<BR>
&gt;&gt; (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an=
<BR>
&gt;&gt; emphasis on &quot;reasonable&quot; because we won't know until we =
try.)<BR>
&gt;&gt;<BR>
&gt;&gt; 6. Is the IETF is the right place to do the work?<BR>
&gt;&gt;<BR>
&gt;&gt; (Maybe. I think this is the major item to clarify at the BoF.)<BR>
&gt;&gt;<BR>
&gt;&gt; Peter<BR>
&gt;&gt;<BR>
&gt;&gt; - --<BR>
&gt;&gt; Peter Saint-Andre<BR>
&gt;&gt; <a href=3D"https://stpeter.im/">https://stpeter.im/</a><BR>
&gt;&gt;<BR>
&gt;&gt;<BR>
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R>
&gt;&gt; lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP<BR>
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&gt;&gt; _______________________________________________<BR>
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From mknappe@juniper.net  Mon Nov  9 20:55:07 2009
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From: Michael Knappe <mknappe@juniper.net>
To: Koen Vos <koen.vos@skype.net>
Date: Mon, 9 Nov 2009 20:49:45 -0800
Thread-Topic: [codec] questions to be answered
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Koen,

Agreed that bitrate, robustness, computational complexity (implementability=
 and cost) and RT scalability are absolutely all important aspects, and not=
 just for the low end. In particular, robustness to packet loss is importan=
t for any proposed codec. Bitrate, possibly coupled with scalability, help =
determine how far the codec can reach - poorly analogous to whether certain=
 blood cells can make it all the way to capillaries or not. I'm thinking th=
at this last concept become a fourth axis of 'codec reach', in addition to =
latency, channels, and bandwidth, thanks for highlighting this.

Computational complexity is an interesting thought process in itself - sinc=
e we're looking at something that possibly won't be fully deployed for seve=
ral years, how much leeway should we allow here for economical deployments?=
 Should we allow bit 'compatible' versions in addition to bit exact qualifi=
cations to allow for flexibility in computational limitations?

Mike


On 11/9/09 7:29 PM, "Koen Vos" <koen.vos@skype.net> wrote:

These are good requirements at the high end, e.g. for virtual presence
and interactive music.

At the low end, for basic voice, I think also -and sometimes more-
important are:
- Bitrate
- Robustness to packet loss
- Complexity
- Real-time scalability (the ability to adjust parameters)
These aspects determine how well communications work in challenging
scenarios like over wireless networks and on embedded devices.

koen.


Quoting Michael Knappe:
> In looking at building the table illustrating codec applications vs.
> criteria, the problem space appears to be parameterized by three
> major criteria:
>
> A) end-to-end latency: objectively, achieving the least amount of
> latency possible is better for real-time communications.
> Psychoacoustically, achieving end-to-end delays less than 150 ms has
> diminishing quality returns for human speech communication, while
> the specific application of live music interaction requires less
> than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly,
> the live music interaction requirement requires not only a low delay
> codec, but also a carefully controlled, minimal jitter and very low
> propagation delay network. The 150 ms requirement, on the other
> hand, has more leeway in allocating latency budget between codec
> algorithmic delays and other sources of delay in the network. Bottom
> line: live music interaction appears to be an outlier relative to
> other codec applications with respect to end-to-end latency.
>
> B) number of channels: objectively, recreating as complete a
> representation of the original source sound field is better for
> real-time communications. For two-party speech communications,
> source material from a single microphone can obviously be
> transmitted with a single audio channel, with the decision to
> present the signal to one or more audio outputs made at the
> receiving end (e.g.  Single output telephone handset receiver, dual
> output binaural headphones). However, even for two-party speech
> communications with a single talker at each end, speakerphone
> communications can be improved by transmitting two channels of audio
> from two microphones on the speakerphone, that when listened to with
> stereo headphones at the receiving end, the 'barrel effect' common
> to mono microphone speakerphones is greatly reduced. This concept of
> transmission of soundfield along with speech (or music) becomes more
> important as more complex acoustic environments are involved
> (including the creation
>  of virtual acoustic environments with multiple talker sources mixed
> into a common soundfield). Thus, the need for more transmission
> channels should increase with the application's desire to produce a
> more immersive environment. Bottom line: although single party
> source material in two-party communications could benefit from more
> than one transmission channel, applications like advanced
> conferencing / telepresence,  gaming and live music interaction are
> likely to benefit the most from multi-channel environments.
>
> C) frequency bandwidth: objectively, reproducing the widest possible
> audio frequency bandwidth to cover the frequency content of the
> original source material is better for real-time communications.
> Human speech has been transmitted with intelligibility limitations
> for decades over bandwidths as narrow as 3 kHz. Speech
> intelligibility improves significantly as bandwidth is increased to
> 6 or 7 kHz, with diminishing intelligibility improvements as
> bandwidth is increased past this, even though the subjective measure
> of 'naturalness' may continue to improve up to the limits of human
> hearing. This concept of 'intelligibility' and 'naturalness' also
> applies to music - an example of intelligibility here could be
> discerning between an oboe and bassoon in a symphony, while
> naturalness is more a measure of how 'real' that singled-out oboe
> sounds. It would appear to follow that the more complex a sound
> source and soundfield that we wish to transmit, the wider the
> bandwidth we should enco
>  de. In the high fidelity and professional recording domains, this
> quest for 'naturalness' has extended beyond what we typically feel
> the human limitation of 20 kHz auditory perception is, to sample
> rates up to 192 kHz and beyond. Bottom line:  human speech in simple
> two-party interactions will receive the most benefit in transmitting
> the first 7 kHz of audio bandwidth, but more complex source material
> will continue to benefit from wider audio bandwidths, possibly
> extending beyond the traditional 20 kHz 'auditory limit'.
>
> I have not included in the above criteria the concept of fundamental
> codec type - many previous telephony compression algorithms rely on
> parameterizations of the human mechanics of the generation of speech
> (e.g. CELP based codecs) which do not translate well to
> parameterization of other source material such as music, whereas
> auditory receiving end perceptual audio parameterizations tend to
> work well for both music and speech, but historically have had
> latency limitations. My thought here, for this proposed codec, is
> that we should not be looking for a codec where a priori knowledge
> of the type of audio material is required (although certainly the
> codec could be designed to optimize its performance dynamically for
> varying types of source material).
>
> Also not included above are fundamental concepts of distortion and
> noise - for me, this is a secondary requirement that once A,B and C
> are established, that sufficient signal-to-noise ratios be
> maintained to not undermine intelligibility and naturalness goals of
> the transmission. This may mean a natural progression to higher SNR
> targets for wider bandwidth, more immersive environments.
>
> Thoughts?
>
> Mike
>
> On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wro=
te:
>
> All,
>
> I strongly agree with Roni here, re: "I think that the if the charter
> describes a list of applications it need to have a separate requirement
> for each application on which this proposed group is going to develop a
> separate codec."
>
> Let's consider two SIMPLE examples.
>
> Example 1 - Let's assume I have an application that requires a certain
> linearity within a certain BW ranges (need > 25 dB of waveform linearity
> in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
> uses adaptive signal processing techniques and linearity is important.
> Perhaps it is a far-end echo cancellation application, or a microphone
> beam array processing application that processes multiple streams at the
> receiver end. I could go on with any number of interesting examples.
> Note that such an applications would generate specific REQUIREMENTS to
> meet these use cases. The candidate codec would probably be
> waveform-based (at least in the bands having the linearity
> requirements).
>
> Example 2 - Many voice codecs use spectral techniques (such as spectral
> band replication, SBR) above 4k. Such codecs, while potentially
> capturing the spectral content well enough, will NOT preserve the phase
> (as the phase information is not in the compressed representation). Such
> a codec would NOT meet the simple > 20 dB linearity requirement (of the
> 4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
> a human - perhaps, as the human auditory system is not as sensitive to
> phase in this region. Additionally, many of these codecs are speech
> model based - and typically have < 20 dB of linearity on unvoiced speech
> even in 0 - 4k region. (You could throw in an entropy coding stage after
> the model to fix this - at the cost of BW - but I digress).
>
> One might ask why codec manufacturers use techniques such as SBR?
> Answer: because they are generally more efficient (precisely because
> they don't require as much phase information in the compressed domain)
> and sound good to humans.
>
> I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> can satisfy both examples above ... because both APPLICATIONS would
> result in different REQUIREMENTS.
>
> I think the rush to a "single-codec" requirements here is premature ...
> I agree with Roni ... one size does not fit all.
>
> Given the simple examples above - isn't it clear that we need to define
> applications (one might call them use cases) - and then requirements for
> them - before we determine how a given candidate satisfies the
> requirements?
>
> At a minimum, I see two legitimate codec classes:
>
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing, many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.
>
> Granted, we should make each use case as broad as possible so as not to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).
>
> IF
> a given codec meets the requirements of its use case
> AND
> that use case is valid
> THEN
> I (for one) don't have an issue with the IETF "rubber stamping" of it.
>
> If you have a specific use case - then get together with other similarly
> minded folks and generate a "use case" draft and then a requirements
> draft for that use case. Don't try to solve world hunger in one step.
>
> Off Soapbox,
>
> Michael Ramalho, Ph.D.
>
> [Flames expected ... but please try to disprove my debate above when
> doing so ... I dislike flames that do not disprove a thesis ;-) ]
>
> PS - I think CLASS 1 codecs should be addressed first by the WG ... and
> later consider other classes as people advocate for their use case.
>
> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Roni Even
> Sent: Friday, October 30, 2009 6:34 PM
> To: 'Peter Saint-Andre'; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>
> Hi Peter,
> I am not sure that there is a consensus about what the group need to
> deliver. I do not feel that the issue of the number of codecs and how to
> decide which codecs are in scope for this working group is agreed. My
> view
> that this issue is not addressed since I assume that all the parties
> that
> submitted candidate codecs would like their codecs to be approved at the
> IETF which will make this group a rubber stamping WG.
> I think that the if the charter describes a list of applications it need
> to
> have a separate requirement for each application on which this proposed
> group is going to develop a separate codec. If there is one requirement
> document for all apllications there should be one codec to address it.
>
> Thanks
> Roni Even
>
>
>
>> -----Original Message-----
>> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>> Of Peter Saint-Andre
>> Sent: Friday, October 30, 2009 10:12 PM
>> To: codec@ietf.org
>> Subject: [codec] questions to be answered
>>
>> -----BEGIN PGP SIGNED MESSAGE-----
>> Hash: SHA1
>>
>> RFC 5434 has a list of questions that need to be answered before a WG
>> is
>> formed, and I think we have fairly clear answers to these questions:
>>
>> 1. Is there a problem that needs solving?
>>
>> (Yes, see problem statement in charter.)
>>
>> 2. Is the scope of the problem well defined and understood?
>>
>> (Yes, see objectives in charter, guidelines I-D, and requirements
> I-D.)
>>
>> 3. Is there agreement on what the WG needs to deliver?
>>
>> (Yes, see deliverables in charter, guidelines I-D, and requirements I-
>> D.)
>>
>> 4. Are there enough IETF participants to do the work?
>>
>> (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>>
>> 5. Does the WG have a reasonable probability of success?
>>
>> (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
>> emphasis on "reasonable" because we won't know until we try.)
>>
>> 6. Is the IETF is the right place to do the work?
>>
>> (Maybe. I think this is the major item to clarify at the BoF.)
>>
>> Peter
>>
>> - --
>> Peter Saint-Andre
>> https://stpeter.im/
>>
>>
>> -----BEGIN PGP SIGNATURE-----
>> Version: GnuPG v1.4.8 (Darwin)
>> Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>>
>> iEYEARECAAYFAkrrSIIACgkQNL8k5A2w/vxzmQCeINOY/RWKd924HGWH8p4BJmUz
>> lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
>> =3D9vPK
>> -----END PGP SIGNATURE-----
>> _______________________________________________
>> codec mailing list
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>> https://www.ietf.org/mailman/listinfo/codec
>
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>
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> https://www.ietf.org/mailman/listinfo/codec
>




From mknappe@juniper.net  Mon Nov  9 21:01:44 2009
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From: Michael Knappe <mknappe@juniper.net>
To: Henry Sinnreich <hsinnrei@adobe.com>, Koen Vos <koen.vos@skype.net>
Date: Mon, 9 Nov 2009 20:53:20 -0800
Thread-Topic: [codec] questions to be answered
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Agreed that pure network packet loss (or even packet reordering) is not usu=
ally the issue, but sudden jumps in jitter that cause temporary receiving e=
nd packet starvation or overflow while the adaptive jitter buffer works its=
 magic would still be an issue in many deployment scenarios.

Mike


On 11/9/09 8:46 PM, "Henry Sinnreich" <hsinnrei@adobe.com> wrote:

>- Robustness to packet loss

Are you thinking of burst packet loss or random distributed packet loss?
And what would be the metrics and values for either?

If we have no metrics and no credible values, I suggest to forget this rat =
hole.
Broadband Internet has IMO and negligible packet loss, except for congestio=
n events where the codec cannot do anything anyway.

Packet loss was a big deal in old analog modem times and pre-3G/4G wireless=
 networks :-)

My two cents,

Henry


On 11/10/09 12:29 PM, "Koen Vos" <koen.vos@skype.net> wrote:

These are good requirements at the high end, e.g. for virtual presence
and interactive music.

At the low end, for basic voice, I think also -and sometimes more-
important are:
- Bitrate
- Robustness to packet loss
- Complexity
- Real-time scalability (the ability to adjust parameters)
These aspects determine how well communications work in challenging
scenarios like over wireless networks and on embedded devices.

koen.


Quoting Michael Knappe:
> In looking at building the table illustrating codec applications vs.
> criteria, the problem space appears to be parameterized by three
> major criteria:
>
> A) end-to-end latency: objectively, achieving the least amount of
> latency possible is better for real-time communications.
> Psychoacoustically, achieving end-to-end delays less than 150 ms has
> diminishing quality returns for human speech communication, while
> the specific application of live music interaction requires less
> than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly,
> the live music interaction requirement requires not only a low delay
> codec, but also a carefully controlled, minimal jitter and very low
> propagation delay network. The 150 ms requirement, on the other
> hand, has more leeway in allocating latency budget between codec
> algorithmic delays and other sources of delay in the network. Bottom
> line: live music interaction appears to be an outlier relative to
> other codec applications with respect to end-to-end latency.
>
> B) number of channels: objectively, recreating as complete a
> representation of the original source sound field is better for
> real-time communications. For two-party speech communications,
> source material from a single microphone can obviously be
> transmitted with a single audio channel, with the decision to
> present the signal to one or more audio outputs made at the
> receiving end (e.g.  Single output telephone handset receiver, dual
> output binaural headphones). However, even for two-party speech
> communications with a single talker at each end, speakerphone
> communications can be improved by transmitting two channels of audio
> from two microphones on the speakerphone, that when listened to with
> stereo headphones at the receiving end, the 'barrel effect' common
> to mono microphone speakerphones is greatly reduced. This concept of
> transmission of soundfield along with speech (or music) becomes more
> important as more complex acoustic environments are involved
> (including the creation
>  of virtual acoustic environments with multiple talker sources mixed
> into a common soundfield). Thus, the need for more transmission
> channels should increase with the application's desire to produce a
> more immersive environment. Bottom line: although single party
> source material in two-party communications could benefit from more
> than one transmission channel, applications like advanced
> conferencing / telepresence,  gaming and live music interaction are
> likely to benefit the most from multi-channel environments.
>
> C) frequency bandwidth: objectively, reproducing the widest possible
> audio frequency bandwidth to cover the frequency content of the
> original source material is better for real-time communications.
> Human speech has been transmitted with intelligibility limitations
> for decades over bandwidths as narrow as 3 kHz. Speech
> intelligibility improves significantly as bandwidth is increased to
> 6 or 7 kHz, with diminishing intelligibility improvements as
> bandwidth is increased past this, even though the subjective measure
> of 'naturalness' may continue to improve up to the limits of human
> hearing. This concept of 'intelligibility' and 'naturalness' also
> applies to music - an example of intelligibility here could be
> discerning between an oboe and bassoon in a symphony, while
> naturalness is more a measure of how 'real' that singled-out oboe
> sounds. It would appear to follow that the more complex a sound
> source and soundfield that we wish to transmit, the wider the
> bandwidth we should enco
>  de. In the high fidelity and professional recording domains, this
> quest for 'naturalness' has extended beyond what we typically feel
> the human limitation of 20 kHz auditory perception is, to sample
> rates up to 192 kHz and beyond. Bottom line:  human speech in simple
> two-party interactions will receive the most benefit in transmitting
> the first 7 kHz of audio bandwidth, but more complex source material
> will continue to benefit from wider audio bandwidths, possibly
> extending beyond the traditional 20 kHz 'auditory limit'.
>
> I have not included in the above criteria the concept of fundamental
> codec type - many previous telephony compression algorithms rely on
> parameterizations of the human mechanics of the generation of speech
> (e.g. CELP based codecs) which do not translate well to
> parameterization of other source material such as music, whereas
> auditory receiving end perceptual audio parameterizations tend to
> work well for both music and speech, but historically have had
> latency limitations. My thought here, for this proposed codec, is
> that we should not be looking for a codec where a priori knowledge
> of the type of audio material is required (although certainly the
> codec could be designed to optimize its performance dynamically for
> varying types of source material).
>
> Also not included above are fundamental concepts of distortion and
> noise - for me, this is a secondary requirement that once A,B and C
> are established, that sufficient signal-to-noise ratios be
> maintained to not undermine intelligibility and naturalness goals of
> the transmission. This may mean a natural progression to higher SNR
> targets for wider bandwidth, more immersive environments.
>
> Thoughts?
>
> Mike
>
> On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wro=
te:
>
> All,
>
> I strongly agree with Roni here, re: "I think that the if the charter
> describes a list of applications it need to have a separate requirement
> for each application on which this proposed group is going to develop a
> separate codec."
>
> Let's consider two SIMPLE examples.
>
> Example 1 - Let's assume I have an application that requires a certain
> linearity within a certain BW ranges (need > 25 dB of waveform linearity
> in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
> uses adaptive signal processing techniques and linearity is important.
> Perhaps it is a far-end echo cancellation application, or a microphone
> beam array processing application that processes multiple streams at the
> receiver end. I could go on with any number of interesting examples.
> Note that such an applications would generate specific REQUIREMENTS to
> meet these use cases. The candidate codec would probably be
> waveform-based (at least in the bands having the linearity
> requirements).
>
> Example 2 - Many voice codecs use spectral techniques (such as spectral
> band replication, SBR) above 4k. Such codecs, while potentially
> capturing the spectral content well enough, will NOT preserve the phase
> (as the phase information is not in the compressed representation). Such
> a codec would NOT meet the simple > 20 dB linearity requirement (of the
> 4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
> a human - perhaps, as the human auditory system is not as sensitive to
> phase in this region. Additionally, many of these codecs are speech
> model based - and typically have < 20 dB of linearity on unvoiced speech
> even in 0 - 4k region. (You could throw in an entropy coding stage after
> the model to fix this - at the cost of BW - but I digress).
>
> One might ask why codec manufacturers use techniques such as SBR?
> Answer: because they are generally more efficient (precisely because
> they don't require as much phase information in the compressed domain)
> and sound good to humans.
>
> I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
> can satisfy both examples above ... because both APPLICATIONS would
> result in different REQUIREMENTS.
>
> I think the rush to a "single-codec" requirements here is premature ...
> I agree with Roni ... one size does not fit all.
>
> Given the simple examples above - isn't it clear that we need to define
> applications (one might call them use cases) - and then requirements for
> them - before we determine how a given candidate satisfies the
> requirements?
>
> At a minimum, I see two legitimate codec classes:
>
> CLASS 1) codecs that are bandwidth efficient and sound good to humans
> (and perhaps satisfy tendeming or tone pass-through requirements), and
>
> CLASS 2) codecs whose output may later be processed by sophisticated
> signal processing functions (high-quality mixing, many
> classification-based applications such as speaker/sound/intrusion
> identification) that have SNR/waveform/distortion criteria generally
> exceeding CLASS 1.
>
> Granted, we should make each use case as broad as possible so as not to
> have too many of them. Once one codec is standardized for a particular
> application type - a subsequent candidate codec/application would need
> to prove it is "sufficiently different" from the existing codec(s) to go
> further. The WG chairs need to exert leadership to ensure the desired
> result (of the smallest number of codecs spanning the greatest
> application space).
>
> IF
> a given codec meets the requirements of its use case
> AND
> that use case is valid
> THEN
> I (for one) don't have an issue with the IETF "rubber stamping" of it.
>
> If you have a specific use case - then get together with other similarly
> minded folks and generate a "use case" draft and then a requirements
> draft for that use case. Don't try to solve world hunger in one step.
>
> Off Soapbox,
>
> Michael Ramalho, Ph.D.
>
> [Flames expected ... but please try to disprove my debate above when
> doing so ... I dislike flames that do not disprove a thesis ;-) ]
>
> PS - I think CLASS 1 codecs should be addressed first by the WG ... and
> later consider other classes as people advocate for their use case.
>
> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Roni Even
> Sent: Friday, October 30, 2009 6:34 PM
> To: 'Peter Saint-Andre'; codec@ietf.org
> Subject: Re: [codec] questions to be answered
>
> Hi Peter,
> I am not sure that there is a consensus about what the group need to
> deliver. I do not feel that the issue of the number of codecs and how to
> decide which codecs are in scope for this working group is agreed. My
> view
> that this issue is not addressed since I assume that all the parties
> that
> submitted candidate codecs would like their codecs to be approved at the
> IETF which will make this group a rubber stamping WG.
> I think that the if the charter describes a list of applications it need
> to
> have a separate requirement for each application on which this proposed
> group is going to develop a separate codec. If there is one requirement
> document for all apllications there should be one codec to address it.
>
> Thanks
> Roni Even
>
>
>
>> -----Original Message-----
>> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>> Of Peter Saint-Andre
>> Sent: Friday, October 30, 2009 10:12 PM
>> To: codec@ietf.org
>> Subject: [codec] questions to be answered
>>
>> -----BEGIN PGP SIGNED MESSAGE-----
>> Hash: SHA1
>>
>> RFC 5434 has a list of questions that need to be answered before a WG
>> is
>> formed, and I think we have fairly clear answers to these questions:
>>
>> 1. Is there a problem that needs solving?
>>
>> (Yes, see problem statement in charter.)
>>
>> 2. Is the scope of the problem well defined and understood?
>>
>> (Yes, see objectives in charter, guidelines I-D, and requirements
> I-D.)
>>
>> 3. Is there agreement on what the WG needs to deliver?
>>
>> (Yes, see deliverables in charter, guidelines I-D, and requirements I-
>> D.)
>>
>> 4. Are there enough IETF participants to do the work?
>>
>> (Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>>
>> 5. Does the WG have a reasonable probability of success?
>>
>> (Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
>> emphasis on "reasonable" because we won't know until we try.)
>>
>> 6. Is the IETF is the right place to do the work?
>>
>> (Maybe. I think this is the major item to clarify at the BoF.)
>>
>> Peter
>>
>> - --
>> Peter Saint-Andre
>> https://stpeter.im/
>>
>>
>> -----BEGIN PGP SIGNATURE-----
>> Version: GnuPG v1.4.8 (Darwin)
>> Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>>
>> iEYEARECAAYFAkrrSIIACgkQNL8k5A2w/vxzmQCeINOY/RWKd924HGWH8p4BJmUz
>> lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
>> =3D9vPK
>> -----END PGP SIGNATURE-----
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>


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From gregory.ietf@gmail.com  Mon Nov  9 21:35:02 2009
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speaking w/ my individual contributor hat here...

At 07:29 PM 11/9/2009, Koen Vos wrote:
>These are good requirements at the high end, e.g. for virtual presence
>and interactive music.
>
>At the low end, for basic voice, I think also -and sometimes more-
>important are:
>- Bitrate
>- Robustness to packet loss
>- Complexity
>- Real-time scalability (the ability to adjust parameters)
>These aspects determine how well communications work in challenging
>scenarios like over wireless networks and on embedded devices.

In the beginning, I'm more interested in seeing us solve basic voice 
over a concatenation of various types of networks, with excellent 
quality, and do so in a focused way.

I'd be more interested and eager to address the interactive music 
type applications in a 2nd wave, re-chartering phase.

Just mho,
Gregory.


>koen.
>
>
>Quoting Michael Knappe:
>>In looking at building the table illustrating codec applications vs.
>>criteria, the problem space appears to be parameterized by three
>>major criteria:
>>
>>A) end-to-end latency: objectively, achieving the least amount of
>>latency possible is better for real-time communications.
>>Psychoacoustically, achieving end-to-end delays less than 150 ms has
>>diminishing quality returns for human speech communication, while
>>the specific application of live music interaction requires less
>>than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly,
>>the live music interaction requirement requires not only a low delay
>>codec, but also a carefully controlled, minimal jitter and very low
>>propagation delay network. The 150 ms requirement, on the other
>>hand, has more leeway in allocating latency budget between codec
>>algorithmic delays and other sources of delay in the network. Bottom
>>line: live music interaction appears to be an outlier relative to
>>other codec applications with respect to end-to-end latency.
>>
>>B) number of channels: objectively, recreating as complete a
>>representation of the original source sound field is better for
>>real-time communications. For two-party speech communications,
>>source material from a single microphone can obviously be
>>transmitted with a single audio channel, with the decision to
>>present the signal to one or more audio outputs made at the
>>receiving end (e.g.  Single output telephone handset receiver, dual
>>output binaural headphones). However, even for two-party speech
>>communications with a single talker at each end, speakerphone
>>communications can be improved by transmitting two channels of audio
>>from two microphones on the speakerphone, that when listened to with
>>stereo headphones at the receiving end, the 'barrel effect' common
>>to mono microphone speakerphones is greatly reduced. This concept of
>>transmission of soundfield along with speech (or music) becomes more
>>important as more complex acoustic environments are involved
>>(including the creation
>>  of virtual acoustic environments with multiple talker sources mixed
>>into a common soundfield). Thus, the need for more transmission
>>channels should increase with the application's desire to produce a
>>more immersive environment. Bottom line: although single party
>>source material in two-party communications could benefit from more
>>than one transmission channel, applications like advanced
>>conferencing / telepresence,  gaming and live music interaction are
>>likely to benefit the most from multi-channel environments.
>>
>>C) frequency bandwidth: objectively, reproducing the widest possible
>>audio frequency bandwidth to cover the frequency content of the
>>original source material is better for real-time communications.
>>Human speech has been transmitted with intelligibility limitations
>>for decades over bandwidths as narrow as 3 kHz. Speech
>>intelligibility improves significantly as bandwidth is increased to
>>6 or 7 kHz, with diminishing intelligibility improvements as
>>bandwidth is increased past this, even though the subjective measure
>>of 'naturalness' may continue to improve up to the limits of human
>>hearing. This concept of 'intelligibility' and 'naturalness' also
>>applies to music - an example of intelligibility here could be
>>discerning between an oboe and bassoon in a symphony, while
>>naturalness is more a measure of how 'real' that singled-out oboe
>>sounds. It would appear to follow that the more complex a sound
>>source and soundfield that we wish to transmit, the wider the
>>bandwidth we should enco
>>  de. In the high fidelity and professional recording domains, this
>>quest for 'naturalness' has extended beyond what we typically feel
>>the human limitation of 20 kHz auditory perception is, to sample
>>rates up to 192 kHz and beyond. Bottom line:  human speech in simple
>>two-party interactions will receive the most benefit in transmitting
>>the first 7 kHz of audio bandwidth, but more complex source material
>>will continue to benefit from wider audio bandwidths, possibly
>>extending beyond the traditional 20 kHz 'auditory limit'.
>>
>>I have not included in the above criteria the concept of fundamental
>>codec type - many previous telephony compression algorithms rely on
>>parameterizations of the human mechanics of the generation of speech
>>(e.g. CELP based codecs) which do not translate well to
>>parameterization of other source material such as music, whereas
>>auditory receiving end perceptual audio parameterizations tend to
>>work well for both music and speech, but historically have had
>>latency limitations. My thought here, for this proposed codec, is
>>that we should not be looking for a codec where a priori knowledge
>>of the type of audio material is required (although certainly the
>>codec could be designed to optimize its performance dynamically for
>>varying types of source material).
>>
>>Also not included above are fundamental concepts of distortion and
>>noise - for me, this is a secondary requirement that once A,B and C
>>are established, that sufficient signal-to-noise ratios be
>>maintained to not undermine intelligibility and naturalness goals of
>>the transmission. This may mean a natural progression to higher SNR
>>targets for wider bandwidth, more immersive environments.
>>
>>Thoughts?
>>
>>Mike
>>
>>On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wrote:
>>
>>All,
>>
>>I strongly agree with Roni here, re: "I think that the if the charter
>>describes a list of applications it need to have a separate requirement
>>for each application on which this proposed group is going to develop a
>>separate codec."
>>
>>Let's consider two SIMPLE examples.
>>
>>Example 1 - Let's assume I have an application that requires a certain
>>linearity within a certain BW ranges (need > 25 dB of waveform linearity
>>in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
>>uses adaptive signal processing techniques and linearity is important.
>>Perhaps it is a far-end echo cancellation application, or a microphone
>>beam array processing application that processes multiple streams at the
>>receiver end. I could go on with any number of interesting examples.
>>Note that such an applications would generate specific REQUIREMENTS to
>>meet these use cases. The candidate codec would probably be
>>waveform-based (at least in the bands having the linearity
>>requirements).
>>
>>Example 2 - Many voice codecs use spectral techniques (such as spectral
>>band replication, SBR) above 4k. Such codecs, while potentially
>>capturing the spectral content well enough, will NOT preserve the phase
>>(as the phase information is not in the compressed representation). Such
>>a codec would NOT meet the simple > 20 dB linearity requirement (of the
>>4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
>>a human - perhaps, as the human auditory system is not as sensitive to
>>phase in this region. Additionally, many of these codecs are speech
>>model based - and typically have < 20 dB of linearity on unvoiced speech
>>even in 0 - 4k region. (You could throw in an entropy coding stage after
>>the model to fix this - at the cost of BW - but I digress).
>>
>>One might ask why codec manufacturers use techniques such as SBR?
>>Answer: because they are generally more efficient (precisely because
>>they don't require as much phase information in the compressed domain)
>>and sound good to humans.
>>
>>I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
>>can satisfy both examples above ... because both APPLICATIONS would
>>result in different REQUIREMENTS.
>>
>>I think the rush to a "single-codec" requirements here is premature ...
>>I agree with Roni ... one size does not fit all.
>>
>>Given the simple examples above - isn't it clear that we need to define
>>applications (one might call them use cases) - and then requirements for
>>them - before we determine how a given candidate satisfies the
>>requirements?
>>
>>At a minimum, I see two legitimate codec classes:
>>
>>CLASS 1) codecs that are bandwidth efficient and sound good to humans
>>(and perhaps satisfy tendeming or tone pass-through requirements), and
>>
>>CLASS 2) codecs whose output may later be processed by sophisticated
>>signal processing functions (high-quality mixing, many
>>classification-based applications such as speaker/sound/intrusion
>>identification) that have SNR/waveform/distortion criteria generally
>>exceeding CLASS 1.
>>
>>Granted, we should make each use case as broad as possible so as not to
>>have too many of them. Once one codec is standardized for a particular
>>application type - a subsequent candidate codec/application would need
>>to prove it is "sufficiently different" from the existing codec(s) to go
>>further. The WG chairs need to exert leadership to ensure the desired
>>result (of the smallest number of codecs spanning the greatest
>>application space).
>>
>>IF
>>a given codec meets the requirements of its use case
>>AND
>>that use case is valid
>>THEN
>>I (for one) don't have an issue with the IETF "rubber stamping" of it.
>>
>>If you have a specific use case - then get together with other similarly
>>minded folks and generate a "use case" draft and then a requirements
>>draft for that use case. Don't try to solve world hunger in one step.
>>
>>Off Soapbox,
>>
>>Michael Ramalho, Ph.D.
>>
>>[Flames expected ... but please try to disprove my debate above when
>>doing so ... I dislike flames that do not disprove a thesis ;-) ]
>>
>>PS - I think CLASS 1 codecs should be addressed first by the WG ... and
>>later consider other classes as people advocate for their use case.
>>
>>-----Original Message-----
>>From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>>Of Roni Even
>>Sent: Friday, October 30, 2009 6:34 PM
>>To: 'Peter Saint-Andre'; codec@ietf.org
>>Subject: Re: [codec] questions to be answered
>>
>>Hi Peter,
>>I am not sure that there is a consensus about what the group need to
>>deliver. I do not feel that the issue of the number of codecs and how to
>>decide which codecs are in scope for this working group is agreed. My
>>view
>>that this issue is not addressed since I assume that all the parties
>>that
>>submitted candidate codecs would like their codecs to be approved at the
>>IETF which will make this group a rubber stamping WG.
>>I think that the if the charter describes a list of applications it need
>>to
>>have a separate requirement for each application on which this proposed
>>group is going to develop a separate codec. If there is one requirement
>>document for all apllications there should be one codec to address it.
>>
>>Thanks
>>Roni Even
>>
>>
>>
>>>-----Original Message-----
>>>From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>>>Of Peter Saint-Andre
>>>Sent: Friday, October 30, 2009 10:12 PM
>>>To: codec@ietf.org
>>>Subject: [codec] questions to be answered
>>>
>>>-----BEGIN PGP SIGNED MESSAGE-----
>>>Hash: SHA1
>>>
>>>RFC 5434 has a list of questions that need to be answered before a WG
>>>is
>>>formed, and I think we have fairly clear answers to these questions:
>>>
>>>1. Is there a problem that needs solving?
>>>
>>>(Yes, see problem statement in charter.)
>>>
>>>2. Is the scope of the problem well defined and understood?
>>>
>>>(Yes, see objectives in charter, guidelines I-D, and requirements
>>I-D.)
>>>
>>>3. Is there agreement on what the WG needs to deliver?
>>>
>>>(Yes, see deliverables in charter, guidelines I-D, and requirements I-
>>>D.)
>>>
>>>4. Are there enough IETF participants to do the work?
>>>
>>>(Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>>>
>>>5. Does the WG have a reasonable probability of success?
>>>
>>>(Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
>>>emphasis on "reasonable" because we won't know until we try.)
>>>
>>>6. Is the IETF is the right place to do the work?
>>>
>>>(Maybe. I think this is the major item to clarify at the BoF.)
>>>
>>>Peter
>>>
>>>- --
>>>Peter Saint-Andre
>>>https://stpeter.im/
>>>
>>>
>>>-----BEGIN PGP SIGNATURE-----
>>>Version: GnuPG v1.4.8 (Darwin)
>>>Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>>>
>>>iEYEARECAAYFAkrrSIIACgkQNL8k5A2w/vxzmQCeINOY/RWKd924HGWH8p4BJmUz
>>>lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
>>>=9vPK
>>>-----END PGP SIGNATURE-----
>>>_______________________________________________
>>>codec mailing list
>>>codec@ietf.org
>>>https://www.ietf.org/mailman/listinfo/codec
>>
>>_______________________________________________
>>codec mailing list
>>codec@ietf.org
>>https://www.ietf.org/mailman/listinfo/codec
>>_______________________________________________
>>codec mailing list
>>codec@ietf.org
>>https://www.ietf.org/mailman/listinfo/codec
>>
>>_______________________________________________
>>codec mailing list
>>codec@ietf.org
>>https://www.ietf.org/mailman/listinfo/codec
>
>
>_______________________________________________
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From stefan.sayer@iptego.com  Mon Nov  9 21:37:05 2009
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o Henry Sinnreich [11/10/2009 05:46 AM]:
>>- Robustness to packet loss
> 
> Are you thinking of burst packet loss or random distributed packet loss?
> And what would be the metrics and values for either?
> 
> If we have no metrics and no credible values, I suggest to forget this 
> rat hole.
> Broadband Internet has IMO and negligible packet loss, except for 
> congestion events where the codec cannot do anything anyway.
> 
> Packet loss was a big deal in old analog modem times and pre-3G/4G 
> wireless networks :-)
and it is still a big issue in multi-hop wireless networks.

Stefan

> 
> My two cents,
> 
> Henry

From mknappe@juniper.net  Mon Nov  9 21:53:07 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "Gregory M. Lebovitz" <gregory.ietf@gmail.com>, Koen Vos <koen.vos@skype.net>
Date: Mon, 9 Nov 2009 21:52:26 -0800
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Gregory,

Being a bit careful on terminology .... 'Basic' can mean a lot of different=
 things...even the description of the codec BoF in the IETF agenda is "Inte=
rnet Wideband Audio Codec" - wideband would not be considered 'basic' to a =
lot of voice transmission people.  'Excellent quality' also means a lot of =
different things to different people, which is another good reason to try a=
nd develop a common parameter and criteria language so we can all be on the=
 same page when we discuss relative merits.

The underlying purpose of this ongoing application parameterization exercis=
e is to build an 80/20 grouping of criteria to help narrow down the most ef=
fective focus of the proposed codec. For instance, just from the latency re=
quirement alone it would appear interactive music is an outlier application=
 that might cause undue limitations on a proposed codec for other codec app=
lications, and I would agree that this might be something either to address=
 as a second phase or not at all within the context of the proposed WG.

Cheers,

Mike


On 11/9/09 9:35 PM, "Gregory M. Lebovitz" <gregory.ietf@gmail.com> wrote:
That
speaking w/ my individual contributor hat here...

At 07:29 PM 11/9/2009, Koen Vos wrote:
>These are good requirements at the high end, e.g. for virtual presence
>and interactive music.
>
>At the low end, for basic voice, I think also -and sometimes more-
>important are:
>- Bitrate
>- Robustness to packet loss
>- Complexity
>- Real-time scalability (the ability to adjust parameters)
>These aspects determine how well communications work in challenging
>scenarios like over wireless networks and on embedded devices.

In the beginning, I'm more interested in seeing us solve basic voice
over a concatenation of various types of networks, with excellent
quality, and do so in a focused way.

I'd be more interested and eager to address the interactive music
type applications in a 2nd wave, re-chartering phase.

Just mho,
Gregory.


>koen.
>
>
>Quoting Michael Knappe:
>>In looking at building the table illustrating codec applications vs.
>>criteria, the problem space appears to be parameterized by three
>>major criteria:
>>
>>A) end-to-end latency: objectively, achieving the least amount of
>>latency possible is better for real-time communications.
>>Psychoacoustically, achieving end-to-end delays less than 150 ms has
>>diminishing quality returns for human speech communication, while
>>the specific application of live music interaction requires less
>>than 50 ms end-to-end delay (and ideally 25 ms or less). Clearly,
>>the live music interaction requirement requires not only a low delay
>>codec, but also a carefully controlled, minimal jitter and very low
>>propagation delay network. The 150 ms requirement, on the other
>>hand, has more leeway in allocating latency budget between codec
>>algorithmic delays and other sources of delay in the network. Bottom
>>line: live music interaction appears to be an outlier relative to
>>other codec applications with respect to end-to-end latency.
>>
>>B) number of channels: objectively, recreating as complete a
>>representation of the original source sound field is better for
>>real-time communications. For two-party speech communications,
>>source material from a single microphone can obviously be
>>transmitted with a single audio channel, with the decision to
>>present the signal to one or more audio outputs made at the
>>receiving end (e.g.  Single output telephone handset receiver, dual
>>output binaural headphones). However, even for two-party speech
>>communications with a single talker at each end, speakerphone
>>communications can be improved by transmitting two channels of audio
>>from two microphones on the speakerphone, that when listened to with
>>stereo headphones at the receiving end, the 'barrel effect' common
>>to mono microphone speakerphones is greatly reduced. This concept of
>>transmission of soundfield along with speech (or music) becomes more
>>important as more complex acoustic environments are involved
>>(including the creation
>>  of virtual acoustic environments with multiple talker sources mixed
>>into a common soundfield). Thus, the need for more transmission
>>channels should increase with the application's desire to produce a
>>more immersive environment. Bottom line: although single party
>>source material in two-party communications could benefit from more
>>than one transmission channel, applications like advanced
>>conferencing / telepresence,  gaming and live music interaction are
>>likely to benefit the most from multi-channel environments.
>>
>>C) frequency bandwidth: objectively, reproducing the widest possible
>>audio frequency bandwidth to cover the frequency content of the
>>original source material is better for real-time communications.
>>Human speech has been transmitted with intelligibility limitations
>>for decades over bandwidths as narrow as 3 kHz. Speech
>>intelligibility improves significantly as bandwidth is increased to
>>6 or 7 kHz, with diminishing intelligibility improvements as
>>bandwidth is increased past this, even though the subjective measure
>>of 'naturalness' may continue to improve up to the limits of human
>>hearing. This concept of 'intelligibility' and 'naturalness' also
>>applies to music - an example of intelligibility here could be
>>discerning between an oboe and bassoon in a symphony, while
>>naturalness is more a measure of how 'real' that singled-out oboe
>>sounds. It would appear to follow that the more complex a sound
>>source and soundfield that we wish to transmit, the wider the
>>bandwidth we should enco
>>  de. In the high fidelity and professional recording domains, this
>>quest for 'naturalness' has extended beyond what we typically feel
>>the human limitation of 20 kHz auditory perception is, to sample
>>rates up to 192 kHz and beyond. Bottom line:  human speech in simple
>>two-party interactions will receive the most benefit in transmitting
>>the first 7 kHz of audio bandwidth, but more complex source material
>>will continue to benefit from wider audio bandwidths, possibly
>>extending beyond the traditional 20 kHz 'auditory limit'.
>>
>>I have not included in the above criteria the concept of fundamental
>>codec type - many previous telephony compression algorithms rely on
>>parameterizations of the human mechanics of the generation of speech
>>(e.g. CELP based codecs) which do not translate well to
>>parameterization of other source material such as music, whereas
>>auditory receiving end perceptual audio parameterizations tend to
>>work well for both music and speech, but historically have had
>>latency limitations. My thought here, for this proposed codec, is
>>that we should not be looking for a codec where a priori knowledge
>>of the type of audio material is required (although certainly the
>>codec could be designed to optimize its performance dynamically for
>>varying types of source material).
>>
>>Also not included above are fundamental concepts of distortion and
>>noise - for me, this is a secondary requirement that once A,B and C
>>are established, that sufficient signal-to-noise ratios be
>>maintained to not undermine intelligibility and naturalness goals of
>>the transmission. This may mean a natural progression to higher SNR
>>targets for wider bandwidth, more immersive environments.
>>
>>Thoughts?
>>
>>Mike
>>
>>On 11/2/09 5:41 AM, "Michael Ramalho (mramalho)" <mramalho@cisco.com> wro=
te:
>>
>>All,
>>
>>I strongly agree with Roni here, re: "I think that the if the charter
>>describes a list of applications it need to have a separate requirement
>>for each application on which this proposed group is going to develop a
>>separate codec."
>>
>>Let's consider two SIMPLE examples.
>>
>>Example 1 - Let's assume I have an application that requires a certain
>>linearity within a certain BW ranges (need > 25 dB of waveform linearity
>>in the band 0 - 4k, > 20 db from 4k - 8k, etc). Perhaps this application
>>uses adaptive signal processing techniques and linearity is important.
>>Perhaps it is a far-end echo cancellation application, or a microphone
>>beam array processing application that processes multiple streams at the
>>receiver end. I could go on with any number of interesting examples.
>>Note that such an applications would generate specific REQUIREMENTS to
>>meet these use cases. The candidate codec would probably be
>>waveform-based (at least in the bands having the linearity
>>requirements).
>>
>>Example 2 - Many voice codecs use spectral techniques (such as spectral
>>band replication, SBR) above 4k. Such codecs, while potentially
>>capturing the spectral content well enough, will NOT preserve the phase
>>(as the phase information is not in the compressed representation). Such
>>a codec would NOT meet the simple > 20 dB linearity requirement (of the
>>4k - 8k band) of the previous paragraph. Will such a codec SOUND GOOD to
>>a human - perhaps, as the human auditory system is not as sensitive to
>>phase in this region. Additionally, many of these codecs are speech
>>model based - and typically have < 20 dB of linearity on unvoiced speech
>>even in 0 - 4k region. (You could throw in an entropy coding stage after
>>the model to fix this - at the cost of BW - but I digress).
>>
>>One might ask why codec manufacturers use techniques such as SBR?
>>Answer: because they are generally more efficient (precisely because
>>they don't require as much phase information in the compressed domain)
>>and sound good to humans.
>>
>>I could go on and on ... but I sincerely doubt that ONE MAGICAL codec
>>can satisfy both examples above ... because both APPLICATIONS would
>>result in different REQUIREMENTS.
>>
>>I think the rush to a "single-codec" requirements here is premature ...
>>I agree with Roni ... one size does not fit all.
>>
>>Given the simple examples above - isn't it clear that we need to define
>>applications (one might call them use cases) - and then requirements for
>>them - before we determine how a given candidate satisfies the
>>requirements?
>>
>>At a minimum, I see two legitimate codec classes:
>>
>>CLASS 1) codecs that are bandwidth efficient and sound good to humans
>>(and perhaps satisfy tendeming or tone pass-through requirements), and
>>
>>CLASS 2) codecs whose output may later be processed by sophisticated
>>signal processing functions (high-quality mixing, many
>>classification-based applications such as speaker/sound/intrusion
>>identification) that have SNR/waveform/distortion criteria generally
>>exceeding CLASS 1.
>>
>>Granted, we should make each use case as broad as possible so as not to
>>have too many of them. Once one codec is standardized for a particular
>>application type - a subsequent candidate codec/application would need
>>to prove it is "sufficiently different" from the existing codec(s) to go
>>further. The WG chairs need to exert leadership to ensure the desired
>>result (of the smallest number of codecs spanning the greatest
>>application space).
>>
>>IF
>>a given codec meets the requirements of its use case
>>AND
>>that use case is valid
>>THEN
>>I (for one) don't have an issue with the IETF "rubber stamping" of it.
>>
>>If you have a specific use case - then get together with other similarly
>>minded folks and generate a "use case" draft and then a requirements
>>draft for that use case. Don't try to solve world hunger in one step.
>>
>>Off Soapbox,
>>
>>Michael Ramalho, Ph.D.
>>
>>[Flames expected ... but please try to disprove my debate above when
>>doing so ... I dislike flames that do not disprove a thesis ;-) ]
>>
>>PS - I think CLASS 1 codecs should be addressed first by the WG ... and
>>later consider other classes as people advocate for their use case.
>>
>>-----Original Message-----
>>From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>>Of Roni Even
>>Sent: Friday, October 30, 2009 6:34 PM
>>To: 'Peter Saint-Andre'; codec@ietf.org
>>Subject: Re: [codec] questions to be answered
>>
>>Hi Peter,
>>I am not sure that there is a consensus about what the group need to
>>deliver. I do not feel that the issue of the number of codecs and how to
>>decide which codecs are in scope for this working group is agreed. My
>>view
>>that this issue is not addressed since I assume that all the parties
>>that
>>submitted candidate codecs would like their codecs to be approved at the
>>IETF which will make this group a rubber stamping WG.
>>I think that the if the charter describes a list of applications it need
>>to
>>have a separate requirement for each application on which this proposed
>>group is going to develop a separate codec. If there is one requirement
>>document for all apllications there should be one codec to address it.
>>
>>Thanks
>>Roni Even
>>
>>
>>
>>>-----Original Message-----
>>>From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>>>Of Peter Saint-Andre
>>>Sent: Friday, October 30, 2009 10:12 PM
>>>To: codec@ietf.org
>>>Subject: [codec] questions to be answered
>>>
>>>-----BEGIN PGP SIGNED MESSAGE-----
>>>Hash: SHA1
>>>
>>>RFC 5434 has a list of questions that need to be answered before a WG
>>>is
>>>formed, and I think we have fairly clear answers to these questions:
>>>
>>>1. Is there a problem that needs solving?
>>>
>>>(Yes, see problem statement in charter.)
>>>
>>>2. Is the scope of the problem well defined and understood?
>>>
>>>(Yes, see objectives in charter, guidelines I-D, and requirements
>>I-D.)
>>>
>>>3. Is there agreement on what the WG needs to deliver?
>>>
>>>(Yes, see deliverables in charter, guidelines I-D, and requirements I-
>>>D.)
>>>
>>>4. Are there enough IETF participants to do the work?
>>>
>>>(Yes, see codec I-Ds, poll at Stockholm BoF, and list discussion.)
>>>
>>>5. Does the WG have a reasonable probability of success?
>>>
>>>(Yes, see codec I-Ds, guidelines I-D, and list discussion, with an
>>>emphasis on "reasonable" because we won't know until we try.)
>>>
>>>6. Is the IETF is the right place to do the work?
>>>
>>>(Maybe. I think this is the major item to clarify at the BoF.)
>>>
>>>Peter
>>>
>>>- --
>>>Peter Saint-Andre
>>>https://stpeter.im/
>>>
>>>
>>>-----BEGIN PGP SIGNATURE-----
>>>Version: GnuPG v1.4.8 (Darwin)
>>>Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/
>>>
>>>iEYEARECAAYFAkrrSIIACgkQNL8k5A2w/vxzmQCeINOY/RWKd924HGWH8p4BJmUz
>>>lHIAnAwhO+Htb6Cxne9b9w/1WEnaRlgP
>>>=3D9vPK
>>>-----END PGP SIGNATURE-----
>>>_______________________________________________
>>>codec mailing list
>>>codec@ietf.org
>>>https://www.ietf.org/mailman/listinfo/codec
>>
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From jean-marc.valin@usherbrooke.ca  Mon Nov  9 22:00:08 2009
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Gregory M. Lebovitz a écrit :
> speaking w/ my individual contributor hat here...
> 
> At 07:29 PM 11/9/2009, Koen Vos wrote:
>> These are good requirements at the high end, e.g. for virtual presence
>> and interactive music.
>>
>> At the low end, for basic voice, I think also -and sometimes more-
>> important are:
>> - Bitrate
>> - Robustness to packet loss
>> - Complexity
>> - Real-time scalability (the ability to adjust parameters)
>> These aspects determine how well communications work in challenging
>> scenarios like over wireless networks and on embedded devices.
> 
> In the beginning, I'm more interested in seeing us solve basic voice
> over a concatenation of various types of networks, with excellent
> quality, and do so in a focused way.
> 
> I'd be more interested and eager to address the interactive music type
> applications in a 2nd wave, re-chartering phase.

So far, I don't see a reason why all the requirements we currently have
cannot be addressed at the same time and -- ideally -- with the same
codec. But the best way to answer the question is to get the technical
work started and see the outcome. At this point, I have a very hard time
predicting what the outcome of the technology merge (of the 4 codecs
"submitted" already) would look like in terms of capabilities, so I
think it would be a bad idea to make assumptions about that in the
initial charter.

Otherwise, I totally agree with Koen about the bitrate, robustness,
complexity and scalability being very important aspects.

Cheers,

	Jean-Marc

From jean-marc.valin@usherbrooke.ca  Mon Nov  9 22:07:56 2009
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> The underlying purpose of this ongoing application parameterization
> exercise is to build an 80/20 grouping of criteria to help narrow
> down the most effective focus of the proposed codec. For instance,
> just from the latency requirement alone it would appear interactive
> music is an outlier application that might cause undue limitations on
> a proposed codec for other codec applications, and I would agree that
> this might be something either to address as a second phase or not at
> all within the context of the proposed WG.

Again, this is implicitly assuming the outcome of the technical work. I
could very well imagine that the "natural split" in terms of
applications could be between "medium quality" (narrowband/wideband)
speech-only codec using an LP-based source model and very high quality
super-wideband transform-based codec. Of course, it's reasonable to
ensure that addressing the requirements of one application not cause a
degradation of quality for other applications.

	Jean-Marc

From swmike@swm.pp.se  Mon Nov  9 23:01:23 2009
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From: Mikael Abrahamsson <swmike@swm.pp.se>
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On Mon, 9 Nov 2009, Henry Sinnreich wrote:

>> - Robustness to packet loss
>
> Are you thinking of burst packet loss or random distributed packet loss?
> And what would be the metrics and values for either?
>
> If we have no metrics and no credible values, I suggest to forget this rat hole.

I *strongly* disagree to this line of thinking. This thinking is what is 
causing a lot of the current system implementations (codec and transport 
together) to not work properly on "the Internet". See my previous email on 
this list on this issue.

I can come up with metrics that are realistic, that I have seen in real 
life. I might not have the exact numbers, but I have scenarios where they 
occur.

> Broadband Internet has IMO and negligible packet loss, except for congestion events where the codec cannot do anything anyway.
>
> Packet loss was a big deal in old analog modem times and pre-3G/4G wireless networks :-)

This is still a problem (and no, it wasn't a problem on analog modems with 
ARQ), depending on where in the world you are. I can come up with multiple 
scenarios where I want this "Internet codec/transport" to work that 
current implementations do not work in, where for instance you trade 
latency for pps for instance. In some cases it's better to send 5 pps with 
500 byte packets to get the packets thru, than to send 50pps of smaller 
packets because they do not go thru. Yes, latency suffers, but it *works*.

I'd rather have a 2 second end-to-end latency for my call than no call at 
all.

-- 
Mikael Abrahamsson    email: swmike@swm.pp.se

From hsinnrei@adobe.com  Mon Nov  9 23:12:22 2009
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From: Henry Sinnreich <hsinnrei@adobe.com>
To: Mikael Abrahamsson <swmike@swm.pp.se>, "codec@ietf.org" <codec@ietf.org>
Date: Mon, 9 Nov 2009 23:11:52 -0800
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>I can come up with metrics that are realistic,
>that I have seen in real life.

Metrics and values/numbers would be very interesting if you can share them,=
 to better understand the requirements.
Also to make sure in what usage scenarios they may occur.

Thanks, Henry


On 11/10/09 4:01 PM, "Mikael Abrahamsson" <swmike@swm.pp.se> wrote:

On Mon, 9 Nov 2009, Henry Sinnreich wrote:

>> - Robustness to packet loss
>
> Are you thinking of burst packet loss or random distributed packet loss?
> And what would be the metrics and values for either?
>
> If we have no metrics and no credible values, I suggest to forget this ra=
t hole.

I *strongly* disagree to this line of thinking. This thinking is what is
causing a lot of the current system implementations (codec and transport
together) to not work properly on "the Internet". See my previous email on
this list on this issue.

I can come up with metrics that are realistic, that I have seen in real
life. I might not have the exact numbers, but I have scenarios where they
occur.

> Broadband Internet has IMO and negligible packet loss, except for congest=
ion events where the codec cannot do anything anyway.
>
> Packet loss was a big deal in old analog modem times and pre-3G/4G wirele=
ss networks :-)

This is still a problem (and no, it wasn't a problem on analog modems with
ARQ), depending on where in the world you are. I can come up with multiple
scenarios where I want this "Internet codec/transport" to work that
current implementations do not work in, where for instance you trade
latency for pps for instance. In some cases it's better to send 5 pps with
500 byte packets to get the packets thru, than to send 50pps of smaller
packets because they do not go thru. Yes, latency suffers, but it *works*.

I'd rather have a 2 second end-to-end latency for my call than no call at
all.

--
Mikael Abrahamsson    email: swmike@swm.pp.se
_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec


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<HTML>
<HEAD>
<TITLE>Re: [codec] questions to be answered</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:=
13pt'>&gt;I can come up with metrics that are realistic, <BR>
&gt;that I have seen in real life.<BR>
<BR>
Metrics and values/numbers would be very interesting if you can share them,=
 to better understand the requirements.<BR>
Also to make sure in what usage scenarios they may occur.<BR>
<BR>
Thanks, Henry<BR>
<BR>
<BR>
On 11/10/09 4:01 PM, &quot;Mikael Abrahamsson&quot; &lt;<a href=3D"swmike@s=
wm.pp.se">swmike@swm.pp.se</a>&gt; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"=
><SPAN STYLE=3D'font-size:13pt'>On Mon, 9 Nov 2009, Henry Sinnreich wrote:<=
BR>
<BR>
&gt;&gt; - Robustness to packet loss<BR>
&gt;<BR>
&gt; Are you thinking of burst packet loss or random distributed packet los=
s?<BR>
&gt; And what would be the metrics and values for either?<BR>
&gt;<BR>
&gt; If we have no metrics and no credible values, I suggest to forget this=
 rat hole.<BR>
<BR>
I *strongly* disagree to this line of thinking. This thinking is what is<BR=
>
causing a lot of the current system implementations (codec and transport<BR=
>
together) to not work properly on &quot;the Internet&quot;. See my previous=
 email on<BR>
this list on this issue.<BR>
<BR>
I can come up with metrics that are realistic, that I have seen in real<BR>
life. I might not have the exact numbers, but I have scenarios where they<B=
R>
occur.<BR>
<BR>
&gt; Broadband Internet has IMO and negligible packet loss, except for cong=
estion events where the codec cannot do anything anyway.<BR>
&gt;<BR>
&gt; Packet loss was a big deal in old analog modem times and pre-3G/4G wir=
eless networks :-)<BR>
<BR>
This is still a problem (and no, it wasn't a problem on analog modems with<=
BR>
ARQ), depending on where in the world you are. I can come up with multiple<=
BR>
scenarios where I want this &quot;Internet codec/transport&quot; to work th=
at<BR>
current implementations do not work in, where for instance you trade<BR>
latency for pps for instance. In some cases it's better to send 5 pps with<=
BR>
500 byte packets to get the packets thru, than to send 50pps of smaller<BR>
packets because they do not go thru. Yes, latency suffers, but it *works*.<=
BR>
<BR>
I'd rather have a 2 second end-to-end latency for my call than no call at<B=
R>
all.<BR>
<BR>
--<BR>
Mikael Abrahamsson &nbsp;&nbsp;&nbsp;email: <a href=3D"swmike@swm.pp.se">sw=
mike@swm.pp.se</a><BR>
_______________________________________________<BR>
codec mailing list<BR>
<a href=3D"codec@ietf.org">codec@ietf.org</a><BR>
<a href=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.or=
g/mailman/listinfo/codec</a><BR>
<BR>
</SPAN></FONT></BLOCKQUOTE>
</BODY>
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From swmike@swm.pp.se  Tue Nov 10 00:03:17 2009
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On Mon, 9 Nov 2009, Henry Sinnreich wrote:

> Metrics and values/numbers would be very interesting if you can share 
> them, to better understand the requirements. Also to make sure in what 
> usage scenarios they may occur.

2 seconds jitter and 10% continous random packet loss should definitely be 
handled gracefully (during the tsunami where several fiber optic cables 
were severed in asia, packet loss from the region to the rest of the world 
was continous 5-7% due to remaining paths being extremely congested). 2 
seconds is for multiple links in a row being full (typically Cisco 12000 
routers can buffer 600ms of data when congestion occurs). There are 
numerous cases (ADSL2+ without interleave, high speed links with CRC 
errors, ethernet duplex errors) where random packet loss can be seen. 
Typically this is less than 1%, otherwise people tend to fix the problem 
because TCP works very badly.

We then have the 3G/wifi network issue, where jitter can also be at least 
2 seconds, plus packet loss as well (some networks seem to buffer X 
kilobytes, some Y number of packets, after that they tail drop. I've seen 
both behaviours).

Burst loss, where when you have a network re-route, you might lose 
typically 0.05 - 2 seconds of data, and you might get re-ordering during 
the convergence. Since this is a transient event, I don't think much can 
be done about it but try to play data as they come in and just ignore out 
of order packets. Perhaps jitter buffer should be increased when 
out-of-order packets is seen, but when things calm down again it needs to 
be reduced again.

I've also seen networks which re-order packets constantly, I don't know 
what the load-sharing algorithm used is, but I think the jitter buffer 
size should be adapted and handle out of order packets so they're 
presented to the codec correctly.

When running voice over GSM GPRS, typically there is very low bandwidth 
and high delay. Here bw should be kept as low as possible and the IP 
header is a big overhead and pps should thus be kept at a minimum, for 
instance 3-5 pps and the very lowest quality setting should be used.

So, the SYSTEM (I'm not just talking codec here), as far as I can see it, 
needs to gracefully handle at least 10% packet loss, out of order packets 
(analyse the time they might be re-ordered and adapt jitter buffer 
accordingly), or just plain jitter up to 2s.

My reasoning here is mainly focused on voice over Internet, but as far as 
I can see this applies to all sound, even though if it's not interactive I 
guess the focus can be switched from low latency (it might be better for a 
voice call to have lower latency than actually getting perfect sound) to 
reliable sound delivery with higher latency (by increasing jitter buffer 
and putting sound information in multiple packets so that single packet 
loss doesn't mean silence in that interval). Basically I'd like to see 
that as soon as jitter buffer is increased, the resiliancy to packet loss 
should be increased as well by telling the other end that it can start to 
do packet loss concealment information in the packets as well (whatever 
it's called, I'm not a codec guy). If sender knows what the receiver 
jitter buffer is, then this can be used to increase resiliency (I guess).

Does this help?

-- 
Mikael Abrahamsson    email: swmike@swm.pp.se

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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
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Subject: [codec] Standardization in ITU-T, what are the issues ?
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Hi

I am curious to know to what extent proponents of a Codec WG in IETF has =
approached ITU-T with a request to standardize a RF codec.=20

As I understand it there is a possibility of free membership which of =
course means limited rights to vote, however if I get this part correct =
it is a possibility to get voting rights via a countrys standards body. =
There is a chance that I don't get these details right as I have not =
myself digged into the membership rules of ITU-T.

Anyway, my question. Who has actively approached the ITU-T with this and =
what was he response ?. Also are there any meeting documents or other =
public info that documents this ?

BR
/Ingemar
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
INGEMAR JOHANSSON  M.Sc.=20
Senior Research Engineer=20

Ericsson AB
Multimedia Technologies
Labratoriegr=E4nd 11
971 28, Lule=E5, Sweden
Phone +46-1071 43042
SMS/MMS +46-73 078 3289
ingemar.s.johansson@ericsson.com
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Visit http://labs.ericsson.com !
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From hoene@uni-tuebingen.de  Tue Nov 10 00:16:23 2009
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From: "Christian Hoene" <hoene@uni-tuebingen.de>
To: "'Ingemar Johansson S'" <ingemar.s.johansson@ericsson.com>, <codec@ietf.org>
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hello Ingemar,

> I am curious to know to what extent proponents of a Codec WG in IETF has
> approached ITU-T with a request to standardize a RF codec.

Gregory M. Lebovitz has posted this email two weeks ago:

> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf Of
> Gregory M. Lebovitz
> Sent: Sunday, November 01, 2009 12:26 AM
> To: Peter Saint-Andre; codec@ietf.org
> Subject: Re: [codec] *draft* agenda
> 
> >    d. Coordination has occurred with ITU-T SG 16
> 
> s/has occurred/is occurring
> 
> Justification:  We have had a good call between IETF leaders and
> ITU-T SG 16 and other ITU-T leaders to ensure good coordination
> around this topic. I and Cullen are drafting a formal Liaison to the
> ITU-T, which is being reviewed by the IAB and will be sent this
> weekend. But this effort will entail continued and on-going
> coordination with ITU-T, as they have much to offer in this process.

I am not aware of any official liaison statement, yet.

With best regards,

 Christian




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From: "Gregory M. Lebovitz" <gregory.ietf@gmail.com>
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At 12:03 AM 11/10/2009, Mikael Abrahamsson wrote:
>On Mon, 9 Nov 2009, Henry Sinnreich wrote:
>
>>Metrics and values/numbers would be very interesting if you can 
>>share them, to better understand the requirements. Also to make 
>>sure in what usage scenarios they may occur.
>
>2 seconds jitter and 10% continous random packet loss should 
>definitely be handled gracefully (during the tsunami where several 
>fiber optic cables were severed in asia, packet loss from the region 
>to the rest of the world was continous 5-7% due to remaining paths 
>being extremely congested). 2 seconds is for multiple links in a row 
>being full (typically Cisco 12000 routers can buffer 600ms of data 
>when congestion occurs). There are numerous cases (ADSL2+ without 
>interleave, high speed links with CRC errors, ethernet duplex 
>errors) where random packet loss can be seen. Typically this is less 
>than 1%, otherwise people tend to fix the problem because TCP works very badly.
>
>We then have the 3G/wifi network issue, where jitter can also be at 
>least 2 seconds, plus packet loss as well (some networks seem to 
>buffer X kilobytes, some Y number of packets, after that they tail 
>drop. I've seen both behaviours).
>
>Burst loss, where when you have a network re-route, you might lose 
>typically 0.05 - 2 seconds of data, and you might get re-ordering 
>during the convergence. Since this is a transient event, I don't 
>think much can be done about it but try to play data as they come in 
>and just ignore out of order packets. Perhaps jitter buffer should 
>be increased when out-of-order packets is seen, but when things calm 
>down again it needs to be reduced again.
>
>I've also seen networks which re-order packets constantly, I don't 
>know what the load-sharing algorithm used is, but I think the jitter 
>buffer size should be adapted and handle out of order packets so 
>they're presented to the codec correctly.
>
>When running voice over GSM GPRS, typically there is very low 
>bandwidth and high delay. Here bw should be kept as low as possible 
>and the IP header is a big overhead and pps should thus be kept at a 
>minimum, for instance 3-5 pps and the very lowest quality setting 
>should be used.
>
>So, the SYSTEM (I'm not just talking codec here), as far as I can 
>see it, needs to gracefully handle at least 10% packet loss, out of 
>order packets (analyse the time they might be re-ordered and adapt 
>jitter buffer accordingly), or just plain jitter up to 2s.
>
>My reasoning here is mainly focused on voice over Internet, but as 
>far as I can see this applies to all sound, even though if it's not 
>interactive I guess the focus can be switched from low latency (it 
>might be better for a voice call to have lower latency than actually 
>getting perfect sound) to reliable sound delivery with higher 
>latency (by increasing jitter buffer and putting sound information 
>in multiple packets so that single packet loss doesn't mean silence 
>in that interval). Basically I'd like to see that as soon as jitter 
>buffer is increased, the resiliancy to packet loss should be 
>increased as well by telling the other end that it can start to do 
>packet loss concealment information in the packets as well (whatever 
>it's called, I'm not a codec guy). If sender knows what the receiver 
>jitter buffer is, then this can be used to increase resiliency (I guess).
>
>Does this help?

I'm not a codec designer, or expert in this area at all, but that 
seems VERY practical and tangible. Those are observable metrics for 
behavior, and you provided a clear explanation of WHY you offered 
those metrics, which make decent sense to me.

So, yes, it helps.

Gregory.


>--
>Mikael Abrahamsson    email: swmike@swm.pp.se
>_______________________________________________
>codec mailing list
>codec@ietf.org
>https://www.ietf.org/mailman/listinfo/codec


From ingemar.s.johansson@ericsson.com  Tue Nov 10 00:33:51 2009
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Thread-Topic: [codec] Standardization in ITU-T, what are the issues ?
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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
To: "Christian Hoene" <hoene@uni-tuebingen.de>, <codec@ietf.org>
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi

Noted, but what I was asking was more like "who has tried to approach
ITU-T" earlier. If I recall things correctly there was a big laugh in
the audience when it it was stated at the mic that "you can go to the
ITU-T" at the last Codec BoF in Stockholm.=20
So from the SPL level of the laugh there must be a few who have tried
this.

BR
Ingemar  =20

> -----Original Message-----
> From: Christian Hoene [mailto:hoene@uni-tuebingen.de]=20
> Sent: den 10 november 2009 09:17
> To: Ingemar Johansson S; codec@ietf.org
> Subject: RE: [codec] Standardization in ITU-T, what are the issues ?
>=20
> Hello Ingemar,
>=20
> > I am curious to know to what extent proponents of a Codec=20
> WG in IETF=20
> > has approached ITU-T with a request to standardize a RF codec.
>=20
> Gregory M. Lebovitz has posted this email two weeks ago:
>=20
> > -----Original Message-----
> > From: codec-bounces@ietf.org=20
> [mailto:codec-bounces@ietf.org] On Behalf=20
> > Of Gregory M. Lebovitz
> > Sent: Sunday, November 01, 2009 12:26 AM
> > To: Peter Saint-Andre; codec@ietf.org
> > Subject: Re: [codec] *draft* agenda
> >=20
> > >    d. Coordination has occurred with ITU-T SG 16
> >=20
> > s/has occurred/is occurring
> >=20
> > Justification:  We have had a good call between IETF=20
> leaders and ITU-T=20
> > SG 16 and other ITU-T leaders to ensure good coordination=20
> around this=20
> > topic. I and Cullen are drafting a formal Liaison to the=20
> ITU-T, which=20
> > is being reviewed by the IAB and will be sent this weekend.=20
> But this=20
> > effort will entail continued and on-going coordination with=20
> ITU-T, as=20
> > they have much to offer in this process.
>=20
> I am not aware of any official liaison statement, yet.
>=20
> With best regards,
>=20
>  Christian
>=20
>=20
>=20
>=20

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To: Mikael Abrahamsson <swmike@swm.pp.se>,"codec@ietf.org" <codec@ietf.org>
From: "Gregory M. Lebovitz" <gregory.ietf@gmail.com>
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Subject: Re: [codec] questions to be answered
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At 11:01 PM 11/9/2009, Mikael Abrahamsson wrote:
>On Mon, 9 Nov 2009, Henry Sinnreich wrote:
>
>>>- Robustness to packet loss
>>
>>Are you thinking of burst packet loss or random distributed packet loss?
>>And what would be the metrics and values for either?
>>
>>If we have no metrics and no credible values, I suggest to forget 
>>this rat hole.
>
>I *strongly* disagree to this line of thinking. This thinking is 
>what is causing a lot of the current system implementations (codec 
>and transport together) to not work properly on "the Internet". See 
>my previous email on this list on this issue.
>
>I can come up with metrics that are realistic, that I have seen in 
>real life. I might not have the exact numbers, but I have scenarios 
>where they occur.
>
>>Broadband Internet has IMO and negligible packet loss, except for 
>>congestion events where the codec cannot do anything anyway.

Well, I'm sitting here in the CONEX BoF where several cable operators 
have presented on why they think there is a problem with congestion 
and the associated service degradation and packet loss. It's 
anecdotal input, yes, but it's compelling.


>>Packet loss was a big deal in old analog modem times and pre-3G/4G 
>>wireless networks :-)

Again, listen to the archived audio stream of CONEX, and the jabber 
archive too, which held a lot of discussion on the observed loss in networks.

Gregory.


>This is still a problem (and no, it wasn't a problem on analog 
>modems with ARQ), depending on where in the world you are. I can 
>come up with multiple scenarios where I want this "Internet 
>codec/transport" to work that current implementations do not work 
>in, where for instance you trade latency for pps for instance. In 
>some cases it's better to send 5 pps with 500 byte packets to get 
>the packets thru, than to send 50pps of smaller packets because they 
>do not go thru. Yes, latency suffers, but it *works*.
>
>I'd rather have a 2 second end-to-end latency for my call than no call at all.
>
>--
>Mikael Abrahamsson    email: swmike@swm.pp.se
>_______________________________________________
>codec mailing list
>codec@ietf.org
>https://www.ietf.org/mailman/listinfo/codec


From mknappe@juniper.net  Tue Nov 10 01:07:41 2009
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From: Michael Knappe <mknappe@juniper.net>
To: Mikael Abrahamsson <swmike@swm.pp.se>, "codec@ietf.org" <codec@ietf.org>
Date: Tue, 10 Nov 2009 01:02:01 -0800
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Mikael,

Thanks for the very useful industry examples and metrics. Handling of these=
 examples fall either into jitter buffer design (which so far in the BoF em=
ail correspondence, other than noting the need for some form of adaptive ji=
tter buffer algorithm, is being treated as largely outside the scope of the=
 proposed WG) or packet loss concealment (which IS often tied to the codec'=
s design). As you've noted, other than doing the best it can to maintain a =
balance between the impairment due to end-to-end latency and impairment due=
 to periods of packet loss concealment, there is really no crystal ball tha=
t can be employed to recover large numbers of consecutively lost packets du=
ring wildly varying jitter conditions.

As you mention in your email, it is possible to more tightly couple PLC and=
 the jitter buffer. For instance, a proposed codec's decode operation could=
 provide an intelligent feedback loop to the jitter buffer at the receiving=
 end to let it know how well it's packet loss concealment algorithm is curr=
ently operating - for instance telling the jitter buffer to go ahead and ra=
pidly increase its size if the PLC algorithm is simply falling apart under =
enormous packet loss. There are also examples of time varying / frequency i=
nvariant 'stretch' jitter buffers that are an integral component of the cod=
ec design, and we should treat them as a whole while evaluating any such pr=
oposed codecs.

Mike


On 11/10/09 12:03 AM, "Mikael Abrahamsson" <swmike@swm.pp.se> wrote:

On Mon, 9 Nov 2009, Henry Sinnreich wrote:

> Metrics and values/numbers would be very interesting if you can share
> them, to better understand the requirements. Also to make sure in what
> usage scenarios they may occur.

2 seconds jitter and 10% continous random packet loss should definitely be
handled gracefully (during the tsunami where several fiber optic cables
were severed in asia, packet loss from the region to the rest of the world
was continous 5-7% due to remaining paths being extremely congested). 2
seconds is for multiple links in a row being full (typically Cisco 12000
routers can buffer 600ms of data when congestion occurs). There are
numerous cases (ADSL2+ without interleave, high speed links with CRC
errors, ethernet duplex errors) where random packet loss can be seen.
Typically this is less than 1%, otherwise people tend to fix the problem
because TCP works very badly.

We then have the 3G/wifi network issue, where jitter can also be at least
2 seconds, plus packet loss as well (some networks seem to buffer X
kilobytes, some Y number of packets, after that they tail drop. I've seen
both behaviours).

Burst loss, where when you have a network re-route, you might lose
typically 0.05 - 2 seconds of data, and you might get re-ordering during
the convergence. Since this is a transient event, I don't think much can
be done about it but try to play data as they come in and just ignore out
of order packets. Perhaps jitter buffer should be increased when
out-of-order packets is seen, but when things calm down again it needs to
be reduced again.

I've also seen networks which re-order packets constantly, I don't know
what the load-sharing algorithm used is, but I think the jitter buffer
size should be adapted and handle out of order packets so they're
presented to the codec correctly.

When running voice over GSM GPRS, typically there is very low bandwidth
and high delay. Here bw should be kept as low as possible and the IP
header is a big overhead and pps should thus be kept at a minimum, for
instance 3-5 pps and the very lowest quality setting should be used.

So, the SYSTEM (I'm not just talking codec here), as far as I can see it,
needs to gracefully handle at least 10% packet loss, out of order packets
(analyse the time they might be re-ordered and adapt jitter buffer
accordingly), or just plain jitter up to 2s.

My reasoning here is mainly focused on voice over Internet, but as far as
I can see this applies to all sound, even though if it's not interactive I
guess the focus can be switched from low latency (it might be better for a
voice call to have lower latency than actually getting perfect sound) to
reliable sound delivery with higher latency (by increasing jitter buffer
and putting sound information in multiple packets so that single packet
loss doesn't mean silence in that interval). Basically I'd like to see
that as soon as jitter buffer is increased, the resiliancy to packet loss
should be increased as well by telling the other end that it can start to
do packet loss concealment information in the packets as well (whatever
it's called, I'm not a codec guy). If sender knows what the receiver
jitter buffer is, then this can be used to increase resiliency (I guess).

Does this help?

--
Mikael Abrahamsson    email: swmike@swm.pp.se
_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec


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Thread-Topic: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6 November 2009)
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Subject: [codec] FW: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6 November 2009)
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------_=_NextPart_001_01CA6201.D031E938
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Dear all,

please find attached a liaison statement sent from SG 16. I extracted =
the files from the ZIP since we had some difficulties with the server.

Best regards,
Simao

<< ls-124.pdf >>
<< ls-124.doc >>

_____________________________________________
From: TSBSG16, ITU [mailto:tsbsg16@itu.int]=20
Sent: 10 November 2009 10:57
To: Cullen Jennings; statements@ietf.org; Robert Sparks; Gregory =
Lebovitz; Russ Housley; Patrik F=E4ltstr=F6m
Cc: Campos, Simao; claude.lamblin@orange-ftgroup.com; =
herve.taddei@huawei.com; hiwasaki.yusuke@lab.ntt.co.jp; =
hiwasaki.yusuke@gmail.com
Subject: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6 =
November 2009)



Dear all,

Kindly find attached the Liaison Statement COM16 - LS 124  on "speech =
and audio coding standardization" addressed to IETF RAI, IESG agreed at =
the ITU-T SG 16 meeting held in Geneva from 26 October to 6 November =
2009.=20
=20
Best regards,

Rosa Angeles-Le=F3n de Vivero
on behalf of ITU-T Study Group 16
ITU - Telecommunication Standardization Bureau (TSB)
SG 16 e-mail: tsbsg16@itu.int


  << ls-124.zip >>

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From ingemar.s.johansson@ericsson.com  Tue Nov 10 04:46:37 2009
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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
To: "Alan Duric" <alan@telio.no>, <codec@ietf.org>
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi
=20
What was the answer?, is there any documentation of this effort in the =
ITU-T archives. I guess there should be. I am just trying to understand =
the reality behind the general conception that it is difficult to =
approach ITU-T and to be honest I cannot imagine what the outcome is or =
was as I haven't tried it myself. 2000/2001 is quite a few moons ago an =
then the word royalty free was real difficult to find on the map, is =
there a chance that the attitude may have changed since, especially as a =
result of the discussions in IETF ?.
=20
What I can see (URL's provided by colleagues active in ITU-T, I am not =
an ITU-T geek myself) the cost of participating as an associate in ITU-T =
is CHF10600 (~USD10000) per year.=20
http://www.itu.int/members/associates/fees.html =
<http://www.itu.int/members/associates/fees.html>=20
The limitations with being an associate is found at=20
http://www.itu.int/members/associates/rights.html =
<http://www.itu.int/members/associates/rights.html>=20
I am interested to know what the specific problems was or are, is it the =
cost or the lack of voting rights or a combination ?. If I understand it =
right one cannot vote directly as an associate but there are =
possibilities to go via the national body.
=20
BR
/Ingemar
=20
=20

________________________________

Fr=E5n: Alan Duric [mailto:alan@telio.no]
Skickat: ti 2009-11-10 12:38
Till: Ingemar Johansson S; codec@ietf.org
=C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?



Dear Ingemar,

I have personally approached ITU on behalf of Global IP Solutions (at=20
that time Global IP Sound), back in 2001/2002, with respect to=20
standardization of iLBC.You can imagine the outcome.
I would not recommend to any of the authors of the current set of=20
codecs to consider that process.
This question has been brought up at the last meeting in Stockholm and=20
I suppose the conclusion was obvious.

Best regards,
alan

Alan Duric
CTO and Cofounder
Telio Holding ASA | Oslo exchange: TELIO



On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:

> Hi
>
> I am curious to know to what extent proponents of a Codec WG in IETF=20
> has approached ITU-T with a request to standardize a RF codec.
>
> As I understand it there is a possibility of free membership which=20
> of course means limited rights to vote, however if I get this part=20
> correct it is a possibility to get voting rights via a countrys=20
> standards body. There is a chance that I don't get these details=20
> right as I have not myself digged into the membership rules of ITU-T.
>
> Anyway, my question. Who has actively approached the ITU-T with this=20
> and what was he response ?. Also are there any meeting documents or=20
> other public info that documents this ?
>
> BR
> /Ingemar
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> INGEMAR JOHANSSON  M.Sc.
> Senior Research Engineer
>
> Ericsson AB
> Multimedia Technologies
> Labratoriegr=E4nd 11
> 971 28, Lule=E5, Sweden
> Phone +46-1071 43042
> SMS/MMS +46-73 078 3289
> ingemar.s.johansson@ericsson.com
> www.ericsson.com
> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec




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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Dear Ingemar,

I have personally approached ITU on behalf of Global IP Solutions (at =20=

that time Global IP Sound), back in 2001/2002, with respect to =20
standardization of iLBC.You can imagine the outcome.
I would not recommend to any of the authors of the current set of =20
codecs to consider that process.
This question has been brought up at the last meeting in Stockholm and =20=

I suppose the conclusion was obvious.

Best regards,
alan

Alan Duric
CTO and Cofounder
Telio Holding ASA | Oslo exchange: TELIO



On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:

> Hi
>
> I am curious to know to what extent proponents of a Codec WG in IETF =20=

> has approached ITU-T with a request to standardize a RF codec.
>
> As I understand it there is a possibility of free membership which =20
> of course means limited rights to vote, however if I get this part =20
> correct it is a possibility to get voting rights via a countrys =20
> standards body. There is a chance that I don't get these details =20
> right as I have not myself digged into the membership rules of ITU-T.
>
> Anyway, my question. Who has actively approached the ITU-T with this =20=

> and what was he response ?. Also are there any meeting documents or =20=

> other public info that documents this ?
>
> BR
> /Ingemar
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
> INGEMAR JOHANSSON  M.Sc.
> Senior Research Engineer
>
> Ericsson AB
> Multimedia Technologies
> Labratoriegr=E4nd 11
> 971 28, Lule=E5, Sweden
> Phone +46-1071 43042
> SMS/MMS +46-73 078 3289
> ingemar.s.johansson@ericsson.com
> www.ericsson.com
> Visit http://labs.ericsson.com !
> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From koen.vos@skype.net  Tue Nov 10 05:26:25 2009
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From: Koen Vos <koen.vos@skype.net>
To: Ingemar Johansson S <ingemar.s.johansson@ericsson.com>
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Cc: Alan Duric <alan@telio.no>, codec@ietf.org
Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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The ITU liaison stated that their policy requires royalty free (RF) or =20
reasonable and non-discriminatory terms (RAND) for their standards. In =20
practice that means that anyone can add IP to the standard as long as =20
it brings a small improvement.

Unfortunately, that means their policy is incompatible with that of =20
the IETF. They were fully aware of that when writing the liaison, yet =20
didn't indicate a willingness to abandon their position.

ITU liaison:
https://datatracker.ietf.org/documents/LIAISON/file662.doc

koen.


Quoting Ingemar Johansson S:
> Hi
>
> What was the answer?, is there any documentation of this effort in =20
> the ITU-T archives. I guess there should be. I am just trying to =20
> understand the reality behind the general conception that it is =20
> difficult to approach ITU-T and to be honest I cannot imagine what =20
> the outcome is or was as I haven't tried it myself. 2000/2001 is =20
> quite a few moons ago an then the word royalty free was real =20
> difficult to find on the map, is there a chance that the attitude =20
> may have changed since, especially as a result of the discussions in =20
> IETF ?.
>
> What I can see (URL's provided by colleagues active in ITU-T, I am =20
> not an ITU-T geek myself) the cost of participating as an associate =20
> in ITU-T is CHF10600 (~USD10000) per year.
> http://www.itu.int/members/associates/fees.html =20
> <http://www.itu.int/members/associates/fees.html>
> The limitations with being an associate is found at
> http://www.itu.int/members/associates/rights.html =20
> <http://www.itu.int/members/associates/rights.html>
> I am interested to know what the specific problems was or are, is it =20
> the cost or the lack of voting rights or a combination ?. If I =20
> understand it right one cannot vote directly as an associate but =20
> there are possibilities to go via the national body.
>
> BR
> /Ingemar
>
>
>
> ________________________________
>
> Fr=E5n: Alan Duric [mailto:alan@telio.no]
> Skickat: ti 2009-11-10 12:38
> Till: Ingemar Johansson S; codec@ietf.org
> =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
>
>
>
> Dear Ingemar,
>
> I have personally approached ITU on behalf of Global IP Solutions (at
> that time Global IP Sound), back in 2001/2002, with respect to
> standardization of iLBC.You can imagine the outcome.
> I would not recommend to any of the authors of the current set of
> codecs to consider that process.
> This question has been brought up at the last meeting in Stockholm and
> I suppose the conclusion was obvious.
>
> Best regards,
> alan
>
> Alan Duric
> CTO and Cofounder
> Telio Holding ASA | Oslo exchange: TELIO
>
>
>
> On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
>
>> Hi
>>
>> I am curious to know to what extent proponents of a Codec WG in IETF
>> has approached ITU-T with a request to standardize a RF codec.
>>
>> As I understand it there is a possibility of free membership which
>> of course means limited rights to vote, however if I get this part
>> correct it is a possibility to get voting rights via a countrys
>> standards body. There is a chance that I don't get these details
>> right as I have not myself digged into the membership rules of ITU-T.
>>
>> Anyway, my question. Who has actively approached the ITU-T with this
>> and what was he response ?. Also are there any meeting documents or
>> other public info that documents this ?
>>
>> BR
>> /Ingemar
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> INGEMAR JOHANSSON  M.Sc.
>> Senior Research Engineer
>>
>> Ericsson AB
>> Multimedia Technologies
>> Labratoriegr=E4nd 11
>> 971 28, Lule=E5, Sweden
>> Phone +46-1071 43042
>> SMS/MMS +46-73 078 3289
>> ingemar.s.johansson@ericsson.com
>> www.ericsson.com
>> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>


From simao.campos@itu.int  Tue Nov 10 05:51:51 2009
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi Alan and Ingemar

Maybe Alan can refresh my memory but at the time I was the chairman of =
WP3/16 (working for COMSAT Labs) and do not recall an official proposal =
from GIPS to ITU (Note: currently I work for the ITU secretariat). Maybe =
there were informal consultations, but alas as Ingemar mentions this was =
eons ago and the landscape has changed tremendously.

Concerning the issue of vote, I have never seen in 20 years of ITU =
experience an instance of vote at a technical group meeting (such as =
study groups and their sub-groups). ITU study groups move forward by =
consensus, here usually meaning "lack of sustained opposition". Vote and =
representation by "national bodies" is part of the ISO and IEC process. =
Effectively, every one participating at a meeting has the opportunity to =
fully express themselves, and points of view are fairly taken into =
account. That's my experience, at least.

I hope Yusuke's presentation tomorrow may clear up some of the =
misunderstandings.

Best regards,
Simao

-----Original Message-----
From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf =
Of Ingemar Johansson S
Sent: 10 November 2009 13:47
To: Alan Duric; codec@ietf.org
Subject: Re: [codec] Standardization in ITU-T, what are the issues ?

Hi
=20
What was the answer?, is there any documentation of this effort in the =
ITU-T archives. I guess there should be. I am just trying to understand =
the reality behind the general conception that it is difficult to =
approach ITU-T and to be honest I cannot imagine what the outcome is or =
was as I haven't tried it myself. 2000/2001 is quite a few moons ago an =
then the word royalty free was real difficult to find on the map, is =
there a chance that the attitude may have changed since, especially as a =
result of the discussions in IETF ?.
=20
What I can see (URL's provided by colleagues active in ITU-T, I am not =
an ITU-T geek myself) the cost of participating as an associate in ITU-T =
is CHF10600 (~USD10000) per year.=20
http://www.itu.int/members/associates/fees.html =
<http://www.itu.int/members/associates/fees.html>=20
The limitations with being an associate is found at=20
http://www.itu.int/members/associates/rights.html =
<http://www.itu.int/members/associates/rights.html>=20
I am interested to know what the specific problems was or are, is it the =
cost or the lack of voting rights or a combination ?. If I understand it =
right one cannot vote directly as an associate but there are =
possibilities to go via the national body.
=20
BR
/Ingemar
=20
=20

________________________________

Fr=E5n: Alan Duric [mailto:alan@telio.no]
Skickat: ti 2009-11-10 12:38
Till: Ingemar Johansson S; codec@ietf.org
=C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?



Dear Ingemar,

I have personally approached ITU on behalf of Global IP Solutions (at=20
that time Global IP Sound), back in 2001/2002, with respect to=20
standardization of iLBC.You can imagine the outcome.
I would not recommend to any of the authors of the current set of=20
codecs to consider that process.
This question has been brought up at the last meeting in Stockholm and=20
I suppose the conclusion was obvious.

Best regards,
alan

Alan Duric
CTO and Cofounder
Telio Holding ASA | Oslo exchange: TELIO



On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:

> Hi
>
> I am curious to know to what extent proponents of a Codec WG in IETF=20
> has approached ITU-T with a request to standardize a RF codec.
>
> As I understand it there is a possibility of free membership which=20
> of course means limited rights to vote, however if I get this part=20
> correct it is a possibility to get voting rights via a countrys=20
> standards body. There is a chance that I don't get these details=20
> right as I have not myself digged into the membership rules of ITU-T.
>
> Anyway, my question. Who has actively approached the ITU-T with this=20
> and what was he response ?. Also are there any meeting documents or=20
> other public info that documents this ?
>
> BR
> /Ingemar
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> INGEMAR JOHANSSON  M.Sc.
> Senior Research Engineer
>
> Ericsson AB
> Multimedia Technologies
> Labratoriegr=E4nd 11
> 971 28, Lule=E5, Sweden
> Phone +46-1071 43042
> SMS/MMS +46-73 078 3289
> ingemar.s.johansson@ericsson.com
> www.ericsson.com
> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec



_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec



From ron.even.tlv@gmail.com  Tue Nov 10 06:26:20 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Alan Duric'" <alan@telio.no>, "'Ingemar Johansson S'" <ingemar.s.johansson@ericsson.com>, <codec@ietf.org>
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Alan,
I think that there is a difference between standardizing a codec and
standardizing iLBC, meaning coming to a group and saying I want to
standardize my codec (rubber stamp). I do not believe that any standard =
body
including the IETF will welcome a request to make your specific codec a
standard. I believe that the even the approach of the IETF if it decide =
to
standardize a codec is not to rubber stamp a codec.
Thanks
Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Alan Duric
> Sent: Tuesday, November 10, 2009 8:38 PM
> To: Ingemar Johansson S; codec@ietf.org
> Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
>=20
> Dear Ingemar,
>=20
> I have personally approached ITU on behalf of Global IP Solutions (at
> that time Global IP Sound), back in 2001/2002, with respect to
> standardization of iLBC.You can imagine the outcome.
> I would not recommend to any of the authors of the current set of
> codecs to consider that process.
> This question has been brought up at the last meeting in Stockholm and
> I suppose the conclusion was obvious.
>=20
> Best regards,
> alan
>=20
> Alan Duric
> CTO and Cofounder
> Telio Holding ASA | Oslo exchange: TELIO
>=20
>=20
>=20
> On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
>=20
> > Hi
> >
> > I am curious to know to what extent proponents of a Codec WG in IETF
> > has approached ITU-T with a request to standardize a RF codec.
> >
> > As I understand it there is a possibility of free membership which
> > of course means limited rights to vote, however if I get this part
> > correct it is a possibility to get voting rights via a countrys
> > standards body. There is a chance that I don't get these details
> > right as I have not myself digged into the membership rules of =
ITU-T.
> >
> > Anyway, my question. Who has actively approached the ITU-T with this
> > and what was he response ?. Also are there any meeting documents or
> > other public info that documents this ?
> >
> > BR
> > /Ingemar
> > =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > INGEMAR JOHANSSON  M.Sc.
> > Senior Research Engineer
> >
> > Ericsson AB
> > Multimedia Technologies
> > Labratoriegr=E4nd 11
> > 971 28, Lule=E5, Sweden
> > Phone +46-1071 43042
> > SMS/MMS +46-73 078 3289
> > ingemar.s.johansson@ericsson.com
> > www.ericsson.com
> > Visit http://labs.ericsson.com !
> > =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > _______________________________________________
> > codec mailing list
> > codec@ietf.org
> > https://www.ietf.org/mailman/listinfo/codec
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


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From: "Michael Ramalho (mramalho)" <mramalho@cisco.com>
To: "Mikael Abrahamsson" <swmike@swm.pp.se>, <codec@ietf.org>
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Comments in-line with "MAR:".

Michael Ramalho

-----Original Message-----
From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
Of Mikael Abrahamsson
Sent: Tuesday, November 10, 2009 3:04 AM
To: codec@ietf.org
Subject: Re: [codec] questions to be answered

On Mon, 9 Nov 2009, Henry Sinnreich wrote:

> Metrics and values/numbers would be very interesting if you can share=20
> them, to better understand the requirements. Also to make sure in what

> usage scenarios they may occur.

2 seconds jitter and 10% continous random packet loss should definitely
be=20
handled gracefully (during the tsunami where several fiber optic cables=20
were severed in asia, packet loss from the region to the rest of the
world=20
was continous 5-7% due to remaining paths being extremely congested). 2=20
seconds is for multiple links in a row being full (typically Cisco 12000

routers can buffer 600ms of data when congestion occurs). There are=20
numerous cases (ADSL2+ without interleave, high speed links with CRC=20
errors, ethernet duplex errors) where random packet loss can be seen.=20
Typically this is less than 1%, otherwise people tend to fix the problem

because TCP works very badly.

MAR: Let's consider ... 10% RANDOM packet loss ... and ptime =3D 20ms.

MAR: Probability of more than 2 consecutive losses (40ms conceal) is
lower bounded at 1% (once every 2 seconds at 50 pps).

MAR: Probability of more than 3 consecutive losses is bounded at .1%
(once every 20 seconds).

MAR: Probability of more than 4 consecutive losses is bounded at 0.01%
(once every 200 seconds).

MAR: Isolated packet losses are typically concealed well (even more so
if they occur less often).

MAR: A doublet loss (2 consecutive losses) are also typically concealed
well for long lasting vowels (and silence). So these too are TYPICALLY
concealed well - the exception being short lasting phonemes (such as a
"t"). But in the example above, this loss event only happens once every
2 seconds - what is the probability of the 40ms loss coming during the
short-lived phoneme? Still a very low occurrence. Maybe once every 5
minutes.

MAR: Extend analysis for > 3+ consecutive RANDOM losses.

MAR: Consecutive losses exceeding 200ms (10 consecutive losses) are
almost guaranteed to lose significant phonetic content. Most people hear
200ms drops consistently. But the time between such events - assuming
RANDOM LOSSES - is indeed very long (do the math ;-) )!

MAR: Is there any wonder that even 10% RANDOM packet loss is still
highly intelligible? No. But the key is the RANDOM (assuming i.i.d.)
loss assumption.

MAR: I assure you that i.i.d. random loss isn't the challenging case
(assuming a good PLC).

We then have the 3G/wifi network issue, where jitter can also be at
least=20
2 seconds, plus packet loss as well (some networks seem to buffer X=20
kilobytes, some Y number of packets, after that they tail drop. I've
seen=20
both behaviours).

Burst loss, where when you have a network re-route, you might lose=20
typically 0.05 - 2 seconds of data, and you might get re-ordering during

the convergence. Since this is a transient event, I don't think much can

be done about it but try to play data as they come in and just ignore
out=20
of order packets. Perhaps jitter buffer should be increased when=20
out-of-order packets is seen, but when things calm down again it needs
to=20
be reduced again.

MAR: OK .. now you jump from RANDOM loss to DROP OUTs. These occur
during such things as route changes. Yes, you will typically hear these
if they take more than about 100ms ~ 200ms to converge. If they occur
once .. and then not again for > 4 minutes or so .. the listener forgets
about them (just like bad cell phone reception).

MAR: But you jumped from RANDOM LOSS to DROP OUTs - there is a vast
middle ground where the characteristic of the losses ISN'T RANDOM. I
(and others) usually use the term "burst loss" to cover these cases that
are in between RANDOM losses and DROP OUTs.

I've also seen networks which re-order packets constantly, I don't know=20
what the load-sharing algorithm used is, but I think the jitter buffer=20
size should be adapted and handle out of order packets so they're=20
presented to the codec correctly.

When running voice over GSM GPRS, typically there is very low bandwidth=20
and high delay. Here bw should be kept as low as possible and the IP=20
header is a big overhead and pps should thus be kept at a minimum, for=20
instance 3-5 pps and the very lowest quality setting should be used.

So, the SYSTEM (I'm not just talking codec here), as far as I can see
it,=20
needs to gracefully handle at least 10% packet loss, out of order
packets=20
(analyse the time they might be re-ordered and adapt jitter buffer=20
accordingly), or just plain jitter up to 2s.

MAR: This cannot be your conclusion EXCEPT if the 10% loss is nearer to
a i.i.d. random distribution than to any particularly (auditorially
nasty) burst characteristic.

MAR: As an aside, another person responding to this thread (not you)
talked about wireless (e.g., 802.11) characteristics. Well they can have
auditorially nasty burst loss characteristics when the endpoint is
nearly out-of-range. Layer 2 tries to get the VoIP packet across, but
"gives up" after a while ... it does this consistently because it is
nearly out-of-range ... and it gets some across.

MAR: The bottom line for anyone still reading is IF the loss event WIPES
OUT a particular phoneme completely (the "t" example above) NO AMOUNT OF
REAL-TIME CODEC MAGIC PIXIE DUST can resurrect the phoneme. The only way
around this is to add redundant information in other packets and to
trade off delay.

[I say real-time .. because you can run ASR and guess what phoneme(s)
was/were missing ... and then insert it .. but that isn't a real time
activity. I digress once again .. sorry about that.]

My reasoning here is mainly focused on voice over Internet, but as far
as=20
I can see this applies to all sound, even though if it's not interactive
I=20
guess the focus can be switched from low latency (it might be better for
a=20
voice call to have lower latency than actually getting perfect sound) to

reliable sound delivery with higher latency (by increasing jitter buffer

and putting sound information in multiple packets so that single packet=20
loss doesn't mean silence in that interval).

MAR: If you don't include redundant information so that you can recover
"missing content", I don't agree with your conclusion.

MAR: All of this points to Henry's request. Please bound the problem. I
(for one) are really tired of people talking about the codec handling X%
RANDOM packet loss. VoIP streams will typically (assuming good PLC) be
highly intelligible until the probability of > 1 consecutive loss
becomes significant (up to about 20% ... again ... do the math at your
ptime to find out).

Basically I'd like to see=20
that as soon as jitter buffer is increased, the resiliancy to packet
loss=20
should be increased as well by telling the other end that it can start
to=20
do packet loss concealment information in the packets as well (whatever=20
it's called, I'm not a codec guy). If sender knows what the receiver=20
jitter buffer is, then this can be used to increase resiliency (I
guess).

Does this help?

MAR: Anyone still listening can flame ... but please disprove the
analysis before you do so. Thanks in advance.

--=20
Mikael Abrahamsson    email: swmike@swm.pp.se
_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec

From ron.even.tlv@gmail.com  Tue Nov 10 06:31:36 2009
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Koen Vos'" <koen.vos@skype.net>, "'Ingemar Johansson S'" <ingemar.s.johansson@ericsson.com>
References: <130EBB38279E9847BAAAE0B8F9905F8C0232A009@esealmw109.eemea.ericsson.se>	<BE59A002-D891-4E93-A8BE-E6C0229D259F@telio.no>	<130EBB38279E9847BAAAE0B8F9905F8C6E40E5@esealmw109.eemea.ericsson.se> <20091110052641.34281f6075r5cowh@mail.skype.net>
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Date: Tue, 10 Nov 2009 23:30:51 +0900
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Cc: 'Alan Duric' <alan@telio.no>, codec@ietf.org
Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi,
Inline
Roni Even

> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Koen Vos
> Sent: Tuesday, November 10, 2009 10:27 PM
> To: Ingemar Johansson S
> Cc: Alan Duric; codec@ietf.org
> Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
>=20
> The ITU liaison stated that their policy requires royalty free (RF) or
> reasonable and non-discriminatory terms (RAND) for their standards. In
> practice that means that anyone can add IP to the standard as long as
> it brings a small improvement.


Roni: this is not the ITU process, if a candidate was selected based on
selection, than another party do not add to it. If collaboration take =
place
than the parties in the collaboration need to agree what will be in a =
codec.

>=20
> Unfortunately, that means their policy is incompatible with that of
> the IETF. They were fully aware of that when writing the liaison, yet
> didn't indicate a willingness to abandon their position.
>=20
> ITU liaison:
> https://datatracker.ietf.org/documents/LIAISON/file662.doc
>=20
> koen.
>=20
>=20
> Quoting Ingemar Johansson S:
> > Hi
> >
> > What was the answer?, is there any documentation of this effort in
> > the ITU-T archives. I guess there should be. I am just trying to
> > understand the reality behind the general conception that it is
> > difficult to approach ITU-T and to be honest I cannot imagine what
> > the outcome is or was as I haven't tried it myself. 2000/2001 is
> > quite a few moons ago an then the word royalty free was real
> > difficult to find on the map, is there a chance that the attitude
> > may have changed since, especially as a result of the discussions in
> > IETF ?.
> >
> > What I can see (URL's provided by colleagues active in ITU-T, I am
> > not an ITU-T geek myself) the cost of participating as an associate
> > in ITU-T is CHF10600 (~USD10000) per year.
> > http://www.itu.int/members/associates/fees.html
> > <http://www.itu.int/members/associates/fees.html>
> > The limitations with being an associate is found at
> > http://www.itu.int/members/associates/rights.html
> > <http://www.itu.int/members/associates/rights.html>
> > I am interested to know what the specific problems was or are, is it
> > the cost or the lack of voting rights or a combination ?. If I
> > understand it right one cannot vote directly as an associate but
> > there are possibilities to go via the national body.
> >
> > BR
> > /Ingemar
> >
> >
> >
> > ________________________________
> >
> > Fr=E5n: Alan Duric [mailto:alan@telio.no]
> > Skickat: ti 2009-11-10 12:38
> > Till: Ingemar Johansson S; codec@ietf.org
> > =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
> >
> >
> >
> > Dear Ingemar,
> >
> > I have personally approached ITU on behalf of Global IP Solutions =
(at
> > that time Global IP Sound), back in 2001/2002, with respect to
> > standardization of iLBC.You can imagine the outcome.
> > I would not recommend to any of the authors of the current set of
> > codecs to consider that process.
> > This question has been brought up at the last meeting in Stockholm
> and
> > I suppose the conclusion was obvious.
> >
> > Best regards,
> > alan
> >
> > Alan Duric
> > CTO and Cofounder
> > Telio Holding ASA | Oslo exchange: TELIO
> >
> >
> >
> > On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
> >
> >> Hi
> >>
> >> I am curious to know to what extent proponents of a Codec WG in =
IETF
> >> has approached ITU-T with a request to standardize a RF codec.
> >>
> >> As I understand it there is a possibility of free membership which
> >> of course means limited rights to vote, however if I get this part
> >> correct it is a possibility to get voting rights via a countrys
> >> standards body. There is a chance that I don't get these details
> >> right as I have not myself digged into the membership rules of ITU-
> T.
> >>
> >> Anyway, my question. Who has actively approached the ITU-T with =
this
> >> and what was he response ?. Also are there any meeting documents or
> >> other public info that documents this ?
> >>
> >> BR
> >> /Ingemar
> >> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> >> INGEMAR JOHANSSON  M.Sc.
> >> Senior Research Engineer
> >>
> >> Ericsson AB
> >> Multimedia Technologies
> >> Labratoriegr=E4nd 11
> >> 971 28, Lule=E5, Sweden
> >> Phone +46-1071 43042
> >> SMS/MMS +46-73 078 3289
> >> ingemar.s.johansson@ericsson.com
> >> www.ericsson.com
> >> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> >> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> >> _______________________________________________
> >> codec mailing list
> >> codec@ietf.org
> >> https://www.ietf.org/mailman/listinfo/codec
> >
> >
> >
> > _______________________________________________
> > codec mailing list
> > codec@ietf.org
> > https://www.ietf.org/mailman/listinfo/codec
> >
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From gmaxwell@juniper.net  Tue Nov 10 06:48:59 2009
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From: Gregory Maxwell <gmaxwell@juniper.net>
To: "codec@ietf.org" <codec@ietf.org>
Date: Tue, 10 Nov 2009 06:45:42 -0800
Thread-Topic: Transparency or intelligibility?
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Subject: [codec] Transparency or intelligibility?
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One source of disagreement over requirements which I've seen crop up with r=
espect to audio
codecs arises out of what appears to be a lack of agreement on the end goal=
: Is the expectation=20
that the result will be transparent, or that it will be merely intelligible=
 and/or 'good sounding'?

By transparent I mean something roughly like "an experienced listener is un=
able to distinguish in a
blind listening test even with material selected to be especially challengi=
ng for the codec".

While it's is not possible to deliver transparency without intelligibility,=
 it is possible to deliver excellent
intelligibility without a hope of transparency.   So optimizing for one vs =
the other can lead to different
engineering trade-offs.

For example,  a 7kHz low-pass will produce speech with perfect intelligibil=
ity but at the same time
would have absolutely no hope of being transparent.  If you had a goal of e=
ven near transparency
you would probably not even consider a codec with a low-pass lower than abo=
ut 18kHz or so.
(For general audio=97 for pure speech and adult listeners you could possibl=
y go a bit lower but 7kHz is
far too low)

It was my thought that for the transmission of sound typical Internet bandw=
idths are high enough that
we really have little excuse but to provide transparency under good operati=
ng conditions.

Of course, during levels of high loss or congestion transparency will not b=
e possible and in that case
a codec should maintain intelligibility under adverse conditions and that s=
hould be an absolute
requirement too, but in the normal case transparency should be expected.

Is this thinking consistent with the thoughts of other working group partic=
ipants?



From gregory.ietf@gmail.com  Tue Nov 10 07:08:30 2009
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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At 06:30 AM 11/10/2009, Roni Even wrote:
>Hi,
>Inline
>Roni Even
>
> > -----Original Message-----
> > From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> > Of Koen Vos
> > Sent: Tuesday, November 10, 2009 10:27 PM
> > To: Ingemar Johansson S
> > Cc: Alan Duric; codec@ietf.org
> > Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
> >
> > The ITU liaison stated that their policy requires royalty free (RF) or
> > reasonable and non-discriminatory terms (RAND) for their standards. In
> > practice that means that anyone can add IP to the standard as long as
> > it brings a small improvement.
>
>
>Roni: this is not the ITU process, if a candidate was selected based on
>selection, than another party do not add to it. If collaboration take place
>than the parties in the collaboration need to agree what will be in a=
 codec.

Is this a key area of difference of process between the IETF and ITU-T:
   - In the IETF there is most commonly all=20
parties working together to produce something,=20
openly adding their respective insights, and I.P.=20
(with associated IPR statements), into one thing.
   - In SG16 multiple parties of one, or a small=20
number of people, each submit a candidate codec,=20
those codecs are compared and evaluated=20
technically, and then advanced with the=20
characterizations to the voting members who then=20
consider many factors, including I.P.R. and chose one winner?

This "pick the single best" vs "add the best=20
components into one" is a big difference in the=20
way the two SDO's go about this process, where=20
ITU-T matches the former terse summary, and IETF matches the latter.

Comments on that observation?

Gregory.


> >
> > Unfortunately, that means their policy is incompatible with that of
> > the IETF. They were fully aware of that when writing the liaison, yet
> > didn't indicate a willingness to abandon their position.
> >
> > ITU liaison:
> > https://datatracker.ietf.org/documents/LIAISON/file662.doc
> >
> > koen.
> >
> >
> > Quoting Ingemar Johansson S:
> > > Hi
> > >
> > > What was the answer?, is there any documentation of this effort in
> > > the ITU-T archives. I guess there should be. I am just trying to
> > > understand the reality behind the general conception that it is
> > > difficult to approach ITU-T and to be honest I cannot imagine what
> > > the outcome is or was as I haven't tried it myself. 2000/2001 is
> > > quite a few moons ago an then the word royalty free was real
> > > difficult to find on the map, is there a chance that the attitude
> > > may have changed since, especially as a result of the discussions in
> > > IETF ?.
> > >
> > > What I can see (URL's provided by colleagues active in ITU-T, I am
> > > not an ITU-T geek myself) the cost of participating as an associate
> > > in ITU-T is CHF10600 (~USD10000) per year.
> > > http://www.itu.int/members/associates/fees.html
> > > <http://www.itu.int/members/associates/fees.html>
> > > The limitations with being an associate is found at
> > > http://www.itu.int/members/associates/rights.html
> > > <http://www.itu.int/members/associates/rights.html>
> > > I am interested to know what the specific problems was or are, is it
> > > the cost or the lack of voting rights or a combination ?. If I
> > > understand it right one cannot vote directly as an associate but
> > > there are possibilities to go via the national body.
> > >
> > > BR
> > > /Ingemar
> > >
> > >
> > >
> > > ________________________________
> > >
> > > Fr=E5n: Alan Duric [mailto:alan@telio.no]
> > > Skickat: ti 2009-11-10 12:38
> > > Till: Ingemar Johansson S; codec@ietf.org
> > > =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
> > >
> > >
> > >
> > > Dear Ingemar,
> > >
> > > I have personally approached ITU on behalf of Global IP Solutions (at
> > > that time Global IP Sound), back in 2001/2002, with respect to
> > > standardization of iLBC.You can imagine the outcome.
> > > I would not recommend to any of the authors of the current set of
> > > codecs to consider that process.
> > > This question has been brought up at the last meeting in Stockholm
> > and
> > > I suppose the conclusion was obvious.
> > >
> > > Best regards,
> > > alan
> > >
> > > Alan Duric
> > > CTO and Cofounder
> > > Telio Holding ASA | Oslo exchange: TELIO
> > >
> > >
> > >
> > > On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
> > >
> > >> Hi
> > >>
> > >> I am curious to know to what extent proponents of a Codec WG in IETF
> > >> has approached ITU-T with a request to standardize a RF codec.
> > >>
> > >> As I understand it there is a possibility of free membership which
> > >> of course means limited rights to vote, however if I get this part
> > >> correct it is a possibility to get voting rights via a countrys
> > >> standards body. There is a chance that I don't get these details
> > >> right as I have not myself digged into the membership rules of ITU-
> > T.
> > >>
> > >> Anyway, my question. Who has actively approached the ITU-T with this
> > >> and what was he response ?. Also are there any meeting documents or
> > >> other public info that documents this ?
> > >>
> > >> BR
> > >> /Ingemar
> > >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> > >> INGEMAR JOHANSSON  M.Sc.
> > >> Senior Research Engineer
> > >>
> > >> Ericsson AB
> > >> Multimedia Technologies
> > >> Labratoriegr=E4nd 11
> > >> 971 28, Lule=E5, Sweden
> > >> Phone +46-1071 43042
> > >> SMS/MMS +46-73 078 3289
> > >> ingemar.s.johansson@ericsson.com
> > >> www.ericsson.com
> > >> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> > >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> > >> _______________________________________________
> > >> codec mailing list
> > >> codec@ietf.org
> > >> https://www.ietf.org/mailman/listinfo/codec
> > >
> > >
> > >
> > > _______________________________________________
> > > codec mailing list
> > > codec@ietf.org
> > > https://www.ietf.org/mailman/listinfo/codec
> > >
> >
> > _______________________________________________
> > codec mailing list
> > codec@ietf.org
> > https://www.ietf.org/mailman/listinfo/codec
>
>_______________________________________________
>codec mailing list
>codec@ietf.org
>https://www.ietf.org/mailman/listinfo/codec


From gmaxwell@juniper.net  Tue Nov 10 07:12:21 2009
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From: Gregory Maxwell <gmaxwell@juniper.net>
To: Henry Sinnreich <hsinnrei@adobe.com>, Peter Saint-Andre <stpeter@stpeter.im>, "codec@ietf.org" <codec@ietf.org>
Date: Tue, 10 Nov 2009 07:07:16 -0800
Thread-Topic: [codec] proposed charter
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Subject: Re: [codec] proposed charter
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Behalf Of Henry Sinnreich [hsinnrei@adobe.com] wrote:
> Also the reference to packet loss in the Internet opens a can of worms, s=
ince broadband
> networks don=92t really suffer from sizable random packet loss, but may s=
uffer from packet
> burst loss (such as producing voice clipping) due to congestion or route =
flapping for which
> no codec can expected to be tolerant or immune.

The public internet very much suffers from random packet loss.

Best practices queue management has people using random-early-discard, and =
as far as I can
tell no one of significance is placing VoIP traffic transiting from other p=
eople's networks into a
special high priority queue, so even when there is no significant congestio=
n.   This isn't a high
level of loss, but it is a constant reality so we ought to expect it to be =
well handled, and handling
it well is very much a property of the codec.

Congestion and broken links are also a reality, especially when you conside=
r internetworks.=20
Anecdotally=97 Wednesday, Thursday, and Friday of last week I was seeing a =
random loss of
4-6% between my home and my office (which are less than two miles apart, bu=
t three providers
apart). Today, and most of the rest of the time it is fine.

Although not an issue for me,  many end users have significant bandwidth bo=
ttlenecks at the
first hop out of their local network.  If you have a 128Kbit/sec upstream c=
ap then any kind of
file upload is going to cause loss=97 absent some QoS configuration which s=
till does not generally
exist even though it has been justified for years.  =20

Burst losses, as you say, are much harder to do anything useful with... and=
 are often more an
exercise in jitter buffer performance than codec performance.=20
=20
I have a pair of small computers with GPS disciplined oscillators and some =
software I wrote that
sends out nanosecond timestamped and sequenced numbered packets.  If people=
 can suggest
types of network paths they'd like to see data more solid than anecdotes, I=
'd be glad to send it
out and collect traces.


From herve.taddei@huawei.com  Tue Nov 10 08:11:00 2009
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Date: Tue, 10 Nov 2009 17:11:20 +0100
From: Herve Taddei <herve.taddei@huawei.com>
In-reply-to: <4af98201.0f1abc0a.7c72.1b6e@mx.google.com>
To: "'Gregory M. Lebovitz'" <gregory.ietf@gmail.com>, 'Roni Even' <ron.even.tlv@gmail.com>
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Cc: codec@ietf.org
Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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As a clarification to the ITU-T process, we have different ways of =
working
depending on how the group wants to see the work progressing. For =
example,
ITU-T G.718 was developed having a baseline selection phase, then many
companies agreed to work on that baseline and to improve it. I think =
about
14 companies indicated their wish to contribute and the codec was =
finally
standardized. So you cannot really say that the ways of working are so
different, what you call "add the best components into one" has been =
done in
ITU-T.=20

I have never seen any voting in ITU-T, but perhaps I am not old enough. =
When
there is consensus on the floor, the work progresses to the next phase,
there is no vote. There is no humming either, but all companies can =
express
their opinion.

Best regards,
Herv=E9


> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf =
Of
> Gregory M. Lebovitz
> Sent: Tuesday, November 10, 2009 4:09 PM
> To: Roni Even
> Cc: codec@ietf.org
> Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
>=20
> At 06:30 AM 11/10/2009, Roni Even wrote:
> >Hi,
> >Inline
> >Roni Even
> >
> > > -----Original Message-----
> > > From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On =
Behalf
> > > Of Koen Vos
> > > Sent: Tuesday, November 10, 2009 10:27 PM
> > > To: Ingemar Johansson S
> > > Cc: Alan Duric; codec@ietf.org
> > > Subject: Re: [codec] Standardization in ITU-T, what are the issues =
?
> > >
> > > The ITU liaison stated that their policy requires royalty free =
(RF) or
> > > reasonable and non-discriminatory terms (RAND) for their =
standards. In
> > > practice that means that anyone can add IP to the standard as long =
as
> > > it brings a small improvement.
> >
> >
> >Roni: this is not the ITU process, if a candidate was selected based =
on
> >selection, than another party do not add to it. If collaboration take
place
> >than the parties in the collaboration need to agree what will be in a
codec.
>=20
> Is this a key area of difference of process between the IETF and =
ITU-T:
>    - In the IETF there is most commonly all
> parties working together to produce something,
> openly adding their respective insights, and I.P.
> (with associated IPR statements), into one thing.
>    - In SG16 multiple parties of one, or a small
> number of people, each submit a candidate codec,
> those codecs are compared and evaluated
> technically, and then advanced with the
> characterizations to the voting members who then
> consider many factors, including I.P.R. and chose one winner?
>=20
> This "pick the single best" vs "add the best
> components into one" is a big difference in the
> way the two SDO's go about this process, where
> ITU-T matches the former terse summary, and IETF matches the latter.
>=20
> Comments on that observation?
>=20
> Gregory.
>=20
>=20
> > >
> > > Unfortunately, that means their policy is incompatible with that =
of
> > > the IETF. They were fully aware of that when writing the liaison, =
yet
> > > didn't indicate a willingness to abandon their position.
> > >
> > > ITU liaison:
> > > https://datatracker.ietf.org/documents/LIAISON/file662.doc
> > >
> > > koen.
> > >
> > >
> > > Quoting Ingemar Johansson S:
> > > > Hi
> > > >
> > > > What was the answer?, is there any documentation of this effort =
in
> > > > the ITU-T archives. I guess there should be. I am just trying to
> > > > understand the reality behind the general conception that it is
> > > > difficult to approach ITU-T and to be honest I cannot imagine =
what
> > > > the outcome is or was as I haven't tried it myself. 2000/2001 is
> > > > quite a few moons ago an then the word royalty free was real
> > > > difficult to find on the map, is there a chance that the =
attitude
> > > > may have changed since, especially as a result of the =
discussions in
> > > > IETF ?.
> > > >
> > > > What I can see (URL's provided by colleagues active in ITU-T, I =
am
> > > > not an ITU-T geek myself) the cost of participating as an =
associate
> > > > in ITU-T is CHF10600 (~USD10000) per year.
> > > > http://www.itu.int/members/associates/fees.html
> > > > <http://www.itu.int/members/associates/fees.html>
> > > > The limitations with being an associate is found at
> > > > http://www.itu.int/members/associates/rights.html
> > > > <http://www.itu.int/members/associates/rights.html>
> > > > I am interested to know what the specific problems was or are, =
is it
> > > > the cost or the lack of voting rights or a combination ?. If I
> > > > understand it right one cannot vote directly as an associate but
> > > > there are possibilities to go via the national body.
> > > >
> > > > BR
> > > > /Ingemar
> > > >
> > > >
> > > >
> > > > ________________________________
> > > >
> > > > Fr=E5n: Alan Duric [mailto:alan@telio.no]
> > > > Skickat: ti 2009-11-10 12:38
> > > > Till: Ingemar Johansson S; codec@ietf.org
> > > > =C4mne: Re: [codec] Standardization in ITU-T, what are the =
issues ?
> > > >
> > > >
> > > >
> > > > Dear Ingemar,
> > > >
> > > > I have personally approached ITU on behalf of Global IP =
Solutions
(at
> > > > that time Global IP Sound), back in 2001/2002, with respect to
> > > > standardization of iLBC.You can imagine the outcome.
> > > > I would not recommend to any of the authors of the current set =
of
> > > > codecs to consider that process.
> > > > This question has been brought up at the last meeting in =
Stockholm
> > > and
> > > > I suppose the conclusion was obvious.
> > > >
> > > > Best regards,
> > > > alan
> > > >
> > > > Alan Duric
> > > > CTO and Cofounder
> > > > Telio Holding ASA | Oslo exchange: TELIO
> > > >
> > > >
> > > >
> > > > On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
> > > >
> > > >> Hi
> > > >>
> > > >> I am curious to know to what extent proponents of a Codec WG in
IETF
> > > >> has approached ITU-T with a request to standardize a RF codec.
> > > >>
> > > >> As I understand it there is a possibility of free membership =
which
> > > >> of course means limited rights to vote, however if I get this =
part
> > > >> correct it is a possibility to get voting rights via a countrys
> > > >> standards body. There is a chance that I don't get these =
details
> > > >> right as I have not myself digged into the membership rules of =
ITU-
> > > T.
> > > >>
> > > >> Anyway, my question. Who has actively approached the ITU-T with
this
> > > >> and what was he response ?. Also are there any meeting =
documents or
> > > >> other public info that documents this ?
> > > >>
> > > >> BR
> > > >> /Ingemar
> > > >> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > > >> INGEMAR JOHANSSON  M.Sc.
> > > >> Senior Research Engineer
> > > >>
> > > >> Ericsson AB
> > > >> Multimedia Technologies
> > > >> Labratoriegr=E4nd 11
> > > >> 971 28, Lule=E5, Sweden
> > > >> Phone +46-1071 43042
> > > >> SMS/MMS +46-73 078 3289
> > > >> ingemar.s.johansson@ericsson.com
> > > >> www.ericsson.com
> > > >> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> > > >> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > > >> _______________________________________________
> > > >> codec mailing list
> > > >> codec@ietf.org
> > > >> https://www.ietf.org/mailman/listinfo/codec
> > > >
> > > >
> > > >
> > > > _______________________________________________
> > > > codec mailing list
> > > > codec@ietf.org
> > > > https://www.ietf.org/mailman/listinfo/codec
> > > >
> > >
> > > _______________________________________________
> > > codec mailing list
> > > codec@ietf.org
> > > https://www.ietf.org/mailman/listinfo/codec
> >
> >_______________________________________________
> >codec mailing list
> >codec@ietf.org
> >https://www.ietf.org/mailman/listinfo/codec
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From swmike@swm.pp.se  Tue Nov 10 08:15:57 2009
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From: Mikael Abrahamsson <swmike@swm.pp.se>
To: "Michael Ramalho (mramalho)" <mramalho@cisco.com>
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Subject: Re: [codec] questions to be answered
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On Tue, 10 Nov 2009, Michael Ramalho (mramalho) wrote:

> Comments in-line with "MAR:".

Please consider using the generally accepted "Internet style" way of 
citation outlined in: 
<http://en.wikipedia.org/wiki/Posting_style#Inline_replying>.

> MAR: Isolated packet losses are typically concealed well (even more so 
> if they occur less often).

Unless they cause crackling sound when this happens, so I guess it depends 
on the codec. I've had VOIP phone calls where it was very annoying.

> MAR: But you jumped from RANDOM LOSS to DROP OUTs - there is a vast
> middle ground where the characteristic of the losses ISN'T RANDOM. I
> (and others) usually use the term "burst loss" to cover these cases that
> are in between RANDOM losses and DROP OUTs.

"jumped" sounds here like you're accusing me of being unstructured, or 
what are you trying to say?

> REAL-TIME CODEC MAGIC PIXIE DUST can resurrect the phoneme. The only way
> around this is to add redundant information in other packets and to
> trade off delay.

I thought I made this point numerous time in my email. What is the term to 
use so people like you understand that I want information regarding the 
audio spread out over several packets (interleaving?) so if some packet(s) 
are lost, at least some of the sound can be presented albeit at much lower 
quality? Every time jitter buffer is increased, I see no downside in using 
this technique to make the transfer of sound more robust?

> and putting sound information in multiple packets so that single packet
> loss doesn't mean silence in that interval).
>
> MAR: If you don't include redundant information so that you can recover
> "missing content", I don't agree with your conclusion.

As stated before, my meaning was exactly to include redundant/partial 
information in multiple packets.

> MAR: Anyone still listening can flame ... but please disprove the 
> analysis before you do so. Thanks in advance.

What is your suggestion as to what should be done? Do nothing at all?

-- 
Mikael Abrahamsson    email: swmike@swm.pp.se

From swmike@swm.pp.se  Tue Nov 10 08:20:11 2009
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From: Mikael Abrahamsson <swmike@swm.pp.se>
To: "codec@ietf.org" <codec@ietf.org>
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Subject: Re: [codec] Transparency or intelligibility?
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On Tue, 10 Nov 2009, Gregory Maxwell wrote:

> Is this thinking consistent with the thoughts of other working group 
> participants?

I agree wholly that whatever we come up with should have excellent 
(transparent) sound quality when conditions are good, and should be able 
to be intelligible when conditions are really bad.

I would like to have the application tell the system whether delay is 
important or not, if delay is not important then delay can be traded for 
higher sound quality, if delay is important then quality can be traded for 
intelligibility.

-- 
Mikael Abrahamsson    email: swmike@swm.pp.se

From stephen.botzko@gmail.com  Tue Nov 10 08:32:16 2009
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Date: Tue, 10 Nov 2009 11:32:35 -0500
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From: stephen botzko <stephen.botzko@gmail.com>
To: codec@ietf.org
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Subject: [codec] Fwd:  Standardization in ITU-T, what are the issues ?
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--0016e65c884c900833047806dbe5
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In the ITU-T, the audio and video standardization (both SG16/WP3 activities=
)
are done quite differently - the video standardization process is well
described by your characterization of the IETF process.

The ITU-T audio questions spend a lot of time researching and agreeing on
specific requirements and objectives before they accept any codec
candidates.  Most of the meeting time is focused on this phase.  In the
meetings I have witnessed,  the requirements/criteria for selection are
clear enough that the selection process itself is not controversial -
consensus is achieved without the need for voting.

Regards
Stephen Botzko


On Tue, Nov 10, 2009 at 10:08 AM, Gregory M. Lebovitz <
gregory.ietf@gmail.com> wrote:

> At 06:30 AM 11/10/2009, Roni Even wrote:
>
>> Hi,
>> Inline
>> Roni Even
>>
>> > -----Original Message-----
>> > From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>> > Of Koen Vos
>> > Sent: Tuesday, November 10, 2009 10:27 PM
>> > To: Ingemar Johansson S
>> > Cc: Alan Duric; codec@ietf.org
>> > Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
>> >
>> > The ITU liaison stated that their policy requires royalty free (RF) or
>> > reasonable and non-discriminatory terms (RAND) for their standards. In
>> > practice that means that anyone can add IP to the standard as long as
>> > it brings a small improvement.
>>
>>
>> Roni: this is not the ITU process, if a candidate was selected based on
>> selection, than another party do not add to it. If collaboration take
>> place
>> than the parties in the collaboration need to agree what will be in a
>> codec.
>>
>
> Is this a key area of difference of process between the IETF and ITU-T:
>  - In the IETF there is most commonly all parties working together to
> produce something, openly adding their respective insights, and I.P. (wit=
h
> associated IPR statements), into one thing.
>  - In SG16 multiple parties of one, or a small number of people, each
> submit a candidate codec, those codecs are compared and evaluated
> technically, and then advanced with the characterizations to the voting
> members who then consider many factors, including I.P.R. and chose one
> winner?
>
> This "pick the single best" vs "add the best components into one" is a bi=
g
> difference in the way the two SDO's go about this process, where ITU-T
> matches the former terse summary, and IETF matches the latter.
>
> Comments on that observation?
>
> Gregory.
>
>
>
>  >
>> > Unfortunately, that means their policy is incompatible with that of
>> > the IETF. They were fully aware of that when writing the liaison, yet
>> > didn't indicate a willingness to abandon their position.
>> >
>> > ITU liaison:
>> > https://datatracker.ietf.org/documents/LIAISON/file662.doc
>> >
>> > koen.
>> >
>> >
>> > Quoting Ingemar Johansson S:
>> > > Hi
>> > >
>> > > What was the answer?, is there any documentation of this effort in
>> > > the ITU-T archives. I guess there should be. I am just trying to
>> > > understand the reality behind the general conception that it is
>> > > difficult to approach ITU-T and to be honest I cannot imagine what
>> > > the outcome is or was as I haven't tried it myself. 2000/2001 is
>> > > quite a few moons ago an then the word royalty free was real
>> > > difficult to find on the map, is there a chance that the attitude
>> > > may have changed since, especially as a result of the discussions in
>> > > IETF ?.
>> > >
>> > > What I can see (URL's provided by colleagues active in ITU-T, I am
>> > > not an ITU-T geek myself) the cost of participating as an associate
>> > > in ITU-T is CHF10600 (~USD10000) per year.
>> > > http://www.itu.int/members/associates/fees.html
>> > > <http://www.itu.int/members/associates/fees.html>
>> > > The limitations with being an associate is found at
>> > > http://www.itu.int/members/associates/rights.html
>> > > <http://www.itu.int/members/associates/rights.html>
>> > > I am interested to know what the specific problems was or are, is it
>> > > the cost or the lack of voting rights or a combination ?. If I
>> > > understand it right one cannot vote directly as an associate but
>> > > there are possibilities to go via the national body.
>> > >
>> > > BR
>> > > /Ingemar
>> > >
>> > >
>> > >
>> > > ________________________________
>> > >
>> > > Fr=E5n: Alan Duric [mailto:alan@telio.no]
>> > > Skickat: ti 2009-11-10 12:38
>> > > Till: Ingemar Johansson S; codec@ietf.org
>> > > =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
>> > >
>> > >
>> > >
>> > > Dear Ingemar,
>> > >
>> > > I have personally approached ITU on behalf of Global IP Solutions (a=
t
>> > > that time Global IP Sound), back in 2001/2002, with respect to
>> > > standardization of iLBC.You can imagine the outcome.
>> > > I would not recommend to any of the authors of the current set of
>> > > codecs to consider that process.
>> > > This question has been brought up at the last meeting in Stockholm
>> > and
>> > > I suppose the conclusion was obvious.
>> > >
>> > > Best regards,
>> > > alan
>> > >
>> > > Alan Duric
>> > > CTO and Cofounder
>> > > Telio Holding ASA | Oslo exchange: TELIO
>> > >
>> > >
>> > >
>> > > On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
>> > >
>> > >> Hi
>> > >>
>> > >> I am curious to know to what extent proponents of a Codec WG in IET=
F
>> > >> has approached ITU-T with a request to standardize a RF codec.
>> > >>
>> > >> As I understand it there is a possibility of free membership which
>> > >> of course means limited rights to vote, however if I get this part
>> > >> correct it is a possibility to get voting rights via a countrys
>> > >> standards body. There is a chance that I don't get these details
>> > >> right as I have not myself digged into the membership rules of ITU-
>> > T.
>> > >>
>> > >> Anyway, my question. Who has actively approached the ITU-T with thi=
s
>> > >> and what was he response ?. Also are there any meeting documents or
>> > >> other public info that documents this ?
>> > >>
>> > >> BR
>> > >> /Ingemar
>> > >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> > >> INGEMAR JOHANSSON  M.Sc.
>> > >> Senior Research Engineer
>> > >>
>> > >> Ericsson AB
>> > >> Multimedia Technologies
>> > >> Labratoriegr=E4nd 11
>> > >> 971 28, Lule=E5, Sweden
>> > >> Phone +46-1071 43042
>> > >> SMS/MMS +46-73 078 3289
>> > >> ingemar.s.johansson@ericsson.com
>> > >> www.ericsson.com
>> > >> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
>> > >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>> > >> _______________________________________________
>> > >> codec mailing list
>> > >> codec@ietf.org
>> > >> https://www.ietf.org/mailman/listinfo/codec
>> > >
>> > >
>> > >
>> > > _______________________________________________
>> > > codec mailing list
>> > > codec@ietf.org
>> > > https://www.ietf.org/mailman/listinfo/codec
>> > >
>> >
>> > _______________________________________________
>> > codec mailing list
>> > codec@ietf.org
>> > https://www.ietf.org/mailman/listinfo/codec
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>

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<br><div class=3D"gmail_quote">In the ITU-T, the audio and video standardiz=
ation (both SG16/WP3 activities) are done quite differently - the video sta=
ndardization process is well described by your characterization of the IETF=
 process.<br>
<br>The ITU-T audio questions spend a lot of time researching and agreeing =
on specific requirements and objectives before they accept any codec candid=
ates.=A0 Most of the meeting time is focused on this phase.=A0 In the meeti=
ngs I have witnessed,=A0 the requirements/criteria for selection are clear =
enough that the selection process itself is not controversial - consensus i=
s achieved without the need for voting.=A0 <br>


<br>Regards<br><font color=3D"#888888">Stephen Botzko</font><div><div></div=
><div class=3D"h5"><br><br><div class=3D"gmail_quote">On Tue, Nov 10, 2009 =
at 10:08 AM, Gregory M. Lebovitz <span dir=3D"ltr">&lt;<a href=3D"mailto:gr=
egory.ietf@gmail.com" target=3D"_blank">gregory.ietf@gmail.com</a>&gt;</spa=
n> wrote:<br>


<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>At 06:30 AM =
11/10/2009, Roni Even wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Hi,<br>
Inline<br>
Roni Even<br>
<br>
&gt; -----Original Message-----<br>
&gt; From: <a href=3D"mailto:codec-bounces@ietf.org" target=3D"_blank">code=
c-bounces@ietf.org</a> [mailto:<a href=3D"mailto:codec-bounces@ietf.org" ta=
rget=3D"_blank">codec-bounces@ietf.org</a>] On Behalf<br>
&gt; Of Koen Vos<br>
&gt; Sent: Tuesday, November 10, 2009 10:27 PM<br>
&gt; To: Ingemar Johansson S<br>
&gt; Cc: Alan Duric; <a href=3D"mailto:codec@ietf.org" target=3D"_blank">co=
dec@ietf.org</a><br>
&gt; Subject: Re: [codec] Standardization in ITU-T, what are the issues ?<b=
r>
&gt;<br>
&gt; The ITU liaison stated that their policy requires royalty free (RF) or=
<br>
&gt; reasonable and non-discriminatory terms (RAND) for their standards. In=
<br>
&gt; practice that means that anyone can add IP to the standard as long as<=
br>
&gt; it brings a small improvement.<br>
<br>
<br>
Roni: this is not the ITU process, if a candidate was selected based on<br>
selection, than another party do not add to it. If collaboration take place=
<br>
than the parties in the collaboration need to agree what will be in a codec=
.<br>
</blockquote>
<br></div>
Is this a key area of difference of process between the IETF and ITU-T:<br>
 =A0- In the IETF there is most commonly all parties working together to pr=
oduce something, openly adding their respective insights, and I.P. (with as=
sociated IPR statements), into one thing.<br>
 =A0- In SG16 multiple parties of one, or a small number of people, each su=
bmit a candidate codec, those codecs are compared and evaluated technically=
, and then advanced with the characterizations to the voting members who th=
en consider many factors, including I.P.R. and chose one winner?<br>



<br>
This &quot;pick the single best&quot; vs &quot;add the best components into=
 one&quot; is a big difference in the way the two SDO&#39;s go about this p=
rocess, where ITU-T matches the former terse summary, and IETF matches the =
latter.<br>



<br>
Comments on that observation?<br><font color=3D"#888888">
<br>
Gregory.</font><div><div></div><div><br>
<br>
<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
&gt;<br>
&gt; Unfortunately, that means their policy is incompatible with that of<br=
>
&gt; the IETF. They were fully aware of that when writing the liaison, yet<=
br>
&gt; didn&#39;t indicate a willingness to abandon their position.<br>
&gt;<br>
&gt; ITU liaison:<br>
&gt; <a href=3D"https://datatracker.ietf.org/documents/LIAISON/file662.doc"=
 target=3D"_blank">https://datatracker.ietf.org/documents/LIAISON/file662.d=
oc</a><br>
&gt;<br>
&gt; koen.<br>
&gt;<br>
&gt;<br>
&gt; Quoting Ingemar Johansson S:<br>
&gt; &gt; Hi<br>
&gt; &gt;<br>
&gt; &gt; What was the answer?, is there any documentation of this effort i=
n<br>
&gt; &gt; the ITU-T archives. I guess there should be. I am just trying to<=
br>
&gt; &gt; understand the reality behind the general conception that it is<b=
r>
&gt; &gt; difficult to approach ITU-T and to be honest I cannot imagine wha=
t<br>
&gt; &gt; the outcome is or was as I haven&#39;t tried it myself. 2000/2001=
 is<br>
&gt; &gt; quite a few moons ago an then the word royalty free was real<br>
&gt; &gt; difficult to find on the map, is there a chance that the attitude=
<br>
&gt; &gt; may have changed since, especially as a result of the discussions=
 in<br>
&gt; &gt; IETF ?.<br>
&gt; &gt;<br>
&gt; &gt; What I can see (URL&#39;s provided by colleagues active in ITU-T,=
 I am<br>
&gt; &gt; not an ITU-T geek myself) the cost of participating as an associa=
te<br>
&gt; &gt; in ITU-T is CHF10600 (~USD10000) per year.<br>
&gt; &gt; <a href=3D"http://www.itu.int/members/associates/fees.html" targe=
t=3D"_blank">http://www.itu.int/members/associates/fees.html</a><br>
&gt; &gt; &lt;<a href=3D"http://www.itu.int/members/associates/fees.html" t=
arget=3D"_blank">http://www.itu.int/members/associates/fees.html</a>&gt;<br=
>
&gt; &gt; The limitations with being an associate is found at<br>
&gt; &gt; <a href=3D"http://www.itu.int/members/associates/rights.html" tar=
get=3D"_blank">http://www.itu.int/members/associates/rights.html</a><br>
&gt; &gt; &lt;<a href=3D"http://www.itu.int/members/associates/rights.html"=
 target=3D"_blank">http://www.itu.int/members/associates/rights.html</a>&gt=
;<br>
&gt; &gt; I am interested to know what the specific problems was or are, is=
 it<br>
&gt; &gt; the cost or the lack of voting rights or a combination ?. If I<br=
>
&gt; &gt; understand it right one cannot vote directly as an associate but<=
br>
&gt; &gt; there are possibilities to go via the national body.<br>
&gt; &gt;<br>
&gt; &gt; BR<br>
&gt; &gt; /Ingemar<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; ________________________________<br>
&gt; &gt;<br>
&gt; &gt; Fr=E5n: Alan Duric [mailto:<a href=3D"mailto:alan@telio.no" targe=
t=3D"_blank">alan@telio.no</a>]<br>
&gt; &gt; Skickat: ti 2009-11-10 12:38<br>
&gt; &gt; Till: Ingemar Johansson S; <a href=3D"mailto:codec@ietf.org" targ=
et=3D"_blank">codec@ietf.org</a><br>
&gt; &gt; =C4mne: Re: [codec] Standardization in ITU-T, what are the issues=
 ?<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; Dear Ingemar,<br>
&gt; &gt;<br>
&gt; &gt; I have personally approached ITU on behalf of Global IP Solutions=
 (at<br>
&gt; &gt; that time Global IP Sound), back in 2001/2002, with respect to<br=
>
&gt; &gt; standardization of iLBC.You can imagine the outcome.<br>
&gt; &gt; I would not recommend to any of the authors of the current set of=
<br>
&gt; &gt; codecs to consider that process.<br>
&gt; &gt; This question has been brought up at the last meeting in Stockhol=
m<br>
&gt; and<br>
&gt; &gt; I suppose the conclusion was obvious.<br>
&gt; &gt;<br>
&gt; &gt; Best regards,<br>
&gt; &gt; alan<br>
&gt; &gt;<br>
&gt; &gt; Alan Duric<br>
&gt; &gt; CTO and Cofounder<br>
&gt; &gt; Telio Holding ASA | Oslo exchange: TELIO<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:<br>
&gt; &gt;<br>
&gt; &gt;&gt; Hi<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; I am curious to know to what extent proponents of a Codec WG =
in IETF<br>
&gt; &gt;&gt; has approached ITU-T with a request to standardize a RF codec=
.<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; As I understand it there is a possibility of free membership =
which<br>
&gt; &gt;&gt; of course means limited rights to vote, however if I get this=
 part<br>
&gt; &gt;&gt; correct it is a possibility to get voting rights via a countr=
ys<br>
&gt; &gt;&gt; standards body. There is a chance that I don&#39;t get these =
details<br>
&gt; &gt;&gt; right as I have not myself digged into the membership rules o=
f ITU-<br>
&gt; T.<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; Anyway, my question. Who has actively approached the ITU-T wi=
th this<br>
&gt; &gt;&gt; and what was he response ?. Also are there any meeting docume=
nts or<br>
&gt; &gt;&gt; other public info that documents this ?<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; BR<br>
&gt; &gt;&gt; /Ingemar<br>
&gt; &gt;&gt; =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
&gt; &gt;&gt; INGEMAR JOHANSSON =A0M.Sc.<br>
&gt; &gt;&gt; Senior Research Engineer<br>
&gt; &gt;&gt;<br>
&gt; &gt;&gt; Ericsson AB<br>
&gt; &gt;&gt; Multimedia Technologies<br>
&gt; &gt;&gt; Labratoriegr=E4nd 11<br>
&gt; &gt;&gt; 971 28, Lule=E5, Sweden<br>
&gt; &gt;&gt; Phone +46-1071 43042<br>
&gt; &gt;&gt; SMS/MMS +46-73 078 3289<br>
&gt; &gt;&gt; <a href=3D"mailto:ingemar.s.johansson@ericsson.com" target=3D=
"_blank">ingemar.s.johansson@ericsson.com</a><br>
&gt; &gt;&gt; <a href=3D"http://www.ericsson.com" target=3D"_blank">www.eri=
csson.com</a><br>
&gt; &gt;&gt; Visit <a href=3D"http://labs.ericsson.com" target=3D"_blank">=
http://labs.ericsson.com</a> &lt;<a href=3D"http://labs.ericsson.com/" targ=
et=3D"_blank">http://labs.ericsson.com/</a>&gt; =A0!<br>
&gt; &gt;&gt; =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<br>
&gt; &gt;&gt; _______________________________________________<br>
&gt; &gt;&gt; codec mailing list<br>
&gt; &gt;&gt; <a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@iet=
f.org</a><br>
&gt; &gt;&gt; <a href=3D"https://www.ietf.org/mailman/listinfo/codec" targe=
t=3D"_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt;<br>
&gt; &gt; _______________________________________________<br>
&gt; &gt; codec mailing list<br>
&gt; &gt; <a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.or=
g</a><br>
&gt; &gt; <a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D=
"_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
&gt; &gt;<br>
&gt;<br>
&gt; _______________________________________________<br>
&gt; codec mailing list<br>
&gt; <a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a>=
<br>
&gt; <a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_bla=
nk">https://www.ietf.org/mailman/listinfo/codec</a><br>
<br>
_______________________________________________<br>
codec mailing list<br>
<a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a><br>
<a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blank">h=
ttps://www.ietf.org/mailman/listinfo/codec</a><br>
</blockquote>
<br>
_______________________________________________<br>
codec mailing list<br>
<a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a><br>
<a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blank">h=
ttps://www.ietf.org/mailman/listinfo/codec</a><br>
</div></div></blockquote></div><br>
</div></div></div><br>

--0016e65c884c900833047806dbe5--

From koen.vos@skype.net  Tue Nov 10 08:37:47 2009
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Date: Tue, 10 Nov 2009 08:38:12 -0800
From: Koen Vos <koen.vos@skype.net>
To: Mikael Abrahamsson <swmike@swm.pp.se>
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Subject: Re: [codec] Transparency or intelligibility?
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Quoting Mikael Abrahamsson:
> I would like to have the application tell the system whether delay  
> is important or not, if delay is not important then delay can be  
> traded for higher sound quality, if delay is important then quality  
> can be traded for intelligibility.

We're addressing a codec for real-time communications, so delay is  
important by definition. For applications where delay is not  
important, good solutions already exist - Ogg-Vorbis for example.

There may be subtle trade-offs between delay and quality, e.g with  
network jitter, where additional jitter buffer delay can reduce the  
effective packet loss rate. That seems like a design choice for the  
jitter buffer however.

koen.

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>> MAR: Isolated packet losses are typically concealed well (even more
so=20
>> if they occur less often).

>Unless they cause crackling sound when this happens, so I guess it
depends=20
>on the codec. I've had VOIP phone calls where it was very annoying.

Your issue could be the codec (for the case that it does it's own PLC)
or the PLC. For reasonable ptimes (30ms or less), longer lived phonemes
and isolated losses - shame on your system for generating annoying
sounds. Sounds like you have a simple "repeat last frame" PLC. So circa
1970.

...

>> MAR: Anyone still listening can flame ... but please disprove the=20
>> analysis before you do so. Thanks in advance.
>
>What is your suggestion as to what should be done? Do nothing at all?

Quite the contrary, Mikael. I was simply trying to highlight two (highly
interrelated) points:

1 - That the burst lost characteristic is an important criteria -
designing for i.i.d. random losses where the losses are < 10% is
relatively easy if your goal is intelligibility (not transparency).
Again, shame on ANY 1990 ~ 2009 vintage codec for not concealing most
ISOLATED losses without auditory detriment.

2 - That Henry's suggestion (to bound the problem, define metrics) is a
good one.

Subsequent emails have continued w.r.t. the intelligibility/transparency
issue.

Thanks for your commentary. I didn't mean to frustrate, but rather to
enlighten.

Michael Ramalho

From stewe@stewe.org  Tue Nov 10 12:06:59 2009
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Thread-Topic: [codec] Standardization in ITU-T, what are the issues ?
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Cc: Alan Duric <alan@telio.no>, codec@ietf.org
Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi,

On 11/10/09 10:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:

> The ITU liaison stated that their policy requires royalty free (RF) or
> reasonable and non-discriminatory terms (RAND) for their standards.

This is correct.

> In =20
> practice that means that anyone can add IP to the standard as long as
> it brings a small improvement.

This is not necessarily correct; it depends on the culture of the technical
group in question.  Even in SG16, there are Questions where I personally ha=
d
a very hard time to bring in proposals that were encumbered, and had to sho=
w
much more than "small improvement" to get my stuff in---and favorable
licensing terms on top of that.

In contrast to what Alan Duric implied in a different email, the ITU has, i=
n
the past, be quite willing to "experiment" with attempts to define royalty
free codecs.  H.264 and its failed RF baseline project is one prominent
example.=20

>=20
> Unfortunately, that means their policy is incompatible with that of
> the IETF.=20

This sentence, when read in isolation, is undoubtly correct.  However, when
read in context, it creates a wrong impression.

By their respective policy and guideline documents:

1. In the ITU, one has (as a minimum) to agree to RAND terms when working o=
n
a standard.  In the IETF, there is no such requirement; it is perfectly OK
by policy (and has happened again just a few days ago) to submit a
disclosure without any licensing commitment, even after having influenced
the setting of a standard.
2. Both ITU-T and the IETF have an expressed preference for unencumbered
technologies in their respective policies and guideline documents.

When reviewing only the policies and guideline documents, the ITU actually
offers a slightly "better deal" towards users, compared to the IETF, when
looking at licensing obligations only.  It can do this because it has a
membership concept (with all its advantages and disadvantages), whereas the
IETF has not.  This is IMO fairly well understood in the patents&standards
community.

I believe that what you are really betting on is to introduce a culture
different from the one of the ITU and ETSI speech coding groups, by
attempting to choose the IETF as a venue.  Probably because you think your
chance of success is higher.  If successful, we are probably loosing a
rather large part of the experts community which prefers to work in the mor=
e
established culture, for reasons that may include IPR greed but perhaps als=
o
the perceived knowledge that working in your culture would be a waste of
their time.

Please allow me to remind you that your attempt of forming an IETF codec WG
with the culture you appear to imply has, and probably will continue, to
meet opposition, as it would likely meet opposition in the ITU.  You alread=
y
had to rephrase all of your requirements and draft charter documents to
remove any reference to a hard requirement of RF licensing, in order to mak=
e
it compatible with the IETF policies.  Do you think that people like me
asked to do so without a reason?  It may be that an RF requirement still
exists in your head, but not in mine, and I'm perfectly entitled to play
ball, just as you are.

Regards,
Stephan

> They were fully aware of that when writing the liaison, yet
> didn't indicate a willingness to abandon their position.
>=20


> ITU liaison:
> https://datatracker.ietf.org/documents/LIAISON/file662.doc
>=20
> koen.
>=20
>=20
> Quoting Ingemar Johansson S:
>> Hi
>>=20
>> What was the answer?, is there any documentation of this effort in
>> the ITU-T archives. I guess there should be. I am just trying to
>> understand the reality behind the general conception that it is
>> difficult to approach ITU-T and to be honest I cannot imagine what
>> the outcome is or was as I haven't tried it myself. 2000/2001 is
>> quite a few moons ago an then the word royalty free was real
>> difficult to find on the map, is there a chance that the attitude
>> may have changed since, especially as a result of the discussions in
>> IETF ?.
>>=20
>> What I can see (URL's provided by colleagues active in ITU-T, I am
>> not an ITU-T geek myself) the cost of participating as an associate
>> in ITU-T is CHF10600 (~USD10000) per year.
>> http://www.itu.int/members/associates/fees.html
>> <http://www.itu.int/members/associates/fees.html>
>> The limitations with being an associate is found at
>> http://www.itu.int/members/associates/rights.html
>> <http://www.itu.int/members/associates/rights.html>
>> I am interested to know what the specific problems was or are, is it
>> the cost or the lack of voting rights or a combination ?. If I
>> understand it right one cannot vote directly as an associate but
>> there are possibilities to go via the national body.
>>=20
>> BR
>> /Ingemar
>>=20
>>=20
>>=20
>> ________________________________
>>=20
>> Fr=E5n: Alan Duric [mailto:alan@telio.no]
>> Skickat: ti 2009-11-10 12:38
>> Till: Ingemar Johansson S; codec@ietf.org
>> =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
>>=20
>>=20
>>=20
>> Dear Ingemar,
>>=20
>> I have personally approached ITU on behalf of Global IP Solutions (at
>> that time Global IP Sound), back in 2001/2002, with respect to
>> standardization of iLBC.You can imagine the outcome.
>> I would not recommend to any of the authors of the current set of
>> codecs to consider that process.
>> This question has been brought up at the last meeting in Stockholm and
>> I suppose the conclusion was obvious.
>>=20
>> Best regards,
>> alan
>>=20
>> Alan Duric
>> CTO and Cofounder
>> Telio Holding ASA | Oslo exchange: TELIO
>>=20
>>=20
>>=20
>> On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
>>=20
>>> Hi
>>>=20
>>> I am curious to know to what extent proponents of a Codec WG in IETF
>>> has approached ITU-T with a request to standardize a RF codec.
>>>=20
>>> As I understand it there is a possibility of free membership which
>>> of course means limited rights to vote, however if I get this part
>>> correct it is a possibility to get voting rights via a countrys
>>> standards body. There is a chance that I don't get these details
>>> right as I have not myself digged into the membership rules of ITU-T.
>>>=20
>>> Anyway, my question. Who has actively approached the ITU-T with this
>>> and what was he response ?. Also are there any meeting documents or
>>> other public info that documents this ?
>>>=20
>>> BR
>>> /Ingemar
>>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>>> INGEMAR JOHANSSON  M.Sc.
>>> Senior Research Engineer
>>>=20
>>> Ericsson AB
>>> Multimedia Technologies
>>> Labratoriegr=E4nd 11
>>> 971 28, Lule=E5, Sweden
>>> Phone +46-1071 43042
>>> SMS/MMS +46-73 078 3289
>>> ingemar.s.johansson@ericsson.com
>>> www.ericsson.com
>>> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
>>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>=20
>>=20
>>=20
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>=20
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec



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-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1

Stephan Wenger wrote:
> Do you think that people like me
> asked to do so without a reason?  It may be that an RF requirement still
> exists in your head, but not in mine, and I'm perfectly entitled to play
> ball, just as you are.

Thank you for your honesty regarding your intention to disregard whether
our codec can be legally implemented in free software.  Knowing this, I
can make sure to oppose your technical suggestions until they have been
vetted extensively for licensing issues.

Culture is determined by the participants.  I believe in the importance of
free technology standards, and I intend to "play ball" as well.  I am not
alone.

- --Ben Schwartz
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Begin forwarded message:

> From: <simao.campos@itu.int>
> Date: November 10, 2009 9:32:04 PM GMT+09:00
> To: <codec@ietf.org>
> Cc: <fluffy@cisco.com>
> Subject: FW: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 =20
> October - 6 November 2009)
>
> Dear all,
>
> please find attached a liaison statement sent from SG 16. I =20
> extracted the files from the ZIP since we had some difficulties with =20=

> the server.
>
> Best regards,
> Simao
>
> << ls-124.pdf >>
> << ls-124.doc >>
>
> _____________________________________________
> From: TSBSG16, ITU [mailto:tsbsg16@itu.int]
> Sent: 10 November 2009 10:57
> To: Cullen Jennings; statements@ietf.org; Robert Sparks; Gregory =20
> Lebovitz; Russ Housley; Patrik F=E4ltstr=F6m
> Cc: Campos, Simao; claude.lamblin@orange-ftgroup.com; =
herve.taddei@huawei.com=20
> ; hiwasaki.yusuke@lab.ntt.co.jp; hiwasaki.yusuke@gmail.com
> Subject: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - =20=

> 6 November 2009)
>
>
>
> Dear all,
>
> Kindly find attached the Liaison Statement COM16 - LS 124  on =20
> "speech and audio coding standardization" addressed to IETF RAI, =20
> IESG agreed at the ITU-T SG 16 meeting held in Geneva from 26 =20
> October to 6 November 2009.
>
> Best regards,
>
> Rosa Angeles-Le=F3n de Vivero
> on behalf of ITU-T Study Group 16
> ITU - Telecommunication Standardization Bureau (TSB)
> SG 16 e-mail: tsbsg16@itu.int
>
>
>  << ls-124.zip >>

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--Apple-Mail-1-411169416
Content-Disposition: attachment;
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From stewe@stewe.org  Tue Nov 10 15:23:38 2009
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Date: Wed, 11 Nov 2009 08:23:51 +0900
From: Stephan Wenger <stewe@stewe.org>
To: <bens@alum.mit.edu>
Message-ID: <C7202517.1D94D%stewe@stewe.org>
Thread-Topic: [codec] Standardization in ITU-T, what are the issues ?
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Hi Ben,

You are most welcome.  However, it's not really necessary to study my
technical contributions, if any, in any more detail than those of anyone
else here.  After all, we are all bound to the disclosure obligations of RFC
3979.  Further, I think I have an IETF-history of being rather open with
respect to IPR claims in the past--perhaps because I have a rough idea of
what can happen to the enforceability of one's patents if one doesn't play
by the rules.  (You may wish to check AVT's mailing list archives and/or the
IPR database in case you have doubts).

You and I appear to simlpy set different business priorities.  Yours appear
to lie in what you call "free" software; mine are in keeping one of the
generally well working licensing environments intact.  Both, I think, are
legitimate.  Further, I want to avoid anything that, in my opinion, may do
damage to an organization called IETF, to which I have contributed
occasionally over the last 10+ years, and whose great *protocol* work has
made the Internet possible.  I think, that's a legitimate goal as well.

(In the interest of full disclosure: I do not own patents in the field of
speech compression, nor, to the best of my knowledge, do any of my current
clients.  Some of my previous employers do own extensive patent portfolios
in the field in question.)

Stephan
 


On 11/11/09 5:42 AM, "Benjamin M. Schwartz" <bmschwar@fas.harvard.edu>
wrote:

> -----BEGIN PGP SIGNED MESSAGE-----
> Hash: SHA1
> 
> Stephan Wenger wrote:
>> Do you think that people like me
>> asked to do so without a reason?  It may be that an RF requirement still
>> exists in your head, but not in mine, and I'm perfectly entitled to play
>> ball, just as you are.
> 
> Thank you for your honesty regarding your intention to disregard whether
> our codec can be legally implemented in free software.  Knowing this, I
> can make sure to oppose your technical suggestions until they have been
> vetted extensively for licensing issues.
> 
> Culture is determined by the participants.  I believe in the importance of
> free technology standards, and I intend to "play ball" as well.  I am not
> alone.
> 
> - --Ben Schwartz
> -----BEGIN PGP SIGNATURE-----
> Version: GnuPG v2.0.11 (GNU/Linux)
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Gregory M. Lebovitz'" <gregory.ietf@gmail.com>
References: <130EBB38279E9847BAAAE0B8F9905F8C0232A009@esealmw109.eemea.ericsson.se> <BE59A002-D891-4E93-A8BE-E6C0229D259F@telio.no> <130EBB38279E9847BAAAE0B8F9905F8C6E40E5@esealmw109.eemea.ericsson.se> <20091110052641.34281f6075r5cowh@mail.skype.net> <4af9795e.0d1abc0a.4cff.1ce3@mx.google.com> <4af98201.0f1abc0a.7c72.1b6e@mx.google.com>
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi,
At the IETF there can be one or multiple individual  IDs for a solution =
and
if there is more than one they try to converge to one individual ID that
will serve as a base for one WG draft.=20
To this working group draft everyone can contribute and their input will =
be
evaluated in order to consider its benefits.
This process can be the same for codec, the major issue is that to =
evaluate
the value of a proposed enhancement to a codec  the WG will need to
understand the benefits.  For audio codecs that will mean that each such
proposal may need to supply quality test results in order to enable a
meaningful comparison between the current proposal and the suggested
enhancement. This is not an easy and fast process.

Regards
Roni Even

> -----Original Message-----
> From: Gregory M. Lebovitz [mailto:gregory.ietf@gmail.com]
> Sent: Wednesday, November 11, 2009 12:09 AM
> To: Roni Even
> Cc: codec@ietf.org
> Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
>=20
> At 06:30 AM 11/10/2009, Roni Even wrote:
> >Hi,
> >Inline
> >Roni Even
> >
> > > -----Original Message-----
> > > From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On
> Behalf
> > > Of Koen Vos
> > > Sent: Tuesday, November 10, 2009 10:27 PM
> > > To: Ingemar Johansson S
> > > Cc: Alan Duric; codec@ietf.org
> > > Subject: Re: [codec] Standardization in ITU-T, what are the issues
> ?
> > >
> > > The ITU liaison stated that their policy requires royalty free =
(RF)
> or
> > > reasonable and non-discriminatory terms (RAND) for their =
standards.
> In
> > > practice that means that anyone can add IP to the standard as long
> as
> > > it brings a small improvement.
> >
> >
> >Roni: this is not the ITU process, if a candidate was selected based
> on
> >selection, than another party do not add to it. If collaboration take
> place
> >than the parties in the collaboration need to agree what will be in a
> codec.
>=20
> Is this a key area of difference of process between the IETF and =
ITU-T:
>    - In the IETF there is most commonly all
> parties working together to produce something,
> openly adding their respective insights, and I.P.
> (with associated IPR statements), into one thing.
>    - In SG16 multiple parties of one, or a small
> number of people, each submit a candidate codec,
> those codecs are compared and evaluated
> technically, and then advanced with the
> characterizations to the voting members who then
> consider many factors, including I.P.R. and chose one winner?
>=20
> This "pick the single best" vs "add the best
> components into one" is a big difference in the
> way the two SDO's go about this process, where
> ITU-T matches the former terse summary, and IETF matches the latter.
>=20
> Comments on that observation?
>=20
> Gregory.
>=20
>=20
> > >
> > > Unfortunately, that means their policy is incompatible with that =
of
> > > the IETF. They were fully aware of that when writing the liaison,
> yet
> > > didn't indicate a willingness to abandon their position.
> > >
> > > ITU liaison:
> > > https://datatracker.ietf.org/documents/LIAISON/file662.doc
> > >
> > > koen.
> > >
> > >
> > > Quoting Ingemar Johansson S:
> > > > Hi
> > > >
> > > > What was the answer?, is there any documentation of this effort
> in
> > > > the ITU-T archives. I guess there should be. I am just trying to
> > > > understand the reality behind the general conception that it is
> > > > difficult to approach ITU-T and to be honest I cannot imagine
> what
> > > > the outcome is or was as I haven't tried it myself. 2000/2001 is
> > > > quite a few moons ago an then the word royalty free was real
> > > > difficult to find on the map, is there a chance that the =
attitude
> > > > may have changed since, especially as a result of the =
discussions
> in
> > > > IETF ?.
> > > >
> > > > What I can see (URL's provided by colleagues active in ITU-T, I
> am
> > > > not an ITU-T geek myself) the cost of participating as an
> associate
> > > > in ITU-T is CHF10600 (~USD10000) per year.
> > > > http://www.itu.int/members/associates/fees.html
> > > > <http://www.itu.int/members/associates/fees.html>
> > > > The limitations with being an associate is found at
> > > > http://www.itu.int/members/associates/rights.html
> > > > <http://www.itu.int/members/associates/rights.html>
> > > > I am interested to know what the specific problems was or are, =
is
> it
> > > > the cost or the lack of voting rights or a combination ?. If I
> > > > understand it right one cannot vote directly as an associate but
> > > > there are possibilities to go via the national body.
> > > >
> > > > BR
> > > > /Ingemar
> > > >
> > > >
> > > >
> > > > ________________________________
> > > >
> > > > Fr=E5n: Alan Duric [mailto:alan@telio.no]
> > > > Skickat: ti 2009-11-10 12:38
> > > > Till: Ingemar Johansson S; codec@ietf.org
> > > > =C4mne: Re: [codec] Standardization in ITU-T, what are the =
issues ?
> > > >
> > > >
> > > >
> > > > Dear Ingemar,
> > > >
> > > > I have personally approached ITU on behalf of Global IP =
Solutions
> (at
> > > > that time Global IP Sound), back in 2001/2002, with respect to
> > > > standardization of iLBC.You can imagine the outcome.
> > > > I would not recommend to any of the authors of the current set =
of
> > > > codecs to consider that process.
> > > > This question has been brought up at the last meeting in
> Stockholm
> > > and
> > > > I suppose the conclusion was obvious.
> > > >
> > > > Best regards,
> > > > alan
> > > >
> > > > Alan Duric
> > > > CTO and Cofounder
> > > > Telio Holding ASA | Oslo exchange: TELIO
> > > >
> > > >
> > > >
> > > > On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
> > > >
> > > >> Hi
> > > >>
> > > >> I am curious to know to what extent proponents of a Codec WG in
> IETF
> > > >> has approached ITU-T with a request to standardize a RF codec.
> > > >>
> > > >> As I understand it there is a possibility of free membership
> which
> > > >> of course means limited rights to vote, however if I get this
> part
> > > >> correct it is a possibility to get voting rights via a countrys
> > > >> standards body. There is a chance that I don't get these =
details
> > > >> right as I have not myself digged into the membership rules of
> ITU-
> > > T.
> > > >>
> > > >> Anyway, my question. Who has actively approached the ITU-T with
> this
> > > >> and what was he response ?. Also are there any meeting =
documents
> or
> > > >> other public info that documents this ?
> > > >>
> > > >> BR
> > > >> /Ingemar
> > > >> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > > >> INGEMAR JOHANSSON  M.Sc.
> > > >> Senior Research Engineer
> > > >>
> > > >> Ericsson AB
> > > >> Multimedia Technologies
> > > >> Labratoriegr=E4nd 11
> > > >> 971 28, Lule=E5, Sweden
> > > >> Phone +46-1071 43042
> > > >> SMS/MMS +46-73 078 3289
> > > >> ingemar.s.johansson@ericsson.com
> > > >> www.ericsson.com
> > > >> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> > > >> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > > >> _______________________________________________
> > > >> codec mailing list
> > > >> codec@ietf.org
> > > >> https://www.ietf.org/mailman/listinfo/codec
> > > >
> > > >
> > > >
> > > > _______________________________________________
> > > > codec mailing list
> > > > codec@ietf.org
> > > > https://www.ietf.org/mailman/listinfo/codec
> > > >
> > >
> > > _______________________________________________
> > > codec mailing list
> > > codec@ietf.org
> > > https://www.ietf.org/mailman/listinfo/codec
> >
> >_______________________________________________
> >codec mailing list
> >codec@ietf.org
> >https://www.ietf.org/mailman/listinfo/codec



From mknappe@juniper.net  Tue Nov 10 15:44:48 2009
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From: Michael Knappe <mknappe@juniper.net>
To: "Gregory M. Lebovitz" <gregory.ietf@gmail.com>, Roni Even <ron.even.tlv@gmail.com>
Date: Tue, 10 Nov 2009 15:45:08 -0800
Thread-Topic: [codec] Standardization in ITU-T, what are the issues ?
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>From a low level codec development point of view, because of the highly int=
erconnected and symbiotic model-based nature of most codec's internal compo=
nents, it may be difficult to "add the best pieces into one" from multiple =
submissions apart from specifying separable profiles. I do think it is wort=
h exploring the concepts of things like bit-compatible interoperability (wh=
ere encoders and decoders do not produce identical results given the same t=
est vectors) to allow flexibility in quality and computational complexity t=
radeoffs -> G.729 and G.729A is a good example of this.)

Mike


On 11/10/09 7:08 AM, "Gregory M. Lebovitz" <gregory.ietf@gmail.com> wrote:

At 06:30 AM 11/10/2009, Roni Even wrote:
>Hi,
>Inline
>Roni Even
>
> > -----Original Message-----
> > From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> > Of Koen Vos
> > Sent: Tuesday, November 10, 2009 10:27 PM
> > To: Ingemar Johansson S
> > Cc: Alan Duric; codec@ietf.org
> > Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
> >
> > The ITU liaison stated that their policy requires royalty free (RF) or
> > reasonable and non-discriminatory terms (RAND) for their standards. In
> > practice that means that anyone can add IP to the standard as long as
> > it brings a small improvement.
>
>
>Roni: this is not the ITU process, if a candidate was selected based on
>selection, than another party do not add to it. If collaboration take plac=
e
>than the parties in the collaboration need to agree what will be in a code=
c.

Is this a key area of difference of process between the IETF and ITU-T:
   - In the IETF there is most commonly all
parties working together to produce something,
openly adding their respective insights, and I.P.
(with associated IPR statements), into one thing.
   - In SG16 multiple parties of one, or a small
number of people, each submit a candidate codec,
those codecs are compared and evaluated
technically, and then advanced with the
characterizations to the voting members who then
consider many factors, including I.P.R. and chose one winner?

This "pick the single best" vs "add the best
components into one" is a big difference in the
way the two SDO's go about this process, where
ITU-T matches the former terse summary, and IETF matches the latter.

Comments on that observation?

Gregory.


> >
> > Unfortunately, that means their policy is incompatible with that of
> > the IETF. They were fully aware of that when writing the liaison, yet
> > didn't indicate a willingness to abandon their position.
> >
> > ITU liaison:
> > https://datatracker.ietf.org/documents/LIAISON/file662.doc
> >
> > koen.
> >
> >
> > Quoting Ingemar Johansson S:
> > > Hi
> > >
> > > What was the answer?, is there any documentation of this effort in
> > > the ITU-T archives. I guess there should be. I am just trying to
> > > understand the reality behind the general conception that it is
> > > difficult to approach ITU-T and to be honest I cannot imagine what
> > > the outcome is or was as I haven't tried it myself. 2000/2001 is
> > > quite a few moons ago an then the word royalty free was real
> > > difficult to find on the map, is there a chance that the attitude
> > > may have changed since, especially as a result of the discussions in
> > > IETF ?.
> > >
> > > What I can see (URL's provided by colleagues active in ITU-T, I am
> > > not an ITU-T geek myself) the cost of participating as an associate
> > > in ITU-T is CHF10600 (~USD10000) per year.
> > > http://www.itu.int/members/associates/fees.html
> > > <http://www.itu.int/members/associates/fees.html>
> > > The limitations with being an associate is found at
> > > http://www.itu.int/members/associates/rights.html
> > > <http://www.itu.int/members/associates/rights.html>
> > > I am interested to know what the specific problems was or are, is it
> > > the cost or the lack of voting rights or a combination ?. If I
> > > understand it right one cannot vote directly as an associate but
> > > there are possibilities to go via the national body.
> > >
> > > BR
> > > /Ingemar
> > >
> > >
> > >
> > > ________________________________
> > >
> > > Fr=E5n: Alan Duric [mailto:alan@telio.no]
> > > Skickat: ti 2009-11-10 12:38
> > > Till: Ingemar Johansson S; codec@ietf.org
> > > =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
> > >
> > >
> > >
> > > Dear Ingemar,
> > >
> > > I have personally approached ITU on behalf of Global IP Solutions (at
> > > that time Global IP Sound), back in 2001/2002, with respect to
> > > standardization of iLBC.You can imagine the outcome.
> > > I would not recommend to any of the authors of the current set of
> > > codecs to consider that process.
> > > This question has been brought up at the last meeting in Stockholm
> > and
> > > I suppose the conclusion was obvious.
> > >
> > > Best regards,
> > > alan
> > >
> > > Alan Duric
> > > CTO and Cofounder
> > > Telio Holding ASA | Oslo exchange: TELIO
> > >
> > >
> > >
> > > On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
> > >
> > >> Hi
> > >>
> > >> I am curious to know to what extent proponents of a Codec WG in IETF
> > >> has approached ITU-T with a request to standardize a RF codec.
> > >>
> > >> As I understand it there is a possibility of free membership which
> > >> of course means limited rights to vote, however if I get this part
> > >> correct it is a possibility to get voting rights via a countrys
> > >> standards body. There is a chance that I don't get these details
> > >> right as I have not myself digged into the membership rules of ITU-
> > T.
> > >>
> > >> Anyway, my question. Who has actively approached the ITU-T with this
> > >> and what was he response ?. Also are there any meeting documents or
> > >> other public info that documents this ?
> > >>
> > >> BR
> > >> /Ingemar
> > >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> > >> INGEMAR JOHANSSON  M.Sc.
> > >> Senior Research Engineer
> > >>
> > >> Ericsson AB
> > >> Multimedia Technologies
> > >> Labratoriegr=E4nd 11
> > >> 971 28, Lule=E5, Sweden
> > >> Phone +46-1071 43042
> > >> SMS/MMS +46-73 078 3289
> > >> ingemar.s.johansson@ericsson.com
> > >> www.ericsson.com
> > >> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
> > >> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
> > >> _______________________________________________
> > >> codec mailing list
> > >> codec@ietf.org
> > >> https://www.ietf.org/mailman/listinfo/codec
> > >
> > >
> > >
> > > _______________________________________________
> > > codec mailing list
> > > codec@ietf.org
> > > https://www.ietf.org/mailman/listinfo/codec
> > >
> >
> > _______________________________________________
> > codec mailing list
> > codec@ietf.org
> > https://www.ietf.org/mailman/listinfo/codec
>
>_______________________________________________
>codec mailing list
>codec@ietf.org
>https://www.ietf.org/mailman/listinfo/codec

_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec


From stewe@stewe.org  Tue Nov 10 15:51:31 2009
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Date: Wed, 11 Nov 2009 08:51:45 +0900
From: Stephan Wenger <stewe@stewe.org>
To: "Gregory M. Lebovitz" <gregory.ietf@gmail.com>, Roni Even <ron.even.tlv@gmail.com>
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Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
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Hi Greg,
With respect to your observation:
First, I believe you are over-generalizing what happens in SG16.  SG16 is
roughly as diverse as the RAI area in the IETF.  There are groups that put =
a
huge emphasis on collaborative work, and others which typically operate in =
a
less collaborative fashion that some people call shoot-out mode.  Speech
standardization often, though not always, has followed this latter approach=
.
Video standardization and most protocol related work (as well as modem work
back since) followed the collaborative approach.
Second, let's assume, for the sake of assumption, that people contributing
to the ITU speech standardization are neither stupid nor inherently evil,
and that their employers, in their vast majority--non practicing entities
such as universities and IP companies excluded--have an interest in getting
products out.  Still with decades of experience in speech standardization,
they have chosen the shoot-out mode, never mind the inherent delays and
pain.  People of the same employers work perfectly well together in a
collaborative mode in creating video codecs and protocols.  Could it just
possibly be that using the shoot-out mode for speech is not bound to the
organization, however encrusted in its procedures it may be, but bound to
the technology?  Maybe, in speech codec design, the sum of parts is not
necessarily better than the parts taken in isolation?
Having followed this mailing list, I have seen entirely too much position
maneuvers of the key proponents to come to a radically different conclusion=
.
Regards,
Stephan


On 11/11/09 12:08 AM, "Gregory M. Lebovitz" <gregory.ietf@gmail.com> wrote:

> At 06:30 AM 11/10/2009, Roni Even wrote:
>> Hi,
>> Inline
>> Roni Even
>>=20
>>> -----Original Message-----
>>> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
>>> Of Koen Vos
>>> Sent: Tuesday, November 10, 2009 10:27 PM
>>> To: Ingemar Johansson S
>>> Cc: Alan Duric; codec@ietf.org
>>> Subject: Re: [codec] Standardization in ITU-T, what are the issues ?
>>>=20
>>> The ITU liaison stated that their policy requires royalty free (RF) or
>>> reasonable and non-discriminatory terms (RAND) for their standards. In
>>> practice that means that anyone can add IP to the standard as long as
>>> it brings a small improvement.
>>=20
>>=20
>> Roni: this is not the ITU process, if a candidate was selected based on
>> selection, than another party do not add to it. If collaboration take pl=
ace
>> than the parties in the collaboration need to agree what will be in a co=
dec.
>=20
> Is this a key area of difference of process between the IETF and ITU-T:
>    - In the IETF there is most commonly all
> parties working together to produce something,
> openly adding their respective insights, and I.P.
> (with associated IPR statements), into one thing.
>    - In SG16 multiple parties of one, or a small
> number of people, each submit a candidate codec,
> those codecs are compared and evaluated
> technically, and then advanced with the
> characterizations to the voting members who then
> consider many factors, including I.P.R. and chose one winner?
>=20
> This "pick the single best" vs "add the best
> components into one" is a big difference in the
> way the two SDO's go about this process, where
> ITU-T matches the former terse summary, and IETF matches the latter.
>=20
> Comments on that observation?
>=20
> Gregory.
>=20
>=20
>>>=20
>>> Unfortunately, that means their policy is incompatible with that of
>>> the IETF. They were fully aware of that when writing the liaison, yet
>>> didn't indicate a willingness to abandon their position.
>>>=20
>>> ITU liaison:
>>> https://datatracker.ietf.org/documents/LIAISON/file662.doc
>>>=20
>>> koen.
>>>=20
>>>=20
>>> Quoting Ingemar Johansson S:
>>>> Hi
>>>>=20
>>>> What was the answer?, is there any documentation of this effort in
>>>> the ITU-T archives. I guess there should be. I am just trying to
>>>> understand the reality behind the general conception that it is
>>>> difficult to approach ITU-T and to be honest I cannot imagine what
>>>> the outcome is or was as I haven't tried it myself. 2000/2001 is
>>>> quite a few moons ago an then the word royalty free was real
>>>> difficult to find on the map, is there a chance that the attitude
>>>> may have changed since, especially as a result of the discussions in
>>>> IETF ?.
>>>>=20
>>>> What I can see (URL's provided by colleagues active in ITU-T, I am
>>>> not an ITU-T geek myself) the cost of participating as an associate
>>>> in ITU-T is CHF10600 (~USD10000) per year.
>>>> http://www.itu.int/members/associates/fees.html
>>>> <http://www.itu.int/members/associates/fees.html>
>>>> The limitations with being an associate is found at
>>>> http://www.itu.int/members/associates/rights.html
>>>> <http://www.itu.int/members/associates/rights.html>
>>>> I am interested to know what the specific problems was or are, is it
>>>> the cost or the lack of voting rights or a combination ?. If I
>>>> understand it right one cannot vote directly as an associate but
>>>> there are possibilities to go via the national body.
>>>>=20
>>>> BR
>>>> /Ingemar
>>>>=20
>>>>=20
>>>>=20
>>>> ________________________________
>>>>=20
>>>> Fr=E5n: Alan Duric [mailto:alan@telio.no]
>>>> Skickat: ti 2009-11-10 12:38
>>>> Till: Ingemar Johansson S; codec@ietf.org
>>>> =C4mne: Re: [codec] Standardization in ITU-T, what are the issues ?
>>>>=20
>>>>=20
>>>>=20
>>>> Dear Ingemar,
>>>>=20
>>>> I have personally approached ITU on behalf of Global IP Solutions (at
>>>> that time Global IP Sound), back in 2001/2002, with respect to
>>>> standardization of iLBC.You can imagine the outcome.
>>>> I would not recommend to any of the authors of the current set of
>>>> codecs to consider that process.
>>>> This question has been brought up at the last meeting in Stockholm
>>> and
>>>> I suppose the conclusion was obvious.
>>>>=20
>>>> Best regards,
>>>> alan
>>>>=20
>>>> Alan Duric
>>>> CTO and Cofounder
>>>> Telio Holding ASA | Oslo exchange: TELIO
>>>>=20
>>>>=20
>>>>=20
>>>> On Nov 10, 2009, at 9:06 AM, Ingemar Johansson S wrote:
>>>>=20
>>>>> Hi
>>>>>=20
>>>>> I am curious to know to what extent proponents of a Codec WG in IETF
>>>>> has approached ITU-T with a request to standardize a RF codec.
>>>>>=20
>>>>> As I understand it there is a possibility of free membership which
>>>>> of course means limited rights to vote, however if I get this part
>>>>> correct it is a possibility to get voting rights via a countrys
>>>>> standards body. There is a chance that I don't get these details
>>>>> right as I have not myself digged into the membership rules of ITU-
>>> T.
>>>>>=20
>>>>> Anyway, my question. Who has actively approached the ITU-T with this
>>>>> and what was he response ?. Also are there any meeting documents or
>>>>> other public info that documents this ?
>>>>>=20
>>>>> BR
>>>>> /Ingemar
>>>>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>>>>> INGEMAR JOHANSSON  M.Sc.
>>>>> Senior Research Engineer
>>>>>=20
>>>>> Ericsson AB
>>>>> Multimedia Technologies
>>>>> Labratoriegr=E4nd 11
>>>>> 971 28, Lule=E5, Sweden
>>>>> Phone +46-1071 43042
>>>>> SMS/MMS +46-73 078 3289
>>>>> ingemar.s.johansson@ericsson.com
>>>>> www.ericsson.com
>>>>> Visit http://labs.ericsson.com <http://labs.ericsson.com/>  !
>>>>> =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
>>>>> _______________________________________________
>>>>> codec mailing list
>>>>> codec@ietf.org
>>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>=20
>>>>=20
>>>>=20
>>>> _______________________________________________
>>>> codec mailing list
>>>> codec@ietf.org
>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>=20
>>>=20
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>=20
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec



From hoene@uni-tuebingen.de  Tue Nov 10 16:57:20 2009
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To: <codec@ietf.org>
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Date: Wed, 11 Nov 2009 01:57:27 +0900
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Subject: Re: [codec] Fwd: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6 November 2009)
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Good morning,

> > please find attached a liaison statement sent from SG 16. 

Reading the liaison statement, I was thinking about how a potential
cooperation with Study Group 16 might look like. I do not have a firm
opinion yet, however, at least three possibilities. Compete with SG16 as in
the case of H.323 vs SIP, let the ITU-T do the work, or work together in
some way.

Considering this high risk endeavor and the lack of experiences at the IETF
in regard of codec standardization, the last might be preferable. But then
again, what are the risks of cooperation? Will it slow down an IETF
standardization process? Will the particular requirements of the Internet be
ignored? Are there increased chances that the standardization is going to be
hindered or sabotaged? Will the travelling budget be exceeded? 
And, how the cooperation - if any - shall look like? Any opinions on that?

With best regards,

 Christian



From kpfleming@digium.com  Tue Nov 10 17:03:19 2009
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Subject: Re: [codec] Fwd: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6 November 2009)
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Cullen Jennings wrote:

>> From: TSBSG16, ITU [mailto:tsbsg16@itu.int]
>> Sent: 10 November 2009 10:57
>> To: Cullen Jennings; statements@ietf.org; Robert Sparks; Gregory
>> Lebovitz; Russ Housley; Patrik F=E4ltstr=F6m
>> Cc: Campos, Simao; claude.lamblin@orange-ftgroup.com;
>> herve.taddei@huawei.com; hiwasaki.yusuke@lab.ntt.co.jp;
>> hiwasaki.yusuke@gmail.com
>> Subject: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6=

>> November 2009)
>>
>>
>>
>> Dear all,
>>
>> Kindly find attached the Liaison Statement COM16 - LS 124  on "speech
>> and audio coding standardization" addressed to IETF RAI, IESG agreed
>> at the ITU-T SG 16 meeting held in Geneva from 26 October to 6
>> November 2009.

At the risk of inflaming the licensing discussion even further, in the
ITU-T process, is it only required that the IPR disclosure claim to
offer the IPR under RAND, but that there is no actual confirmation that
the discloser's terms would in fact be widely agreed upon to be RAND?

For example, to my knowledge, Polycom has recently begun offering
royalty-free (under a patent non-assert) licensing for their IPR
including in G.719. However, the other primary IPR holder in G,719 is
Ericsson, and the process of determining licensing terms for their IP
begins with signing a non-disclosure agreement with them. Given that,
it's completely impossible to know whether a licensing offer from them
is discriminatory or not, because the recipient cannot discuss the
proposed terms with other existing or potential licensees.

If this arrangement qualifies under the ITU-T's definition of RAND, then
it seems that doesn't result in licensability under terms that most
people would term 'reasonable', let alone compatible with open source
licensing.

--=20
Kevin P. Fleming
Digium, Inc. | Director of Software Technologies
445 Jan Davis Drive NW - Huntsville, AL 35806 - USA
skype: kpfleming | jabber: kpfleming@digium.com
Check us out at www.digium.com & www.asterisk.org


From rob.glidden@sbcglobal.net  Tue Nov 10 17:22:08 2009
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Subject: [codec] Royalty Free codec standards -- don't settle for less
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Here is my view, perhaps you share it, perhaps you don't.

What the world needs now is royalty-free, standardized codecs.  This is 
critical to the future of the Web, and the progress the Internet has 
brought to the world, and will bring to the world.

Video, audio, transport, the whole thing.  Evaluated, vetted for 
patents. Under an appropriate, responsible and complete royalty free 
process.  No less.

IETF, ITU, and ISO/MPEG should all get going on this important activity 
-- after all why shouldn't all of these organizations include this as 
core to their mission.

I have, and no doubt you have too, seen countless explanations why this 
should not, could not, will not, rather not, might not, or can not 
happen.  Some well meaning and sincere, some from vested interests.  
There are too many "powerful" interests against it.  "Important" 
commercial interests are ambivalent.  It is too hard "legally" or 
"politically" or "technically".  It is just too confusing to think 
through.  There is no longer a critical mass that cares enough about 
keeping the future of the Open Internet open and royalty free.  The well 
meaning are ignorant, or naive.  Etc.

Don't settle.  Take the issue of royalty free, standardized codecs all 
the way to the top of these organizations. Do what it takes.  If it 
requires new organizations, start them. It it requires revised 
processes, revise them. This is the spirit that built the Web and the 
Internet, this is the spirit that is its lifeblood, and this is the 
spirit that needs to be at the heart of its future.

Don't settle.  Don't let those who have tried hard already, or have only 
half-heartedly tried, justify the status quo or their half-heartedness.  
Encourage them to focus on how to take the next steps.  Don't let 
convenient "interpretations" of standards processes be an excuse for 
never starting, never finishing, or never setting up processes that will 
work.  Need more legal background?  Find it. More technical information? 
Get it.

Don't settle.  The world has plenty of patent-encumbered media 
standards, plenty of proprietary solutions, and plenty of standards in 
other domains that have figured out how to deliver royalty free.  But 
the world does not have enough royalty-free codec standards, so this is 
the task that needs to be addressed.

Rob










From stewe@stewe.org  Tue Nov 10 17:59:05 2009
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Hi Kevin,

While, in some jurisdictions, there are tests on what qualifies as RAND and
what does not, it is true that RAND commitments alone typically do not
provide a potential user with guidance about the commercial terms of a
license.  However, it gives the potential user an assurance that a license
is actually available.  Some say that it makes the hurdle much higher in
obtaining injunctions for unlicensed use of a patent.  Both are Good Things=
,
from a righttaker's viewpoint.  Remember, without a RAND commitment, a
patent allows the rightholder to forbid anyone in the jurisdiction, for
whatever reason, to use the claimed subject matter.

The definition of "Reasonable" in RAND, and "Fair and Reasonable" in FRAND,
are both heavily discussed and litigated.  I doubt that you will full
agreement on these definition if you ask more than one person.  However, I
have, so far, never heard that the NDA part of the story has been questione=
d
in the licensing community.  It is common that those discussions are held
under NDA.  There are valid commercial and legal reasons why this is the
case.

RAND does NOT mean that all possible users will get the same terms after th=
e
bilateral discussions that are common in licensing.  That is one reasons wh=
y
licensing discussions are typically under NDA.

All that said, there is a movement ongoing in the patents&standards
community to allow a rightholder, using the SDOs communication process, to
provide potential users voluntarily with information of licensing
terms--typically something like the maximum royalty that is being charged,
and expressed as a percentage of the unit price.  IEEE was the first major
organization to add this to their policy.  Google "patent standard ex ante"
if you are interested.  In a few cases, ex ante mechanisms have actually
started to see use; in others, I would argue they have seen abuse.  Neither
the ITU nor the IETF embrace ex ante disclosures of licensing terms in thei=
r
policies, although, at least in the IETF, it's possible to make those.  If =
a
rightholder were truly interested in publishing its terms, there would also
be other non-SDO means to do so.

For a number of (mostly antitrust-related) reasons, IMO and AFAIK, ex ante
disclosures will remain voluntary in most legislations and in the
foreseeable future.

Stephan


On 11/11/09 10:03 AM, "Kevin P. Fleming" <kpfleming@digium.com> wrote:

> Cullen Jennings wrote:
>=20
>>> From: TSBSG16, ITU [mailto:tsbsg16@itu.int]
>>> Sent: 10 November 2009 10:57
>>> To: Cullen Jennings; statements@ietf.org; Robert Sparks; Gregory
>>> Lebovitz; Russ Housley; Patrik F=E4ltstr=F6m
>>> Cc: Campos, Simao; claude.lamblin@orange-ftgroup.com;
>>> herve.taddei@huawei.com; hiwasaki.yusuke@lab.ntt.co.jp;
>>> hiwasaki.yusuke@gmail.com
>>> Subject: COM 16-LS 124 - Outgoing LS from SG16 meeting (26 October - 6
>>> November 2009)
>>>=20
>>>=20
>>>=20
>>> Dear all,
>>>=20
>>> Kindly find attached the Liaison Statement COM16 - LS 124  on "speech
>>> and audio coding standardization" addressed to IETF RAI, IESG agreed
>>> at the ITU-T SG 16 meeting held in Geneva from 26 October to 6
>>> November 2009.
>=20
> At the risk of inflaming the licensing discussion even further, in the
> ITU-T process, is it only required that the IPR disclosure claim to
> offer the IPR under RAND, but that there is no actual confirmation that
> the discloser's terms would in fact be widely agreed upon to be RAND?
>=20
> For example, to my knowledge, Polycom has recently begun offering
> royalty-free (under a patent non-assert) licensing for their IPR
> including in G.719. However, the other primary IPR holder in G,719 is
> Ericsson, and the process of determining licensing terms for their IP
> begins with signing a non-disclosure agreement with them. Given that,
> it's completely impossible to know whether a licensing offer from them
> is discriminatory or not, because the recipient cannot discuss the
> proposed terms with other existing or potential licensees.
>=20
> If this arrangement qualifies under the ITU-T's definition of RAND, then
> it seems that doesn't result in licensability under terms that most
> people would term 'reasonable', let alone compatible with open source
> licensing.



From kpfleming@digium.com  Tue Nov 10 18:06:35 2009
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Date: Wed, 11 Nov 2009 11:06:57 +0900
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Stephan Wenger wrote:

> RAND does NOT mean that all possible users will get the same terms after the
> bilateral discussions that are common in licensing.  That is one reasons why
> licensing discussions are typically under NDA.

I wouldn't expect so, and I certainly understand why negotiations are
frequently under NDA. However, it essentially removes all the 'teeth'
from the 'ND' part of 'RAND'. If I approach a patent holder and they
offer me licensing at 10 times the rate they have ever charged any
previous party (because I am a competitor, or I am a small company, or
they don't like the color of my company's logo), I would think that most
people would consider that discriminatory. Since there is no recourse,
their 'offer' to license under RAND could be considered to be in bad
faith, and they can continue to make such offers in further
standards-making processes without any concerns raised by the receivers
of those offers.

-- 
Kevin P. Fleming
Digium, Inc. | Director of Software Technologies
445 Jan Davis Drive NW - Huntsville, AL 35806 - USA
skype: kpfleming | jabber: kpfleming@digium.com
Check us out at www.digium.com & www.asterisk.org

From rob.glidden@sbcglobal.net  Tue Nov 10 19:07:00 2009
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Subject: Re: [codec] Royalty Free codec standards -- don't settle for less
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Eric:

Perhaps you would be willing to elaborate?

Rob

Eric Burger wrote:
> If I'm not mistaken, do you not have legal training? What you ask for 
> is just not possible with our legal system in the U.S. or the WIPO, 
> either.
>
> I take that back, and this is why I rewrote the draft charter to place 
> a preference on technologies that are at least 20 years old. That 
> guarantees that any extant IPR has expired, even if we are not aware 
> of it.
>
> Rather than asking for perfection, I think the industry will be OK 
> with good enough. Unless your goal is to kill this work. In that case, 
> rallying people for royalty free only will ensure the engineer's 
> companies will prevent them from doing any work.
>
>
>
> On Nov 11, 2009, at 10:22 AM, Rob Glidden wrote:
>
>> Here is my view, perhaps you share it, perhaps you don't.
>>
>> What the world needs now is royalty-free, standardized codecs.  This 
>> is critical to the future of the Web, and the progress the Internet 
>> has brought to the world, and will bring to the world.
>>
>> Video, audio, transport, the whole thing.  Evaluated, vetted for 
>> patents. Under an appropriate, responsible and complete royalty free 
>> process.  No less.
>>
>> IETF, ITU, and ISO/MPEG should all get going on this important 
>> activity -- after all why shouldn't all of these organizations 
>> include this as core to their mission.
>>
>> I have, and no doubt you have too, seen countless explanations why 
>> this should not, could not, will not, rather not, might not, or can 
>> not happen.  Some well meaning and sincere, some from vested 
>> interests.  There are too many "powerful" interests against it.  
>> "Important" commercial interests are ambivalent.  It is too hard 
>> "legally" or "politically" or "technically".  It is just too 
>> confusing to think through.  There is no longer a critical mass that 
>> cares enough about keeping the future of the Open Internet open and 
>> royalty free.  The well meaning are ignorant, or naive.  Etc.
>>
>> Don't settle.  Take the issue of royalty free, standardized codecs 
>> all the way to the top of these organizations. Do what it takes.  If 
>> it requires new organizations, start them. It it requires revised 
>> processes, revise them. This is the spirit that built the Web and the 
>> Internet, this is the spirit that is its lifeblood, and this is the 
>> spirit that needs to be at the heart of its future.
>>
>> Don't settle.  Don't let those who have tried hard already, or have 
>> only half-heartedly tried, justify the status quo or their 
>> half-heartedness.  Encourage them to focus on how to take the next 
>> steps.  Don't let convenient "interpretations" of standards processes 
>> be an excuse for never starting, never finishing, or never setting up 
>> processes that will work.  Need more legal background?  Find it. More 
>> technical information? Get it.
>>
>> Don't settle.  The world has plenty of patent-encumbered media 
>> standards, plenty of proprietary solutions, and plenty of standards 
>> in other domains that have figured out how to deliver royalty free.  
>> But the world does not have enough royalty-free codec standards, so 
>> this is the task that needs to be addressed.
>>
>> Rob
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
>


From rchen@broadcom.com  Tue Nov 10 19:09:11 2009
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From: "Raymond (Juin-Hwey) Chen" <rchen@broadcom.com>
To: "codec@ietf.org" <codec@ietf.org>
Date: Tue, 10 Nov 2009 19:09:30 -0800
Thread-Topic: Broadcom submits BroadVoice codecs and offers its patent rights and C source codes of BV16/BV32 royalty free
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Subject: Re: [codec] Broadcom submits BroadVoice codecs and offers its patent rights and C source codes of BV16/BV32 royalty free
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All,

As a follow-up of my previous email below, I would like to bring to everyon=
e's attention that Broadcom today issued a news release that formally annou=
nced that Broadcom is offering open source BroadVoice C code royalty-free a=
nd without licensing fees. See, for example,
http://finance.yahoo.com/news/Broadcom-Offers-RoyaltyFree-prnews-2935046185=
.html?x=3D0&.v=3D1 .=20
The open source BroadVoice C code is licensed under the GNU Lesser General =
Public License (LGPL), version 2.1, as published by the Free Software Found=
ation.

As of now, the open source floating-point and fixed-point C code for both B=
roadVoice16 and BroadVoice32 can be freely downloaded from=20
http://www.broadcom.com/broadvoice .

This fulfills our previous promise in the email below to make BroadVoice16/=
BroadVoice32 C code "open source" (since "open source" is a desirable featu=
re of candidate codecs for the Internet Wideband Audio Codec).

Thanks.

Raymond=20

-----Original Message-----
From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf Of R=
aymond (Juin-Hwey) Chen
Sent: Wednesday, July 29, 2009 2:12 PM
To: codec@ietf.org
Subject: [codec] Broadcom submits BroadVoice codecs and offers its patent r=
ights and C source codes of BV16/BV32 royalty free

All,

If the IETF codec WG is formed, Broadcom Corporation would like to submit i=
ts family of BroadVoice=AE16 (BV16) and BroadVoice32 (BV32) standard codecs=
 to the IETF codec WG for consideration as a candidate codec or a candidate=
 building block for the proposed Internet Wideband Audio Codec (IWAC) stand=
ard.  Currently Broadcom is already offering its patent rights, floating-po=
int C source codes, and fixed-point C source codes of BV16/BV32 on a royalt=
y-free basis, and Broadcom is even willing to make BV16/BV32 open source.

A little background on BV16/BV32.

BV16 and BV32 have been standardized by multiple standard organizations for=
 VoIP applications in cable telephony.  BV16 is a 16 kb/s codec for 8 kHz n=
arrowband signals; it is a standard codec in the following standards: Packe=
tCableT 1.5, PacketCable 2.0, ANSI/SCTE 24-21 2006, and ITU-T Recommendatio=
n J.161.   Similarly, BV32 is a 32 kb/s codec for 16 kHz wideband signals, =
and it is a standard codec in PacketCable 2.0, ANSI/SCTE 24-23 2007, and IT=
U-T Recommendation J.361.  The RTP payload formats for BV16 and BV32 are sp=
ecified in RFC4298.  BV16 and BV32 belong to the same family of codecs.  Th=
ey have very similar codec structures and share most of the algorithm modul=
es, so if the two are implemented together, substantial code sharing and me=
mory reduction can be achieved.

Broadcom developed BV16 and BV32 from the ground up with a goal of avoiding=
 known third-party intellectual property rights (IPR).  Although it was cor=
rectly pointed out earlier in the IETF codec WG email discussion that no on=
e can be absolutely sure that a given codec is completely free of third-par=
ty IPR, we took two steps to help increase our confidence.  First, to help =
avoid the codec IPR minefield, we purposely avoided the popular and heavily=
-patented CELP coding paradigm, and instead took an "ancient art" (circa. 1=
954) technique of noise feedback coding (NFC) that nobody seemed to be inte=
rested in (i.e., it was the subject of very few recent publications) and im=
proved it to get BV16/BV32.  Any patent on the fundamental NFC presumably e=
xpired long ago.  Second, several extensive patent searches were performed =
during the development of BV16/BV32 to help avoid third-party IPR.  To the =
best of our knowledge, BV16 and BV32 do not infringe on any valid unexpired=
 third-party patent claim. =20

BV16 and BV32 were also designed from the ground up to be optimized for voi=
ce transmission over IP networks, with high speech quality, low latency, lo=
w complexity, and high robustness to packet loss as primary design goals.  =
Thus, BV16 and BV32 are ideally suited for low-latency, high-quality voice =
transmission over the Internet.  The following summarizes the attributes of=
 BV16 and BV32:

.	Low Delay (Latency): algorithmic buffering delay of merely 5 ms (compared=
 with 15 to 40 ms of competing codecs)
.	Low Complexity: much lower MIPS requirements than most competing codecs (=
typically =BD to 1/3 of comparable ITU-T G.72x codecs), also lower memory r=
equirement than most other competing codecs
.	High Quality: equivalent or better speech quality than competing codecs i=
n extensive formal subjective MOS listening tests conducted by AT&T Labs, C=
OMSAT Labs, and Dynastat, Inc.
.	Availability: Broadcom is offering its patent rights, floating-point and =
fixed-point C source codes of BV16/BV32 on a royalty-free basis; BV16/BV32 =
to become open source soon.

For comprehensive comparisons between BV16/BV32 and other codecs, please se=
e the codec comparison tables in Annexes C and D (pages 73 - 81) of the Pac=
ketCable 2.0 Codec and Media Specification, available at:

http://www.packetcable.com/downloads/specs/PKT-SP-CODEC-MEDIA-I02-061013.pd=
f

Broadcom believes that as compared to the other nearly two dozen dominant c=
odecs listed there, BV16 and BV32 offer the most compelling combinations of=
 low delay, low complexity, high quality, moderate bit-rate, and royalty-fr=
ee patent rights and C source codes.  The algorithm descriptions of BV16 an=
d BV32 can be found in the two ANSI/SCTE standard documents below:
http://www.scte.org/documents/pdf/Standards/ANSISCTE24212006.pdf
http://www.scte.org/documents/pdf/Standards/ANSI_SCTE24-232007.pdf

It seems clear from the previous email discussion in the IETF codec WG refl=
ector that voice transmission over the Internet is the primary application =
of the proposed IWAC, although transmitting general audio (music, etc.) at =
high fidelity is also desirable/necessary. It is also clear from the emails=
 that royalty-free, low latency, and high quality are all highly desirable.=
  Given what was described above about BV16/BV32, it would seem that BV16/B=
V32 is an ideal candidate and is sufficient to cover the narrowband (8 kHz)=
 and wideband (16 kHz) voice transmission aspects of the applications of IW=
AC.  To get higher sampling rates and higher audio bandwidths, it is possib=
le to use BV16 and BV32 as the base layers and add additional bits on top o=
f the BV16/BV32 bit-streams to encode an appropriately formulated differenc=
e signal to get a scalable, embedded codec that goes from 8 kHz sampling at=
 16 kb/s all the way to 48 kHz sampling at a much higher bit-rate.  One adv=
antage of doing so is that the resulting IWAC will be interoperable with th=
e BV16/BV32 in the PacketCable, ANSI/SCTE, and ITU-T J.161/J.361 standards.=
 This is similar to the relationship between ITU-T G.729.1 and G.729.

Juin-Hwey (Raymond) Chen
Broadcom Corporation



_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec



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Date: Tue, 10 Nov 2009 19:26:50 -0800
From: Koen Vos <koen.vos@skype.net>
To: Rob Glidden <rob.glidden@sbcglobal.net>
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Subject: Re: [codec] Royalty Free codec standards -- don't settle for less
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1. Technological progress saturates.
2. Patents expire.
Therefore, the performance advantage of royalty-bearing standards  
diminishes with time, and high-quality, royalty-free standards are  
unavoidable. I'm convinced that today we have reached this point of  
commoditization for audio and speech coding technology.

koen.


Quoting Rob Glidden:
> Here is my view, perhaps you share it, perhaps you don't.
>
> What the world needs now is royalty-free, standardized codecs.  This  
> is critical to the future of the Web, and the progress the Internet  
> has brought to the world, and will bring to the world.
>
> Video, audio, transport, the whole thing.  Evaluated, vetted for  
> patents. Under an appropriate, responsible and complete royalty free  
> process.  No less.
>
> IETF, ITU, and ISO/MPEG should all get going on this important  
> activity -- after all why shouldn't all of these organizations  
> include this as core to their mission.
>
> I have, and no doubt you have too, seen countless explanations why  
> this should not, could not, will not, rather not, might not, or can  
> not happen.  Some well meaning and sincere, some from vested  
> interests.  There are too many "powerful" interests against it.   
> "Important" commercial interests are ambivalent.  It is too hard  
> "legally" or "politically" or "technically".  It is just too  
> confusing to think through.  There is no longer a critical mass that  
> cares enough about keeping the future of the Open Internet open and  
> royalty free.  The well meaning are ignorant, or naive.  Etc.
>
> Don't settle.  Take the issue of royalty free, standardized codecs  
> all the way to the top of these organizations. Do what it takes.  If  
> it requires new organizations, start them. It it requires revised  
> processes, revise them. This is the spirit that built the Web and  
> the Internet, this is the spirit that is its lifeblood, and this is  
> the spirit that needs to be at the heart of its future.
>
> Don't settle.  Don't let those who have tried hard already, or have  
> only half-heartedly tried, justify the status quo or their  
> half-heartedness.  Encourage them to focus on how to take the next  
> steps.  Don't let convenient "interpretations" of standards  
> processes be an excuse for never starting, never finishing, or never  
> setting up processes that will work.  Need more legal background?   
> Find it. More technical information? Get it.
>
> Don't settle.  The world has plenty of patent-encumbered media  
> standards, plenty of proprietary solutions, and plenty of standards  
> in other domains that have figured out how to deliver royalty free.   
> But the world does not have enough royalty-free codec standards, so  
> this is the task that needs to be addressed.
>
> Rob
>
>
>
>
>
>
>
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>



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Subject: Re: [codec] Broadcom submits BroadVoice codecs and offers its patent rights and C source codes of BV16/BV32 royalty free
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Hash: SHA1

Raymond (Juin-Hwey) Chen wrote:
> Broadcom today issued a news release that formally announced that Broadcom is offering open source BroadVoice C code royalty-free and without licensing fees.

Thank you, and congratulations!  This will make the rest of our codec
development process even more exciting.  Today, Broadcom is leading by
example.

- --Ben Schwartz
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From stewe@stewe.org  Tue Nov 10 20:15:13 2009
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From: Stephan Wenger <stewe@stewe.org>
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The existence of at least a dozend of projects in the speech coding field
today suggests to me that we have not yet reached the point of technology
progress saturation in this field.  Other that this minor point, I agree.

Stephan



On 11/11/09 12:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:

> 1. Technological progress saturates.
> 2. Patents expire.
> Therefore, the performance advantage of royalty-bearing standards
> diminishes with time, and high-quality, royalty-free standards are
> unavoidable. I'm convinced that today we have reached this point of
> commoditization for audio and speech coding technology.
> 
> koen.
> 
> 
> Quoting Rob Glidden:
>> Here is my view, perhaps you share it, perhaps you don't.
>> 
>> What the world needs now is royalty-free, standardized codecs.  This
>> is critical to the future of the Web, and the progress the Internet
>> has brought to the world, and will bring to the world.
>> 
>> Video, audio, transport, the whole thing.  Evaluated, vetted for
>> patents. Under an appropriate, responsible and complete royalty free
>> process.  No less.
>> 
>> IETF, ITU, and ISO/MPEG should all get going on this important
>> activity -- after all why shouldn't all of these organizations
>> include this as core to their mission.
>> 
>> I have, and no doubt you have too, seen countless explanations why
>> this should not, could not, will not, rather not, might not, or can
>> not happen.  Some well meaning and sincere, some from vested
>> interests.  There are too many "powerful" interests against it.
>> "Important" commercial interests are ambivalent.  It is too hard
>> "legally" or "politically" or "technically".  It is just too
>> confusing to think through.  There is no longer a critical mass that
>> cares enough about keeping the future of the Open Internet open and
>> royalty free.  The well meaning are ignorant, or naive.  Etc.
>> 
>> Don't settle.  Take the issue of royalty free, standardized codecs
>> all the way to the top of these organizations. Do what it takes.  If
>> it requires new organizations, start them. It it requires revised
>> processes, revise them. This is the spirit that built the Web and
>> the Internet, this is the spirit that is its lifeblood, and this is
>> the spirit that needs to be at the heart of its future.
>> 
>> Don't settle.  Don't let those who have tried hard already, or have
>> only half-heartedly tried, justify the status quo or their
>> half-heartedness.  Encourage them to focus on how to take the next
>> steps.  Don't let convenient "interpretations" of standards
>> processes be an excuse for never starting, never finishing, or never
>> setting up processes that will work.  Need more legal background?
>> Find it. More technical information? Get it.
>> 
>> Don't settle.  The world has plenty of patent-encumbered media
>> standards, plenty of proprietary solutions, and plenty of standards
>> in other domains that have figured out how to deliver royalty free.
>> But the world does not have enough royalty-free codec standards, so
>> this is the task that needs to be addressed.
>> 
>> Rob
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>> 
> 
> 
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec



From eburger@standardstrack.com  Tue Nov 10 21:17:01 2009
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Subject: Re: [codec] Royalty Free codec standards -- don't settle for less
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If the goal is to ensure we do not produce anything for ten years,  
sure, let us form task groups with tens of members to research all of  
the patent literature, technical literature, and press materials;  
catalog the information; and come to written, published, and peer- 
reviewed expert opinion, we MIGHT have a near guarantee of a Royalty  
Free codec. That will cost the industry at least USD 75M (average 50  
people, average cost of US$ 150,000/year, 10 years). Since most of the  
participants have day jobs or are consultants paid by corporations,  
well run companies would say $10M in royalties is a bargain. With  
these numbers, the intellectual property system works, and the world  
is better off paying inventors royalties.

If the goal is to have a reasonable chance of producing a royalty free  
codec in the next three years, then I would offer the proposed charter  
has a high chance of success. Use codecs that are known to have no  
asserted IPR, use codecs that are older than 20 years old, and use  
codecs that have been out for a few years that no one has asserted  
rights against, and we have a reasonable expectation the result will  
be royalty free.


On Nov 11, 2009, at 12:07 PM, Rob Glidden wrote:

> Eric:
>
> Perhaps you would be willing to elaborate?
>
> Rob
>
> Eric Burger wrote:
>> If I'm not mistaken, do you not have legal training? What you ask  
>> for is just not possible with our legal system in the U.S. or the  
>> WIPO, either.
>>
>> I take that back, and this is why I rewrote the draft charter to  
>> place a preference on technologies that are at least 20 years old.  
>> That guarantees that any extant IPR has expired, even if we are not  
>> aware of it.
>>
>> Rather than asking for perfection, I think the industry will be OK  
>> with good enough. Unless your goal is to kill this work. In that  
>> case, rallying people for royalty free only will ensure the  
>> engineer's companies will prevent them from doing any work.
>>
>>
>>
>> On Nov 11, 2009, at 10:22 AM, Rob Glidden wrote:
>>
>>> Here is my view, perhaps you share it, perhaps you don't.
>>>
>>> What the world needs now is royalty-free, standardized codecs.   
>>> This is critical to the future of the Web, and the progress the  
>>> Internet has brought to the world, and will bring to the world.
>>>
>>> Video, audio, transport, the whole thing.  Evaluated, vetted for  
>>> patents. Under an appropriate, responsible and complete royalty  
>>> free process.  No less.
>>>
>>> IETF, ITU, and ISO/MPEG should all get going on this important  
>>> activity -- after all why shouldn't all of these organizations  
>>> include this as core to their mission.
>>>
>>> I have, and no doubt you have too, seen countless explanations why  
>>> this should not, could not, will not, rather not, might not, or  
>>> can not happen.  Some well meaning and sincere, some from vested  
>>> interests.  There are too many "powerful" interests against it.   
>>> "Important" commercial interests are ambivalent.  It is too hard  
>>> "legally" or "politically" or "technically".  It is just too  
>>> confusing to think through.  There is no longer a critical mass  
>>> that cares enough about keeping the future of the Open Internet  
>>> open and royalty free.  The well meaning are ignorant, or naive.   
>>> Etc.
>>>
>>> Don't settle.  Take the issue of royalty free, standardized codecs  
>>> all the way to the top of these organizations. Do what it takes.   
>>> If it requires new organizations, start them. It it requires  
>>> revised processes, revise them. This is the spirit that built the  
>>> Web and the Internet, this is the spirit that is its lifeblood,  
>>> and this is the spirit that needs to be at the heart of its future.
>>>
>>> Don't settle.  Don't let those who have tried hard already, or  
>>> have only half-heartedly tried, justify the status quo or their  
>>> half-heartedness.  Encourage them to focus on how to take the next  
>>> steps.  Don't let convenient "interpretations" of standards  
>>> processes be an excuse for never starting, never finishing, or  
>>> never setting up processes that will work.  Need more legal  
>>> background?  Find it. More technical information? Get it.
>>>
>>> Don't settle.  The world has plenty of patent-encumbered media  
>>> standards, plenty of proprietary solutions, and plenty of  
>>> standards in other domains that have figured out how to deliver  
>>> royalty free.  But the world does not have enough royalty-free  
>>> codec standards, so this is the task that needs to be addressed.
>>>
>>> Rob
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>
>>
>


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Benjamin M. Schwartz wrote:
> Raymond (Juin-Hwey) Chen wrote:
>> Broadcom today issued a news release that formally announced that Broadcom is offering open source BroadVoice C code royalty-free and without licensing fees.
> 
> Thank you, and congratulations!  This will make the rest of our codec
> development process even more exciting.  Today, Broadcom is leading by
> example.

Well, not to diminish Broadcom's very welcome efforts, they are actually
second to the party, since CELT was already open source quite some time
ago :-)

-- 
Kevin P. Fleming
Digium, Inc. | Director of Software Technologies
445 Jan Davis Drive NW - Huntsville, AL 35806 - USA
skype: kpfleming | jabber: kpfleming@digium.com
Check us out at www.digium.com & www.asterisk.org

From eburger@standardstrack.com  Tue Nov 10 22:29:45 2009
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In practical terms, I agree that there will be better and better  
codecs in the future. However, I would offer the older codecs are good  
enough for our purposes and will be safe.

On Nov 11, 2009, at 1:15 PM, Stephan Wenger wrote:

> The existence of at least a dozend of projects in the speech coding  
> field
> today suggests to me that we have not yet reached the point of  
> technology
> progress saturation in this field.  Other that this minor point, I  
> agree.
>
> Stephan
>
>
>
> On 11/11/09 12:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:
>
>> 1. Technological progress saturates.
>> 2. Patents expire.
>> Therefore, the performance advantage of royalty-bearing standards
>> diminishes with time, and high-quality, royalty-free standards are
>> unavoidable. I'm convinced that today we have reached this point of
>> commoditization for audio and speech coding technology.
>>
>> koen.
>>
>>
>> Quoting Rob Glidden:
>>> Here is my view, perhaps you share it, perhaps you don't.
>>>
>>> What the world needs now is royalty-free, standardized codecs.  This
>>> is critical to the future of the Web, and the progress the Internet
>>> has brought to the world, and will bring to the world.
>>>
>>> Video, audio, transport, the whole thing.  Evaluated, vetted for
>>> patents. Under an appropriate, responsible and complete royalty free
>>> process.  No less.
>>>
>>> IETF, ITU, and ISO/MPEG should all get going on this important
>>> activity -- after all why shouldn't all of these organizations
>>> include this as core to their mission.
>>>
>>> I have, and no doubt you have too, seen countless explanations why
>>> this should not, could not, will not, rather not, might not, or can
>>> not happen.  Some well meaning and sincere, some from vested
>>> interests.  There are too many "powerful" interests against it.
>>> "Important" commercial interests are ambivalent.  It is too hard
>>> "legally" or "politically" or "technically".  It is just too
>>> confusing to think through.  There is no longer a critical mass that
>>> cares enough about keeping the future of the Open Internet open and
>>> royalty free.  The well meaning are ignorant, or naive.  Etc.
>>>
>>> Don't settle.  Take the issue of royalty free, standardized codecs
>>> all the way to the top of these organizations. Do what it takes.  If
>>> it requires new organizations, start them. It it requires revised
>>> processes, revise them. This is the spirit that built the Web and
>>> the Internet, this is the spirit that is its lifeblood, and this is
>>> the spirit that needs to be at the heart of its future.
>>>
>>> Don't settle.  Don't let those who have tried hard already, or have
>>> only half-heartedly tried, justify the status quo or their
>>> half-heartedness.  Encourage them to focus on how to take the next
>>> steps.  Don't let convenient "interpretations" of standards
>>> processes be an excuse for never starting, never finishing, or never
>>> setting up processes that will work.  Need more legal background?
>>> Find it. More technical information? Get it.
>>>
>>> Don't settle.  The world has plenty of patent-encumbered media
>>> standards, plenty of proprietary solutions, and plenty of standards
>>> in other domains that have figured out how to deliver royalty free.
>>> But the world does not have enough royalty-free codec standards, so
>>> this is the task that needs to be addressed.
>>>
>>> Rob
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>>
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>>
>>
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


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Welcome to the world of standards. This issue almost tore the W3C  
apart. At the end of the day, after a year of fierce, destructive  
fighting, we ended up pretty much where we started from.

This stuff has to do with law and business, neither of which seem to  
be governed by the laws of physics. That is, logic does not apply.

On Nov 11, 2009, at 11:06 AM, Kevin P. Fleming wrote:

> Stephan Wenger wrote:
>
>> RAND does NOT mean that all possible users will get the same terms  
>> after the
>> bilateral discussions that are common in licensing.  That is one  
>> reasons why
>> licensing discussions are typically under NDA.
>
> I wouldn't expect so, and I certainly understand why negotiations are
> frequently under NDA. However, it essentially removes all the 'teeth'
> from the 'ND' part of 'RAND'. If I approach a patent holder and they
> offer me licensing at 10 times the rate they have ever charged any
> previous party (because I am a competitor, or I am a small company, or
> they don't like the color of my company's logo), I would think that  
> most
> people would consider that discriminatory. Since there is no recourse,
> their 'offer' to license under RAND could be considered to be in bad
> faith, and they can continue to make such offers in further
> standards-making processes without any concerns raised by the  
> receivers
> of those offers.
>
> -- 
> Kevin P. Fleming
> Digium, Inc. | Director of Software Technologies
> 445 Jan Davis Drive NW - Huntsville, AL 35806 - USA
> skype: kpfleming | jabber: kpfleming@digium.com
> Check us out at www.digium.com & www.asterisk.org
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


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Subject: Re: [codec] Broadcom submits BroadVoice codecs and offers its patent rights and C source codes of BV16/BV32 royalty free
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When you submit your Internet Draft, when the time comes, please do =20
not forget to submit the IPR declaration, indicating Royalty Free, too.

This is a note for everyone that wishes to submit their IPR.

BTW, you can tell your lawyers not to fret - most declarations are of =20=

the form, "If accepted and incorporated into a standards track RFC." =20
That means that you can retain your rights up to the point of =20
publication. At that point we welcome your gift of IPR and change =20
control.

On Nov 11, 2009, at 12:09 PM, Raymond (Juin-Hwey) Chen wrote:

> All,
>
> As a follow-up of my previous email below, I would like to bring to =20=

> everyone's attention that Broadcom today issued a news release that =20=

> formally announced that Broadcom is offering open source BroadVoice =20=

> C code royalty-free and without licensing fees. See, for example,
> =
http://finance.yahoo.com/news/Broadcom-Offers-RoyaltyFree-prnews-293504618=
5.html?x=3D0&.v=3D1=20
>  .
> The open source BroadVoice C code is licensed under the GNU Lesser =20
> General Public License (LGPL), version 2.1, as published by the Free =20=

> Software Foundation.
>
> As of now, the open source floating-point and fixed-point C code for =20=

> both BroadVoice16 and BroadVoice32 can be freely downloaded from
> http://www.broadcom.com/broadvoice .
>
> This fulfills our previous promise in the email below to make =20
> BroadVoice16/BroadVoice32 C code "open source" (since "open source" =20=

> is a desirable feature of candidate codecs for the Internet Wideband =20=

> Audio Codec).
>
> Thanks.
>
> Raymond
>
> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On =20
> Behalf Of Raymond (Juin-Hwey) Chen
> Sent: Wednesday, July 29, 2009 2:12 PM
> To: codec@ietf.org
> Subject: [codec] Broadcom submits BroadVoice codecs and offers its =20
> patent rights and C source codes of BV16/BV32 royalty free
>
> All,
>
> If the IETF codec WG is formed, Broadcom Corporation would like to =20
> submit its family of BroadVoice=AE16 (BV16) and BroadVoice32 (BV32) =20=

> standard codecs to the IETF codec WG for consideration as a =20
> candidate codec or a candidate building block for the proposed =20
> Internet Wideband Audio Codec (IWAC) standard.  Currently Broadcom =20
> is already offering its patent rights, floating-point C source =20
> codes, and fixed-point C source codes of BV16/BV32 on a royalty-free =20=

> basis, and Broadcom is even willing to make BV16/BV32 open source.
>
> A little background on BV16/BV32.
>
> BV16 and BV32 have been standardized by multiple standard =20
> organizations for VoIP applications in cable telephony.  BV16 is a =20
> 16 kb/s codec for 8 kHz narrowband signals; it is a standard codec =20
> in the following standards: PacketCableT 1.5, PacketCable 2.0, ANSI/=20=

> SCTE 24-21 2006, and ITU-T Recommendation J.161.   Similarly, BV32 =20
> is a 32 kb/s codec for 16 kHz wideband signals, and it is a standard =20=

> codec in PacketCable 2.0, ANSI/SCTE 24-23 2007, and ITU-T =20
> Recommendation J.361.  The RTP payload formats for BV16 and BV32 are =20=

> specified in RFC4298.  BV16 and BV32 belong to the same family of =20
> codecs.  They have very similar codec structures and share most of =20
> the algorithm modules, so if the two are implemented together, =20
> substantial code sharing and memory reduction can be achieved.
>
> Broadcom developed BV16 and BV32 from the ground up with a goal of =20
> avoiding known third-party intellectual property rights (IPR).  =20
> Although it was correctly pointed out earlier in the IETF codec WG =20
> email discussion that no one can be absolutely sure that a given =20
> codec is completely free of third-party IPR, we took two steps to =20
> help increase our confidence.  First, to help avoid the codec IPR =20
> minefield, we purposely avoided the popular and heavily-patented =20
> CELP coding paradigm, and instead took an "ancient art" (circa. =20
> 1954) technique of noise feedback coding (NFC) that nobody seemed to =20=

> be interested in (i.e., it was the subject of very few recent =20
> publications) and improved it to get BV16/BV32.  Any patent on the =20
> fundamental NFC presumably expired long ago.  Second, several =20
> extensive patent searches were performed during the development of =20
> BV16/BV32 to help avoid third-party IPR.  To the best of our =20
> knowledge, BV16 and BV32 do not infringe on any valid unexpired =20
> third-party patent claim.
>
> BV16 and BV32 were also designed from the ground up to be optimized =20=

> for voice transmission over IP networks, with high speech quality, =20
> low latency, low complexity, and high robustness to packet loss as =20
> primary design goals.  Thus, BV16 and BV32 are ideally suited for =20
> low-latency, high-quality voice transmission over the Internet.  The =20=

> following summarizes the attributes of BV16 and BV32:
>
> .	Low Delay (Latency): algorithmic buffering delay of merely 5 ms =20=

> (compared with 15 to 40 ms of competing codecs)
> .	Low Complexity: much lower MIPS requirements than most competing =
=20
> codecs (typically =BD to 1/3 of comparable ITU-T G.72x codecs), also =20=

> lower memory requirement than most other competing codecs
> .	High Quality: equivalent or better speech quality than competing =
=20
> codecs in extensive formal subjective MOS listening tests conducted =20=

> by AT&T Labs, COMSAT Labs, and Dynastat, Inc.
> .	Availability: Broadcom is offering its patent rights, floating-=20=

> point and fixed-point C source codes of BV16/BV32 on a royalty-free =20=

> basis; BV16/BV32 to become open source soon.
>
> For comprehensive comparisons between BV16/BV32 and other codecs, =20
> please see the codec comparison tables in Annexes C and D (pages 73 =20=

> - 81) of the PacketCable 2.0 Codec and Media Specification, =20
> available at:
>
> =
http://www.packetcable.com/downloads/specs/PKT-SP-CODEC-MEDIA-I02-061013.p=
df
>
> Broadcom believes that as compared to the other nearly two dozen =20
> dominant codecs listed there, BV16 and BV32 offer the most =20
> compelling combinations of low delay, low complexity, high quality, =20=

> moderate bit-rate, and royalty-free patent rights and C source =20
> codes.  The algorithm descriptions of BV16 and BV32 can be found in =20=

> the two ANSI/SCTE standard documents below:
> http://www.scte.org/documents/pdf/Standards/ANSISCTE24212006.pdf
> http://www.scte.org/documents/pdf/Standards/ANSI_SCTE24-232007.pdf
>
> It seems clear from the previous email discussion in the IETF codec =20=

> WG reflector that voice transmission over the Internet is the =20
> primary application of the proposed IWAC, although transmitting =20
> general audio (music, etc.) at high fidelity is also desirable/=20
> necessary. It is also clear from the emails that royalty-free, low =20
> latency, and high quality are all highly desirable.  Given what was =20=

> described above about BV16/BV32, it would seem that BV16/BV32 is an =20=

> ideal candidate and is sufficient to cover the narrowband (8 kHz) =20
> and wideband (16 kHz) voice transmission aspects of the applications =20=

> of IWAC.  To get higher sampling rates and higher audio bandwidths, =20=

> it is possible to use BV16 and BV32 as the base layers and add =20
> additional bits on top of the BV16/BV32 bit-streams to encode an =20
> appropriately formulated difference signal to get a scalable, =20
> embedded codec that goes from 8 kHz sampling at 16 kb/s all the way =20=

> to 48 kHz sampling at a much higher bit-rate.  One advantage of =20
> doing so is that the resulting IWAC will be interoperable with the =20
> BV16/BV32 in the PacketCable, ANSI/SCTE, and ITU-T J.161/J.361 =20
> standards. This is similar to the relationship between ITU-T G.729.1 =20=

> and G.729.
>
> Juin-Hwey (Raymond) Chen
> Broadcom Corporation
>
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From ingemar.s.johansson@ericsson.com  Wed Nov 11 07:26:07 2009
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Hi

I have the following announcement regarding G.719

Ericsson offers a royalty-free license under Ericsson's G.719 standard =
essential patents for end user products.=20
The license agreement can be obtained by contacting =
patent.licensing@ericsson.com

=20
Regards
Ingemar
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
INGEMAR JOHANSSON  M.Sc.=20
Senior Research Engineer=20

Ericsson AB
Multimedia Technologies
Labratoriegr=E4nd 11
971 28, Lule=E5, Sweden
Phone +46-1071 43042
SMS/MMS +46-73 078 3289
ingemar.s.johansson@ericsson.com
www.ericsson.com=20
Visit http://labs.ericsson.com !
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D

From jean-marc.valin@octasic.com  Wed Nov 11 07:53:53 2009
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From: "Jean-Marc Valin" <jean-marc.valin@octasic.com>
To: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>, <codec@ietf.org>
Subject: Re: [codec] G.719 royalty-free license
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Hi,

I think this is great news! I guess this shows that collaboration would =
be possible. I would personally like to invite Ericsson to contribute =
the G.719 technology as input to the proposed working group. This could =
certainly help towards meeting some of the requirements we currently =
have and create an overall better codec.

Cheers,

	Jean-Marc


-----Original Message-----
From: codec-bounces@ietf.org on behalf of Ingemar Johansson S
Sent: Wed 11/11/2009 10:26 AM
To: codec@ietf.org
Subject: [codec] G.719 royalty-free license
=20
Hi

I have the following announcement regarding G.719

Ericsson offers a royalty-free license under Ericsson's G.719 standard =
essential patents for end user products.=20
The license agreement can be obtained by contacting =
patent.licensing@ericsson.com

=20
Regards
Ingemar
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
INGEMAR JOHANSSON  M.Sc.=20
Senior Research Engineer=20

Ericsson AB
Multimedia Technologies
Labratoriegr=E4nd 11
971 28, Lule=E5, Sweden
Phone +46-1071 43042
SMS/MMS +46-73 078 3289
ingemar.s.johansson@ericsson.com
www.ericsson.com=20
Visit http://labs.ericsson.com !
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
_______________________________________________
codec mailing list
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<P><FONT SIZE=3D2>Hi,<BR>
<BR>
I think this is great news! I guess this shows that collaboration would =
be possible. I would personally like to invite Ericsson to contribute =
the G.719 technology as input to the proposed working group. This could =
certainly help towards meeting some of the requirements we currently =
have and create an overall better codec.<BR>
<BR>
Cheers,<BR>
<BR>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jean-Marc<BR>
<BR>
<BR>
-----Original Message-----<BR>
From: codec-bounces@ietf.org on behalf of Ingemar Johansson S<BR>
Sent: Wed 11/11/2009 10:26 AM<BR>
To: codec@ietf.org<BR>
Subject: [codec] G.719 royalty-free license<BR>
<BR>
Hi<BR>
<BR>
I have the following announcement regarding G.719<BR>
<BR>
Ericsson offers a royalty-free license under Ericsson's G.719 standard =
essential patents for end user products.<BR>
The license agreement can be obtained by contacting =
patent.licensing@ericsson.com<BR>
<BR>
<BR>
Regards<BR>
Ingemar<BR>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D<BR>
INGEMAR JOHANSSON&nbsp; M.Sc.<BR>
Senior Research Engineer<BR>
<BR>
Ericsson AB<BR>
Multimedia Technologies<BR>
Labratoriegr=E4nd 11<BR>
971 28, Lule=E5, Sweden<BR>
Phone +46-1071 43042<BR>
SMS/MMS +46-73 078 3289<BR>
ingemar.s.johansson@ericsson.com<BR>
www.ericsson.com<BR>
Visit <A HREF=3D"http://labs.ericsson.com">http://labs.ericsson.com</A> =
!<BR>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D<BR>
_______________________________________________<BR>
codec mailing list<BR>
codec@ietf.org<BR>
<A =
HREF=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.org=
/mailman/listinfo/codec</A><BR>
<BR>
</FONT>
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From anisse.taleb@gmail.com  Wed Nov 11 07:38:06 2009
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From: "Anisse Taleb" <anisse.taleb@huawei.com>
To: "'Ingemar Johansson S'" <ingemar.s.johansson@ericsson.com>, <codec@ietf.org>
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Hi Ingo,
This is indeed quite interesting news given that this is a brand new =
codec
and the first ITU-T fullband conversational codec.

I assume this means that the codec is entirely royalty free since =
Polycom
offers also a royalty free license? Any comments on this?

Thanks for the information.

/Abisse=20
> -----Original Message-----
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf
> Of Ingemar Johansson S
> Sent: den 11 november 2009 16:26
> To: codec@ietf.org
> Subject: [codec] G.719 royalty-free license
>=20
> Hi
>=20
> I have the following announcement regarding G.719
>=20
> Ericsson offers a royalty-free license under Ericsson's G.719 standard
> essential patents for end user products.
> The license agreement can be obtained by contacting
> patent.licensing@ericsson.com
>=20
>=20
> Regards
> Ingemar
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> INGEMAR JOHANSSON  M.Sc.
> Senior Research Engineer
>=20
> Ericsson AB
> Multimedia Technologies
> Labratoriegr=E4nd 11
> 971 28, Lule=E5, Sweden
> Phone +46-1071 43042
> SMS/MMS +46-73 078 3289
> ingemar.s.johansson@ericsson.com
> www.ericsson.com
> Visit http://labs.ericsson.com !
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From bmschwar@fas.harvard.edu  Wed Nov 11 08:29:56 2009
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Subject: Re: [codec] G.719 royalty-free license
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Anisse Taleb wrote:
> I assume this means that the codec is entirely royalty free since Polyc=
om
> offers also a royalty free license? Any comments on this?

Polycom's license is "royalty free" but contains various use restrictions=

and advertising clauses.  It is far from "no strings attached".  We don't=

know what Ericsson's license says, although we now know how to find out
what it is.  Even Ericsson's license were a universal binding patent
non-assertion statement, the codec would still not be compatible with
common open-source licenses due to Polycom's patent licensing restriction=
s.

--Ben


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Subject: Re: [codec] Royalty Free codec standards -- don't settle for less
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No argument on the recipe -- build a royalty free house on a royalty 
free foundation with royalty free bricks and royalty free inspection, etc.

But it wasn't the brick house that saved the three little pigs in the end.

It is about going the distance in the face of the inevitable shilling, 
calls to drive into a ditch, meeting-stacking et al.

And it is not about convincing the convinced -- it about proving 
marketplace confidence. It is done all the time, codecs aren't the 
unique special case some need them to be.

Of course vet contributions for blocking patents and other loopholes.

Some noteworthy stuff below.

Rob


2001

http://www.itscj.ipsj.or.jp/sc29/29w12911jvt.pdf
N4400, December 2001

Terms of Reference for a Joint Project between ITU-T Q.6/SG16 and 
ISO/IEC JTC 1/SC 29/WG11
for the Development of new Video Coding Recommendation and International 
Standard
...
"10.0 Patent and Copyright Issues
The project and joint group will progress the project work in compliance 
with the Intellectual Property
Rights (“IPR”) policies and IPR reporting requirements and procedures of 
both organisations
(http://www.itu.int/ITU-Databases/TSBPatent/ and 
http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm).
*
JVT will define a “baseline” profile. That profile should be 
royalty-free for all implementations.* The
performance of this profile will particularly be the subject of 
performance verification tests.
JVT’s rules for the implementation of the IPR policy are contained in 
Annex 3."


2002

http://lists.mpegif.org/pipermail/discuss/2002-May/000347.html

[M4IF Discuss] RE: [M4IF News] To those concerned about MPEG-4 Licensing ...
Fernando Pereira fp lx.it.pt
Mon May 13 18:40:38 EDT 2002

* Previous message: [M4IF Discuss] RE: [M4IF News] To those concerned 
about MPEG-4 Licensing ...
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MPEG- 4 Licensing ...
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Hi ! Yuval Fisher wrote:
 >
 > > As for me, I'm looking at MPEG-4 Part 10 and hoping that it is
 > > patent-free ;-)
 > > I wouldn't hold your breath. Many companies are nervous about submarine
 > patents. There's a strong anti-free-license movement in MPEG.

Let me disagree with this statement ! As the current chairman of MPEG 
Requirements, I would claim that MPEG is doing everything to support the 
royalty free approach for the baseline profile of MPEG-4 part 10 (AVC) 
... and there is a very large support within MPEG members. Of course 
there is also people with a (legitimate) different opinion but I would 
personally claim this is a minority.

Let me also explain that the approach is not simply everything royalty 
free but a combination of a royalty free baseline profile with other 
more complex profiles not necessarily royalty free (but RAND). This 
combination may provide a good compromise between the two possible 
extreme alternatives. Finally let me inform that 2 profiles were defined 
for AVC/H.264 last week in Fairfax: BASELINE (to be royalty free) and 
MAIN (not necessarily royalty free).

Regards Fernando Pereira -- Fernando Manuel Bernardo Pereira, Ph.D., 
Professor
Instituto Superior Técnico - Instituto de Telecomunicações
Av. Rovisco Pais, 1049-001 Lisboa, PORTUGAL
Phone: + 351 21 8418460 Fax: + 351 21 8418472
E-mail: Fernando.Pereira lx.it.pt WWW: http://www.img.lx.it.pt/~fp/



[M4IF Discuss] RE: [M4IF News] To those concerned about MPEG- 4 
Licensing ...
Rob Koenen rkoenen intertrust.com
Fri May 3 20:59:52 EDT 2002

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Licensing ...
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* Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]

 > > As for me, I'm looking at MPEG-4 Part 10 and hoping
 > that it is
 > > patent-free ;-)
 >
 >
 > I wouldn't hold your breath. Many companies are nervous about
 > submarine
 > patents. There's a strong anti-free-license movement in MPEG.

Sweeping statements like these are very unhelpful.

It may indeed be unlikley that full JVT codec is going to be RF
(Royalty-Free).
There is, however, a strong desire among many parties to try and
establish a RF baseline. There is an ongoing effort to see how such
an RF baseline could be established. It is area in which people like
to maneuver carefully, for obvious reasons.

Rob



2003

http://lists.mpegif.org/pipermail/discuss/2003-November/000541.html
Rob Koenen to Iain Richardson
/Thu Nov 20 07:47:47 EST 2003
/

(1) Does this mean that the goal of a royalty-free Baseline Profile is not
going to happen ?

...

I'll answer for what I know and understand today.
 
1) Via Licensing's website states that their proposed terms cover "use of
Baseline, Main, and Extended Profiles". MPEG LA's announcement states "These
terms cover the entire AVC Standard regardless of which Profile(s) are
used". I think that gives you the answer.




2004

H.264/MPEG-4 Part 10 is also subject to a number of essential. patents.
However, in order to make the new standard as accessible as possible,
the JVT has attempted to make the Baseline Profile (see Chapter 6)
'royalty free'. During the standardisation process, holders of key
patents were encouraged to notify JVT of their patent claims and to
state whether they would permit a royalty free license to the
patent(s). These patent statements have been taken into account during
the development of the Profiles with the aim of keeping the Baseline
free of royalty payments. As this process is voluntary and relies on the
correct identification of all relevant patents prior to standardisation,
it is not yet clear whether the goal of a royalty-free Profile will be
realised but initial indications are positive [1].

1 In March 2003, 31 companies involved in the H.264 development process
and/or holding essential patents confirmed their support for a
royalty-free Baseline Profile.

Iain E.G. Richardson, H.264 and MPEG-4 Video Compression: Video Coding
for Next-Generation Multimedia at 274 (John Wiley & Sons, 2004).

2007:

(look also at what happened to the attorneys)

"Thus, while the language of the JVT IPR policies may not expressly 
require disclosure by all participants in all circumstances (e.g., if 
relevant IPR is not disclosed despite the use of best efforts), it at 
least incorporates a best efforts standard (even apart from the 
submission of technical proposals).
...
In sum, we conclude that Qualcomm, as a participant in the JVT prior to 
the release of the H.264 standard, did have IPR disclosure obligations, 
as discussed above, under the written policies of both the JVT and its 
parent organizations"

http://www.cafc.uscourts.gov/opinions/07-1545.pdf

Trial court decision:

http://www.klgates.com/files/upload/eDAT_Qualcomm_8_6_07_Order_on_Remedy.pdf 



2007 SC29 revised patent policy

http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm

"Although royalty-bearing patented technologies may be included in SC 29 
standards, SC 29 suggests to its WGs to promote, whenever possible, the 
inclusion of technologies that either do not require a patent license, 
or that only require a RAND license without a royalty or license fee."

2007 ISO/ITU common patent policy

2009:

MPEG HVC





Eric Burger wrote:
> In practical terms, I agree that there will be better and better 
> codecs in the future. However, I would offer the older codecs are good 
> enough for our purposes and will be safe.
>
> On Nov 11, 2009, at 1:15 PM, Stephan Wenger wrote:
>
>> The existence of at least a dozend of projects in the speech coding 
>> field
>> today suggests to me that we have not yet reached the point of 
>> technology
>> progress saturation in this field. Other that this minor point, I agree.
>>
>> Stephan
>>
>>
>>
>> On 11/11/09 12:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:
>>
>>> 1. Technological progress saturates.
>>> 2. Patents expire.
>>> Therefore, the performance advantage of royalty-bearing standards
>>> diminishes with time, and high-quality, royalty-free standards are
>>> unavoidable. I'm convinced that today we have reached this point of
>>> commoditization for audio and speech coding technology.
>>>
>>> koen.
>>>
>>>
>>> Quoting Rob Glidden:
>>>> Here is my view, perhaps you share it, perhaps you don't.
>>>>
>>>> What the world needs now is royalty-free, standardized codecs. This
>>>> is critical to the future of the Web, and the progress the Internet
>>>> has brought to the world, and will bring to the world.
>>>>
>>>> Video, audio, transport, the whole thing. Evaluated, vetted for
>>>> patents. Under an appropriate, responsible and complete royalty free
>>>> process. No less.
>>>>
>>>> IETF, ITU, and ISO/MPEG should all get going on this important
>>>> activity -- after all why shouldn't all of these organizations
>>>> include this as core to their mission.
>>>>
>>>> I have, and no doubt you have too, seen countless explanations why
>>>> this should not, could not, will not, rather not, might not, or can
>>>> not happen. Some well meaning and sincere, some from vested
>>>> interests. There are too many "powerful" interests against it.
>>>> "Important" commercial interests are ambivalent. It is too hard
>>>> "legally" or "politically" or "technically". It is just too
>>>> confusing to think through. There is no longer a critical mass that
>>>> cares enough about keeping the future of the Open Internet open and
>>>> royalty free. The well meaning are ignorant, or naive. Etc.
>>>>
>>>> Don't settle. Take the issue of royalty free, standardized codecs
>>>> all the way to the top of these organizations. Do what it takes. If
>>>> it requires new organizations, start them. It it requires revised
>>>> processes, revise them. This is the spirit that built the Web and
>>>> the Internet, this is the spirit that is its lifeblood, and this is
>>>> the spirit that needs to be at the heart of its future.
>>>>
>>>> Don't settle. Don't let those who have tried hard already, or have
>>>> only half-heartedly tried, justify the status quo or their
>>>> half-heartedness. Encourage them to focus on how to take the next
>>>> steps. Don't let convenient "interpretations" of standards
>>>> processes be an excuse for never starting, never finishing, or never
>>>> setting up processes that will work. Need more legal background?
>>>> Find it. More technical information? Get it.
>>>>
>>>> Don't settle. The world has plenty of patent-encumbered media
>>>> standards, plenty of proprietary solutions, and plenty of standards
>>>> in other domains that have figured out how to deliver royalty free.
>>>> But the world does not have enough royalty-free codec standards, so
>>>> this is the task that needs to be addressed.
>>>>
>>>> Rob
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> codec mailing list
>>>> codec@ietf.org
>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>
>>>
>>>
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>


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Date: Wed, 11 Nov 2009 12:59:13 -0500
Message-ID: <806dafc20911110959m9ea5a30i829bb3339b9f2d28@mail.gmail.com>
From: Monty Montgomery <xiphmont@gmail.com>
To: bens@alum.mit.edu
Content-Type: text/plain; charset=ISO-8859-1
Cc: codec@ietf.org
Subject: Re: [codec] G.719 royalty-free license
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Nonetheless excellent news that brings us another solid step forward
in untangling the IP web around internet codecs.   I'm glad to see it!

Monty

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From: stephen botzko <stephen.botzko@gmail.com>
To: codec@ietf.org
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Subject: [codec] Fwd:  G.719 royalty-free license
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The license agreement from Polycom can be found here:
http://www.polycom.com/company/about_us/technology/siren_g7221/license_schedule.html

with a faq sheet here:
http://www.polycom.com/company/about_us/technology/siren_g7221/faq.html

Note that Polycom licenses G.722.1 and G.719 with the same agreement.

Stephen Botzko
Polycom.



On Wed, Nov 11, 2009 at 11:30 AM, Benjamin M. Schwartz <
bmschwar@fas.harvard.edu> wrote:

> Anisse Taleb wrote:
> > I assume this means that the codec is entirely royalty free since Polycom
> > offers also a royalty free license? Any comments on this?
>
> Polycom's license is "royalty free" but contains various use restrictions
> and advertising clauses.  It is far from "no strings attached".  We don't
> know what Ericsson's license says, although we now know how to find out
> what it is.  Even Ericsson's license were a universal binding patent
> non-assertion statement, the codec would still not be compatible with
> common open-source licenses due to Polycom's patent licensing restrictions.
>
> --Ben
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
>

--0016364c778fd1b50704781c3388
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The license agreement from Polycom can be found here:<br><div class=3D"gmai=
l_quote"><a href=3D"http://www.polycom.com/company/about_us/technology/sire=
n_g7221/license_schedule.html" target=3D"_blank">http://www.polycom.com/com=
pany/about_us/technology/siren_g7221/license_schedule.html</a><br>

<br>with a faq sheet here:<br><a href=3D"http://www.polycom.com/company/abo=
ut_us/technology/siren_g7221/faq.html" target=3D"_blank">http://www.polycom=
.com/company/about_us/technology/siren_g7221/faq.html</a><br><br>Note that =
Polycom licenses G.722.1 and G.719 with the same agreement. <br>
<font color=3D"#888888">
<br>Stephen Botzko<br>Polycom.<br><br><br><br></font><div class=3D"gmail_qu=
ote"><div><div></div><div class=3D"h5">On Wed, Nov 11, 2009 at 11:30 AM, Be=
njamin M. Schwartz <span dir=3D"ltr">&lt;<a href=3D"mailto:bmschwar@fas.har=
vard.edu" target=3D"_blank">bmschwar@fas.harvard.edu</a>&gt;</span> wrote:<=
br>

</div></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px sol=
id rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>=
<div></div><div class=3D"h5"><div>Anisse Taleb wrote:<br>
&gt; I assume this means that the codec is entirely royalty free since Poly=
com<br>
&gt; offers also a royalty free license? Any comments on this?<br>
<br>
</div>Polycom&#39;s license is &quot;royalty free&quot; but contains variou=
s use restrictions<br>
and advertising clauses. =A0It is far from &quot;no strings attached&quot;.=
 =A0We don&#39;t<br>
know what Ericsson&#39;s license says, although we now know how to find out=
<br>
what it is. =A0Even Ericsson&#39;s license were a universal binding patent<=
br>
non-assertion statement, the codec would still not be compatible with<br>
common open-source licenses due to Polycom&#39;s patent licensing restricti=
ons.<br>
<br>
--Ben<br>
<br>
<br></div></div><div class=3D"im">_________________________________________=
______<br>
codec mailing list<br>
<a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a><br>
<a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blank">h=
ttps://www.ietf.org/mailman/listinfo/codec</a><br>
<br></div></blockquote></div><br>
</div><br>

--0016364c778fd1b50704781c3388--

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From: <jari.hagqvist@nokia.com>
To: <stephen.botzko@gmail.com>, <codec@ietf.org>
Date: Wed, 11 Nov 2009 19:38:17 +0100
Thread-Topic: [codec] Fwd:  G.719 royalty-free license
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Hi,
The Polycomm license agreement states that "In the event that Licensee make=
s a Qualifying Patent Assertion against Polycom or any of its subsidiaries,=
 Polycom may immediately terminate all patent rights conveyed herein."  I'm=
 not a lawer, but I interprete this such that the Licensee also gives his w=
hole patent portfolio royalty-free to Polycomm if he wants to get the Polyc=
omm codec royalty-free. Am I right?

Best regards,
Jari Hagqvist

________________________________
From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf Of e=
xt stephen botzko
Sent: 11. marraskuuta 2009 20:01
To: codec@ietf.org
Subject: [codec] Fwd: G.719 royalty-free license

The license agreement from Polycom can be found here:
http://www.polycom.com/company/about_us/technology/siren_g7221/license_sche=
dule.html

with a faq sheet here:
http://www.polycom.com/company/about_us/technology/siren_g7221/faq.html

Note that Polycom licenses G.722.1 and G.719 with the same agreement.

Stephen Botzko
Polycom.



On Wed, Nov 11, 2009 at 11:30 AM, Benjamin M. Schwartz <bmschwar@fas.harvar=
d.edu<mailto:bmschwar@fas.harvard.edu>> wrote:
Anisse Taleb wrote:
> I assume this means that the codec is entirely royalty free since Polycom
> offers also a royalty free license? Any comments on this?

Polycom's license is "royalty free" but contains various use restrictions
and advertising clauses.  It is far from "no strings attached".  We don't
know what Ericsson's license says, although we now know how to find out
what it is.  Even Ericsson's license were a universal binding patent
non-assertion statement, the codec would still not be compatible with
common open-source licenses due to Polycom's patent licensing restrictions.

--Ben


_______________________________________________
codec mailing list
codec@ietf.org<mailto:codec@ietf.org>
https://www.ietf.org/mailman/listinfo/codec




--_000_0E94BEEABCAE4C4EAC18B13A7A5C24564F430FFF7FNOKEUMSG01mgd_
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2900.3492" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009><FONT face=3DArial color=3D#0000ff=20
size=3D2>Hi,</FONT></SPAN></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009><FONT face=3DArial color=3D#0000ff size=3D2>The =
Polycomm=20
license agreement states that </FONT></SPAN></SPAN><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009>"</SPAN>In the event that Licensee makes a Quali=
fying=20
Patent Assertion against Polycom or any of its subsidiaries, Polycom may=20
immediately terminate all patent rights conveyed herein.<SPAN=20
class=3D156112318-11112009>"&nbsp; <FONT face=3DArial color=3D#0000ff size=
=3D2>I'm not a=20
lawer, but I&nbsp;interprete&nbsp;this such&nbsp;that&nbsp;the Licensee als=
o=20
gives his <STRONG>whole patent portfolio</STRONG> royalty-free to Polycomm =
if he=20
wants to get the Polycomm codec royalty-free. Am I=20
right?</FONT></SPAN></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009><FONT face=3DArial color=3D#0000ff=20
size=3D2></FONT></SPAN></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009><FONT face=3DArial color=3D#0000ff size=3D2>Best=
=20
regards,</FONT></SPAN></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009><FONT face=3DArial color=3D#0000ff size=3D2>Jari=
=20
Hagqvist</FONT></SPAN></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN=20
style=3D"FONT-SIZE: 12pt; FONT-FAMILY: 'Times New Roman'; mso-fareast-font-=
family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: =
EN-US; mso-bidi-language: AR-SA"><SPAN=20
class=3D156112318-11112009><FONT face=3DArial color=3D#0000ff=20
size=3D2></FONT></SPAN></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft>
<HR tabIndex=3D-1>
</DIV>
<DIV dir=3Dltr align=3Dleft><FONT face=3DTahoma size=3D2><B>From:</B>=20
codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] <B>On Behalf Of </B>=
ext=20
stephen botzko<BR><B>Sent:</B> 11. marraskuuta 2009 20:01<BR><B>To:</B>=20
codec@ietf.org<BR><B>Subject:</B> [codec] Fwd: G.719 royalty-free=20
license<BR></FONT><BR></DIV>
<DIV></DIV>The license agreement from Polycom can be found here:<BR>
<DIV class=3Dgmail_quote><A=20
href=3D"http://www.polycom.com/company/about_us/technology/siren_g7221/lice=
nse_schedule.html"=20
target=3D_blank>http://www.polycom.com/company/about_us/technology/siren_g7=
221/license_schedule.html</A><BR><BR>with=20
a faq sheet here:<BR><A=20
href=3D"http://www.polycom.com/company/about_us/technology/siren_g7221/faq.=
html"=20
target=3D_blank>http://www.polycom.com/company/about_us/technology/siren_g7=
221/faq.html</A><BR><BR>Note=20
that Polycom licenses G.722.1 and G.719 with the same agreement. <BR><FONT=
=20
color=3D#888888><BR>Stephen Botzko<BR>Polycom.<BR><BR><BR><BR></FONT>
<DIV class=3Dgmail_quote>
<DIV>
<DIV></DIV>
<DIV class=3Dh5>On Wed, Nov 11, 2009 at 11:30 AM, Benjamin M. Schwartz <SPA=
N=20
dir=3Dltr>&lt;<A href=3D"mailto:bmschwar@fas.harvard.edu"=20
target=3D_blank>bmschwar@fas.harvard.edu</A>&gt;</SPAN> wrote:<BR></DIV></D=
IV>
<BLOCKQUOTE class=3Dgmail_quote=20
style=3D"PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204=
,204,204) 1px solid">
  <DIV>
  <DIV></DIV>
  <DIV class=3Dh5>
  <DIV>Anisse Taleb wrote:<BR>&gt; I assume this means that the codec is=20
  entirely royalty free since Polycom<BR>&gt; offers also a royalty free=20
  license? Any comments on this?<BR><BR></DIV>Polycom's license is "royalty=
=20
  free" but contains various use restrictions<BR>and advertising clauses.=20
  &nbsp;It is far from "no strings attached". &nbsp;We don't<BR>know what=20
  Ericsson's license says, although we now know how to find out<BR>what it =
is.=20
  &nbsp;Even Ericsson's license were a universal binding patent<BR>non-asse=
rtion=20
  statement, the codec would still not be compatible with<BR>common open-so=
urce=20
  licenses due to Polycom's patent licensing=20
  restrictions.<BR><BR>--Ben<BR><BR><BR></DIV></DIV>
  <DIV class=3Dim>_______________________________________________<BR>codec =
mailing=20
  list<BR><A href=3D"mailto:codec@ietf.org" target=3D_blank>codec@ietf.org<=
/A><BR><A=20
  href=3D"https://www.ietf.org/mailman/listinfo/codec"=20
  target=3D_blank>https://www.ietf.org/mailman/listinfo/codec</A><BR><BR></=
DIV></BLOCKQUOTE></DIV><BR></DIV><BR></BODY></HTML>

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From eburger@standardstrack.com  Wed Nov 11 12:43:41 2009
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Subject: Re: [codec] Royalty Free codec standards -- don't settle for less
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Am I missing something here?  I cannot tell if what you are saying is =20=

the JVC EG was able to produce a RF baseline (the last paragraph) or =20
they were not able to produce a RF baseline (the second to last =20
paragraph)?

One thing that is clearly different is IPR declaration in the IETF is =20=

not optional: it is mandatory and the policy is clear.  Moreover, =20
there is established case law that if a participant neglects to =20
declare their IPR, and the IPR gets incorporated into a standard, the =20=

participant loses their IP rights.

On Nov 12, 2009, at 2:10 AM, Rob Glidden wrote:

> No argument on the recipe -- build a royalty free house on a royalty =20=

> free foundation with royalty free bricks and royalty free =20
> inspection, etc.
>
> But it wasn't the brick house that saved the three little pigs in =20
> the end.
>
> It is about going the distance in the face of the inevitable =20
> shilling, calls to drive into a ditch, meeting-stacking et al.
>
> And it is not about convincing the convinced -- it about proving =20
> marketplace confidence. It is done all the time, codecs aren't the =20
> unique special case some need them to be.
>
> Of course vet contributions for blocking patents and other loopholes.
>
> Some noteworthy stuff below.
>
> Rob
>
>
> 2001
>
> http://www.itscj.ipsj.or.jp/sc29/29w12911jvt.pdf
> N4400, December 2001
>
> Terms of Reference for a Joint Project between ITU-T Q.6/SG16 and =20
> ISO/IEC JTC 1/SC 29/WG11
> for the Development of new Video Coding Recommendation and =20
> International Standard
> ...
> "10.0 Patent and Copyright Issues
> The project and joint group will progress the project work in =20
> compliance with the Intellectual Property
> Rights (=93IPR=94) policies and IPR reporting requirements and =20
> procedures of both organisations
> (http://www.itu.int/ITU-Databases/TSBPatent/ and =
http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm)=20
> .
> *
> JVT will define a =93baseline=94 profile. That profile should be =
royalty-=20
> free for all implementations.* The
> performance of this profile will particularly be the subject of =20
> performance verification tests.
> JVT=92s rules for the implementation of the IPR policy are contained =20=

> in Annex 3."
>
>
> 2002
>
> http://lists.mpegif.org/pipermail/discuss/2002-May/000347.html
>
> [M4IF Discuss] RE: [M4IF News] To those concerned about MPEG-4 =20
> Licensing ...
> Fernando Pereira fp lx.it.pt
> Mon May 13 18:40:38 EDT 2002
>
> * Previous message: [M4IF Discuss] RE: [M4IF News] To those =20
> concerned about MPEG-4 Licensing ...
> * Next message: [M4IF Discuss] RE: [M4IF News] To those concerned =20
> about MPEG- 4 Licensing ...
> * Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
>
> Hi ! Yuval Fisher wrote:
> >
> > > As for me, I'm looking at MPEG-4 Part 10 and hoping that it is
> > > patent-free ;-)
> > > I wouldn't hold your breath. Many companies are nervous about =20
> submarine
> > patents. There's a strong anti-free-license movement in MPEG.
>
> Let me disagree with this statement ! As the current chairman of =20
> MPEG Requirements, I would claim that MPEG is doing everything to =20
> support the royalty free approach for the baseline profile of MPEG-4 =20=

> part 10 (AVC) ... and there is a very large support within MPEG =20
> members. Of course there is also people with a (legitimate) =20
> different opinion but I would personally claim this is a minority.
>
> Let me also explain that the approach is not simply everything =20
> royalty free but a combination of a royalty free baseline profile =20
> with other more complex profiles not necessarily royalty free (but =20
> RAND). This combination may provide a good compromise between the =20
> two possible extreme alternatives. Finally let me inform that 2 =20
> profiles were defined for AVC/H.264 last week in Fairfax: BASELINE =20
> (to be royalty free) and MAIN (not necessarily royalty free).
>
> Regards Fernando Pereira -- Fernando Manuel Bernardo Pereira, Ph.D., =20=

> Professor
> Instituto Superior T=E9cnico - Instituto de Telecomunica=E7=F5es
> Av. Rovisco Pais, 1049-001 Lisboa, PORTUGAL
> Phone: + 351 21 8418460 Fax: + 351 21 8418472
> E-mail: Fernando.Pereira lx.it.pt WWW: http://www.img.lx.it.pt/~fp/
>
>
>
> [M4IF Discuss] RE: [M4IF News] To those concerned about MPEG- 4 =20
> Licensing ...
> Rob Koenen rkoenen intertrust.com
> Fri May 3 20:59:52 EDT 2002
>
> * Previous message: [M4IF Discuss] To those concerned about MPEG-4 =20
> Licensing ...
> * Next message: [M4IF Discuss] RE: [M4IF News] To those concerned =20
> about MPEG- 4 Licensing ...
> * Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
>
> > > As for me, I'm looking at MPEG-4 Part 10 and hoping
> > that it is
> > > patent-free ;-)
> >
> >
> > I wouldn't hold your breath. Many companies are nervous about
> > submarine
> > patents. There's a strong anti-free-license movement in MPEG.
>
> Sweeping statements like these are very unhelpful.
>
> It may indeed be unlikley that full JVT codec is going to be RF
> (Royalty-Free).
> There is, however, a strong desire among many parties to try and
> establish a RF baseline. There is an ongoing effort to see how such
> an RF baseline could be established. It is area in which people like
> to maneuver carefully, for obvious reasons.
>
> Rob
>
>
>
> 2003
>
> http://lists.mpegif.org/pipermail/discuss/2003-November/000541.html
> Rob Koenen to Iain Richardson
> /Thu Nov 20 07:47:47 EST 2003
> /
>
> (1) Does this mean that the goal of a royalty-free Baseline Profile =20=

> is not
> going to happen ?
>
> ...
>
> I'll answer for what I know and understand today.
> 1) Via Licensing's website states that their proposed terms cover =20
> "use of
> Baseline, Main, and Extended Profiles". MPEG LA's announcement =20
> states "These
> terms cover the entire AVC Standard regardless of which Profile(s) are
> used". I think that gives you the answer.
>
>
>
>
> 2004
>
> H.264/MPEG-4 Part 10 is also subject to a number of essential. =20
> patents.
> However, in order to make the new standard as accessible as possible,
> the JVT has attempted to make the Baseline Profile (see Chapter 6)
> 'royalty free'. During the standardisation process, holders of key
> patents were encouraged to notify JVT of their patent claims and to
> state whether they would permit a royalty free license to the
> patent(s). These patent statements have been taken into account during
> the development of the Profiles with the aim of keeping the Baseline
> free of royalty payments. As this process is voluntary and relies on =20=

> the
> correct identification of all relevant patents prior to =20
> standardisation,
> it is not yet clear whether the goal of a royalty-free Profile will be
> realised but initial indications are positive [1].
>
> 1 In March 2003, 31 companies involved in the H.264 development =20
> process
> and/or holding essential patents confirmed their support for a
> royalty-free Baseline Profile.
>
> Iain E.G. Richardson, H.264 and MPEG-4 Video Compression: Video Coding
> for Next-Generation Multimedia at 274 (John Wiley & Sons, 2004).
>
> 2007:
>
> (look also at what happened to the attorneys)
>
> "Thus, while the language of the JVT IPR policies may not expressly =20=

> require disclosure by all participants in all circumstances (e.g., =20
> if relevant IPR is not disclosed despite the use of best efforts), =20
> it at least incorporates a best efforts standard (even apart from =20
> the submission of technical proposals).
> ...
> In sum, we conclude that Qualcomm, as a participant in the JVT prior =20=

> to the release of the H.264 standard, did have IPR disclosure =20
> obligations, as discussed above, under the written policies of both =20=

> the JVT and its parent organizations"
>
> http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>
> Trial court decision:
>
> =
http://www.klgates.com/files/upload/eDAT_Qualcomm_8_6_07_Order_on_Remedy.p=
df
>
>
> 2007 SC29 revised patent policy
>
> http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm
>
> "Although royalty-bearing patented technologies may be included in =20
> SC 29 standards, SC 29 suggests to its WGs to promote, whenever =20
> possible, the inclusion of technologies that either do not require a =20=

> patent license, or that only require a RAND license without a =20
> royalty or license fee."
>
> 2007 ISO/ITU common patent policy
>
> 2009:
>
> MPEG HVC
>
>
>
>
>
> Eric Burger wrote:
>> In practical terms, I agree that there will be better and better =20
>> codecs in the future. However, I would offer the older codecs are =20
>> good enough for our purposes and will be safe.
>>
>> On Nov 11, 2009, at 1:15 PM, Stephan Wenger wrote:
>>
>>> The existence of at least a dozend of projects in the speech =20
>>> coding field
>>> today suggests to me that we have not yet reached the point of =20
>>> technology
>>> progress saturation in this field. Other that this minor point, I =20=

>>> agree.
>>>
>>> Stephan
>>>
>>>
>>>
>>> On 11/11/09 12:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:
>>>
>>>> 1. Technological progress saturates.
>>>> 2. Patents expire.
>>>> Therefore, the performance advantage of royalty-bearing standards
>>>> diminishes with time, and high-quality, royalty-free standards are
>>>> unavoidable. I'm convinced that today we have reached this point of
>>>> commoditization for audio and speech coding technology.
>>>>
>>>> koen.
>>>>
>>>>
>>>> Quoting Rob Glidden:
>>>>> Here is my view, perhaps you share it, perhaps you don't.
>>>>>
>>>>> What the world needs now is royalty-free, standardized codecs. =20
>>>>> This
>>>>> is critical to the future of the Web, and the progress the =20
>>>>> Internet
>>>>> has brought to the world, and will bring to the world.
>>>>>
>>>>> Video, audio, transport, the whole thing. Evaluated, vetted for
>>>>> patents. Under an appropriate, responsible and complete royalty =20=

>>>>> free
>>>>> process. No less.
>>>>>
>>>>> IETF, ITU, and ISO/MPEG should all get going on this important
>>>>> activity -- after all why shouldn't all of these organizations
>>>>> include this as core to their mission.
>>>>>
>>>>> I have, and no doubt you have too, seen countless explanations why
>>>>> this should not, could not, will not, rather not, might not, or =20=

>>>>> can
>>>>> not happen. Some well meaning and sincere, some from vested
>>>>> interests. There are too many "powerful" interests against it.
>>>>> "Important" commercial interests are ambivalent. It is too hard
>>>>> "legally" or "politically" or "technically". It is just too
>>>>> confusing to think through. There is no longer a critical mass =20
>>>>> that
>>>>> cares enough about keeping the future of the Open Internet open =20=

>>>>> and
>>>>> royalty free. The well meaning are ignorant, or naive. Etc.
>>>>>
>>>>> Don't settle. Take the issue of royalty free, standardized codecs
>>>>> all the way to the top of these organizations. Do what it takes. =20=

>>>>> If
>>>>> it requires new organizations, start them. It it requires revised
>>>>> processes, revise them. This is the spirit that built the Web and
>>>>> the Internet, this is the spirit that is its lifeblood, and this =20=

>>>>> is
>>>>> the spirit that needs to be at the heart of its future.
>>>>>
>>>>> Don't settle. Don't let those who have tried hard already, or have
>>>>> only half-heartedly tried, justify the status quo or their
>>>>> half-heartedness. Encourage them to focus on how to take the next
>>>>> steps. Don't let convenient "interpretations" of standards
>>>>> processes be an excuse for never starting, never finishing, or =20
>>>>> never
>>>>> setting up processes that will work. Need more legal background?
>>>>> Find it. More technical information? Get it.
>>>>>
>>>>> Don't settle. The world has plenty of patent-encumbered media
>>>>> standards, plenty of proprietary solutions, and plenty of =20
>>>>> standards
>>>>> in other domains that have figured out how to deliver royalty =20
>>>>> free.
>>>>> But the world does not have enough royalty-free codec standards, =20=

>>>>> so
>>>>> this is the task that needs to be addressed.
>>>>>
>>>>> Rob
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> codec mailing list
>>>>> codec@ietf.org
>>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> codec mailing list
>>>> codec@ietf.org
>>>> https://www.ietf.org/mailman/listinfo/codec
>>>
>>>
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>
>


From eburger@standardstrack.com  Wed Nov 11 13:04:36 2009
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References: <130EBB38279E9847BAAAE0B8F9905F8C02361035@esealmw109.eemea.ericsson.se> <4afada75.1701d00a.2238.14e3@mx.google.com>	<4AFAE69E.500@fas.harvard.edu> <6e9223710911110952k4b389ac3j69a4c5e9c369c33c@mail.gmail.com> <6e9223710911111000x416c7bb7k6fa8d8b36aeb99e0@mail.gmail.com> <0E94BEEABCAE4C4EAC18B13A7A5C24564F430FFF7F@NOK-EUMSG-01.mgdnok.nokia.com>
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Subject: Re: [codec] Fwd:  G.719 royalty-free license
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That is correct. There is another issue, which is inventors do not  
necessarily need to give up their entire rights in a technology in  
order to create a royalty free standard.

No large portfolio company will agree to "my one patent in a corner of  
a standard equals your portfolio of 55,000 patents." Assertions like  
this are a sure way to keep large technology firms from participating  
(unless that is your goal).


Reasonable royalty free agreements have the following points;

o  Royalty Free FOR USE TO IMPLEMENT AND MARKET ARTIFACTS THAT  
IMPLEMENT THE PUBLISHED STANDARD

    - This just states the IPR comes with no strings attached for the  
purposes of using the RFC, when published

    - This also allows the inventor to keep their rights for other  
purposes. This is an incentive for people to release their IPR without  
writing a blank check. This disproportionally protects small  
inventors, by the way.


o  License revoked if you assert IPR against me because of my  
IMPLEMENTATION OF THE PUBLISHED STANDARD

    - This provides incentives to prevent a party that did not  
participate in the standards process from asserting their IPR against  
the standard

    - This is acceptable to large companies, as they do NOT hand over  
their entire portfolio just because they participated in a small CODEC  
work group


If you want to go further, you can do the industry as a whole a favor  
and extend the IPR regime to protect third-parties:

o License revoked if you assert IPR against ANYONE because of THEIR  
implementation of the published standard

    - This gives people a reason to prosecute IPR in something they  
hope to be royalty free.

    - It provides a layer of protection to the industry by dissuading  
non-participants from asserting their (unknown to the work group) IPR  
against the ultimate standard.


For an example of such a declaration, see:
https://datatracker.ietf.org/ipr/580/

On Nov 12, 2009, at 3:38 AM, <jari.hagqvist@nokia.com> <jari.hagqvist@nokia.com 
 > wrote:

> Hi,
> The Polycomm license agreement states that "In the event that  
> Licensee makes a Qualifying Patent Assertion against Polycom or any  
> of its subsidiaries, Polycom may immediately terminate all patent  
> rights conveyed herein."  I'm not a lawer, but I interprete this  
> such that the Licensee also gives his whole patent portfolio royalty- 
> free to Polycomm if he wants to get the Polycomm codec royalty-free.  
> Am I right?
>
> Best regards,
> Jari Hagqvist
>
> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On  
> Behalf Of ext stephen botzko
> Sent: 11. marraskuuta 2009 20:01
> To: codec@ietf.org
> Subject: [codec] Fwd: G.719 royalty-free license
>
> The license agreement from Polycom can be found here:
> http://www.polycom.com/company/about_us/technology/siren_g7221/license_schedule.html
>
> with a faq sheet here:
> http://www.polycom.com/company/about_us/technology/siren_g7221/ 
> faq.html
>
> Note that Polycom licenses G.722.1 and G.719 with the same agreement.
>
> Stephen Botzko
> Polycom.
>
>
>
> On Wed, Nov 11, 2009 at 11:30 AM, Benjamin M. Schwartz <bmschwar@fas.harvard.edu 
> > wrote:
> Anisse Taleb wrote:
> > I assume this means that the codec is entirely royalty free since  
> Polycom
> > offers also a royalty free license? Any comments on this?
>
> Polycom's license is "royalty free" but contains various use  
> restrictions
> and advertising clauses.  It is far from "no strings attached".  We  
> don't
> know what Ericsson's license says, although we now know how to find  
> out
> what it is.  Even Ericsson's license were a universal binding patent
> non-assertion statement, the codec would still not be compatible with
> common open-source licenses due to Polycom's patent licensing  
> restrictions.
>
> --Ben
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From stewe@stewe.org  Wed Nov 11 14:40:03 2009
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Hi Eric,


On 11/12/09 5:44 AM, "Eric Burger" <eburger@standardstrack.com> wrote:

> Am I missing something here?  I cannot tell if what you are saying is
> the JVC EG was able to produce a RF baseline (the last paragraph) or
> they were not able to produce a RF baseline (the second to last
> paragraph)?

FWIW, I was one of the "architects" of JVT's royalty-free baseline approach=
,
and I believe I have some limited insight in the realities today.  My
position in our discussion is in part a reaction to these realities.

The short answer to this question is (as usual): it depends whom you ask.
However, clearly, most lawyers would probably advise a business to practice
H.264 baseline only after having obtained a license from the pool and
possibly other known rightholders.

At present, one can pick a (royalty-bearing, though cheap, comparatively
speaking) license from the MPEG-LA patent pool which contains patent claims
allegedly relevant to practice baseline and/or many other profiles.  MPEG-L=
A
does not distinguish between profiles on the out-licensing side; which is a
wise business decision on their side, I believe. Further, there are
rightholders outside the pool (according to ITU/ISO/IEC declarations on fil=
e
in the respective organizations), who may or may not charge for a license o=
f
their patents related to baseline (or other profiles).  No one really knows
for sure. =20

OTOH, some say that the assurances every contribution had to be accompanied
with (RF licensing in case the contribution were accepted, under a
reciprocity condition) continues to provide an essentially RF licensing
environment for baseline.  Note that the requirement for these assurances
were implemented in JVT only; they are not a rack ITU or ISO/IEC policy.
I'm personally aware of only a single ruling related to alleged infringemen=
t
of H.264 baseline (although H.264 patents have been litigated more than
once), and this ruling was quite positive for the alleged infringer;
however, the legal grounds for the ruling had AFAIK little or nothing to do
with the assurances mentioned above, but only with other process violations
and (more importantly) legal grounds to subtle to discuss here.  It should
further be noticed, that many folks in the community consider the ruling
"bad law".

Finally, the JVT Royalty-free baseline project did explicitly NOT target
anything but royalty-free *licensing*.  As it has been pointed out already,
by the strictest interpretation of the GPL and other similarly restrictive
"free" or open source licenses, the mere fact that one has to obtain a
license already renders a technology "incompatible" with the license.
That's why I have pointed out time and time again that you guys need to
shoot for non-assert covenants from known rightholders rather than RF
licensing provisions.  That said, there are tons of open source projects
(under GPL and other licenses) that implement H.264 and similarly
known-as-encumbered standards.

> One thing that is clearly different is IPR declaration in the IETF is
> not optional: it is mandatory and the policy is clear.

In the ITU as well.  Arguably: clearer than in the IETF.

> Moreover, =20
> there is established case law that if a participant neglects to
> declare their IPR, and the IPR gets incorporated into a standard, the
> participant loses their IP rights.

I would think your statement may be a tad too strong.  But I agree, it has
been getting more and more difficult to enforce patent rights when clear
process violations are shown, independent from the organization involved.
One significant aspect of the case mentioned above is that even violations
of the common conduct in the committee in question (something I have called
"culture" in a previous posts) may endanger the enforceability of patents,
even if one cannot, by the strictest interpretation of policy documents,
find support of a process violation under the written policy documents.

Not simple, this stuff.

Stephan

> On Nov 12, 2009, at 2:10 AM, Rob Glidden wrote:
>=20
>> No argument on the recipe -- build a royalty free house on a royalty
>> free foundation with royalty free bricks and royalty free
>> inspection, etc.
>>=20
>> But it wasn't the brick house that saved the three little pigs in
>> the end.
>>=20
>> It is about going the distance in the face of the inevitable
>> shilling, calls to drive into a ditch, meeting-stacking et al.
>>=20
>> And it is not about convincing the convinced -- it about proving
>> marketplace confidence. It is done all the time, codecs aren't the
>> unique special case some need them to be.
>>=20
>> Of course vet contributions for blocking patents and other loopholes.
>>=20
>> Some noteworthy stuff below.
>>=20
>> Rob
>>=20
>>=20
>> 2001
>>=20
>> http://www.itscj.ipsj.or.jp/sc29/29w12911jvt.pdf
>> N4400, December 2001
>>=20
>> Terms of Reference for a Joint Project between ITU-T Q.6/SG16 and
>> ISO/IEC JTC 1/SC 29/WG11
>> for the Development of new Video Coding Recommendation and
>> International Standard
>> ...
>> "10.0 Patent and Copyright Issues
>> The project and joint group will progress the project work in
>> compliance with the Intellectual Property
>> Rights (=B3IPR=B2) policies and IPR reporting requirements and
>> procedures of both organisations
>> (http://www.itu.int/ITU-Databases/TSBPatent/ and
>> http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm)
>> .
>> *
>> JVT will define a =B3baseline=B2 profile. That profile should be royalty-
>> free for all implementations.* The
>> performance of this profile will particularly be the subject of
>> performance verification tests.
>> JVT=B9s rules for the implementation of the IPR policy are contained
>> in Annex 3."
>>=20
>>=20
>> 2002
>>=20
>> http://lists.mpegif.org/pipermail/discuss/2002-May/000347.html
>>=20
>> [M4IF Discuss] RE: [M4IF News] To those concerned about MPEG-4
>> Licensing ...
>> Fernando Pereira fp lx.it.pt
>> Mon May 13 18:40:38 EDT 2002
>>=20
>> * Previous message: [M4IF Discuss] RE: [M4IF News] To those
>> concerned about MPEG-4 Licensing ...
>> * Next message: [M4IF Discuss] RE: [M4IF News] To those concerned
>> about MPEG- 4 Licensing ...
>> * Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
>>=20
>> Hi ! Yuval Fisher wrote:
>>>=20
>>>> As for me, I'm looking at MPEG-4 Part 10 and hoping that it is
>>>> patent-free ;-)
>>>> I wouldn't hold your breath. Many companies are nervous about
>> submarine
>>> patents. There's a strong anti-free-license movement in MPEG.
>>=20
>> Let me disagree with this statement ! As the current chairman of
>> MPEG Requirements, I would claim that MPEG is doing everything to
>> support the royalty free approach for the baseline profile of MPEG-4
>> part 10 (AVC) ... and there is a very large support within MPEG
>> members. Of course there is also people with a (legitimate)
>> different opinion but I would personally claim this is a minority.
>>=20
>> Let me also explain that the approach is not simply everything
>> royalty free but a combination of a royalty free baseline profile
>> with other more complex profiles not necessarily royalty free (but
>> RAND). This combination may provide a good compromise between the
>> two possible extreme alternatives. Finally let me inform that 2
>> profiles were defined for AVC/H.264 last week in Fairfax: BASELINE
>> (to be royalty free) and MAIN (not necessarily royalty free).
>>=20
>> Regards Fernando Pereira -- Fernando Manuel Bernardo Pereira, Ph.D.,
>> Professor
>> Instituto Superior T=E9cnico - Instituto de Telecomunica=E7=F5es
>> Av. Rovisco Pais, 1049-001 Lisboa, PORTUGAL
>> Phone: + 351 21 8418460 Fax: + 351 21 8418472
>> E-mail: Fernando.Pereira lx.it.pt WWW: http://www.img.lx.it.pt/~fp/
>>=20
>>=20
>>=20
>> [M4IF Discuss] RE: [M4IF News] To those concerned about MPEG- 4
>> Licensing ...
>> Rob Koenen rkoenen intertrust.com
>> Fri May 3 20:59:52 EDT 2002
>>=20
>> * Previous message: [M4IF Discuss] To those concerned about MPEG-4
>> Licensing ...
>> * Next message: [M4IF Discuss] RE: [M4IF News] To those concerned
>> about MPEG- 4 Licensing ...
>> * Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
>>=20
>>>> As for me, I'm looking at MPEG-4 Part 10 and hoping
>>> that it is
>>>> patent-free ;-)
>>>=20
>>>=20
>>> I wouldn't hold your breath. Many companies are nervous about
>>> submarine
>>> patents. There's a strong anti-free-license movement in MPEG.
>>=20
>> Sweeping statements like these are very unhelpful.
>>=20
>> It may indeed be unlikley that full JVT codec is going to be RF
>> (Royalty-Free).
>> There is, however, a strong desire among many parties to try and
>> establish a RF baseline. There is an ongoing effort to see how such
>> an RF baseline could be established. It is area in which people like
>> to maneuver carefully, for obvious reasons.
>>=20
>> Rob
>>=20
>>=20
>>=20
>> 2003
>>=20
>> http://lists.mpegif.org/pipermail/discuss/2003-November/000541.html
>> Rob Koenen to Iain Richardson
>> /Thu Nov 20 07:47:47 EST 2003
>> /
>>=20
>> (1) Does this mean that the goal of a royalty-free Baseline Profile
>> is not
>> going to happen ?
>>=20
>> ...
>>=20
>> I'll answer for what I know and understand today.
>> 1) Via Licensing's website states that their proposed terms cover
>> "use of
>> Baseline, Main, and Extended Profiles". MPEG LA's announcement
>> states "These
>> terms cover the entire AVC Standard regardless of which Profile(s) are
>> used". I think that gives you the answer.
>>=20
>>=20
>>=20
>>=20
>> 2004
>>=20
>> H.264/MPEG-4 Part 10 is also subject to a number of essential.
>> patents.
>> However, in order to make the new standard as accessible as possible,
>> the JVT has attempted to make the Baseline Profile (see Chapter 6)
>> 'royalty free'. During the standardisation process, holders of key
>> patents were encouraged to notify JVT of their patent claims and to
>> state whether they would permit a royalty free license to the
>> patent(s). These patent statements have been taken into account during
>> the development of the Profiles with the aim of keeping the Baseline
>> free of royalty payments. As this process is voluntary and relies on
>> the
>> correct identification of all relevant patents prior to
>> standardisation,
>> it is not yet clear whether the goal of a royalty-free Profile will be
>> realised but initial indications are positive [1].
>>=20
>> 1 In March 2003, 31 companies involved in the H.264 development
>> process
>> and/or holding essential patents confirmed their support for a
>> royalty-free Baseline Profile.
>>=20
>> Iain E.G. Richardson, H.264 and MPEG-4 Video Compression: Video Coding
>> for Next-Generation Multimedia at 274 (John Wiley & Sons, 2004).
>>=20
>> 2007:
>>=20
>> (look also at what happened to the attorneys)
>>=20
>> "Thus, while the language of the JVT IPR policies may not expressly
>> require disclosure by all participants in all circumstances (e.g.,
>> if relevant IPR is not disclosed despite the use of best efforts),
>> it at least incorporates a best efforts standard (even apart from
>> the submission of technical proposals).
>> ...
>> In sum, we conclude that Qualcomm, as a participant in the JVT prior
>> to the release of the H.264 standard, did have IPR disclosure
>> obligations, as discussed above, under the written policies of both
>> the JVT and its parent organizations"
>>=20
>> http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>=20
>> Trial court decision:
>>=20
>> http://www.klgates.com/files/upload/eDAT_Qualcomm_8_6_07_Order_on_Remedy=
.pdf
>>=20
>>=20
>> 2007 SC29 revised patent policy
>>=20
>> http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm
>>=20
>> "Although royalty-bearing patented technologies may be included in
>> SC 29 standards, SC 29 suggests to its WGs to promote, whenever
>> possible, the inclusion of technologies that either do not require a
>> patent license, or that only require a RAND license without a
>> royalty or license fee."
>>=20
>> 2007 ISO/ITU common patent policy
>>=20
>> 2009:
>>=20
>> MPEG HVC
>>=20
>>=20
>>=20
>>=20
>>=20
>> Eric Burger wrote:
>>> In practical terms, I agree that there will be better and better
>>> codecs in the future. However, I would offer the older codecs are
>>> good enough for our purposes and will be safe.
>>>=20
>>> On Nov 11, 2009, at 1:15 PM, Stephan Wenger wrote:
>>>=20
>>>> The existence of at least a dozend of projects in the speech
>>>> coding field
>>>> today suggests to me that we have not yet reached the point of
>>>> technology
>>>> progress saturation in this field. Other that this minor point, I
>>>> agree.
>>>>=20
>>>> Stephan
>>>>=20
>>>>=20
>>>>=20
>>>> On 11/11/09 12:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:
>>>>=20
>>>>> 1. Technological progress saturates.
>>>>> 2. Patents expire.
>>>>> Therefore, the performance advantage of royalty-bearing standards
>>>>> diminishes with time, and high-quality, royalty-free standards are
>>>>> unavoidable. I'm convinced that today we have reached this point of
>>>>> commoditization for audio and speech coding technology.
>>>>>=20
>>>>> koen.
>>>>>=20
>>>>>=20
>>>>> Quoting Rob Glidden:
>>>>>> Here is my view, perhaps you share it, perhaps you don't.
>>>>>>=20
>>>>>> What the world needs now is royalty-free, standardized codecs.
>>>>>> This
>>>>>> is critical to the future of the Web, and the progress the
>>>>>> Internet
>>>>>> has brought to the world, and will bring to the world.
>>>>>>=20
>>>>>> Video, audio, transport, the whole thing. Evaluated, vetted for
>>>>>> patents. Under an appropriate, responsible and complete royalty
>>>>>> free
>>>>>> process. No less.
>>>>>>=20
>>>>>> IETF, ITU, and ISO/MPEG should all get going on this important
>>>>>> activity -- after all why shouldn't all of these organizations
>>>>>> include this as core to their mission.
>>>>>>=20
>>>>>> I have, and no doubt you have too, seen countless explanations why
>>>>>> this should not, could not, will not, rather not, might not, or
>>>>>> can
>>>>>> not happen. Some well meaning and sincere, some from vested
>>>>>> interests. There are too many "powerful" interests against it.
>>>>>> "Important" commercial interests are ambivalent. It is too hard
>>>>>> "legally" or "politically" or "technically". It is just too
>>>>>> confusing to think through. There is no longer a critical mass
>>>>>> that
>>>>>> cares enough about keeping the future of the Open Internet open
>>>>>> and
>>>>>> royalty free. The well meaning are ignorant, or naive. Etc.
>>>>>>=20
>>>>>> Don't settle. Take the issue of royalty free, standardized codecs
>>>>>> all the way to the top of these organizations. Do what it takes.
>>>>>> If
>>>>>> it requires new organizations, start them. It it requires revised
>>>>>> processes, revise them. This is the spirit that built the Web and
>>>>>> the Internet, this is the spirit that is its lifeblood, and this
>>>>>> is
>>>>>> the spirit that needs to be at the heart of its future.
>>>>>>=20
>>>>>> Don't settle. Don't let those who have tried hard already, or have
>>>>>> only half-heartedly tried, justify the status quo or their
>>>>>> half-heartedness. Encourage them to focus on how to take the next
>>>>>> steps. Don't let convenient "interpretations" of standards
>>>>>> processes be an excuse for never starting, never finishing, or
>>>>>> never
>>>>>> setting up processes that will work. Need more legal background?
>>>>>> Find it. More technical information? Get it.
>>>>>>=20
>>>>>> Don't settle. The world has plenty of patent-encumbered media
>>>>>> standards, plenty of proprietary solutions, and plenty of
>>>>>> standards
>>>>>> in other domains that have figured out how to deliver royalty
>>>>>> free.
>>>>>> But the world does not have enough royalty-free codec standards,
>>>>>> so
>>>>>> this is the task that needs to be addressed.
>>>>>>=20
>>>>>> Rob
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>> _______________________________________________
>>>>>> codec mailing list
>>>>>> codec@ietf.org
>>>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>>>=20
>>>>>=20
>>>>>=20
>>>>> _______________________________________________
>>>>> codec mailing list
>>>>> codec@ietf.org
>>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>=20
>>>>=20
>>>> _______________________________________________
>>>> codec mailing list
>>>> codec@ietf.org
>>>> https://www.ietf.org/mailman/listinfo/codec
>>>=20
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>>=20
>>=20
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec



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Hi Eric,

I wholeheartedly agree with your email below, but also note that very few
rightholder companies in the IETF follow your approach.  Overly broad
reciprocity conditions are the norm for declarations offering no royalties,
and not an exception.  Just look at (most of) the recent Cisco-style
disclosures.

There are established areas of technologies in the IETF where an unspoken
consensus seems to prevail to keep the environment free of the licensing
game.  For those areas, the Cisco-style reciprocity conditions are IMHO just
fine. 

Stephan




On 11/12/09 6:04 AM, "Eric Burger" <eburger@standardstrack.com> wrote:

> That is correct. There is another issue, which is inventors do not
> necessarily need to give up their entire rights in a technology in
> order to create a royalty free standard.
> 
> No large portfolio company will agree to "my one patent in a corner of
> a standard equals your portfolio of 55,000 patents." Assertions like
> this are a sure way to keep large technology firms from participating
> (unless that is your goal).
> 
> 
> Reasonable royalty free agreements have the following points;
> 
> o  Royalty Free FOR USE TO IMPLEMENT AND MARKET ARTIFACTS THAT
> IMPLEMENT THE PUBLISHED STANDARD
> 
>     - This just states the IPR comes with no strings attached for the
> purposes of using the RFC, when published
> 
>     - This also allows the inventor to keep their rights for other
> purposes. This is an incentive for people to release their IPR without
> writing a blank check. This disproportionally protects small
> inventors, by the way.
> 
> 
> o  License revoked if you assert IPR against me because of my
> IMPLEMENTATION OF THE PUBLISHED STANDARD
> 
>     - This provides incentives to prevent a party that did not
> participate in the standards process from asserting their IPR against
> the standard
> 
>     - This is acceptable to large companies, as they do NOT hand over
> their entire portfolio just because they participated in a small CODEC
> work group
> 
> 
> If you want to go further, you can do the industry as a whole a favor
> and extend the IPR regime to protect third-parties:
> 
> o License revoked if you assert IPR against ANYONE because of THEIR
> implementation of the published standard
> 
>     - This gives people a reason to prosecute IPR in something they
> hope to be royalty free.
> 
>     - It provides a layer of protection to the industry by dissuading
> non-participants from asserting their (unknown to the work group) IPR
> against the ultimate standard.
> 
> 
> For an example of such a declaration, see:
> https://datatracker.ietf.org/ipr/580/
> 
> On Nov 12, 2009, at 3:38 AM, <jari.hagqvist@nokia.com>
> <jari.hagqvist@nokia.com
>> wrote:
> 
>> Hi,
>> The Polycomm license agreement states that "In the event that
>> Licensee makes a Qualifying Patent Assertion against Polycom or any
>> of its subsidiaries, Polycom may immediately terminate all patent
>> rights conveyed herein."  I'm not a lawer, but I interprete this
>> such that the Licensee also gives his whole patent portfolio royalty-
>> free to Polycomm if he wants to get the Polycomm codec royalty-free.
>> Am I right?
>> 
>> Best regards,
>> Jari Hagqvist
>> 
>> From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On
>> Behalf Of ext stephen botzko
>> Sent: 11. marraskuuta 2009 20:01
>> To: codec@ietf.org
>> Subject: [codec] Fwd: G.719 royalty-free license
>> 
>> The license agreement from Polycom can be found here:
>> http://www.polycom.com/company/about_us/technology/siren_g7221/license_schedu
>> le.html
>> 
>> with a faq sheet here:
>> http://www.polycom.com/company/about_us/technology/siren_g7221/
>> faq.html
>> 
>> Note that Polycom licenses G.722.1 and G.719 with the same agreement.
>> 
>> Stephen Botzko
>> Polycom.
>> 
>> 
>> 
>> On Wed, Nov 11, 2009 at 11:30 AM, Benjamin M. Schwartz
>> <bmschwar@fas.harvard.edu
>>> wrote:
>> Anisse Taleb wrote:
>>> I assume this means that the codec is entirely royalty free since
>> Polycom
>>> offers also a royalty free license? Any comments on this?
>> 
>> Polycom's license is "royalty free" but contains various use
>> restrictions
>> and advertising clauses.  It is far from "no strings attached".  We
>> don't
>> know what Ericsson's license says, although we now know how to find
>> out
>> what it is.  Even Ericsson's license were a universal binding patent
>> non-assertion statement, the codec would still not be compatible with
>> common open-source licenses due to Polycom's patent licensing
>> restrictions.
>> 
>> --Ben
>> 
>> 
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>> 
>> 
>> 
>> _______________________________________________
>> codec mailing list
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> 
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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
To: <codec@ietf.org>
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Hi

As a piece of additional info. Those of you interested in the actual =
c-code and the specification can find it at=20
http://www.itu.int/rec/T-REC-G.719-200806-I

BR
/Ingemar
=20

> -----Original Message-----
> From: Ingemar Johansson S=20
> Sent: den 12 november 2009 00:26
> To: codec@ietf.org
> Subject: G.719 royalty-free license
>=20
> Hi
>=20
> I have the following announcement regarding G.719
>=20
> Ericsson offers a royalty-free license under Ericsson's G.719=20
> standard essential patents for end user products.=20
> The license agreement can be obtained by contacting=20
> patent.licensing@ericsson.com
>=20
> =20
> Regards
> Ingemar
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> INGEMAR JOHANSSON  M.Sc.=20
> Senior Research Engineer=20
>=20
> Ericsson AB
> Multimedia Technologies
> Labratoriegr=E4nd 11
> 971 28, Lule=E5, Sweden
> Phone +46-1071 43042
> SMS/MMS +46-73 078 3289
> ingemar.s.johansson@ericsson.com
> www.ericsson.com
> Visit http://labs.ericsson.com !
> =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
>=20

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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
To: "Jean-Marc Valin" <jean-marc.valin@octasic.com>, <codec@ietf.org>
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Hi
=20
And thanks for the response and the offer.
I am still of the very strong opinion that codec work should be done in =
another venue (ITU-T, 3GPP, ...), this is mainly for practical reasons. =
There are also legal matters around which makes other venues more =
suitable but I don't believe that I am skilled enough to discuss the =
latter.
=20
Regards
Ingemar


________________________________

	From: Jean-Marc Valin [mailto:jean-marc.valin@octasic.com]=20
	Sent: den 12 november 2009 00:53
	To: Ingemar Johansson S; codec@ietf.org
	Subject: RE: [codec] G.719 royalty-free license
=09
=09

	Hi,
=09
	I think this is great news! I guess this shows that collaboration would =
be possible. I would personally like to invite Ericsson to contribute =
the G.719 technology as input to the proposed working group. This could =
certainly help towards meeting some of the requirements we currently =
have and create an overall better codec.
=09
	Cheers,
=09
	        Jean-Marc
=09
=09
	-----Original Message-----
	From: codec-bounces@ietf.org on behalf of Ingemar Johansson S
	Sent: Wed 11/11/2009 10:26 AM
	To: codec@ietf.org
	Subject: [codec] G.719 royalty-free license
=09
	Hi
=09
	I have the following announcement regarding G.719
=09
	Ericsson offers a royalty-free license under Ericsson's G.719 standard =
essential patents for end user products.
	The license agreement can be obtained by contacting =
patent.licensing@ericsson.com
=09
=09
	Regards
	Ingemar
	=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
	INGEMAR JOHANSSON  M.Sc.
	Senior Research Engineer
=09
	Ericsson AB
	Multimedia Technologies
	Labratoriegr=E4nd 11
	971 28, Lule=E5, Sweden
	Phone +46-1071 43042
	SMS/MMS +46-73 078 3289
	ingemar.s.johansson@ericsson.com
	www.ericsson.com
	Visit http://labs.ericsson.com !
	=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
	_______________________________________________
	codec mailing list
	codec@ietf.org
	https://www.ietf.org/mailman/listinfo/codec
=09
=09


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: [codec] G.719 royalty-free license</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16916" name=3DGENERATOR></HEAD>
<BODY>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Hi</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>And thanks for the response and the=20
offer.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>I am still of the very strong opinion that =
codec work=20
should be done in another venue (ITU-T, 3GPP, ...), this is&nbsp;mainly =
for=20
practical reasons.&nbsp;There are also legal matters around&nbsp;which =
makes=20
other venues&nbsp;more suitable but I don't believe that I am skilled =
enough to=20
discuss the latter.</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Regards</FONT></SPAN></DIV>
<DIV dir=3Dltr align=3Dleft><SPAN class=3D069402001-12112009><FONT =
face=3DArial=20
color=3D#0000ff size=3D2>Ingemar</FONT></SPAN></DIV><BR>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr align=3Dleft>
  <HR tabIndex=3D-1>
  <FONT face=3DTahoma size=3D2><B>From:</B> Jean-Marc Valin=20
  [mailto:jean-marc.valin@octasic.com] <BR><B>Sent:</B> den 12 november =
2009=20
  00:53<BR><B>To:</B> Ingemar Johansson S; =
codec@ietf.org<BR><B>Subject:</B> RE:=20
  [codec] G.719 royalty-free license<BR></FONT><BR></DIV>
  <DIV></DIV><!-- Converted from text/plain format -->
  <P><FONT size=3D2>Hi,<BR><BR>I think this is great news! I guess this =
shows that=20
  collaboration would be possible. I would personally like to invite =
Ericsson to=20
  contribute the G.719 technology as input to the proposed working =
group. This=20
  could certainly help towards meeting some of the requirements we =
currently=20
  have and create an overall better=20
  =
codec.<BR><BR>Cheers,<BR><BR>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Jean-Marc<BR><BR><BR>-----Original Message-----<BR>From:=20
  codec-bounces@ietf.org on behalf of Ingemar Johansson S<BR>Sent: Wed=20
  11/11/2009 10:26 AM<BR>To: codec@ietf.org<BR>Subject: [codec] G.719=20
  royalty-free license<BR><BR>Hi<BR><BR>I have the following =
announcement=20
  regarding G.719<BR><BR>Ericsson offers a royalty-free license under =
Ericsson's=20
  G.719 standard essential patents for end user products.<BR>The license =

  agreement can be obtained by contacting=20
  =
patent.licensing@ericsson.com<BR><BR><BR>Regards<BR>Ingemar<BR>=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D<BR>INGEMAR=20
  JOHANSSON&nbsp; M.Sc.<BR>Senior Research Engineer<BR><BR>Ericsson=20
  AB<BR>Multimedia Technologies<BR>Labratoriegr=E4nd 11<BR>971 28, =
Lule=E5,=20
  Sweden<BR>Phone +46-1071 43042<BR>SMS/MMS +46-73 078=20
  3289<BR>ingemar.s.johansson@ericsson.com<BR>www.ericsson.com<BR>Visit =
<A=20
  href=3D"http://labs.ericsson.com">http://labs.ericsson.com</A>=20
  =
!<BR>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D<BR>_______________________________________=
________<BR>codec=20
  mailing list<BR>codec@ietf.org<BR><A=20
  =
href=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.org=
/mailman/listinfo/codec</A><BR><BR></FONT></P></BLOCKQUOTE></BODY></HTML>=


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From stpeter@stpeter.im  Wed Nov 11 17:33:59 2009
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On 11/12/09 10:26 AM, Ingemar Johansson S wrote:

> And thanks for the response and the offer.
> I am still of the very strong opinion that codec work should be done in
> another venue (ITU-T, 3GPP, ...), this is mainly for practical
> reasons.

Would it be possible for you to describe some of those practical
reasons? I think that would be very helpful for our discussions at the
BoF today. The more practical and factual we can be, the better.

Peter

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Peter Saint-Andre
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From: "Roni Even" <ron.even.tlv@gmail.com>
To: "'Jean-Marc Valin'" <jean-marc.valin@octasic.com>, "'Ingemar Johansson S'" <ingemar.s.johansson@ericsson.com>, <codec@ietf.org>
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Subject: Re: [codec] G.719 royalty-free license
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Hi,

I think that this should be part of survey of existing solutions. Based =
on
the current requirements this codec qualifies since it is royalty free =
and
there is no need to bring it as a proposal since it is already been =
approved
by a standard body.

The rest of the requirements are a set that allows any high quality =
codec to
qualify since there is no selection based on requirements and the =
proposal
is to allow the proposed group to select multiple codec.

=20

Roni Even

=20

From: codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] On Behalf =
Of
Jean-Marc Valin
Sent: Thursday, November 12, 2009 12:53 AM
To: Ingemar Johansson S; codec@ietf.org
Subject: Re: [codec] G.719 royalty-free license

=20

Hi,

I think this is great news! I guess this shows that collaboration would =
be
possible. I would personally like to invite Ericsson to contribute the =
G.719
technology as input to the proposed working group. This could certainly =
help
towards meeting some of the requirements we currently have and create an
overall better codec.

Cheers,

        Jean-Marc


-----Original Message-----
From: codec-bounces@ietf.org on behalf of Ingemar Johansson S
Sent: Wed 11/11/2009 10:26 AM
To: codec@ietf.org
Subject: [codec] G.719 royalty-free license

Hi

I have the following announcement regarding G.719

Ericsson offers a royalty-free license under Ericsson's G.719 standard
essential patents for end user products.
The license agreement can be obtained by contacting
patent.licensing@ericsson.com


Regards
Ingemar
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
INGEMAR JOHANSSON  M.Sc.
Senior Research Engineer

Ericsson AB
Multimedia Technologies
Labratoriegr=E4nd 11
971 28, Lule=E5, Sweden
Phone +46-1071 43042
SMS/MMS +46-73 078 3289
ingemar.s.johansson@ericsson.com
www.ericsson.com
Visit http://labs.ericsson.com !
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
_______________________________________________
codec mailing list
codec@ietf.org
https://www.ietf.org/mailman/listinfo/codec


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<p class=3DMsoNormal><span =
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color:#1F497D'>Hi,<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>I think that this should be part of survey of existing
solutions. Based on the current requirements this codec qualifies since =
it is
royalty free and there is no need to bring it as a proposal since it is =
already
been approved by a standard body.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>The rest of the requirements are a set that allows any =
high
quality codec to qualify since there is no selection based on =
requirements and
the proposal is to allow the proposed group to select multiple =
codec.<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'>Roni Even<o:p></o:p></span></p>

<p class=3DMsoNormal><span =
style=3D'font-size:11.0pt;font-family:"Calibri","sans-serif";
color:#1F497D'><o:p>&nbsp;</o:p></span></p>

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0in 4.0pt'>

<div>

<div style=3D'border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt =
0in 0in 0in'>

<p class=3DMsoNormal><b><span =
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span>=
</b><span
style=3D'font-size:10.0pt;font-family:"Tahoma","sans-serif"'>
codec-bounces@ietf.org [mailto:codec-bounces@ietf.org] <b>On Behalf Of =
</b>Jean-Marc
Valin<br>
<b>Sent:</b> Thursday, November 12, 2009 12:53 AM<br>
<b>To:</b> Ingemar Johansson S; codec@ietf.org<br>
<b>Subject:</b> Re: [codec] G.719 royalty-free =
license<o:p></o:p></span></p>

</div>

</div>

<p class=3DMsoNormal><o:p>&nbsp;</o:p></p>

<p style=3D'margin-bottom:12.0pt'><span =
style=3D'font-size:10.0pt'>Hi,<br>
<br>
I think this is great news! I guess this shows that collaboration would =
be
possible. I would personally like to invite Ericsson to contribute the =
G.719
technology as input to the proposed working group. This could certainly =
help
towards meeting some of the requirements we currently have and create an
overall better codec.<br>
<br>
Cheers,<br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jean-Marc<br>
<br>
<br>
-----Original Message-----<br>
From: codec-bounces@ietf.org on behalf of Ingemar Johansson S<br>
Sent: Wed 11/11/2009 10:26 AM<br>
To: codec@ietf.org<br>
Subject: [codec] G.719 royalty-free license<br>
<br>
Hi<br>
<br>
I have the following announcement regarding G.719<br>
<br>
Ericsson offers a royalty-free license under Ericsson's G.719 standard
essential patents for end user products.<br>
The license agreement can be obtained by contacting
patent.licensing@ericsson.com<br>
<br>
<br>
Regards<br>
Ingemar<br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D<br>
INGEMAR JOHANSSON&nbsp; M.Sc.<br>
Senior Research Engineer<br>
<br>
Ericsson AB<br>
Multimedia Technologies<br>
Labratoriegr=E4nd 11<br>
971 28, Lule=E5, Sweden<br>
Phone +46-1071 43042<br>
SMS/MMS +46-73 078 3289<br>
ingemar.s.johansson@ericsson.com<br>
www.ericsson.com<br>
Visit <a href=3D"http://labs.ericsson.com">http://labs.ericsson.com</a> =
!<br>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D<br>
_______________________________________________<br>
codec mailing list<br>
codec@ietf.org<br>
<a =
href=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.org=
/mailman/listinfo/codec</a></span><o:p></o:p></p>

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From ingemar.s.johansson@ericsson.com  Wed Nov 11 17:56:00 2009
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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
To: "Peter Saint-Andre" <stpeter@stpeter.im>
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OK

The main practical reason from my perspactive (my humble and personal
opinion) is that we have at our company a limited number of people who
do codec research. It is not a secret that all major companies today
need to prioritize the work and participating in the (codec)work in one
particular venue is not automatically guaranteed just because this work
exists. The amount of work must in some sense give a reasonable benefit.

I don't today see that codec work in IETF would provide with a benefit
over the activities already conducted in other standards venues, to put
it short I don't see the added value to justify the participation in a
possible codec WG.  =20
   =20
Regards
Ingemar

> -----Original Message-----
> From: Peter Saint-Andre [mailto:stpeter@stpeter.im]=20
> Sent: den 12 november 2009 10:34
> To: Ingemar Johansson S
> Cc: Jean-Marc Valin; codec@ietf.org
> Subject: Re: [codec] G.719 royalty-free license
>=20
> On 11/12/09 10:26 AM, Ingemar Johansson S wrote:
>=20
> > And thanks for the response and the offer.
> > I am still of the very strong opinion that codec work=20
> should be done=20
> > in another venue (ITU-T, 3GPP, ...), this is mainly for practical=20
> > reasons.
>=20
> Would it be possible for you to describe some of those=20
> practical reasons? I think that would be very helpful for our=20
> discussions at the BoF today. The more practical and factual=20
> we can be, the better.
>=20
> Peter
>=20
> --
> Peter Saint-Andre
> https://stpeter.im/
>=20
>=20
>=20

From ingemar.s.johansson@ericsson.com  Wed Nov 11 18:08:06 2009
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From: "Ingemar Johansson S" <ingemar.s.johansson@ericsson.com>
To: "Anisse Taleb" <anisse.taleb@huawei.com>, <codec@ietf.org>
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Hi

This will give the rights to use G.719 RF under the terms listed in the =
license agreement.

Regards
Ingemar=20

> -----Original Message-----
> From: Anisse Taleb [mailto:anisse.taleb@huawei.com]=20
> Sent: den 12 november 2009 00:38
> To: Ingemar Johansson S; codec@ietf.org
> Subject: RE: [codec] G.719 royalty-free license
>=20
> Hi Ingo,
> This is indeed quite interesting news given that this is a=20
> brand new codec and the first ITU-T fullband conversational codec.
>=20
> I assume this means that the codec is entirely royalty free=20
> since Polycom offers also a royalty free license? Any=20
> comments on this?
>=20
> Thanks for the information.
>=20
> /Abisse=20
> > -----Original Message-----
> > From: codec-bounces@ietf.org=20
> [mailto:codec-bounces@ietf.org] On Behalf=20
> > Of Ingemar Johansson S
> > Sent: den 11 november 2009 16:26
> > To: codec@ietf.org
> > Subject: [codec] G.719 royalty-free license
> >=20
> > Hi
> >=20
> > I have the following announcement regarding G.719
> >=20
> > Ericsson offers a royalty-free license under Ericsson's=20
> G.719 standard=20
> > essential patents for end user products.
> > The license agreement can be obtained by contacting=20
> > patent.licensing@ericsson.com
> >=20
> >=20
> > Regards
> > Ingemar
> > =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > INGEMAR JOHANSSON  M.Sc.
> > Senior Research Engineer
> >=20
> > Ericsson AB
> > Multimedia Technologies
> > Labratoriegr=E4nd 11
> > 971 28, Lule=E5, Sweden
> > Phone +46-1071 43042
> > SMS/MMS +46-73 078 3289
> > ingemar.s.johansson@ericsson.com
> > www.ericsson.com
> > Visit http://labs.ericsson.com !
> > =
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D
> > _______________________________________________
> > codec mailing list
> > codec@ietf.org
> > https://www.ietf.org/mailman/listinfo/codec
>=20
>=20

From stpeter@stpeter.im  Wed Nov 11 18:29:12 2009
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Eric and I have just uploaded all the slides for today's BoF. You can
find them here:

https://datatracker.ietf.org/meeting/76/materials.html#wg-codec

/psa


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Subject: Re: [codec] Royalty Free codec standards -- don't settle for less
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Eric:

Sorry, I am unclear what you are asking.

Those are public materials from others, not me.

http://www.cafc.uscourts.gov/opinions/07-1545.pdf  is straight from the court (check the ruling it is interesting).  

Others are ipr statements or public emails from leaders and participants at the time.

The gist is that on paper several groups have preferences and goals to standardize rf codecs, with charters very similar to here.  In the case of jvt, on paper for nearly a decade now.

As you can see from the emails even with leaders defending at opportune times the rf prospects.

They haven't delivered yet.

They haven't gone back and removed patents from baselines.  They haven't done a lot of things, nor have the cultures around filled in the gaps.  

I think the right conclusion is not that it can't be done, it is just that it has not been done yet right.

Rob

-----Original Message-----

From:  Eric Burger <eburger@standardstrack.com>
Subj:  Re: [codec] Royalty Free codec standards -- don't settle for less
Date:  Wed Nov 11, 2009 3:44 pm
Size:  12K
To:  Rob Glidden <rob.glidden@sbcglobal.net>
cc:  codec@ietf.org

Am I missing something here?  I cannot tell if what you are saying is  
the JVC EG was able to produce a RF baseline (the last paragraph) or  
they were not able to produce a RF baseline (the second to last  
paragraph)?

One thing that is clearly different is IPR declaration in the IETF is  
not optional: it is mandatory and the policy is clear.  Moreover,  
there is established case law that if a participant neglects to  
declare their IPR, and the IPR gets incorporated into a standard, the  
participant loses their IP rights.

On Nov 12, 2009, at 2:10 AM, Rob Glidden wrote:

> No argument on the recipe -- build a royalty free house on a royalty  
> free foundation with royalty free bricks and royalty free  
> inspection, etc.
>
> But it wasn't the brick house that saved the three little pigs in  
> the end.
>
> It is about going the distance in the face of the inevitable  
> shilling, calls to drive into a ditch, meeting-stacking et al.
>
> And it is not about convincing the convinced -- it about proving  
> marketplace confidence. It is done all the time, codecs aren't the  
> unique special case some need them to be.
>
> Of course vet contributions for blocking patents and other loopholes.
>
> Some noteworthy stuff below.
>
> Rob
>
>
> 2001
>
> http://www.itscj.ipsj.or.jp/sc29/29w12911jvt.pdf
> N4400, December 2001
>
> Terms of Reference for a Joint Project between ITU-T Q.6/SG16 and  
> ISO/IEC JTC 1/SC 29/WG11
> for the Development of new Video Coding Recommendation and  
> International Standard
> ...
> "10.0 Patent and Copyright Issues
> The project and joint group will progress the project work in  
> compliance with the Intellectual Property
> Rights (“IPR”) policies and IPR reporting requirements and  
> procedures of both organisations
> (http://www.itu.int/ITU-Databases/TSBPatent/ and http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm) 
> .
> *
> JVT will define a “baseline” profile. That profile should be royalty- 
> free for all implementations.* The
> performance of this profile will particularly be the subject of  
> performance verification tests.
> JVT’s rules for the implementation of the IPR policy are contained  
> in Annex 3."
>
>
> 2002
>
> http://lists.mpegif.org/pipermail/discuss/2002-May/000347.html
>
> [M4IF Discuss] RE: [M4IF News] To those concerned about MPEG-4  
> Licensing ...
> Fernando Pereira fp lx.it.pt
> Mon May 13 18:40:38 EDT 2002
>
> * Previous message: [M4IF Discuss] RE: [M4IF News] To those  
> concerned about MPEG-4 Licensing ...
> * Next message: [M4IF Discuss] RE: [M4IF News] To those concerned  
> about MPEG- 4 Licensing ...
> * Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
>
> Hi ! Yuval Fisher wrote:
> >
> > > As for me, I'm looking at MPEG-4 Part 10 and hoping that it is
> > > patent-free ;-)
> > > I wouldn't hold your breath. Many companies are nervous about  
> submarine
> > patents. There's a strong anti-free-license movement in MPEG.
>
> Let me disagree with this statement ! As the current chairman of  
> MPEG Requirements, I would claim that MPEG is doing everything to  
> support the royalty free approach for the baseline profile of MPEG-4  
> part 10 (AVC) ... and there is a very large support within MPEG  
> members. Of course there is also people with a (legitimate)  
> different opinion but I would personally claim this is a minority.
>
> Let me also explain that the approach is not simply everything  
> royalty free but a combination of a royalty free baseline profile  
> with other more complex profiles not necessarily royalty free (but  
> RAND). This combination may provide a good compromise between the  
> two possible extreme alternatives. Finally let me inform that 2  
> profiles were defined for AVC/H.264 last week in Fairfax: BASELINE  
> (to be royalty free) and MAIN (not necessarily royalty free).
>
> Regards Fernando Pereira -- Fernando Manuel Bernardo Pereira, Ph.D.,  
> Professor
> Instituto Superior Técnico - Instituto de Telecomunicações
> Av. Rovisco Pais, 1049-001 Lisboa, PORTUGAL
> Phone: + 351 21 8418460 Fax: + 351 21 8418472
> E-mail: Fernando.Pereira lx.it.pt WWW: http://www.img.lx.it.pt/~fp/
>
>
>
> [M4IF Discuss] RE: [M4IF News] To those concerned about MPEG- 4  
> Licensing ...
> Rob Koenen rkoenen intertrust.com
> Fri May 3 20:59:52 EDT 2002
>
> * Previous message: [M4IF Discuss] To those concerned about MPEG-4  
> Licensing ...
> * Next message: [M4IF Discuss] RE: [M4IF News] To those concerned  
> about MPEG- 4 Licensing ...
> * Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]
>
> > > As for me, I'm looking at MPEG-4 Part 10 and hoping
> > that it is
> > > patent-free ;-)
> >
> >
> > I wouldn't hold your breath. Many companies are nervous about
> > submarine
> > patents. There's a strong anti-free-license movement in MPEG.
>
> Sweeping statements like these are very unhelpful.
>
> It may indeed be unlikley that full JVT codec is going to be RF
> (Royalty-Free).
> There is, however, a strong desire among many parties to try and
> establish a RF baseline. There is an ongoing effort to see how such
> an RF baseline could be established. It is area in which people like
> to maneuver carefully, for obvious reasons.
>
> Rob
>
>
>
> 2003
>
> http://lists.mpegif.org/pipermail/discuss/2003-November/000541.html
> Rob Koenen to Iain Richardson
> /Thu Nov 20 07:47:47 EST 2003
> /
>
> (1) Does this mean that the goal of a royalty-free Baseline Profile  
> is not
> going to happen ?
>
> ...
>
> I'll answer for what I know and understand today.
> 1) Via Licensing's website states that their proposed terms cover  
> "use of
> Baseline, Main, and Extended Profiles". MPEG LA's announcement  
> states "These
> terms cover the entire AVC Standard regardless of which Profile(s) are
> used". I think that gives you the answer.
>
>
>
>
> 2004
>
> H.264/MPEG-4 Part 10 is also subject to a number of essential.  
> patents.
> However, in order to make the new standard as accessible as possible,
> the JVT has attempted to make the Baseline Profile (see Chapter 6)
> 'royalty free'. During the standardisation process, holders of key
> patents were encouraged to notify JVT of their patent claims and to
> state whether they would permit a royalty free license to the
> patent(s). These patent statements have been taken into account during
> the development of the Profiles with the aim of keeping the Baseline
> free of royalty payments. As this process is voluntary and relies on  
> the
> correct identification of all relevant patents prior to  
> standardisation,
> it is not yet clear whether the goal of a royalty-free Profile will be
> realised but initial indications are positive [1].
>
> 1 In March 2003, 31 companies involved in the H.264 development  
> process
> and/or holding essential patents confirmed their support for a
> royalty-free Baseline Profile.
>
> Iain E.G. Richardson, H.264 and MPEG-4 Video Compression: Video Coding
> for Next-Generation Multimedia at 274 (John Wiley & Sons, 2004).
>
> 2007:
>
> (look also at what happened to the attorneys)
>
> "Thus, while the language of the JVT IPR policies may not expressly  
> require disclosure by all participants in all circumstances (e.g.,  
> if relevant IPR is not disclosed despite the use of best efforts),  
> it at least incorporates a best efforts standard (even apart from  
> the submission of technical proposals).
> ...
> In sum, we conclude that Qualcomm, as a participant in the JVT prior  
> to the release of the H.264 standard, did have IPR disclosure  
> obligations, as discussed above, under the written policies of both  
> the JVT and its parent organizations"
>
> http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>
> Trial court decision:
>
> http://www.klgates.com/files/upload/eDAT_Qualcomm_8_6_07_Order_on_Remedy.pdf
>
>
> 2007 SC29 revised patent policy
>
> http://www.itscj.ipsj.or.jp/sc29/29w7ipr.htm
>
> "Although royalty-bearing patented technologies may be included in  
> SC 29 standards, SC 29 suggests to its WGs to promote, whenever  
> possible, the inclusion of technologies that either do not require a  
> patent license, or that only require a RAND license without a  
> royalty or license fee."
>
> 2007 ISO/ITU common patent policy
>
> 2009:
>
> MPEG HVC
>
>
>
>
>
> Eric Burger wrote:
>> In practical terms, I agree that there will be better and better  
>> codecs in the future. However, I would offer the older codecs are  
>> good enough for our purposes and will be safe.
>>
>> On Nov 11, 2009, at 1:15 PM, Stephan Wenger wrote:
>>
>>> The existence of at least a dozend of projects in the speech  
>>> coding field
>>> today suggests to me that we have not yet reached the point of  
>>> technology
>>> progress saturation in this field. Other that this minor point, I  
>>> agree.
>>>
>>> Stephan
>>>
>>>
>>>
>>> On 11/11/09 12:26 PM, "Koen Vos" <koen.vos@skype.net> wrote:
>>>
>>>> 1. Technological progress saturates.
>>>> 2. Patents expire.
>>>> Therefore, the performance advantage of royalty-bearing standards
>>>> diminishes with time, and high-quality, royalty-free standards are
>>>> unavoidable. I'm convinced that today we have reached this point of
>>>> commoditization for audio and speech coding technology.
>>>>
>>>> koen.
>>>>
>>>>
>>>> Quoting Rob Glidden:
>>>>> Here is my view, perhaps you share it, perhaps you don't.
>>>>>
>>>>> What the world needs now is royalty-free, standardized codecs.  
>>>>> This
>>>>> is critical to the future of the Web, and the progress the  
>>>>> Internet
>>>>> has brought to the world, and will bring to the world.
>>>>>
>>>>> Video, audio, transport, the whole thing. Evaluated, vetted for
>>>>> patents. Under an appropriate, responsible and complete royalty  
>>>>> free
>>>>> process. No less.
>>>>>
>>>>> IETF, ITU, and ISO/MPEG should all get going on this important
>>>>> activity -- after all why shouldn't all of these organizations
>>>>> include this as core to their mission.
>>>>>
>>>>> I have, and no doubt you have too, seen countless explanations why
>>>>> this should not, could not, will not, rather not, might not, or  
>>>>> can
>>>>> not happen. Some well meaning and sincere, some from vested
>>>>> interests. There are too many "powerful" interests against it.
>>>>> "Important" commercial interests are ambivalent. It is too hard
>>>>> "legally" or "politically" or "technically". It is just too
>>>>> confusing to think through. There is no longer a critical mass  
>>>>> that
>>>>> cares enough about keeping the future of the Open Internet open  
>>>>> and
>>>>> royalty free. The well meaning are ignorant, or naive. Etc.
>>>>>
>>>>> Don't settle. Take the issue of royalty free, standardized codecs
>>>>> all the way to the top of these organizations. Do what it takes.  
>>>>> If
>>>>> it requires new organizations, start them. It it requires revised
>>>>> processes, revise them. This is the spirit that built the Web and
>>>>> the Internet, this is the spirit that is its lifeblood, and this  
>>>>> is
>>>>> the spirit that needs to be at the heart of its future.
>>>>>
>>>>> Don't settle. Don't let those who have tried hard already, or have
>>>>> only half-heartedly tried, justify the status quo or their
>>>>> half-heartedness. Encourage them to focus on how to take the next
>>>>> steps. Don't let convenient "interpretations" of standards
>>>>> processes be an excuse for never starting, never finishing, or  
>>>>> never
>>>>> setting up processes that will work. Need more legal background?
>>>>> Find it. More technical information? Get it.
>>>>>
>>>>> Don't settle. The world has plenty of patent-encumbered media
>>>>> standards, plenty of proprietary solutions, and plenty of  
>>>>> standards
>>>>> in other domains that have figured out how to deliver royalty  
>>>>> free.
>>>>> But the world does not have enough royalty-free codec standards,  
>>>>> so
>>>>> this is the task that needs to be addressed.
>>>>>
>>>>> Rob
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> _______________________________________________
>>>>> codec mailing list
>>>>> codec@ietf.org
>>>>> https://www.ietf.org/mailman/listinfo/codec
>>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> codec mailing list
>>>> codec@ietf.org
>>>> https://www.ietf.org/mailman/listinfo/codec
>>>
>>>
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>
>





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Subject: Re: [codec] Questions asked in codec BoF
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It should also be noted that there was a question something to the effect of:
  This work should be done in cooperation between IETF & ITU-T: ~40+

I'm not exactly sure about the number (40) that I quoted, but it can 
be confirmed in the forthcoming minutes.

also, see corrections below inline...

At 10:13 PM 11/11/2009, Simon Perreault wrote:
>Hello,
>
>Just a quick observation on the questions asked today.
>
>Willing to do the work and do it in IETF: ~20

Want to work on this problem as stated, and want to do it in the IETF

>Willing to do the work, not in the IETF: ~0
>Not willing to do the work, nowhere: ~50

Don't want to work on this problem, not here, not anywhere

HTH,
Gregory.


>The 50:20 ratio may seem high. But it was not asked how many people
>*not* willing to do the work think this work should happen at the IETF.
>I think this figure would have been high.
>
>For example, I know nothing about codecs, and have no time to work on
>this, but would love to see this work done in the IETF. I'm sure I'm not
>alone.
>
>Simon
>--
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Thank you to everyone who participated in the room and remotely.  We  
succeeded in getting a lot of work done, and we have a sense of  
whether or not we have a well-formed problem to solve, if there are  
people who need the work product, if people are willing to work on it,  
and if the IETF is an acceptable venue to do the work.  In addition,  
we learned a lot about the possibilities for cooperating with ITU-T SG  
16.

Please review the minutes and send corrections.

The minutes are posted to:
http://www.ietf.org/proceedings/09nov/minutes/codec.txt

From stpeter@stpeter.im  Thu Nov 12 13:39:21 2009
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Date: Fri, 13 Nov 2009 06:39:46 +0900
From: Peter Saint-Andre <stpeter@stpeter.im>
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Cc: codec@ietf.org
Subject: Re: [codec] DRAFT Minutes Posted
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On 11/12/09 5:06 PM, Eric Burger wrote:

> The minutes are posted to:
> http://www.ietf.org/proceedings/09nov/minutes/codec.txt

At least in my browser there were some improperly-encoded characters
(cf. the technical plenary!) and I found some errors typographical
errors and incorrectly spelled names. I have fixed those editorial
issues and uploaded corrected notes. Many thanks to the note takers, and
to everyone who contributed to a productive BoF.

Peter

-- 
Peter Saint-Andre
https://stpeter.im/



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Date: Fri, 13 Nov 2009 06:40:29 +0900
From: Peter Saint-Andre <stpeter@stpeter.im>
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Cc: codec@ietf.org
Subject: Re: [codec] DRAFT Minutes Posted
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On 11/13/09 6:39 AM, Peter Saint-Andre wrote:

> some errors typographical errors 

Like that. :)



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From: Brian West <brian@freeswitch.org>
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To: Raymond (Juin-Hwey) Chen <rchen@broadcom.com>
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Subject: Re: [codec] Broadcom submits BroadVoice codecs and offers its patent rights and C source codes of BV16/BV32 royalty free
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Raymond,
	I would like to thank Broadcom for their commitment to Open Source/ 
Royalty Free codecs.  Following up on this trend we have now commited  
mod_bv16 and mod_bv32 to the FreeSWITCH SVN Tree.  We have working  
autotooled/libtoolized floating point implementations which are  
downloaded and built static for these modules in FreeSWITCH.  If  
Broadcom would setup an SVN I would be happy to provide build systems  
for mac/linux for both floating and fixed point codecs.

On a sidenote.. x-lite's bv32 is busted and not workable so anyone  
doing any implementations please be warned it will NOT WORK.   
Hopefully someone from counterpath is paying attention.

Thanks,
Brian West
FreeSWITCH.org
PS: http://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=15464


On Nov 10, 2009, at 9:09 PM, Raymond (Juin-Hwey) Chen wrote:

> All,
>
> As a follow-up of my previous email below, I would like to bring to  
> everyone's attention that Broadcom today issued a news release that  
> formally announced that Broadcom is offering open source BroadVoice  
> C code royalty-free and without licensing fees. See, for example,
> http://finance.yahoo.com/news/Broadcom-Offers-RoyaltyFree-prnews-2935046185.html?x=0&.v=1 
>  .
> The open source BroadVoice C code is licensed under the GNU Lesser  
> General Public License (LGPL), version 2.1, as published by the Free  
> Software Foundation.
>
> As of now, the open source floating-point and fixed-point C code for  
> both BroadVoice16 and BroadVoice32 can be freely downloaded from
> http://www.broadcom.com/broadvoice .
>
> This fulfills our previous promise in the email below to make  
> BroadVoice16/BroadVoice32 C code "open source" (since "open source"  
> is a desirable feature of candidate codecs for the Internet Wideband  
> Audio Codec).
>
> Thanks.
>
> Raymond


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<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; =
">Raymond,<div><span class=3D"Apple-tab-span" style=3D"white-space:pre">	=
</span>I would like to thank Broadcom for their commitment to Open =
Source/Royalty Free codecs. &nbsp;Following up on this trend we have now =
commited mod_bv16 and mod_bv32 to the FreeSWITCH SVN Tree. &nbsp;We have =
working autotooled/libtoolized floating point implementations which are =
downloaded and built static for these modules in FreeSWITCH. &nbsp;If =
Broadcom would setup an SVN I would be happy to provide build systems =
for mac/linux for both floating and fixed point =
codecs.</div><div><br></div><div>On a sidenote.. x-lite's bv32 is busted =
and not workable so anyone doing any implementations please be warned it =
will NOT WORK. &nbsp;Hopefully someone from counterpath is paying =
attention.</div><div><br></div><div>Thanks,</div><div>Brian =
West</div><div><a =
href=3D"http://FreeSWITCH.org">FreeSWITCH.org</a></div><div>PS:&nbsp;<a =
href=3D"http://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=3D15464">ht=
tp://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=3D15464</a></div><div=
><br></div><div><br><div><div>On Nov 10, 2009, at 9:09 PM, Raymond =
(Juin-Hwey) Chen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; ">All,<br><br>As a follow-up of my =
previous email below, I would like to bring to everyone's attention that =
Broadcom today issued a news release that formally announced that =
Broadcom is offering open source BroadVoice C code royalty-free and =
without licensing fees. See, for example,<br><a =
href=3D"http://finance.yahoo.com/news/Broadcom-Offers-RoyaltyFree-prnews-2=
935046185.html?x=3D0&amp;.v=3D1">http://finance.yahoo.com/news/Broadcom-Of=
fers-RoyaltyFree-prnews-2935046185.html?x=3D0&amp;.v=3D1</a><span =
class=3D"Apple-converted-space">&nbsp;</span>.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>The open source =
BroadVoice C code is licensed under the GNU Lesser General Public =
License (LGPL), version 2.1, as published by the Free Software =
Foundation.<br><br>As of now, the open source floating-point and =
fixed-point C code for both BroadVoice16 and BroadVoice32 can be freely =
downloaded from<span class=3D"Apple-converted-space">&nbsp;</span><br><a =
href=3D"http://www.broadcom.com/broadvoice">http://www.broadcom.com/broadv=
oice</a><span class=3D"Apple-converted-space">&nbsp;</span>.<br><br>This =
fulfills our previous promise in the email below to make =
BroadVoice16/BroadVoice32 C code "open source" (since "open source" is a =
desirable feature of candidate codecs for the Internet Wideband Audio =
Codec).<br><br>Thanks.<br><br>Raymond<span =
class=3D"Apple-converted-space">&nbsp;</span><br></span></blockquote></div=
><br></div></body></html>=

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From tzafrir.cohen@xorcom.com  Sat Nov 14 01:07:46 2009
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Subject: Re: [codec] Broadcom submits BroadVoice codecs and offers its	patent rights and C source codes of BV16/BV32 royalty free
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On Fri, Nov 13, 2009 at 04:17:35PM -0600, Brian West wrote:
> Raymond,
> 	I would like to thank Broadcom for their commitment to Open Source/ 
> Royalty Free codecs.  Following up on this trend we have now commited  
> mod_bv16 and mod_bv32 to the FreeSWITCH SVN Tree.  We have working  
> autotooled/libtoolized floating point implementations which are  
> downloaded and built static for these modules in FreeSWITCH.  If  
> Broadcom would setup an SVN I would be happy to provide build systems  
> for mac/linux for both floating and fixed point codecs.
>
> On a sidenote.. x-lite's bv32 is busted and not workable so anyone doing 
> any implementations please be warned it will NOT WORK.  Hopefully someone 
> from counterpath is paying attention.
>
> Thanks,
> Brian West
> FreeSWITCH.org
> PS: http://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=15464

That changeset is only the FreeSWITCH modules. 
You also ommited from there the test data and test driver (bv16/bv.c) .

After adding it, I see that the test fails:

+ cmp -s tv.bv16 ./tv.bv16.ref
+ checksum=1
+ cmp -s tv.bv16.raw ./tv.bv16.ref.raw
+ cmp -s tv.bv16.bfe10.raw ./tv.bv16.bfe10.ref.raw
+ checksum=2

This means that the first encoding test fails, and likewise is the last
encoding test. However encoding and decoding give the same reference
data (the second test that passed).

-- 
               Tzafrir Cohen
icq#16849755              jabber:tzafrir.cohen@xorcom.com
+972-50-7952406           mailto:tzafrir.cohen@xorcom.com
http://www.xorcom.com  iax:guest@local.xorcom.com/tzafrir

From brian@freeswitch.org  Sat Nov 14 03:10:21 2009
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To: Tzafrir Cohen <tzafrir.cohen@xorcom.com>
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Subject: Re: [codec] Broadcom submits BroadVoice codecs and offers its	patent rights and C source codes of BV16/BV32 royalty free
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I didn't include bv.c as its not needed to build a library nor did I  
include any test programs.  Mike Jerris is going to rework my build  
system and include fixed/float in addition to a few more things and we  
will push that back to broadcom once its complete.  I have compiled  
the two libs on linux and my mac without any errors.  In addition  
their seems to be some implementation confusion I'm working out with  
Broadcom right now.  From what I can tell everyone has done G.192  
bitpacking on the wire but thats not to RFC and the API for g.192 is  
for offline simulation purposes so seems everyone currently running  
BV16/BV32 might to be doing it wrong.... Feels a little like G726  
RFC3551 vs AAL2 coding snafu.  For offline testing you must define  
G192BITSTREAM=1 which is only referenced in bv.c and used for offline  
testing.  I suspect your tests would pass if you compiled the test  
program with that flag.

Broadcom says this "The G.192 bit-stream format is only for offline  
simulation purposes.  For something real you want the bit-stream  
packed according to RFC4298."

/b


On Nov 14, 2009, at 3:08 AM, Tzafrir Cohen wrote:

> On Fri, Nov 13, 2009 at 04:17:35PM -0600, Brian West wrote:
>> Raymond,
>> 	I would like to thank Broadcom for their commitment to Open Source/
>> Royalty Free codecs.  Following up on this trend we have now commited
>> mod_bv16 and mod_bv32 to the FreeSWITCH SVN Tree.  We have working
>> autotooled/libtoolized floating point implementations which are
>> downloaded and built static for these modules in FreeSWITCH.  If
>> Broadcom would setup an SVN I would be happy to provide build systems
>> for mac/linux for both floating and fixed point codecs.
>>
>> On a sidenote.. x-lite's bv32 is busted and not workable so anyone  
>> doing
>> any implementations please be warned it will NOT WORK.  Hopefully  
>> someone
>> from counterpath is paying attention.
>>
>> Thanks,
>> Brian West
>> FreeSWITCH.org
>> PS: http://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=15464
>
> That changeset is only the FreeSWITCH modules.
> You also ommited from there the test data and test driver (bv16/ 
> bv.c) .
>
> After adding it, I see that the test fails:
>
> + cmp -s tv.bv16 ./tv.bv16.ref
> + checksum=1
> + cmp -s tv.bv16.raw ./tv.bv16.ref.raw
> + cmp -s tv.bv16.bfe10.raw ./tv.bv16.bfe10.ref.raw
> + checksum=2
>
> This means that the first encoding test fails, and likewise is the  
> last
> encoding test. However encoding and decoding give the same reference
> data (the second test that passed).
>
> -- 
>               Tzafrir Cohen
> icq#16849755              jabber:tzafrir.cohen@xorcom.com
> +972-50-7952406           mailto:tzafrir.cohen@xorcom.com
> http://www.xorcom.com  iax:guest@local.xorcom.com/tzafrir
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


From brian@freeswitch.org  Sat Nov 14 03:22:00 2009
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To: Tzafrir Cohen <tzafrir.cohen@xorcom.com>
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Just a small update it seems its a 32bit vs 64bit issue... unsigned  
long bitword32; <-- LONG IS EVIL.

/b

On Nov 14, 2009, at 3:08 AM, Tzafrir Cohen wrote:

> On Fri, Nov 13, 2009 at 04:17:35PM -0600, Brian West wrote:
>> Raymond,
>> 	I would like to thank Broadcom for their commitment to Open Source/
>> Royalty Free codecs.  Following up on this trend we have now commited
>> mod_bv16 and mod_bv32 to the FreeSWITCH SVN Tree.  We have working
>> autotooled/libtoolized floating point implementations which are
>> downloaded and built static for these modules in FreeSWITCH.  If
>> Broadcom would setup an SVN I would be happy to provide build systems
>> for mac/linux for both floating and fixed point codecs.
>>
>> On a sidenote.. x-lite's bv32 is busted and not workable so anyone  
>> doing
>> any implementations please be warned it will NOT WORK.  Hopefully  
>> someone
>> from counterpath is paying attention.
>>
>> Thanks,
>> Brian West
>> FreeSWITCH.org
>> PS: http://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=15464
>
> That changeset is only the FreeSWITCH modules.
> You also ommited from there the test data and test driver (bv16/ 
> bv.c) .
>
> After adding it, I see that the test fails:
>
> + cmp -s tv.bv16 ./tv.bv16.ref
> + checksum=1
> + cmp -s tv.bv16.raw ./tv.bv16.ref.raw
> + cmp -s tv.bv16.bfe10.raw ./tv.bv16.bfe10.ref.raw
> + checksum=2
>
> This means that the first encoding test fails, and likewise is the  
> last
> encoding test. However encoding and decoding give the same reference
> data (the second test that passed).


--Apple-Mail-20-717668891
Content-Transfer-Encoding: quoted-printable
Content-Type: text/html;
	charset=us-ascii

<html><head></head><body style=3D"word-wrap: break-word; =
-webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Just =
a small update it seems its a 32bit vs 64bit issue...&nbsp;unsigned long =
bitword32; &lt;-- LONG IS =
EVIL.<div><br></div><div>/b</div><div><br><div><div>On Nov 14, 2009, at =
3:08 AM, Tzafrir Cohen wrote:</div><br =
class=3D"Apple-interchange-newline"><blockquote type=3D"cite"><span =
class=3D"Apple-style-span" style=3D"border-collapse: separate; =
font-family: Helvetica; font-size: medium; font-style: normal; =
font-variant: normal; font-weight: normal; letter-spacing: normal; =
line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; =
white-space: normal; widows: 2; word-spacing: 0px; =
-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: =
0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: =
auto; -webkit-text-stroke-width: 0px; ">On Fri, Nov 13, 2009 at =
04:17:35PM -0600, Brian West wrote:<br><blockquote =
type=3D"cite">Raymond,<br></blockquote><blockquote type=3D"cite"><span =
class=3D"Apple-tab-span" style=3D"white-space: pre; ">	</span>I would =
like to thank Broadcom for their commitment to Open Source/<span =
class=3D"Apple-converted-space">&nbsp;</span><br></blockquote><blockquote =
type=3D"cite">Royalty Free codecs. &nbsp;Following up on this trend we =
have now commited &nbsp;<br></blockquote><blockquote =
type=3D"cite">mod_bv16 and mod_bv32 to the FreeSWITCH SVN Tree. &nbsp;We =
have working &nbsp;<br></blockquote><blockquote =
type=3D"cite">autotooled/libtoolized floating point implementations =
which are &nbsp;<br></blockquote><blockquote type=3D"cite">downloaded =
and built static for these modules in FreeSWITCH. &nbsp;If =
&nbsp;<br></blockquote><blockquote type=3D"cite">Broadcom would setup an =
SVN I would be happy to provide build systems =
&nbsp;<br></blockquote><blockquote type=3D"cite">for mac/linux for both =
floating and fixed point codecs.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote type=3D"cite">On a sidenote.. =
x-lite's bv32 is busted and not workable so anyone doing<span =
class=3D"Apple-converted-space">&nbsp;</span><br></blockquote><blockquote =
type=3D"cite">any implementations please be warned it will NOT WORK. =
&nbsp;Hopefully someone<span =
class=3D"Apple-converted-space">&nbsp;</span><br></blockquote><blockquote =
type=3D"cite">from counterpath is paying =
attention.<br></blockquote><blockquote =
type=3D"cite"><br></blockquote><blockquote =
type=3D"cite">Thanks,<br></blockquote><blockquote type=3D"cite">Brian =
West<br></blockquote><blockquote type=3D"cite"><a =
href=3D"http://FreeSWITCH.org/">FreeSWITCH.org</a><br></blockquote><blockq=
uote type=3D"cite">PS:<span =
class=3D"Apple-converted-space">&nbsp;</span><a =
href=3D"http://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=3D15464">ht=
tp://fisheye.freeswitch.org/changelog/FreeSWITCH/?cs=3D15464</a><br></bloc=
kquote><br>That changeset is only the FreeSWITCH modules.<span =
class=3D"Apple-converted-space">&nbsp;</span><br>You also ommited from =
there the test data and test driver (bv16/bv.c) .<br><br>After adding =
it, I see that the test fails:<br><br>+ cmp -s tv.bv16 =
./tv.bv16.ref<br>+ checksum=3D1<br>+ cmp -s tv.bv16.raw =
./tv.bv16.ref.raw<br>+ cmp -s tv.bv16.bfe10.raw =
./tv.bv16.bfe10.ref.raw<br>+ checksum=3D2<br><br>This means that the =
first encoding test fails, and likewise is the last<br>encoding test. =
However encoding and decoding give the same reference<br>data (the =
second test that =
passed).</span></blockquote></div><br></div></body></html>=

--Apple-Mail-20-717668891--

From rob.glidden@sbcglobal.net  Sat Nov 14 03:41:50 2009
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Subject: [codec] I wonder what is going on at MPEG, Re:  DRAFT Minutes Posted
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BTW I hear that in MPEG the Chinese National Body initiated a 
(re)consideration of royalty free standardization and MPEG has issued a 
call for comments to other national bodies.

Someone may want to contact their national MPEG Head of Delegation or 
numerous liaisons including IETF, listed at 
http://www.itscj.ipsj.or.jp/sc29/.

At the same time, MPEG is also considering launching new royalty bearing 
activities HVC (High Performance Video Coding) and MMT (Multimedia 
Transport). http://www.chiariglione.org/mpeg/working_documents.htm

You may recall that h.264 was launched in 2001 as a joint project 
between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undertaking 
that the "JVT [Joint Video Team] will define a “baseline” profile. That 
profile should be royalty-free for all implementations." To date neither 
ITU-T nor MPEG have ever delivered on this royalty free undertaking.

Rob

Eric Burger wrote:
> Thank you to everyone who participated in the room and remotely. We 
> succeeded in getting a lot of work done, and we have a sense of 
> whether or not we have a well-formed problem to solve, if there are 
> people who need the work product, if people are willing to work on it, 
> and if the IETF is an acceptable venue to do the work. In addition, we 
> learned a lot about the possibilities for cooperating with ITU-T SG 16.
>
> Please review the minutes and send corrections.
>
> The minutes are posted to:
> http://www.ietf.org/proceedings/09nov/minutes/codec.txt
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>


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Subject: Re: [codec] I wonder what is going on at MPEG, Re:  DRAFT Minutes Posted
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BTW, see November 10, 2009 "Preliminary call for proposals signals work 
start for H.264/MPEG-4 AVC successor" (ie HVC):

http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx

Any "h.264 successor" type work (audio/video/transport) should complete, 
not drop, the 2001 royalty free undertaking.  IETF and ITU-T should 
lead/support to royalty-free, not give up or hide in a niche, nor let 
vested interests run process into slow failure.

See: http://www.cafc.uscourts.gov/opinions/07-1545.pdf

The process was enforceable, and enforced.
Patents could have been found earlier, and removed.

Rob

Rob Glidden wrote:
> BTW I hear that in MPEG the Chinese National Body initiated a 
> (re)consideration of royalty free standardization and MPEG has issued 
> a call for comments to other national bodies.
>
> Someone may want to contact their national MPEG Head of Delegation or 
> numerous liaisons including IETF, listed at 
> http://www.itscj.ipsj.or.jp/sc29/.
>
> At the same time, MPEG is also considering launching new royalty 
> bearing activities HVC (High Performance Video Coding) and MMT 
> (Multimedia Transport). 
> http://www.chiariglione.org/mpeg/working_documents.htm
>
> You may recall that h.264 was launched in 2001 as a joint project 
> between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the 
> undertaking that the "JVT [Joint Video Team] will define a “baseline” 
> profile. That profile should be royalty-free for all implementations." 
> To date neither ITU-T nor MPEG have ever delivered on this royalty 
> free undertaking.
>
> Rob
>
> Eric Burger wrote:
>> Thank you to everyone who participated in the room and remotely. We 
>> succeeded in getting a lot of work done, and we have a sense of 
>> whether or not we have a well-formed problem to solve, if there are 
>> people who need the work product, if people are willing to work on 
>> it, and if the IETF is an acceptable venue to do the work. In 
>> addition, we learned a lot about the possibilities for cooperating 
>> with ITU-T SG 16.
>>
>> Please review the minutes and send corrections.
>>
>> The minutes are posted to:
>> http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>
>
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>


From stephen.botzko@gmail.com  Sun Nov 15 13:55:05 2009
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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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As Stephan Wenger indicated, it is not clear if the JVT actually failed or
not.  What is clear is that they did everything they reasonably could have
done.  There were several folks participating who took the royalty-free
baseline profile objective very seriously.

Again, all submitted IPR for the baseline tools indicated royalty free
terms.  So the JVT had every reason to think they had succeeded.    By the
time this IPR turned up, H.264 had been standardized for over 2 years.
H.264 implementations were already out there - so any attempts to do
work-arounds would have broken existing implementations (including
implementations in silicon).

Certainly any existing IETF group would have presumed exactly the same thin=
g
the JVT did.  The lesson here is that even if the SDO is conscientious, an
unencumbered codec can not be guaranteed. I don't see any other way to read
this.

Stephen Botzko
Polycom


On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden <rob.glidden@sbcglobal.net>wro=
te:

>  stephen botzko wrote:
>
> >>>
> To date neither ITU-T nor MPEG have ever delivered on this royalty free
> undertaking.
> >>>
> That should be viewed as very *bad* news here, since all the IPR
> declarations in JVT for the baseline tools indicated royalty free terms. =
In
> other words, the SDOs did everything possible to deliver, and when H.264
> baseline was standardized they thought they had succeeded.
>
> I'd suggest that it is hard to see things this way after reading
>
> http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>
> The process was enforceable, and enforced.
> The patents could have been found earlier, and removed.
>
> So any "h.264 successor" type work (audio/video/transport) should complet=
e,
> not drop, the royalty free undertaking.  IETF and ITU-T should lead there=
,
> not give up or hide in a niche.
>
> See November 10, 2009 "Preliminary call for proposals signals work start
> for H.264/MPEG-4 AVC successor"
>
>
> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+W=
ork+Start+For+H264MPEG4+AVC+Successor.aspx
>
> Rob
>
>
> Stephen Botzko
> Polycom.
>
>
>
> On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden <rob.glidden@sbcglobal.net>w=
rote:
>
>> BTW I hear that in MPEG the Chinese National Body initiated a
>> (re)consideration of royalty free standardization and MPEG has issued a =
call
>> for comments to other national bodies.
>>
>> Someone may want to contact their national MPEG Head of Delegation or
>> numerous liaisons including IETF, listed at
>> http://www.itscj.ipsj.or.jp/sc29/.
>>
>> At the same time, MPEG is also considering launching new royalty bearing
>> activities HVC (High Performance Video Coding) and MMT (Multimedia
>> Transport). http://www.chiariglione.org/mpeg/working_documents.htm
>>
>> You may recall that h.264 was launched in 2001 as a joint project betwee=
n
>> ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undertaking that th=
e
>> "JVT [Joint Video Team] will define a =93baseline=94 profile. That profi=
le
>> should be royalty-free for all implementations." To date neither ITU-T n=
or
>> MPEG have ever delivered on this royalty free undertaking.
>>
>> Rob
>>
>> Eric Burger wrote:
>>
>>> Thank you to everyone who participated in the room and remotely. We
>>> succeeded in getting a lot of work done, and we have a sense of whether=
 or
>>> not we have a well-formed problem to solve, if there are people who nee=
d the
>>> work product, if people are willing to work on it, and if the IETF is a=
n
>>> acceptable venue to do the work. In addition, we learned a lot about th=
e
>>> possibilities for cooperating with ITU-T SG 16.
>>>
>>> Please review the minutes and send corrections.
>>>
>>> The minutes are posted to:
>>> http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>>
>>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>>
>
>
>

--001636417485bbdeb304786ff1fe
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

As Stephan Wenger indicated, it is not clear if the JVT actually failed or =
not.=A0 What is clear is that they did everything they reasonably could hav=
e done.=A0 There were several folks participating who took the royalty-free=
 baseline profile objective very seriously.<br>
<br>Again, all submitted IPR for the baseline tools indicated royalty free =
terms.=A0 So the JVT had every reason to think they had succeeded.=A0=A0=A0=
 By the time this IPR turned up, H.264 had been standardized for over 2 yea=
rs.=A0 H.264 implementations were already out there - so any attempts to do=
 work-arounds would have broken existing implementations (including impleme=
ntations in silicon).=A0 <br>
<br>Certainly any existing IETF group would have presumed exactly the same =
thing the JVT did.=A0 The lesson here is that even if the SDO is conscienti=
ous, an unencumbered codec can not be guaranteed. I don&#39;t see any other=
 way to read this.<br>
<br>Stephen Botzko<br>Polycom<br><br><br><div class=3D"gmail_quote">On Sun,=
 Nov 15, 2009 at 9:01 AM, Rob Glidden <span dir=3D"ltr">&lt;<a href=3D"mail=
to:rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;</span> wrot=
e:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


 =20

<div bgcolor=3D"#ffffff" text=3D"#000000"><div class=3D"im">
stephen botzko wrote:
<blockquote type=3D"cite">&gt;&gt;&gt;<br>
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
&gt;&gt;&gt;<br>
That should be viewed as very <b>bad</b> news here, since all the IPR
declarations in JVT for the baseline tools indicated royalty free
terms. In other words, the SDOs did everything possible to deliver, and
when H.264 baseline was standardized they thought they had succeeded.<br>
</blockquote></div>
I&#39;d suggest that it is hard to see things this way after reading<br>
<br>
<a href=3D"http://www.cafc.uscourts.gov/opinions/07-1545.pdf" target=3D"_bl=
ank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
<br>
The process was enforceable, and enforced.<br>
The patents could have been found earlier, and removed.<br>
<br>
So any &quot;h.264 successor&quot; type work (audio/video/transport) should
complete, not drop, the royalty free undertaking.=A0 IETF and ITU-T
should lead there, not give up or hide in a niche.<br>
<br>
See November 10, 2009 &quot;Preliminary call for proposals signals work
start for H.264/MPEG-4 AVC successor&quot;<br>
<br>
<a href=3D"http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+=
Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx" target=3D"_blank">http=
://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+St=
art+For+H264MPEG4+AVC+Successor.aspx</a><br>
<font color=3D"#888888">
<br>
Rob</font><div class=3D"im"><br>
<br>
<blockquote type=3D"cite">Stephen Botzko<br>
Polycom.=A0 <br>
  <br>
=A0<br>
  <br>
  <div class=3D"gmail_quote">On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden
  <span dir=3D"ltr">&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" target=
=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">BTW
I hear that in MPEG the Chinese National Body initiated a
(re)consideration of royalty free standardization and MPEG has issued a
call for comments to other national bodies.<br>
    <br>
Someone may want to contact their national MPEG Head of Delegation or
numerous liaisons including IETF, listed at <a href=3D"http://www.itscj.ips=
j.or.jp/sc29/" target=3D"_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
    <br>
At the same time, MPEG is also considering launching new royalty
bearing activities HVC (High Performance Video Coding) and MMT
(Multimedia Transport). <a href=3D"http://www.chiariglione.org/mpeg/working=
_documents.htm" target=3D"_blank">http://www.chiariglione.org/mpeg/working_=
documents.htm</a><br>
    <br>
You may recall that h.264 was launched in 2001 as a joint project
between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the
undertaking that the &quot;JVT [Joint Video Team] will define a =93baseline=
=94
profile. That profile should be royalty-free for all implementations.&quot;
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
    <br>
Rob<br>
    <br>
Eric Burger wrote:<br>
    <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(2=
04, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
Thank you to everyone who participated in the room and remotely. We
succeeded in getting a lot of work done, and we have a sense of whether
or not we have a well-formed problem to solve, if there are people who
need the work product, if people are willing to work on it, and if the
IETF is an acceptable venue to do the work. In addition, we learned a
lot about the possibilities for cooperating with ITU-T SG 16.<br>
      <br>
Please review the minutes and send corrections.<br>
      <br>
The minutes are posted to:<br>
      <a href=3D"http://www.ietf.org/proceedings/09nov/minutes/codec.txt" t=
arget=3D"_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a=
><br>
_______________________________________________<br>
codec mailing list<br>
      <a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a=
><br>
      <a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_bl=
ank">https://www.ietf.org/mailman/listinfo/codec</a><br>
      <br>
    </blockquote>
    <br>
_______________________________________________<br>
codec mailing list<br>
    <a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a><=
br>
    <a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blan=
k">https://www.ietf.org/mailman/listinfo/codec</a><br>
  </blockquote>
  </div>
  <br>
</blockquote>
<br>
</div></div>

</blockquote></div><br>

--001636417485bbdeb304786ff1fe--

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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
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 http-equiv="Content-Type">
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There is another way to read this. <br>
<br>
This case has been called "the most infamous discovery fiasco in recent
times":<br>
<br>
- The lawyers were sanctioned<br>
- The patents were held both unenforceable and inapplicable<br>
- Fines were levied<br>
- The law firm crumbled and was sold<br>
<br>
But read the case:  these were not patents that turned up two years
later.  The two were issued and therefore public in 1995 and 1996 (5
years before the JVT), and had been presented to the MPEG committee
before.<br>
<br>
Going forward, a more proactive ex ante assessment of known patents, at
least of the participants in the activity, rather than just relying on
statements, would be good practice to check for blocking patents.<br>
<br>
But yes, you are right the court did not blame the JVT process and
certainly not those who took the royalty-free objective seriously. 
Clearly not everyone shared that goal, and got caught in subverting it.<br>
<br>
But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than
just keep presuming that such things never occur and accept being blind
sided, and has tightened its IPR policy (which provides for
third-parties coming forward with blocking info).<br>
<br>
And yes, any one can sue about anything, and they can lie about their
participation in a standards group.  They can fail to disclose.  They
can assert patents that end up being ruled as inapplicable.  Maybe they
will get away with it, or maybe as in this case they won't. <br>
<br>
But that isn't a good reason to fail to develop the standards the Web
needs for its open, royalty-free future.  Rather, the opposite. If it
takes this kind of extreme behavior and it still doesn't work, then
time to keep moving forward with royalty-free standardization.<br>
<br>
Rob<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.law.com/jsp/article.jsp?id=1202435137932">http://www.law.com/jsp/article.jsp?id=1202435137932</a><br>
<br>
"Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009<br>
<br>
"Lawyers in the Qualcomm discovery scandal claim that the company
misled
and stonewalled them, ultimately leading to the failure to turn over a
mountain of relevant evidence and harsh sanctions from the court."<br>
<p>The allegations were made in briefs filed Monday by lawyers from the
<a target="new"
 href="http://www.law.com/jsp/article.jsp?id=1202431679659">now-defunct
Day Casebeer Batchelder &amp; Madrid</a>, who for the first time are
telling their side of what has become <a target="new"
 href="http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954">the
most infamous discovery fiasco in recent times</a>. </p>
<p>Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara
Major in January 2008 for intentionally withholding "tens of thousands
of e-mails" in an infringement case against Broadcom Corp. involving
video compression technology patents. The company's lawyers -- six from
Day Casebeer and one from Heller Ehrman -- were also sanctioned for
assisting "Qualcomm in committing this incredible discovery violation,"
either knowingly or recklessly, Major wrote at the time." </p>
<br>
stephen botzko wrote:
<blockquote
 cite="mid:6e9223710911151354m42fcc162m9d5612e2879891e@mail.gmail.com"
 type="cite">As Stephan Wenger indicated, it is not clear if the JVT
actually failed or not.  What is clear is that they did everything they
reasonably could have done.  There were several folks participating who
took the royalty-free baseline profile objective very seriously.<br>
  <br>
Again, all submitted IPR for the baseline tools indicated royalty free
terms.  So the JVT had every reason to think they had succeeded.    By
the time this IPR turned up, H.264 had been standardized for over 2
years.  H.264 implementations were already out there - so any attempts
to do work-arounds would have broken existing implementations
(including implementations in silicon).  <br>
  <br>
Certainly any existing IETF group would have presumed exactly the same
thing the JVT did.  The lesson here is that even if the SDO is
conscientious, an unencumbered codec can not be guaranteed. I don't see
any other way to read this.<br>
  <br>
Stephen Botzko<br>
Polycom<br>
  <br>
  <br>
  <div class="gmail_quote">On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden
  <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
    <div bgcolor="#ffffff" text="#000000">
    <div class="im">stephen botzko wrote:
    <blockquote type="cite">&gt;&gt;&gt;<br>
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
&gt;&gt;&gt;<br>
That should be viewed as very <b>bad</b> news here, since all the IPR
declarations in JVT for the baseline tools indicated royalty free
terms. In other words, the SDOs did everything possible to deliver, and
when H.264 baseline was standardized they thought they had succeeded.<br>
    </blockquote>
    </div>
I'd suggest that it is hard to see things this way after reading<br>
    <br>
    <a moz-do-not-send="true"
 href="http://www.cafc.uscourts.gov/opinions/07-1545.pdf"
 target="_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
    <br>
The process was enforceable, and enforced.<br>
The patents could have been found earlier, and removed.<br>
    <br>
So any "h.264 successor" type work (audio/video/transport) should
complete, not drop, the royalty free undertaking.  IETF and ITU-T
should lead there, not give up or hide in a niche.<br>
    <br>
See November 10, 2009 "Preliminary call for proposals signals work
start for H.264/MPEG-4 AVC successor"<br>
    <br>
    <a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx"
 target="_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>
    <font color="#888888">
    <br>
Rob</font>
    <div class="im"><br>
    <br>
    <blockquote type="cite">Stephen Botzko<br>
Polycom.  <br>
      <br>
 <br>
      <br>
      <div class="gmail_quote">On Sat, Nov 14, 2009 at 6:42 AM, Rob
Glidden <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
      <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">BTW
I hear that in MPEG the Chinese National Body initiated a
(re)consideration of royalty free standardization and MPEG has issued a
call for comments to other national bodies.<br>
        <br>
Someone may want to contact their national MPEG Head of Delegation or
numerous liaisons including IETF, listed at <a moz-do-not-send="true"
 href="http://www.itscj.ipsj.or.jp/sc29/" target="_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
        <br>
At the same time, MPEG is also considering launching new royalty
bearing activities HVC (High Performance Video Coding) and MMT
(Multimedia Transport). <a moz-do-not-send="true"
 href="http://www.chiariglione.org/mpeg/working_documents.htm"
 target="_blank">http://www.chiariglione.org/mpeg/working_documents.htm</a><br>
        <br>
You may recall that h.264 was launched in 2001 as a joint project
between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the
undertaking that the "JVT [Joint Video Team] will define a “baseline”
profile. That profile should be royalty-free for all implementations."
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
        <br>
Rob<br>
        <br>
Eric Burger wrote:<br>
        <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Thank
you to everyone who participated in the room and remotely. We
succeeded in getting a lot of work done, and we have a sense of whether
or not we have a well-formed problem to solve, if there are people who
need the work product, if people are willing to work on it, and if the
IETF is an acceptable venue to do the work. In addition, we learned a
lot about the possibilities for cooperating with ITU-T SG 16.<br>
          <br>
Please review the minutes and send corrections.<br>
          <br>
The minutes are posted to:<br>
          <a moz-do-not-send="true"
 href="http://www.ietf.org/proceedings/09nov/minutes/codec.txt"
 target="_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><br>
_______________________________________________<br>
codec mailing list<br>
          <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a><br>
          <a moz-do-not-send="true"
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From stewe@stewe.org  Sun Nov 15 16:35:59 2009
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Date: Sun, 15 Nov 2009 16:35:19 -0800
From: Stephan Wenger <stewe@stewe.org>
To: Rob Glidden <rob.glidden@sbcglobal.net>, <codec@ietf.org>
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Thread-Topic: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes  Posted
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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes  Posted
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Hi Rob,

I will not comment more on the BC/QC San Diego case, except to say that
misconduct before the standardization committee (violation of both written
and de-facto practiced rules of the committee) was only one and, as some
people have argued, small factor in the ruling.  I wish one could come to
the conclusion that any misconduct before a standardization committee would
automatically render related patents unenforceable (the inapplicable part i=
s
a very different story), but I fear that this is too much to hope for.

My current view of the likeliness of success of Codec in relation to JVT=B9s
success or failure (depending whom you ask):
1. JVT took on the creation a royalty-free baseline (that is, a part of a
standard only, and rightholders may still require a signed license that may
be encumbered to the point where it becomes unusable for some open source
communities=8Bclearly a factor for some software companies), in a heavily
patented field.  The vast majority of the participating companies=8Benough to
create a consensus-based decision in the committee, and many of them known
or likely future rightholders=8Bwas in support of that goal.
2. Codec attempts to take on of creating a standard (not only a baseline of
a standard=8Brightholders cannot be appeased by arguing they can make money
from non-baseline applications) under what the BOF chairs called =B3acceptabl=
e
terms=B2--which translate to an open-source friendly non-assert requirement.
The field of technology is at least as heavily patented as video.  A
significant percentage of companies known to hold a sizeable portfolio of
audio/speech codec patents have spoken quite clearly against the goal.  It=B9=
s
not up to me to declare an IETF consensus on whether acceptable terms are
achievable, but if someone were a declaring such a consensus, I would
object=8Band I=B9m sure I would not be alone.  In fact, =B3acceptable terms=B2, by
policy cannot and will not be a hard requirement for the work of a
hypothetical codec WG.
Based on these perceptions and facts it seems obvious that it=B9s going to be
much harder to achieve=8Bthat is also: easier to prevent for those not
amicable=8Bthe goals of a hypothetical codec WG when compared to the goals of
JVT. =20
Regards,
Stephan


On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:

> There is another way to read this.
>=20
> This case has been called "the most infamous discovery fiasco in recent
> times":
>=20
> - The lawyers were sanctioned
> - The patents were held both unenforceable and inapplicable
> - Fines were levied
> - The law firm crumbled and was sold
>=20
> But read the case:=A0 these were not patents that turned up two years later=
.=A0
> The two were issued and therefore public in 1995 and 1996 (5 years before=
 the
> JVT), and had been presented to the MPEG committee before.
>=20
> Going forward, a more proactive ex ante assessment of known patents, at l=
east
> of the participants in the activity, rather than just relying on statemen=
ts,
> would be good practice to check for blocking patents.
>=20
> But yes, you are right the court did not blame the JVT process and certai=
nly
> not those who took the royalty-free objective seriously.=A0 Clearly not eve=
ryone
> shared that goal, and got caught in subverting it.
>=20
> But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than jus=
t
> keep presuming that such things never occur and accept being blind sided,=
 and
> has tightened its IPR policy (which provides for third-parties coming for=
ward
> with blocking info).
>=20
> And yes, any one can sue about anything, and they can lie about their
> participation in a standards group.=A0 They can fail to disclose.=A0 They can
> assert patents that end up being ruled as inapplicable.=A0 Maybe they will =
get
> away with it, or maybe as in this case they won't.
>=20
> But that isn't a good reason to fail to develop the standards the Web nee=
ds
> for its open, royalty-free future.=A0 Rather, the opposite. If it takes thi=
s
> kind of extreme behavior and it still doesn't work, then time to keep mov=
ing
> forward with royalty-free standardization.
>=20
> Rob
>=20
> http://www.law.com/jsp/article.jsp?id=3D1202435137932
>=20
> "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>=20
> "Lawyers in the Qualcomm discovery scandal claim that the company misled =
and
> stonewalled them, ultimately leading to the failure to turn over a mounta=
in of
> relevant evidence and harsh sanctions from the court."
>=20
> The allegations were made in briefs filed Monday by lawyers from the
> now-defunct Day Casebeer Batchelder & Madrid
> <http://www.law.com/jsp/article.jsp?id=3D1202431679659> , who for the first=
 time
> are telling their side of what has become the most infamous discovery fia=
sco
> in recent times=20
> <http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954>=
 .
>=20
> Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Major =
in
> January 2008 for intentionally withholding "tens of thousands of e-mails"=
 in
> an infringement case against Broadcom Corp. involving video compression
> technology patents. The company's lawyers -- six from Day Casebeer and on=
e
> from Heller Ehrman -- were also sanctioned for assisting "Qualcomm in
> committing this incredible discovery violation," either knowingly or
> recklessly, Major wrote at the time."
>=20
> stephen botzko wrote:
>> As Stephan Wenger indicated, it is not clear if the JVT actually failed =
or
>> not.=A0 What is clear is that they did everything they reasonably could ha=
ve
>> done.=A0 There were several folks participating who took the royalty-free
>> baseline profile objective very seriously.
>> =20
>> Again, all submitted IPR for the baseline tools indicated royalty free
>> terms.=A0 So the JVT had every reason to think they had succeeded.=A0=A0=A0 By t=
he
>> time this IPR turned up, H.264 had been standardized for over 2 years.=A0 =
H.264
>> implementations were already out there - so any attempts to do work-arou=
nds
>> would have broken existing implementations (including implementations in
>> silicon).=A0=20
>> =20
>> Certainly any existing IETF group would have presumed exactly the same t=
hing
>> the JVT did.=A0 The lesson here is that even if the SDO is conscientious, =
an
>> unencumbered codec can not be guaranteed. I don't see any other way to r=
ead
>> this.
>> =20
>> Stephen Botzko
>> Polycom
>> =20
>> =20
>> =20
>> On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden <rob.glidden@sbcglobal.net>
>> wrote:
>> =20
>>> =20
>>> =20
>>> stephen botzko wrote:
>>>>>>> >>>
>>>> To date neither ITU-T nor MPEG have ever delivered on this royalty fre=
e
>>>> undertaking.
>>>>>>> >>>
>>>> That should be viewed as very bad news here, since all the IPR declara=
tions
>>>> in JVT for the baseline tools indicated royalty free terms. In other w=
ords,
>>>> the SDOs did everything possible to deliver, and when H.264 baseline w=
as
>>>> standardized they thought they had succeeded.
>>>> =20
>>> =20
>>> I'd suggest that it is hard to see things this way after reading
>>> =20
>>>  http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>> =20
>>> The process was enforceable, and enforced.
>>> The patents could have been found earlier, and removed.
>>> =20
>>> So any "h.264 successor" type work (audio/video/transport) should compl=
ete,
>>> not drop, the royalty free undertaking.=A0 IETF and ITU-T should lead the=
re,
>>> not give up or hide in a niche.
>>> =20
>>> See November 10, 2009 "Preliminary call for proposals signals work star=
t for
>>> H.264/MPEG-4 AVC successor"
>>> =20
>>> =20
>>> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals=
+Work
>>> +Start+For+H264MPEG4+AVC+Successor.aspx
>>>  =20
>>> Rob=20
>>>=20
>>> =20
>>> =20
>>>> Stephen Botzko
>>>> Polycom.=A0=20
>>>> =20
>>>> =A0
>>>> =20
>>>> =20
>>>> On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden <rob.glidden@sbcglobal.ne=
t>
>>>> wrote:
>>>> =20
>>>>> BTW I hear that in MPEG the Chinese National Body initiated a
>>>>> (re)consideration of royalty free standardization and MPEG has issued=
 a
>>>>> call for comments to other national bodies.
>>>>> =20
>>>>> Someone may want to contact their national MPEG Head of Delegation or
>>>>> numerous liaisons including IETF, listed at
>>>>> http://www.itscj.ipsj.or.jp/sc29/.
>>>>> =20
>>>>> At the same time, MPEG is also considering launching new royalty bear=
ing
>>>>> activities HVC (High Performance Video Coding) and MMT (Multimedia
>>>>> Transport). http://www.chiariglione.org/mpeg/working_documents.htm
>>>>> =20
>>>>> You may recall that h.264 was launched in 2001 as a joint project bet=
ween
>>>>> ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undertaking that=
 the
>>>>> "JVT [Joint Video Team] will define a =B3baseline=B2 profile. That profil=
e
>>>>> should be royalty-free for all implementations." To date neither ITU-=
T nor
>>>>> MPEG have ever delivered on this royalty free undertaking.
>>>>> =20
>>>>> Rob
>>>>> =20
>>>>> Eric Burger wrote:
>>>>> =20
>>>>>> Thank you to everyone who participated in the room and remotely. We
>>>>>> succeeded in getting a lot of work done, and we have a sense of whet=
her
>>>>>> or not we have a well-formed problem to solve, if there are people w=
ho
>>>>>> need the work product, if people are willing to work on it, and if t=
he
>>>>>> IETF is an acceptable venue to do the work. In addition, we learned =
a lot
>>>>>> about the possibilities for cooperating with ITU-T SG 16.
>>>>>> =20
>>>>>> Please review the minutes and send corrections.
>>>>>> =20
>>>>>> The minutes are posted to:
>>>>>>  http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>>>>>> _______________________________________________
>>>>>> codec mailing list
>>>>>>  codec@ietf.org
>>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>>> =20
>>>>>> =20
>>>>> =20
>>>>> _______________________________________________
>>>>> codec mailing list
>>>>>  codec@ietf.org
>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>> =20
>>>> =20
>>>> =20
>>>> =20
>>> =20
>>> =20
>>> =20
>>> =20
>> =20
>> =20
>=20
>=20
>=20
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec


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<HTML>
<HEAD>
<TITLE>Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes &nb=
sp;Posted</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:11pt=
'>Hi Rob,<BR>
<BR>
I will not comment more on the BC/QC San Diego case, except to say that mis=
conduct before the standardization committee (violation of both written and =
de-facto practiced rules of the committee) was only one and, as some people =
have argued, small factor in the ruling. &nbsp;I wish one could come to the =
conclusion that any misconduct before a standardization committee would auto=
matically render related patents unenforceable (the inapplicable part is a v=
ery different story), but I fear that this is too much to hope for.<BR>
<BR>
My current view of the likeliness of success of Codec in relation to JVT&#8=
217;s success or failure (depending whom you ask):<BR>
</SPAN></FONT><OL><LI><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN=
 STYLE=3D'font-size:11pt'>JVT took on the creation a <I>royalty-free</I> <I>ba=
seline </I>(that is, a part of a standard only, and rightholders may still r=
equire a signed license that may be encumbered to the point where it becomes=
 unusable for some open source communities&#8212;clearly a factor for some s=
oftware companies), in a <I>heavily patented field.</I> &nbsp;The vast major=
ity of the participating companies&#8212;enough to create a consensus-based =
decision in the committee, and many of them known or likely future righthold=
ers&#8212;was <I>in support</I> of that goal.=20
</SPAN></FONT><LI><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:11pt'>Codec attempts to take on of creating a <I>standard </I>=
(not only a baseline of a standard&#8212;rightholders cannot be appeased by =
arguing they can make money from non-baseline applications) under what the B=
OF chairs called &#8220;acceptable terms&#8221;--which translate to an <I>op=
en-source friendly non-assert requirement</I>. &nbsp;The field of technology=
 is at least as <I>heavily patented</I> as video. &nbsp;A <I>significant per=
centage</I> of companies known to hold a sizeable portfolio of audio/speech =
codec patents have spoken quite <I>clearly against the goal</I>. &nbsp;It&#8=
217;s not up to me to declare an IETF consensus on whether acceptable terms =
are achievable, but if someone were a declaring such a consensus, I would ob=
ject&#8212;and I&#8217;m sure I would not be alone. &nbsp;In fact, &#8220;ac=
ceptable terms&#8221;, by policy cannot and will not be a hard requirement f=
or the work of a hypothetical codec WG. <BR>
</SPAN></FONT></OL><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN ST=
YLE=3D'font-size:11pt'>Based on these perceptions and facts it seems obvious t=
hat it&#8217;s going to be much harder to achieve&#8212;that is also: easier=
 to prevent for those not amicable&#8212;the goals of a hypothetical codec W=
G when compared to the goals of JVT. &nbsp;<BR>
Regards,<BR>
Stephan<BR>
<BR>
<BR>
On 11/15/09 3:17 PM, &quot;Rob Glidden&quot; &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>There is another way to read this. <BR>
<BR>
This case has been called &quot;the most infamous discovery fiasco in recen=
t times&quot;:<BR>
<BR>
- The lawyers were sanctioned<BR>
- The patents were held both unenforceable and inapplicable<BR>
- Fines were levied<BR>
- The law firm crumbled and was sold<BR>
<BR>
But read the case:=A0 these were not patents that turned up two years later.=A0=
 The two were issued and therefore public in 1995 and 1996 (5 years before t=
he JVT), and had been presented to the MPEG committee before.<BR>
<BR>
Going forward, a more proactive ex ante assessment of known patents, at lea=
st of the participants in the activity, rather than just relying on statemen=
ts, would be good practice to check for blocking patents.<BR>
<BR>
But yes, you are right the court did not blame the JVT process and certainl=
y not those who took the royalty-free objective seriously.=A0 Clearly not ever=
yone shared that goal, and got caught in subverting it.<BR>
<BR>
But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than just =
keep presuming that such things never occur and accept being blind sided, an=
d has tightened its IPR policy (which provides for third-parties coming forw=
ard with blocking info).<BR>
<BR>
And yes, any one can sue about anything, and they can lie about their parti=
cipation in a standards group.=A0 They can fail to disclose.=A0 They can assert =
patents that end up being ruled as inapplicable.=A0 Maybe they will get away w=
ith it, or maybe as in this case they won't. <BR>
<BR>
But that isn't a good reason to fail to develop the standards the Web needs=
 for its open, royalty-free future.=A0 Rather, the opposite. If it takes this =
kind of extreme behavior and it still doesn't work, then time to keep moving=
 forward with royalty-free standardization.<BR>
<BR>
Rob<BR>
<BR>
<a href=3D"http://www.law.com/jsp/article.jsp?id=3D1202435137932">http://www.la=
w.com/jsp/article.jsp?id=3D1202435137932</a><BR>
<BR>
&quot;Lawyers in Discovery Scandal Say Qualcomm Lied&quot;, November 3, 200=
9<BR>
<BR>
&quot;Lawyers in the Qualcomm discovery scandal claim that the company misl=
ed and stonewalled them, ultimately leading to the failure to turn over a mo=
untain of relevant evidence and harsh sanctions from the court.&quot;<BR>
<BR>
The allegations were made in briefs filed Monday by lawyers from the now-de=
funct Day Casebeer Batchelder &amp; Madrid &lt;<a href=3D"http://www.law.com/j=
sp/article.jsp?id=3D1202431679659">http://www.law.com/jsp/article.jsp?id=3D12024=
31679659</a>&gt; , who for the first time are telling their side of what has=
 become the most infamous discovery fiasco in recent times &lt;<a href=3D"http=
://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954">http://=
www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954</a>&gt; . <=
BR>
<BR>
Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Major in=
 January 2008 for intentionally withholding &quot;tens of thousands of e-mai=
ls&quot; in an infringement case against Broadcom Corp. involving video comp=
ression technology patents. The company's lawyers -- six from Day Casebeer a=
nd one from Heller Ehrman -- were also sanctioned for assisting &quot;Qualco=
mm in committing this incredible discovery violation,&quot; either knowingly=
 or recklessly, Major wrote at the time.&quot; <BR>
<BR>
stephen botzko wrote: <BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>As Stephan Wenger indicated, it is not clear if =
the JVT actually failed or not.=A0 What is clear is that they did everything t=
hey reasonably could have done.=A0 There were several folks participating who =
took the royalty-free baseline profile objective very seriously.<BR>
&nbsp;<BR>
Again, all submitted IPR for the baseline tools indicated royalty free term=
s.=A0 So the JVT had every reason to think they had succeeded.=A0=A0=A0 By the time =
this IPR turned up, H.264 had been standardized for over 2 years.=A0 H.264 imp=
lementations were already out there - so any attempts to do work-arounds wou=
ld have broken existing implementations (including implementations in silico=
n).=A0 <BR>
&nbsp;<BR>
Certainly any existing IETF group would have presumed exactly the same thin=
g the JVT did.=A0 The lesson here is that even if the SDO is conscientious, an=
 unencumbered codec can not be guaranteed. I don't see any other way to read=
 this.<BR>
&nbsp;<BR>
Stephen Botzko<BR>
Polycom<BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'> <BR>
&nbsp;<BR>
stephen botzko wrote: <BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>&gt;&gt;&gt;<BR>
To date neither ITU-T nor MPEG have ever delivered on this royalty free und=
ertaking.<BR>
&gt;&gt;&gt;<BR>
That should be viewed as very <B>bad</B> news here, since all the IPR decla=
rations in JVT for the baseline tools indicated royalty free terms. In other=
 words, the SDOs did everything possible to deliver, and when H.264 baseline=
 was standardized they thought they had succeeded.<BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'> <BR>
I'd suggest that it is hard to see things this way after reading<BR>
&nbsp;<BR>
&nbsp;<a href=3D"http://www.cafc.uscourts.gov/opinions/07-1545.pdf">http://ww=
w.cafc.uscourts.gov/opinions/07-1545.pdf</a><BR>
&nbsp;<BR>
The process was enforceable, and enforced.<BR>
The patents could have been found earlier, and removed.<BR>
&nbsp;<BR>
So any &quot;h.264 successor&quot; type work (audio/video/transport) should=
 complete, not drop, the royalty free undertaking.=A0 IETF and ITU-T should le=
ad there, not give up or hide in a niche.<BR>
&nbsp;<BR>
See November 10, 2009 &quot;Preliminary call for proposals signals work sta=
rt for H.264/MPEG-4 AVC successor&quot;<BR>
&nbsp;<BR>
&nbsp;<a href=3D"http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Propos=
als+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx">http://www.itu.int/=
ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG=
4+AVC+Successor.aspx</a><BR>
&nbsp;<FONT COLOR=3D"#888888"> <BR>
Rob</FONT> <BR>
<BR>
&nbsp;<BR>
&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>Stephen Botzko<BR>
Polycom.=A0 <BR>
&nbsp;<BR>
=A0<BR>
&nbsp;<BR>
&nbsp;<BR>
On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>BTW I hear that in MPEG the Chinese National Bod=
y initiated a (re)consideration of royalty free standardization and MPEG has=
 issued a call for comments to other national bodies.<BR>
&nbsp;<BR>
Someone may want to contact their national MPEG Head of Delegation or numer=
ous liaisons including IETF, listed at <a href=3D"http://www.itscj.ipsj.or.jp/=
sc29/">http://www.itscj.ipsj.or.jp/sc29/</a>.<BR>
&nbsp;<BR>
At the same time, MPEG is also considering launching new royalty bearing ac=
tivities HVC (High Performance Video Coding) and MMT (Multimedia Transport).=
 <a href=3D"http://www.chiariglione.org/mpeg/working_documents.htm">http://www=
.chiariglione.org/mpeg/working_documents.htm</a><BR>
&nbsp;<BR>
You may recall that h.264 was launched in 2001 as a joint project between I=
TU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undertaking that the &qu=
ot;JVT [Joint Video Team] will define a &#8220;baseline&#8221; profile. That=
 profile should be royalty-free for all implementations.&quot; To date neith=
er ITU-T nor MPEG have ever delivered on this royalty free undertaking.<BR>
&nbsp;<BR>
Rob<BR>
&nbsp;<BR>
Eric Burger wrote:<BR>
&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>Thank you to everyone who participated in the ro=
om and remotely. We succeeded in getting a lot of work done, and we have a s=
ense of whether or not we have a well-formed problem to solve, if there are =
people who need the work product, if people are willing to work on it, and i=
f the IETF is an acceptable venue to do the work. In addition, we learned a =
lot about the possibilities for cooperating with ITU-T SG 16.<BR>
&nbsp;<BR>
Please review the minutes and send corrections.<BR>
&nbsp;<BR>
The minutes are posted to:<BR>
&nbsp;<a href=3D"http://www.ietf.org/proceedings/09nov/minutes/codec.txt">htt=
p://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><BR>
_______________________________________________<BR>
codec mailing list<BR>
&nbsp;<a href=3D"codec@ietf.org">codec@ietf.org</a><BR>
&nbsp;<a href=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.iet=
f.org/mailman/listinfo/codec</a><BR>
&nbsp;<BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'> <BR>
_______________________________________________<BR>
codec mailing list<BR>
&nbsp;<a href=3D"codec@ietf.org">codec@ietf.org</a><BR>
&nbsp;<a href=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.iet=
f.org/mailman/listinfo/codec</a><BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'> <BR>
&nbsp;<BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'> <BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'> <BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'><BR>
<BR>
<HR ALIGN=3DCENTER SIZE=3D"3" WIDTH=3D"95%"></SPAN></FONT><FONT SIZE=3D"2"><FONT FA=
CE=3D"Consolas, Courier New, Courier"><SPAN STYLE=3D'font-size:10pt'>___________=
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From koen.vos@skype.net  Sun Nov 15 18:03:46 2009
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Date: Sun, 15 Nov 2009 18:03:30 -0800
From: Koen Vos <koen.vos@skype.net>
To: Stephan Wenger <stewe@stewe.org>
References: <C725DE47.1DBFB%stewe@stewe.org>
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Cc: codec@ietf.org, stephen botzko <stephen.botzko@gmail.com>
Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes  Posted
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> The field of technology is at least as heavily patented as video.

I disagree on this point - a larger fraction of patents in speech and =20
audio coding have expired. The field has made relatively little =20
progress in the past 20 years, compared to video.

koen.


Quoting Stephan Wenger <stewe@stewe.org>:

> Hi Rob,
>
> I will not comment more on the BC/QC San Diego case, except to say that
> misconduct before the standardization committee (violation of both written
> and de-facto practiced rules of the committee) was only one and, as some
> people have argued, small factor in the ruling.  I wish one could come to
> the conclusion that any misconduct before a standardization committee woul=
d
> automatically render related patents unenforceable (the inapplicable part =
is
> a very different story), but I fear that this is too much to hope for.
>
> My current view of the likeliness of success of Codec in relation to JVT=
=B9s
> success or failure (depending whom you ask):
> 1. JVT took on the creation a royalty-free baseline (that is, a part of a
> standard only, and rightholders may still require a signed license that ma=
y
> be encumbered to the point where it becomes unusable for some open source
> communities=8Bclearly a factor for some software companies), in a heavily
> patented field.  The vast majority of the participating companies=8Benough=
 to
> create a consensus-based decision in the committee, and many of them known
> or likely future rightholders=8Bwas in support of that goal.
> 2. Codec attempts to take on of creating a standard (not only a baseline o=
f
> a standard=8Brightholders cannot be appeased by arguing they can make mone=
y
> from non-baseline applications) under what the BOF chairs called =B3accept=
able
> terms=B2--which translate to an open-source friendly non-assert requiremen=
t.
> The field of technology is at least as heavily patented as video.  A
> significant percentage of companies known to hold a sizeable portfolio of
> audio/speech codec patents have spoken quite clearly against the goal.  It=
=B9s
> not up to me to declare an IETF consensus on whether acceptable terms are
> achievable, but if someone were a declaring such a consensus, I would
> object=8Band I=B9m sure I would not be alone.  In fact, =B3acceptable term=
s=B2, by
> policy cannot and will not be a hard requirement for the work of a
> hypothetical codec WG.
> Based on these perceptions and facts it seems obvious that it=B9s going to=
 be
> much harder to achieve=8Bthat is also: easier to prevent for those not
> amicable=8Bthe goals of a hypothetical codec WG when compared to the goals=
 of
> JVT.
> Regards,
> Stephan
>
>
> On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:
>
>> There is another way to read this.
>>
>> This case has been called "the most infamous discovery fiasco in recent
>> times":
>>
>> - The lawyers were sanctioned
>> - The patents were held both unenforceable and inapplicable
>> - Fines were levied
>> - The law firm crumbled and was sold
>>
>> But read the case:=A0 these were not patents that turned up two years lat=
er.=A0
>> The two were issued and therefore public in 1995 and 1996 (5 years =20
>> before the
>> JVT), and had been presented to the MPEG committee before.
>>
>> Going forward, a more proactive ex ante assessment of known =20
>> patents, at least
>> of the participants in the activity, rather than just relying on statemen=
ts,
>> would be good practice to check for blocking patents.
>>
>> But yes, you are right the court did not blame the JVT process and certai=
nly
>> not those who took the royalty-free objective seriously.=A0 Clearly =20
>> not everyone
>> shared that goal, and got caught in subverting it.
>>
>> But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than jus=
t
>> keep presuming that such things never occur and accept being blind =20
>> sided, and
>> has tightened its IPR policy (which provides for third-parties =20
>> coming forward
>> with blocking info).
>>
>> And yes, any one can sue about anything, and they can lie about their
>> participation in a standards group.=A0 They can fail to disclose.=A0 They=
 can
>> assert patents that end up being ruled as inapplicable.=A0 Maybe they wil=
l get
>> away with it, or maybe as in this case they won't.
>>
>> But that isn't a good reason to fail to develop the standards the Web nee=
ds
>> for its open, royalty-free future.=A0 Rather, the opposite. If it takes t=
his
>> kind of extreme behavior and it still doesn't work, then time to keep mov=
ing
>> forward with royalty-free standardization.
>>
>> Rob
>>
>> http://www.law.com/jsp/article.jsp?id=3D1202435137932
>>
>> "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>>
>> "Lawyers in the Qualcomm discovery scandal claim that the company misled =
and
>> stonewalled them, ultimately leading to the failure to turn over a =20
>> mountain of
>> relevant evidence and harsh sanctions from the court."
>>
>> The allegations were made in briefs filed Monday by lawyers from the
>> now-defunct Day Casebeer Batchelder & Madrid
>> <http://www.law.com/jsp/article.jsp?id=3D1202431679659> , who for the =20
>> first time
>> are telling their side of what has become the most infamous discovery fia=
sco
>> in recent times
>> <http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D90000550495=
4> .
>>
>> Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Major =
in
>> January 2008 for intentionally withholding "tens of thousands of e-mails"=
 in
>> an infringement case against Broadcom Corp. involving video compression
>> technology patents. The company's lawyers -- six from Day Casebeer and on=
e
>> from Heller Ehrman -- were also sanctioned for assisting "Qualcomm in
>> committing this incredible discovery violation," either knowingly or
>> recklessly, Major wrote at the time."
>>
>> stephen botzko wrote:
>>> As Stephan Wenger indicated, it is not clear if the JVT actually failed =
or
>>> not.=A0 What is clear is that they did everything they reasonably could =
have
>>> done.=A0 There were several folks participating who took the royalty-fre=
e
>>> baseline profile objective very seriously.
>>>
>>> Again, all submitted IPR for the baseline tools indicated royalty free
>>> terms.=A0 So the JVT had every reason to think they had succeeded.=A0=A0=
=A0 By the
>>> time this IPR turned up, H.264 had been standardized for over 2 =20
>>> years.=A0 H.264
>>> implementations were already out there - so any attempts to do work-arou=
nds
>>> would have broken existing implementations (including implementations in
>>> silicon).=A0
>>>
>>> Certainly any existing IETF group would have presumed exactly the =20
>>> same thing
>>> the JVT did.=A0 The lesson here is that even if the SDO is conscientious=
, an
>>> unencumbered codec can not be guaranteed. I don't see any other way to r=
ead
>>> this.
>>>
>>> Stephen Botzko
>>> Polycom
>>>
>>>
>>>
>>> On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden <rob.glidden@sbcglobal.net>
>>> wrote:
>>>
>>>>
>>>>
>>>> stephen botzko wrote:
>>>>>>>> >>>
>>>>> To date neither ITU-T nor MPEG have ever delivered on this royalty fre=
e
>>>>> undertaking.
>>>>>>>> >>>
>>>>> That should be viewed as very bad news here, since all the IPR =20
>>>>> declarations
>>>>> in JVT for the baseline tools indicated royalty free terms. In =20
>>>>> other words,
>>>>> the SDOs did everything possible to deliver, and when H.264 baseline w=
as
>>>>> standardized they thought they had succeeded.
>>>>>
>>>>
>>>> I'd suggest that it is hard to see things this way after reading
>>>>
>>>>  http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>>>
>>>> The process was enforceable, and enforced.
>>>> The patents could have been found earlier, and removed.
>>>>
>>>> So any "h.264 successor" type work (audio/video/transport) should =20
>>>> complete,
>>>> not drop, the royalty free undertaking.=A0 IETF and ITU-T should lead t=
here,
>>>> not give up or hide in a niche.
>>>>
>>>> See November 10, 2009 "Preliminary call for proposals signals =20
>>>> work start for
>>>> H.264/MPEG-4 AVC successor"
>>>>
>>>>
>>>> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals=
+Work
>>>> +Start+For+H264MPEG4+AVC+Successor.aspx
>>>>
>>>> Rob
>>>>
>>>>
>>>>
>>>>> Stephen Botzko
>>>>> Polycom.=A0
>>>>>
>>>>> =A0
>>>>>
>>>>>
>>>>> On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden <rob.glidden@sbcglobal.ne=
t>
>>>>> wrote:
>>>>>
>>>>>> BTW I hear that in MPEG the Chinese National Body initiated a
>>>>>> (re)consideration of royalty free standardization and MPEG has issued=
 a
>>>>>> call for comments to other national bodies.
>>>>>>
>>>>>> Someone may want to contact their national MPEG Head of Delegation or
>>>>>> numerous liaisons including IETF, listed at
>>>>>> http://www.itscj.ipsj.or.jp/sc29/.
>>>>>>
>>>>>> At the same time, MPEG is also considering launching new royalty bear=
ing
>>>>>> activities HVC (High Performance Video Coding) and MMT (Multimedia
>>>>>> Transport). http://www.chiariglione.org/mpeg/working_documents.htm
>>>>>>
>>>>>> You may recall that h.264 was launched in 2001 as a joint =20
>>>>>> project between
>>>>>> ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the =20
>>>>>> undertaking that the
>>>>>> "JVT [Joint Video Team] will define a =B3baseline=B2 profile. That pr=
ofile
>>>>>> should be royalty-free for all implementations." To date =20
>>>>>> neither ITU-T nor
>>>>>> MPEG have ever delivered on this royalty free undertaking.
>>>>>>
>>>>>> Rob
>>>>>>
>>>>>> Eric Burger wrote:
>>>>>>
>>>>>>> Thank you to everyone who participated in the room and remotely. We
>>>>>>> succeeded in getting a lot of work done, and we have a sense of whet=
her
>>>>>>> or not we have a well-formed problem to solve, if there are people w=
ho
>>>>>>> need the work product, if people are willing to work on it, and if t=
he
>>>>>>> IETF is an acceptable venue to do the work. In addition, we =20
>>>>>>> learned a lot
>>>>>>> about the possibilities for cooperating with ITU-T SG 16.
>>>>>>>
>>>>>>> Please review the minutes and send corrections.
>>>>>>>
>>>>>>> The minutes are posted to:
>>>>>>>  http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>>>>>>> _______________________________________________
>>>>>>> codec mailing list
>>>>>>>  codec@ietf.org
>>>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>>>>
>>>>>>>
>>>>>>
>>>>>> _______________________________________________
>>>>>> codec mailing list
>>>>>>  codec@ietf.org
>>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>>>
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>>
>> _______________________________________________
>> codec mailing list
>> codec@ietf.org
>> https://www.ietf.org/mailman/listinfo/codec
>
>


From stewe@stewe.org  Sun Nov 15 18:59:57 2009
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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes  Posted
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On 11/15/09 6:03 PM, "Koen Vos" <koen.vos@skype.net> wrote:

>> The field of technology is at least as heavily patented as video.
>=20
> I disagree on this point - a larger fraction of patents in speech and
> audio coding have expired. The field has made relatively little
> progress in the past 20 years, compared to video.
>=20
> koen.
>=20

Hi Koen,

I'm not necessarily disagreeing with either of your statements.  However,
the number of expired patents, in isolation, does not necessarily tell you
anything of the density of a patent minefield.  Nor, in isolation, does a
perception of "little progress".  When viewing both your points in
combination, and if the patent offices would not award patents for trivial
non-inventions, I could agree to your arguments.

However, from previous jobs, I have some knowledge of the relative portfoli=
o
size of two big companies active in both fields, and based on this sample o=
f
two, I stand to my perception re density of the patent minefield (even if I
never explicitly stated that they are the same).  Note also that I did not
comment on significance of the steps forward of each of those patents.  Tha=
t
said, in patent work, one better starts with the assumption of validity, an=
d
in risk analysis, one better starts with sheer numbers...

It's actually possible to measure the density of a patent landscape, at
least on a quantitative scale.  I have not done so and leave this work for =
a
really slow day.

Regards,
Stephan

>=20
> Quoting Stephan Wenger <stewe@stewe.org>:
>=20
>> Hi Rob,
>>=20
>> I will not comment more on the BC/QC San Diego case, except to say that
>> misconduct before the standardization committee (violation of both writt=
en
>> and de-facto practiced rules of the committee) was only one and, as some
>> people have argued, small factor in the ruling.  I wish one could come t=
o
>> the conclusion that any misconduct before a standardization committee wo=
uld
>> automatically render related patents unenforceable (the inapplicable par=
t is
>> a very different story), but I fear that this is too much to hope for.
>>=20
>> My current view of the likeliness of success of Codec in relation to JVT=
=B9s
>> success or failure (depending whom you ask):
>> 1. JVT took on the creation a royalty-free baseline (that is, a part of =
a
>> standard only, and rightholders may still require a signed license that =
may
>> be encumbered to the point where it becomes unusable for some open sourc=
e
>> communities=8Bclearly a factor for some software companies), in a heavily
>> patented field.  The vast majority of the participating companies=8Benough=
 to
>> create a consensus-based decision in the committee, and many of them kno=
wn
>> or likely future rightholders=8Bwas in support of that goal.
>> 2. Codec attempts to take on of creating a standard (not only a baseline=
 of
>> a standard=8Brightholders cannot be appeased by arguing they can make mone=
y
>> from non-baseline applications) under what the BOF chairs called =B3accept=
able
>> terms=B2--which translate to an open-source friendly non-assert requiremen=
t.
>> The field of technology is at least as heavily patented as video.  A
>> significant percentage of companies known to hold a sizeable portfolio o=
f
>> audio/speech codec patents have spoken quite clearly against the goal.  =
It=B9s
>> not up to me to declare an IETF consensus on whether acceptable terms ar=
e
>> achievable, but if someone were a declaring such a consensus, I would
>> object=8Band I=B9m sure I would not be alone.  In fact, =B3acceptable terms=B2, =
by
>> policy cannot and will not be a hard requirement for the work of a
>> hypothetical codec WG.
>> Based on these perceptions and facts it seems obvious that it=B9s going to=
 be
>> much harder to achieve=8Bthat is also: easier to prevent for those not
>> amicable=8Bthe goals of a hypothetical codec WG when compared to the goals=
 of
>> JVT.
>> Regards,
>> Stephan
>>=20
>>=20
>> On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:
>>=20
>>> There is another way to read this.
>>>=20
>>> This case has been called "the most infamous discovery fiasco in recent
>>> times":
>>>=20
>>> - The lawyers were sanctioned
>>> - The patents were held both unenforceable and inapplicable
>>> - Fines were levied
>>> - The law firm crumbled and was sold
>>>=20
>>> But read the case:=A0 these were not patents that turned up two years lat=
er.=A0
>>> The two were issued and therefore public in 1995 and 1996 (5 years
>>> before the
>>> JVT), and had been presented to the MPEG committee before.
>>>=20
>>> Going forward, a more proactive ex ante assessment of known
>>> patents, at least
>>> of the participants in the activity, rather than just relying on statem=
ents,
>>> would be good practice to check for blocking patents.
>>>=20
>>> But yes, you are right the court did not blame the JVT process and cert=
ainly
>>> not those who took the royalty-free objective seriously.=A0 Clearly
>>> not everyone
>>> shared that goal, and got caught in subverting it.
>>>=20
>>> But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than j=
ust
>>> keep presuming that such things never occur and accept being blind
>>> sided, and
>>> has tightened its IPR policy (which provides for third-parties
>>> coming forward
>>> with blocking info).
>>>=20
>>> And yes, any one can sue about anything, and they can lie about their
>>> participation in a standards group.=A0 They can fail to disclose.=A0 They c=
an
>>> assert patents that end up being ruled as inapplicable.=A0 Maybe they wil=
l get
>>> away with it, or maybe as in this case they won't.
>>>=20
>>> But that isn't a good reason to fail to develop the standards the Web n=
eeds
>>> for its open, royalty-free future.=A0 Rather, the opposite. If it takes t=
his
>>> kind of extreme behavior and it still doesn't work, then time to keep m=
oving
>>> forward with royalty-free standardization.
>>>=20
>>> Rob
>>>=20
>>> http://www.law.com/jsp/article.jsp?id=3D1202435137932
>>>=20
>>> "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>>>=20
>>> "Lawyers in the Qualcomm discovery scandal claim that the company misle=
d and
>>> stonewalled them, ultimately leading to the failure to turn over a
>>> mountain of
>>> relevant evidence and harsh sanctions from the court."
>>>=20
>>> The allegations were made in briefs filed Monday by lawyers from the
>>> now-defunct Day Casebeer Batchelder & Madrid
>>> <http://www.law.com/jsp/article.jsp?id=3D1202431679659> , who for the
>>> first time
>>> are telling their side of what has become the most infamous discovery f=
iasco
>>> in recent times
>>> <http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D90000550495=
4> .
>>>=20
>>> Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Majo=
r in
>>> January 2008 for intentionally withholding "tens of thousands of e-mail=
s" in
>>> an infringement case against Broadcom Corp. involving video compression
>>> technology patents. The company's lawyers -- six from Day Casebeer and =
one
>>> from Heller Ehrman -- were also sanctioned for assisting "Qualcomm in
>>> committing this incredible discovery violation," either knowingly or
>>> recklessly, Major wrote at the time."
>>>=20
>>> stephen botzko wrote:
>>>> As Stephan Wenger indicated, it is not clear if the JVT actually faile=
d or
>>>> not.=A0 What is clear is that they did everything they reasonably could =
have
>>>> done.=A0 There were several folks participating who took the royalty-fre=
e
>>>> baseline profile objective very seriously.
>>>>=20
>>>> Again, all submitted IPR for the baseline tools indicated royalty free
>>>> terms.=A0 So the JVT had every reason to think they had succeeded.=A0=A0=A0 By=
 the
>>>> time this IPR turned up, H.264 had been standardized for over 2
>>>> years.=A0 H.264
>>>> implementations were already out there - so any attempts to do work-ar=
ounds
>>>> would have broken existing implementations (including implementations =
in
>>>> silicon).=A0
>>>>=20
>>>> Certainly any existing IETF group would have presumed exactly the
>>>> same thing
>>>> the JVT did.=A0 The lesson here is that even if the SDO is conscientious=
, an
>>>> unencumbered codec can not be guaranteed. I don't see any other way to=
 read
>>>> this.
>>>>=20
>>>> Stephen Botzko
>>>> Polycom
>>>>=20
>>>>=20
>>>>=20
>>>> On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden <rob.glidden@sbcglobal.ne=
t>
>>>> wrote:
>>>>=20
>>>>>=20
>>>>>=20
>>>>> stephen botzko wrote:
>>>>>>>>>>>>=20
>>>>>> To date neither ITU-T nor MPEG have ever delivered on this royalty f=
ree
>>>>>> undertaking.
>>>>>>>>>>>>=20
>>>>>> That should be viewed as very bad news here, since all the IPR
>>>>>> declarations
>>>>>> in JVT for the baseline tools indicated royalty free terms. In
>>>>>> other words,
>>>>>> the SDOs did everything possible to deliver, and when H.264 baseline=
 was
>>>>>> standardized they thought they had succeeded.
>>>>>>=20
>>>>>=20
>>>>> I'd suggest that it is hard to see things this way after reading
>>>>>=20
>>>>>  http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>>>>=20
>>>>> The process was enforceable, and enforced.
>>>>> The patents could have been found earlier, and removed.
>>>>>=20
>>>>> So any "h.264 successor" type work (audio/video/transport) should
>>>>> complete,
>>>>> not drop, the royalty free undertaking.=A0 IETF and ITU-T should lead t=
here,
>>>>> not give up or hide in a niche.
>>>>>=20
>>>>> See November 10, 2009 "Preliminary call for proposals signals
>>>>> work start for
>>>>> H.264/MPEG-4 AVC successor"
>>>>>=20
>>>>>=20
>>>>> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signa=
ls+Wo
>>>>> rk
>>>>> +Start+For+H264MPEG4+AVC+Successor.aspx
>>>>>=20
>>>>> Rob
>>>>>=20
>>>>>=20
>>>>>=20
>>>>>> Stephen Botzko
>>>>>> Polycom.=A0
>>>>>>=20
>>>>>> =A0
>>>>>>=20
>>>>>>=20
>>>>>> On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden <rob.glidden@sbcglobal.=
net>
>>>>>> wrote:
>>>>>>=20
>>>>>>> BTW I hear that in MPEG the Chinese National Body initiated a
>>>>>>> (re)consideration of royalty free standardization and MPEG has issu=
ed a
>>>>>>> call for comments to other national bodies.
>>>>>>>=20
>>>>>>> Someone may want to contact their national MPEG Head of Delegation =
or
>>>>>>> numerous liaisons including IETF, listed at
>>>>>>> http://www.itscj.ipsj.or.jp/sc29/.
>>>>>>>=20
>>>>>>> At the same time, MPEG is also considering launching new royalty be=
aring
>>>>>>> activities HVC (High Performance Video Coding) and MMT (Multimedia
>>>>>>> Transport). http://www.chiariglione.org/mpeg/working_documents.htm
>>>>>>>=20
>>>>>>> You may recall that h.264 was launched in 2001 as a joint
>>>>>>> project between
>>>>>>> ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the
>>>>>>> undertaking that the
>>>>>>> "JVT [Joint Video Team] will define a =B3baseline=B2 profile. That prof=
ile
>>>>>>> should be royalty-free for all implementations." To date
>>>>>>> neither ITU-T nor
>>>>>>> MPEG have ever delivered on this royalty free undertaking.
>>>>>>>=20
>>>>>>> Rob
>>>>>>>=20
>>>>>>> Eric Burger wrote:
>>>>>>>=20
>>>>>>>> Thank you to everyone who participated in the room and remotely. W=
e
>>>>>>>> succeeded in getting a lot of work done, and we have a sense of wh=
ether
>>>>>>>> or not we have a well-formed problem to solve, if there are people=
 who
>>>>>>>> need the work product, if people are willing to work on it, and if=
 the
>>>>>>>> IETF is an acceptable venue to do the work. In addition, we
>>>>>>>> learned a lot
>>>>>>>> about the possibilities for cooperating with ITU-T SG 16.
>>>>>>>>=20
>>>>>>>> Please review the minutes and send corrections.
>>>>>>>>=20
>>>>>>>> The minutes are posted to:
>>>>>>>>  http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>>>>>>>> _______________________________________________
>>>>>>>> codec mailing list
>>>>>>>>  codec@ietf.org
>>>>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>>>>>=20
>>>>>>>>=20
>>>>>>>=20
>>>>>>> _______________________________________________
>>>>>>> codec mailing list
>>>>>>>  codec@ietf.org
>>>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>>=20
>>>>>=20
>>>>>=20
>>>>>=20
>>>>>=20
>>>>=20
>>>>=20
>>>=20
>>>=20
>>>=20
>>> _______________________________________________
>>> codec mailing list
>>> codec@ietf.org
>>> https://www.ietf.org/mailman/listinfo/codec
>>=20
>>=20
>=20



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Cc: codec@ietf.org, stephen botzko <stephen.botzko@gmail.com>
Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes  Posted
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=ISO-8859-1" http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
Stephan:<br>
<br>
It doesn't appear there was ever much more than a paper consensus that
was undermined by 2003 (see previous email) when patent pools started
announcing coverage of the h.264 baseline (years before the Qualcomm
litigation).<br>
<br>
As the impressive curriculum states on 2001-2003 time frame:<br>
<br>
"Fought the political battles to make those contributions pass, despite
substantial resistance from some of the largest companies in the field."<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.stewe.org/cv-business-wenger.pdf">http://www.stewe.org/cv-business-wenger.pdf</a><br>
<br>
So I'd suggest a different interpretation, one that does not assume
there was a sincere or sustained political consensus. Accepting this, a
more realistic forward look is possible.<br>
<br>
Rob<br>
<br>
<br>
Stephan Wenger wrote:
<blockquote cite="mid:C725DE47.1DBFB%25stewe@stewe.org" type="cite">
  <title>Re: [codec] I wonder what is going on at MPEG, Re: DRAFT
Minutes &nbsp;Posted</title>
  <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">Hi Rob,<br>
  <br>
I will not comment more on the BC/QC San Diego case, except to say that
misconduct before the standardization committee (violation of both
written and de-facto practiced rules of the committee) was only one
and, as some people have argued, small factor in the ruling. &nbsp;I wish
one could come to the conclusion that any misconduct before a
standardization committee would automatically render related patents
unenforceable (the inapplicable part is a very different story), but I
fear that this is too much to hope for.<br>
  <br>
My current view of the likeliness of success of Codec in relation to
JVT&#8217;s success or failure (depending whom you ask):<br>
  </span></font>
  <ol>
    <li><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">JVT took on the creation a <i>royalty-free</i>
      <i>baseline </i>(that is, a part of a standard only, and
rightholders may still require a signed license that may be encumbered
to the point where it becomes unusable for some open source
communities&#8212;clearly a factor for some software companies), in a <i>heavily
patented field.</i> &nbsp;The vast majority of the participating
companies&#8212;enough to create a consensus-based decision in the committee,
and many of them known or likely future rightholders&#8212;was <i>in support</i>
of that goal. </span></font></li>
    <li><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">Codec attempts to take on of creating a <i>standard
      </i>(not only a baseline of a standard&#8212;rightholders cannot be
appeased by arguing they can make money from non-baseline applications)
under what the BOF chairs called &#8220;acceptable terms&#8221;--which translate to
an <i>open-source friendly non-assert requirement</i>. &nbsp;The field of
technology is at least as <i>heavily patented</i> as video. &nbsp;A <i>significant
percentage</i> of companies known to hold a sizeable portfolio of
audio/speech codec patents have spoken quite <i>clearly against the
goal</i>. &nbsp;It&#8217;s not up to me to declare an IETF consensus on whether
acceptable terms are achievable, but if someone were a declaring such a
consensus, I would object&#8212;and I&#8217;m sure I would not be alone. &nbsp;In fact,
&#8220;acceptable terms&#8221;, by policy cannot and will not be a hard requirement
for the work of a hypothetical codec WG. <br>
      </span></font></li>
  </ol>
  <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">Based on these perceptions and facts it seems
obvious that it&#8217;s going to be much harder to achieve&#8212;that is also:
easier to prevent for those not amicable&#8212;the goals of a hypothetical
codec WG when compared to the goals of JVT. &nbsp;<br>
Regards,<br>
Stephan<br>
  <br>
  <br>
On 11/15/09 3:17 PM, "Rob Glidden" &lt;<a moz-do-not-send="true"
 href="rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;
wrote:<br>
  <br>
  </span></font>
  <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">There is another way to read this. <br>
    <br>
This case has been called "the most infamous discovery fiasco in recent
times":<br>
    <br>
- The lawyers were sanctioned<br>
- The patents were held both unenforceable and inapplicable<br>
- Fines were levied<br>
- The law firm crumbled and was sold<br>
    <br>
But read the case:&nbsp; these were not patents that turned up two years
later.&nbsp; The two were issued and therefore public in 1995 and 1996 (5
years before the JVT), and had been presented to the MPEG committee
before.<br>
    <br>
Going forward, a more proactive ex ante assessment of known patents, at
least of the participants in the activity, rather than just relying on
statements, would be good practice to check for blocking patents.<br>
    <br>
But yes, you are right the court did not blame the JVT process and
certainly not those who took the royalty-free objective seriously.&nbsp;
Clearly not everyone shared that goal, and got caught in subverting it.<br>
    <br>
But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than
just keep presuming that such things never occur and accept being blind
sided, and has tightened its IPR policy (which provides for
third-parties coming forward with blocking info).<br>
    <br>
And yes, any one can sue about anything, and they can lie about their
participation in a standards group.&nbsp; They can fail to disclose.&nbsp; They
can assert patents that end up being ruled as inapplicable.&nbsp; Maybe they
will get away with it, or maybe as in this case they won't. <br>
    <br>
But that isn't a good reason to fail to develop the standards the Web
needs for its open, royalty-free future.&nbsp; Rather, the opposite. If it
takes this kind of extreme behavior and it still doesn't work, then
time to keep moving forward with royalty-free standardization.<br>
    <br>
Rob<br>
    <br>
    <a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202435137932">http://www.law.com/jsp/article.jsp?id=1202435137932</a><br>
    <br>
"Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009<br>
    <br>
"Lawyers in the Qualcomm discovery scandal claim that the company
misled and stonewalled them, ultimately leading to the failure to turn
over a mountain of relevant evidence and harsh sanctions from the
court."<br>
    <br>
The allegations were made in briefs filed Monday by lawyers from the
now-defunct Day Casebeer Batchelder &amp; Madrid &lt;<a
 moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202431679659">http://www.law.com/jsp/article.jsp?id=1202431679659</a>&gt;
, who for the first time are telling their side of what has become the
most infamous discovery fiasco in recent times &lt;<a
 moz-do-not-send="true"
 href="http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954">http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954</a>&gt;
. <br>
    <br>
Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara
Major in January 2008 for intentionally withholding "tens of thousands
of e-mails" in an infringement case against Broadcom Corp. involving
video compression technology patents. The company's lawyers -- six from
Day Casebeer and one from Heller Ehrman -- were also sanctioned for
assisting "Qualcomm in committing this incredible discovery violation,"
either knowingly or recklessly, Major wrote at the time." <br>
    <br>
stephen botzko wrote: <br>
    </span></font>
    <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">As Stephan Wenger indicated, it is not clear
if the JVT actually failed or not.&nbsp; What is clear is that they did
everything they reasonably could have done.&nbsp; There were several folks
participating who took the royalty-free baseline profile objective very
seriously.<br>
&nbsp;<br>
Again, all submitted IPR for the baseline tools indicated royalty free
terms.&nbsp; So the JVT had every reason to think they had succeeded.&nbsp;&nbsp;&nbsp; By
the time this IPR turned up, H.264 had been standardized for over 2
years.&nbsp; H.264 implementations were already out there - so any attempts
to do work-arounds would have broken existing implementations
(including implementations in silicon).&nbsp; <br>
&nbsp;<br>
Certainly any existing IETF group would have presumed exactly the same
thing the JVT did.&nbsp; The lesson here is that even if the SDO is
conscientious, an unencumbered codec can not be guaranteed. I don't see
any other way to read this.<br>
&nbsp;<br>
Stephen Botzko<br>
Polycom<br>
&nbsp;<br>
&nbsp;<br>
&nbsp;<br>
On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden &lt;<a
 moz-do-not-send="true" href="rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;
wrote:<br>
&nbsp;<br>
      </span></font>
      <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"> <br>
&nbsp;<br>
stephen botzko wrote: <br>
        </span></font>
        <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">&gt;&gt;&gt;<br>
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
&gt;&gt;&gt;<br>
That should be viewed as very <b>bad</b> news here, since all the IPR
declarations in JVT for the baseline tools indicated royalty free
terms. In other words, the SDOs did everything possible to deliver, and
when H.264 baseline was standardized they thought they had succeeded.<br>
&nbsp;<br>
          </span></font></blockquote>
        <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"> <br>
I'd suggest that it is hard to see things this way after reading<br>
&nbsp;<br>
&nbsp;<a moz-do-not-send="true"
 href="http://www.cafc.uscourts.gov/opinions/07-1545.pdf">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
&nbsp;<br>
The process was enforceable, and enforced.<br>
The patents could have been found earlier, and removed.<br>
&nbsp;<br>
So any "h.264 successor" type work (audio/video/transport) should
complete, not drop, the royalty free undertaking.&nbsp; IETF and ITU-T
should lead there, not give up or hide in a niche.<br>
&nbsp;<br>
See November 10, 2009 "Preliminary call for proposals signals work
start for H.264/MPEG-4 AVC successor"<br>
&nbsp;<br>
&nbsp;<a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>
&nbsp;<font color="#888888"> <br>
Rob</font> <br>
        <br>
&nbsp;<br>
&nbsp;<br>
        </span></font>
        <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">Stephen Botzko<br>
Polycom.&nbsp; <br>
&nbsp;<br>
&nbsp;<br>
&nbsp;<br>
&nbsp;<br>
On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden &lt;<a
 moz-do-not-send="true" href="rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;
wrote:<br>
&nbsp;<br>
          </span></font>
          <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">BTW I hear that in MPEG the Chinese National
Body initiated a (re)consideration of royalty free standardization and
MPEG has issued a call for comments to other national bodies.<br>
&nbsp;<br>
Someone may want to contact their national MPEG Head of Delegation or
numerous liaisons including IETF, listed at <a moz-do-not-send="true"
 href="http://www.itscj.ipsj.or.jp/sc29/">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
&nbsp;<br>
At the same time, MPEG is also considering launching new royalty
bearing activities HVC (High Performance Video Coding) and MMT
(Multimedia Transport). <a moz-do-not-send="true"
 href="http://www.chiariglione.org/mpeg/working_documents.htm">http://www.chiariglione.org/mpeg/working_documents.htm</a><br>
&nbsp;<br>
You may recall that h.264 was launched in 2001 as a joint project
between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the
undertaking that the "JVT [Joint Video Team] will define a &#8220;baseline&#8221;
profile. That profile should be royalty-free for all implementations."
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
&nbsp;<br>
Rob<br>
&nbsp;<br>
Eric Burger wrote:<br>
&nbsp;<br>
            </span></font>
            <blockquote><font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;">Thank you to everyone who participated in the
room and remotely. We succeeded in getting a lot of work done, and we
have a sense of whether or not we have a well-formed problem to solve,
if there are people who need the work product, if people are willing to
work on it, and if the IETF is an acceptable venue to do the work. In
addition, we learned a lot about the possibilities for cooperating with
ITU-T SG 16.<br>
&nbsp;<br>
Please review the minutes and send corrections.<br>
&nbsp;<br>
The minutes are posted to:<br>
&nbsp;<a moz-do-not-send="true"
 href="http://www.ietf.org/proceedings/09nov/minutes/codec.txt">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><br>
_______________________________________________<br>
codec mailing list<br>
&nbsp;<a moz-do-not-send="true" href="codec@ietf.org">codec@ietf.org</a><br>
&nbsp;<a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.org/mailman/listinfo/codec</a><br>
&nbsp;<br>
&nbsp;<br>
              </span></font></blockquote>
            <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"> <br>
_______________________________________________<br>
codec mailing list<br>
&nbsp;<a moz-do-not-send="true" href="codec@ietf.org">codec@ietf.org</a><br>
&nbsp;<a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.org/mailman/listinfo/codec</a><br>
&nbsp;<br>
            </span></font></blockquote>
          <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"> <br>
&nbsp;<br>
&nbsp;<br>
          </span></font></blockquote>
        <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"> <br>
&nbsp;<br>
&nbsp;<br>
&nbsp;<br>
        </span></font></blockquote>
      <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"> <br>
&nbsp;<br>
      </span></font></blockquote>
    <font face="Calibri, Verdana, Helvetica, Arial"><span
 style="font-size: 11pt;"><br>
    <br>
    <hr align="center" size="3" width="95%"></span></font><font size="2"><font
 face="Consolas, Courier New, Courier"><span style="font-size: 10pt;">_______________________________________________<br>
codec mailing list<br>
    <a moz-do-not-send="true" href="codec@ietf.org">codec@ietf.org</a><br>
    <a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec">https://www.ietf.org/mailman/listinfo/codec</a><br>
    </span></font></font></blockquote>
</blockquote>
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From stephen.botzko@gmail.com  Tue Nov 17 03:39:18 2009
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References: <C725DE47.1DBFB%stewe@stewe.org> <4B0288C5.6000300@sbcglobal.net>
Date: Tue, 17 Nov 2009 06:39:09 -0500
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From: stephen botzko <stephen.botzko@gmail.com>
To: Rob Glidden <rob.glidden@sbcglobal.net>
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Cc: codec@ietf.org
Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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Perhaps you should add the word "sincere" to the proposed codec charter.
That would certainly fix it.

Stephen Botzko
Polycom

On Tue, Nov 17, 2009 at 6:28 AM, Rob Glidden <rob.glidden@sbcglobal.net>wro=
te:

>  Stephan:
>
> It doesn't appear there was ever much more than a paper consensus that wa=
s
> undermined by 2003 (see previous email) when patent pools started announc=
ing
> coverage of the h.264 baseline (years before the Qualcomm litigation).
>
> As the impressive curriculum states on 2001-2003 time frame:
>
> "Fought the political battles to make those contributions pass, despite
> substantial resistance from some of the largest companies in the field."
>
> http://www.stewe.org/cv-business-wenger.pdf
>
> So I'd suggest a different interpretation, one that does not assume there
> was a sincere or sustained political consensus. Accepting this, a more
> realistic forward look is possible.
>
> Rob
>
>
>
> Stephan Wenger wrote:
>
> Hi Rob,
>
> I will not comment more on the BC/QC San Diego case, except to say that
> misconduct before the standardization committee (violation of both writte=
n
> and de-facto practiced rules of the committee) was only one and, as some
> people have argued, small factor in the ruling.  I wish one could come to
> the conclusion that any misconduct before a standardization committee wou=
ld
> automatically render related patents unenforceable (the inapplicable part=
 is
> a very different story), but I fear that this is too much to hope for.
>
> My current view of the likeliness of success of Codec in relation to JVT=
=92s
> success or failure (depending whom you ask):
>
>    1. JVT took on the creation a *royalty-free* *baseline *(that is, a
>    part of a standard only, and rightholders may still require a signed l=
icense
>    that may be encumbered to the point where it becomes unusable for some=
 open
>    source communities=97clearly a factor for some software companies), in=
 a
>    *heavily patented field.*  The vast majority of the participating
>    companies=97enough to create a consensus-based decision in the committ=
ee, and
>    many of them known or likely future rightholders=97was *in support* of
>    that goal.
>    2. Codec attempts to take on of creating a *standard *(not only a
>    baseline of a standard=97rightholders cannot be appeased by arguing th=
ey can
>    make money from non-baseline applications) under what the BOF chairs c=
alled
>    =93acceptable terms=94--which translate to an *open-source friendly
>    non-assert requirement*.  The field of technology is at least as *heav=
ily
>    patented* as video.  A *significant percentage* of companies known to
>    hold a sizeable portfolio of audio/speech codec patents have spoken qu=
ite
>    *clearly against the goal*.  It=92s not up to me to declare an IETF
>    consensus on whether acceptable terms are achievable, but if someone w=
ere a
>    declaring such a consensus, I would object=97and I=92m sure I would no=
t be
>    alone.  In fact, =93acceptable terms=94, by policy cannot and will not=
 be a hard
>    requirement for the work of a hypothetical codec WG.
>
> Based on these perceptions and facts it seems obvious that it=92s going t=
o be
> much harder to achieve=97that is also: easier to prevent for those not
> amicable=97the goals of a hypothetical codec WG when compared to the goal=
s of
> JVT.
> Regards,
> Stephan
>
>
> On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:
>
>  There is another way to read this.
>
> This case has been called "the most infamous discovery fiasco in recent
> times":
>
> - The lawyers were sanctioned
> - The patents were held both unenforceable and inapplicable
> - Fines were levied
> - The law firm crumbled and was sold
>
> But read the case:  these were not patents that turned up two years later=
.
> The two were issued and therefore public in 1995 and 1996 (5 years before
> the JVT), and had been presented to the MPEG committee before.
>
> Going forward, a more proactive ex ante assessment of known patents, at
> least of the participants in the activity, rather than just relying on
> statements, would be good practice to check for blocking patents.
>
> But yes, you are right the court did not blame the JVT process and
> certainly not those who took the royalty-free objective seriously.  Clear=
ly
> not everyone shared that goal, and got caught in subverting it.
>
> But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than jus=
t
> keep presuming that such things never occur and accept being blind sided,
> and has tightened its IPR policy (which provides for third-parties coming
> forward with blocking info).
>
> And yes, any one can sue about anything, and they can lie about their
> participation in a standards group.  They can fail to disclose.  They can
> assert patents that end up being ruled as inapplicable.  Maybe they will =
get
> away with it, or maybe as in this case they won't.
>
> But that isn't a good reason to fail to develop the standards the Web nee=
ds
> for its open, royalty-free future.  Rather, the opposite. If it takes thi=
s
> kind of extreme behavior and it still doesn't work, then time to keep mov=
ing
> forward with royalty-free standardization.
>
> Rob
>
> http://www.law.com/jsp/article.jsp?id=3D1202435137932
>
> "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>
> "Lawyers in the Qualcomm discovery scandal claim that the company misled
> and stonewalled them, ultimately leading to the failure to turn over a
> mountain of relevant evidence and harsh sanctions from the court."
>
> The allegations were made in briefs filed Monday by lawyers from the
> now-defunct Day Casebeer Batchelder & Madrid <
> http://www.law.com/jsp/article.jsp?id=3D1202431679659> , who for the firs=
t
> time are telling their side of what has become the most infamous discover=
y
> fiasco in recent times <
> http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954=
> .
>
>
> Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Major =
in
> January 2008 for intentionally withholding "tens of thousands of e-mails"=
 in
> an infringement case against Broadcom Corp. involving video compression
> technology patents. The company's lawyers -- six from Day Casebeer and on=
e
> from Heller Ehrman -- were also sanctioned for assisting "Qualcomm in
> committing this incredible discovery violation," either knowingly or
> recklessly, Major wrote at the time."
>
> stephen botzko wrote:
>
> As Stephan Wenger indicated, it is not clear if the JVT actually failed o=
r
> not.  What is clear is that they did everything they reasonably could hav=
e
> done.  There were several folks participating who took the royalty-free
> baseline profile objective very seriously.
>
> Again, all submitted IPR for the baseline tools indicated royalty free
> terms.  So the JVT had every reason to think they had succeeded.    By th=
e
> time this IPR turned up, H.264 had been standardized for over 2 years.
> H.264 implementations were already out there - so any attempts to do
> work-arounds would have broken existing implementations (including
> implementations in silicon).
>
> Certainly any existing IETF group would have presumed exactly the same
> thing the JVT did.  The lesson here is that even if the SDO is
> conscientious, an unencumbered codec can not be guaranteed. I don't see a=
ny
> other way to read this.
>
> Stephen Botzko
> Polycom
>
>
>
> On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden <rob.glidden@sbcglobal.net>
> wrote:
>
>
>
>
> stephen botzko wrote:
>
> >>>
> To date neither ITU-T nor MPEG have ever delivered on this royalty free
> undertaking.
> >>>
> That should be viewed as very *bad* news here, since all the IPR
> declarations in JVT for the baseline tools indicated royalty free terms. =
In
> other words, the SDOs did everything possible to deliver, and when H.264
> baseline was standardized they thought they had succeeded.
>
>
>
> I'd suggest that it is hard to see things this way after reading
>
>  http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>
> The process was enforceable, and enforced.
> The patents could have been found earlier, and removed.
>
> So any "h.264 successor" type work (audio/video/transport) should complet=
e,
> not drop, the royalty free undertaking.  IETF and ITU-T should lead there=
,
> not give up or hide in a niche.
>
> See November 10, 2009 "Preliminary call for proposals signals work start
> for H.264/MPEG-4 AVC successor"
>
>
> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+W=
ork+Start+For+H264MPEG4+AVC+Successor.aspx
>
> Rob
>
>
>
>
> Stephen Botzko
> Polycom.
>
>
>
>
> On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden <rob.glidden@sbcglobal.net>
> wrote:
>
>
> BTW I hear that in MPEG the Chinese National Body initiated a
> (re)consideration of royalty free standardization and MPEG has issued a c=
all
> for comments to other national bodies.
>
> Someone may want to contact their national MPEG Head of Delegation or
> numerous liaisons including IETF, listed at
> http://www.itscj.ipsj.or.jp/sc29/.
>
> At the same time, MPEG is also considering launching new royalty bearing
> activities HVC (High Performance Video Coding) and MMT (Multimedia
> Transport). http://www.chiariglione.org/mpeg/working_documents.htm
>
> You may recall that h.264 was launched in 2001 as a joint project between
> ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undertaking that the
> "JVT [Joint Video Team] will define a =93baseline=94 profile. That profil=
e
> should be royalty-free for all implementations." To date neither ITU-T no=
r
> MPEG have ever delivered on this royalty free undertaking.
>
> Rob
>
> Eric Burger wrote:
>
>
> Thank you to everyone who participated in the room and remotely. We
> succeeded in getting a lot of work done, and we have a sense of whether o=
r
> not we have a well-formed problem to solve, if there are people who need =
the
> work product, if people are willing to work on it, and if the IETF is an
> acceptable venue to do the work. In addition, we learned a lot about the
> possibilities for cooperating with ITU-T SG 16.
>
> Please review the minutes and send corrections.
>
> The minutes are posted to:
>  http://www.ietf.org/proceedings/09nov/minutes/codec.txt
> _______________________________________________
> codec mailing list
>  codec@ietf.org
>  https://www.ietf.org/mailman/listinfo/codec
>
>
>
>
> _______________________________________________
> codec mailing list
>  codec@ietf.org
>  https://www.ietf.org/mailman/listinfo/codec
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
> ------------------------------
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
>
>

--0016e65a044e0691cc04788f93c7
Content-Type: text/html; charset=windows-1252
Content-Transfer-Encoding: quoted-printable

Perhaps you should add the word &quot;sincere&quot; to the proposed codec c=
harter.=A0 That would certainly fix it.<br><br>Stephen Botzko<br>Polycom<br=
><br><div class=3D"gmail_quote">On Tue, Nov 17, 2009 at 6:28 AM, Rob Glidde=
n <span dir=3D"ltr">&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" target=
=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


 =20

<div bgcolor=3D"#ffffff" text=3D"#000000">
Stephan:<br>
<br>
It doesn&#39;t appear there was ever much more than a paper consensus that
was undermined by 2003 (see previous email) when patent pools started
announcing coverage of the h.264 baseline (years before the Qualcomm
litigation).<br>
<br>
As the impressive curriculum states on 2001-2003 time frame:<br>
<br>
&quot;Fought the political battles to make those contributions pass, despit=
e
substantial resistance from some of the largest companies in the field.&quo=
t;<br>
<br>
<a href=3D"http://www.stewe.org/cv-business-wenger.pdf" target=3D"_blank">h=
ttp://www.stewe.org/cv-business-wenger.pdf</a><br>
<br>
So I&#39;d suggest a different interpretation, one that does not assume
there was a sincere or sustained political consensus. Accepting this, a
more realistic forward look is possible.<br><font color=3D"#888888">
<br>
Rob</font><div><div></div><div><br>
<br>
<br>
Stephan Wenger wrote:
<blockquote type=3D"cite">
 =20
  <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"font-siz=
e: 11pt;">Hi Rob,<br>
  <br>
I will not comment more on the BC/QC San Diego case, except to say that
misconduct before the standardization committee (violation of both
written and de-facto practiced rules of the committee) was only one
and, as some people have argued, small factor in the ruling. =A0I wish
one could come to the conclusion that any misconduct before a
standardization committee would automatically render related patents
unenforceable (the inapplicable part is a very different story), but I
fear that this is too much to hope for.<br>
  <br>
My current view of the likeliness of success of Codec in relation to
JVT=92s success or failure (depending whom you ask):<br>
  </span></font>
  <ol>
    <li><font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"fo=
nt-size: 11pt;">JVT took on the creation a <i>royalty-free</i>
      <i>baseline </i>(that is, a part of a standard only, and
rightholders may still require a signed license that may be encumbered
to the point where it becomes unusable for some open source
communities=97clearly a factor for some software companies), in a <i>heavil=
y
patented field.</i> =A0The vast majority of the participating
companies=97enough to create a consensus-based decision in the committee,
and many of them known or likely future rightholders=97was <i>in support</i=
>
of that goal. </span></font></li>
    <li><font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"fo=
nt-size: 11pt;">Codec attempts to take on of creating a <i>standard
      </i>(not only a baseline of a standard=97rightholders cannot be
appeased by arguing they can make money from non-baseline applications)
under what the BOF chairs called =93acceptable terms=94--which translate to
an <i>open-source friendly non-assert requirement</i>. =A0The field of
technology is at least as <i>heavily patented</i> as video. =A0A <i>signifi=
cant
percentage</i> of companies known to hold a sizeable portfolio of
audio/speech codec patents have spoken quite <i>clearly against the
goal</i>. =A0It=92s not up to me to declare an IETF consensus on whether
acceptable terms are achievable, but if someone were a declaring such a
consensus, I would object=97and I=92m sure I would not be alone. =A0In fact=
,
=93acceptable terms=94, by policy cannot and will not be a hard requirement
for the work of a hypothetical codec WG. <br>
      </span></font></li>
  </ol>
  <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"font-siz=
e: 11pt;">Based on these perceptions and facts it seems
obvious that it=92s going to be much harder to achieve=97that is also:
easier to prevent for those not amicable=97the goals of a hypothetical
codec WG when compared to the goals of JVT. =A0<br>
Regards,<br>
Stephan<br>
  <br>
  <br>
On 11/15/09 3:17 PM, &quot;Rob Glidden&quot; &lt;<a href=3D"http://rob.glid=
den@sbcglobal.net" target=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;
wrote:<br>
  <br>
  </span></font>
  <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=
=3D"font-size: 11pt;">There is another way to read this. <br>
    <br>
This case has been called &quot;the most infamous discovery fiasco in recen=
t
times&quot;:<br>
    <br>
- The lawyers were sanctioned<br>
- The patents were held both unenforceable and inapplicable<br>
- Fines were levied<br>
- The law firm crumbled and was sold<br>
    <br>
But read the case:=A0 these were not patents that turned up two years
later.=A0 The two were issued and therefore public in 1995 and 1996 (5
years before the JVT), and had been presented to the MPEG committee
before.<br>
    <br>
Going forward, a more proactive ex ante assessment of known patents, at
least of the participants in the activity, rather than just relying on
statements, would be good practice to check for blocking patents.<br>
    <br>
But yes, you are right the court did not blame the JVT process and
certainly not those who took the royalty-free objective seriously.=A0
Clearly not everyone shared that goal, and got caught in subverting it.<br>
    <br>
But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than
just keep presuming that such things never occur and accept being blind
sided, and has tightened its IPR policy (which provides for
third-parties coming forward with blocking info).<br>
    <br>
And yes, any one can sue about anything, and they can lie about their
participation in a standards group.=A0 They can fail to disclose.=A0 They
can assert patents that end up being ruled as inapplicable.=A0 Maybe they
will get away with it, or maybe as in this case they won&#39;t. <br>
    <br>
But that isn&#39;t a good reason to fail to develop the standards the Web
needs for its open, royalty-free future.=A0 Rather, the opposite. If it
takes this kind of extreme behavior and it still doesn&#39;t work, then
time to keep moving forward with royalty-free standardization.<br>
    <br>
Rob<br>
    <br>
    <a href=3D"http://www.law.com/jsp/article.jsp?id=3D1202435137932" targe=
t=3D"_blank">http://www.law.com/jsp/article.jsp?id=3D1202435137932</a><br>
    <br>
&quot;Lawyers in Discovery Scandal Say Qualcomm Lied&quot;, November 3, 200=
9<br>
    <br>
&quot;Lawyers in the Qualcomm discovery scandal claim that the company
misled and stonewalled them, ultimately leading to the failure to turn
over a mountain of relevant evidence and harsh sanctions from the
court.&quot;<br>
    <br>
The allegations were made in briefs filed Monday by lawyers from the
now-defunct Day Casebeer Batchelder &amp; Madrid &lt;<a href=3D"http://www.=
law.com/jsp/article.jsp?id=3D1202431679659" target=3D"_blank">http://www.la=
w.com/jsp/article.jsp?id=3D1202431679659</a>&gt;
, who for the first time are telling their side of what has become the
most infamous discovery fiasco in recent times &lt;<a href=3D"http://www.la=
w.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954" target=3D"_bl=
ank">http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504=
954</a>&gt;
. <br>
    <br>
Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara
Major in January 2008 for intentionally withholding &quot;tens of thousands
of e-mails&quot; in an infringement case against Broadcom Corp. involving
video compression technology patents. The company&#39;s lawyers -- six from
Day Casebeer and one from Heller Ehrman -- were also sanctioned for
assisting &quot;Qualcomm in committing this incredible discovery violation,=
&quot;
either knowingly or recklessly, Major wrote at the time.&quot; <br>
    <br>
stephen botzko wrote: <br>
    </span></font>
    <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><span sty=
le=3D"font-size: 11pt;">As Stephan Wenger indicated, it is not clear
if the JVT actually failed or not.=A0 What is clear is that they did
everything they reasonably could have done.=A0 There were several folks
participating who took the royalty-free baseline profile objective very
seriously.<br>
=A0<br>
Again, all submitted IPR for the baseline tools indicated royalty free
terms.=A0 So the JVT had every reason to think they had succeeded.=A0=A0=A0=
 By
the time this IPR turned up, H.264 had been standardized for over 2
years.=A0 H.264 implementations were already out there - so any attempts
to do work-arounds would have broken existing implementations
(including implementations in silicon).=A0 <br>
=A0<br>
Certainly any existing IETF group would have presumed exactly the same
thing the JVT did.=A0 The lesson here is that even if the SDO is
conscientious, an unencumbered codec can not be guaranteed. I don&#39;t see
any other way to read this.<br>
=A0<br>
Stephen Botzko<br>
Polycom<br>
=A0<br>
=A0<br>
=A0<br>
On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden &lt;<a href=3D"http://rob.glid=
den@sbcglobal.net" target=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;
wrote:<br>
=A0<br>
      </span></font>
      <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><span s=
tyle=3D"font-size: 11pt;"> <br>
=A0<br>
stephen botzko wrote: <br>
        </span></font>
        <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><span=
 style=3D"font-size: 11pt;">&gt;&gt;&gt;<br>
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
&gt;&gt;&gt;<br>
That should be viewed as very <b>bad</b> news here, since all the IPR
declarations in JVT for the baseline tools indicated royalty free
terms. In other words, the SDOs did everything possible to deliver, and
when H.264 baseline was standardized they thought they had succeeded.<br>
=A0<br>
          </span></font></blockquote>
        <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"fo=
nt-size: 11pt;"> <br>
I&#39;d suggest that it is hard to see things this way after reading<br>
=A0<br>
=A0<a href=3D"http://www.cafc.uscourts.gov/opinions/07-1545.pdf" target=3D"=
_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
=A0<br>
The process was enforceable, and enforced.<br>
The patents could have been found earlier, and removed.<br>
=A0<br>
So any &quot;h.264 successor&quot; type work (audio/video/transport) should
complete, not drop, the royalty free undertaking.=A0 IETF and ITU-T
should lead there, not give up or hide in a niche.<br>
=A0<br>
See November 10, 2009 &quot;Preliminary call for proposals signals work
start for H.264/MPEG-4 AVC successor&quot;<br>
=A0<br>
=A0<a href=3D"http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposa=
ls+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx" target=3D"_blank">h=
ttp://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work=
+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>


=A0<font color=3D"#888888"> <br>
Rob</font> <br>
        <br>
=A0<br>
=A0<br>
        </span></font>
        <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><span=
 style=3D"font-size: 11pt;">Stephen Botzko<br>
Polycom.=A0 <br>
=A0<br>
=A0<br>
=A0<br>
=A0<br>
On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden &lt;<a href=3D"http://rob.glid=
den@sbcglobal.net" target=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;
wrote:<br>
=A0<br>
          </span></font>
          <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><sp=
an style=3D"font-size: 11pt;">BTW I hear that in MPEG the Chinese National
Body initiated a (re)consideration of royalty free standardization and
MPEG has issued a call for comments to other national bodies.<br>
=A0<br>
Someone may want to contact their national MPEG Head of Delegation or
numerous liaisons including IETF, listed at <a href=3D"http://www.itscj.ips=
j.or.jp/sc29/" target=3D"_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
=A0<br>
At the same time, MPEG is also considering launching new royalty
bearing activities HVC (High Performance Video Coding) and MMT
(Multimedia Transport). <a href=3D"http://www.chiariglione.org/mpeg/working=
_documents.htm" target=3D"_blank">http://www.chiariglione.org/mpeg/working_=
documents.htm</a><br>
=A0<br>
You may recall that h.264 was launched in 2001 as a joint project
between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the
undertaking that the &quot;JVT [Joint Video Team] will define a =93baseline=
=94
profile. That profile should be royalty-free for all implementations.&quot;
To date neither ITU-T nor MPEG have ever delivered on this royalty free
undertaking.<br>
=A0<br>
Rob<br>
=A0<br>
Eric Burger wrote:<br>
=A0<br>
            </span></font>
            <blockquote><font face=3D"Calibri, Verdana, Helvetica, Arial"><=
span style=3D"font-size: 11pt;">Thank you to everyone who participated in t=
he
room and remotely. We succeeded in getting a lot of work done, and we
have a sense of whether or not we have a well-formed problem to solve,
if there are people who need the work product, if people are willing to
work on it, and if the IETF is an acceptable venue to do the work. In
addition, we learned a lot about the possibilities for cooperating with
ITU-T SG 16.<br>
=A0<br>
Please review the minutes and send corrections.<br>
=A0<br>
The minutes are posted to:<br>
=A0<a href=3D"http://www.ietf.org/proceedings/09nov/minutes/codec.txt" targ=
et=3D"_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><b=
r>
_______________________________________________<br>
codec mailing list<br>
=A0<a href=3D"http://codec@ietf.org" target=3D"_blank">codec@ietf.org</a><b=
r>
=A0<a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blank=
">https://www.ietf.org/mailman/listinfo/codec</a><br>
=A0<br>
=A0<br>
              </span></font></blockquote>
            <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=
=3D"font-size: 11pt;"> <br>
_______________________________________________<br>
codec mailing list<br>
=A0<a href=3D"http://codec@ietf.org" target=3D"_blank">codec@ietf.org</a><b=
r>
=A0<a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blank=
">https://www.ietf.org/mailman/listinfo/codec</a><br>
=A0<br>
            </span></font></blockquote>
          <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"=
font-size: 11pt;"> <br>
=A0<br>
=A0<br>
          </span></font></blockquote>
        <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"fo=
nt-size: 11pt;"> <br>
=A0<br>
=A0<br>
=A0<br>
        </span></font></blockquote>
      <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"font=
-size: 11pt;"> <br>
=A0<br>
      </span></font></blockquote>
    <font face=3D"Calibri, Verdana, Helvetica, Arial"><span style=3D"font-s=
ize: 11pt;"><br>
    <br>
    <hr align=3D"center" width=3D"95%" size=3D"3"></span></font><font size=
=3D"2"><font face=3D"Consolas, Courier New, Courier"><span style=3D"font-si=
ze: 10pt;">_______________________________________________<br>
codec mailing list<br>
    <a href=3D"http://codec@ietf.org" target=3D"_blank">codec@ietf.org</a><=
br>
    <a href=3D"https://www.ietf.org/mailman/listinfo/codec" target=3D"_blan=
k">https://www.ietf.org/mailman/listinfo/codec</a><br>
    </span></font></font></blockquote>
</blockquote>
<br>
</div></div></div>

</blockquote></div><br>

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Subject: [codec] Fwd:  I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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The draft calls for proposals (there are actually 2, one from the ITU-T and
one from ISO/IEC) start the process.  Responses are not profile-specific
(since there are no profiles defined at this point).  There is more than on=
e
operating point envisioned, but it is rather difficult to figure out what
tools belong to what operating point before you have proposals.

Also ITU-T and ISO/IEC have not yet worked out terms of reference for this
work.  There is a desire (largely shared in both communities) to work
together again, but this has not yet been accomplished organizationally.

Having attended some of these meetings, I think it is premature to say who
has the upper hand.  The effort is just beginning, and almost all of the
meeting focus has been on technical requirements and terms of reference.

Stephen Botzko
Polycom




On Tue, Nov 17, 2009 at 6:37 AM, Rob Glidden <rob.glidden@sbcglobal.net>wro=
te:

> Stephen:
>
> Millions of patents, even a limited search could be quite expensive,
> amateur search done without lawyers could be a waste of time.
>
> I believe all could "stipulate" to these points.
>
> But obviously, others did do this work. So better can be done.
>
> Yes, I am critical of JVT for dropping royalty free ball, we can debate w=
ho
> dropped it and when and whether the ball was yanked from their hands or w=
ere
> outfoxed, dis-spirited or whatever.
>
> But the new successor call to h.264 drops any public mention of a
> royalty-free at all.  So it is clear who has upper hand now -- and this
> should not be acceptable.
>
> Rob
>
> stephen botzko wrote:
>
>> I did read the case. And despite the fact that the court did not critici=
ze
>> the JVT at all, I think that your own posts left a false impression that
>> somehow it did.
>>
>> What you haven't done so far is identify how the IETF (or ITU-T, MPEG)
>> could ensure unencumbered standards with any certainty.
>>
>> Ex-ante assessment of the millions of  US patents (+ the millions more
>> filed in other countries) is not a practical answer.  Perhaps a limited
>> search would have caught some patents.  But it would not even come close=
 to
>> catching them all.
>>
>> And of course there are cases where the granted claims are hard to
>> interpret, even if you have access to the prosecution history. And other=
s
>> where the claims are actually invalid.  Even a limited search could be q=
uite
>> expensive (and an amateur search done without lawyers would IMHO be a wa=
ste
>> of time)..
>>
>> The JVT made a noble effort, and I really don't see how a normal SDO
>> (including the IETF) could do much better.
>>
>> Stephen Botzko
>> Polycom
>>
>> On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden <rob.glidden@sbcglobal.net<=
mailto:
>> rob.glidden@sbcglobal.net>> wrote:
>>
>>    There is another way to read this.
>>
>>    This case has been called "the most infamous discovery fiasco in
>>    recent times":
>>
>>    - The lawyers were sanctioned
>>    - The patents were held both unenforceable and inapplicable
>>    - Fines were levied
>>    - The law firm crumbled and was sold
>>
>>    But read the case:  these were not patents that turned up two
>>    years later.  The two were issued and therefore public in 1995 and
>>    1996 (5 years before the JVT), and had been presented to the MPEG
>>    committee before.
>>
>>    Going forward, a more proactive ex ante assessment of known
>>    patents, at least of the participants in the activity, rather than
>>    just relying on statements, would be good practice to check for
>>    blocking patents.
>>
>>    But yes, you are right the court did not blame the JVT process and
>>    certainly not those who took the royalty-free objective
>>    seriously.  Clearly not everyone shared that goal, and got caught
>>    in subverting it.
>>
>>    But no, the subsequent ITU/ISO/IEC Common Patent Policy did more
>>    than just keep presuming that such things never occur and accept
>>    being blind sided, and has tightened its IPR policy (which
>>    provides for third-parties coming forward with blocking info).
>>
>>    And yes, any one can sue about anything, and they can lie about
>>    their participation in a standards group.  They can fail to
>>    disclose.  They can assert patents that end up being ruled as
>>    inapplicable.  Maybe they will get away with it, or maybe as in
>>    this case they won't.
>>
>>    But that isn't a good reason to fail to develop the standards the
>>    Web needs for its open, royalty-free future.  Rather, the
>>    opposite. If it takes this kind of extreme behavior and it still
>>    doesn't work, then time to keep moving forward with royalty-free
>>    standardization.
>>
>>    Rob
>>
>>    http://www.law.com/jsp/article.jsp?id=3D1202435137932
>>
>>    "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>>
>>    "Lawyers in the Qualcomm discovery scandal claim that the company
>>    misled and stonewalled them, ultimately leading to the failure to
>>    turn over a mountain of relevant evidence and harsh sanctions from
>>    the court."
>>
>>    The allegations were made in briefs filed Monday by lawyers from
>>    the now-defunct Day Casebeer Batchelder & Madrid
>>    <http://www.law.com/jsp/article.jsp?id=3D1202431679659>, who for the
>>
>>    first time are telling their side of what has become the most
>>    infamous discovery fiasco in recent times
>>    <
>> http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D90000550495=
4>.
>>
>>
>>    Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara
>>    Major in January 2008 for intentionally withholding "tens of
>>    thousands of e-mails" in an infringement case against Broadcom
>>    Corp. involving video compression technology patents. The
>>    company's lawyers -- six from Day Casebeer and one from Heller
>>    Ehrman -- were also sanctioned for assisting "Qualcomm in
>>    committing this incredible discovery violation," either knowingly
>>    or recklessly, Major wrote at the time."
>>
>>
>>    stephen botzko wrote:
>>
>>>    As Stephan Wenger indicated, it is not clear if the JVT actually
>>>    failed or not.  What is clear is that they did everything they
>>>    reasonably could have done.  There were several folks
>>>    participating who took the royalty-free baseline profile
>>>    objective very seriously.
>>>
>>>    Again, all submitted IPR for the baseline tools indicated royalty
>>>    free terms.  So the JVT had every reason to think they had
>>>    succeeded.    By the time this IPR turned up, H.264 had been
>>>    standardized for over 2 years.  H.264 implementations were
>>>    already out there - so any attempts to do work-arounds would have
>>>    broken existing implementations (including implementations in
>>>    silicon).
>>>    Certainly any existing IETF group would have presumed exactly the
>>>    same thing the JVT did.  The lesson here is that even if the SDO
>>>    is conscientious, an unencumbered codec can not be guaranteed. I
>>>    don't see any other way to read this.
>>>
>>>    Stephen Botzko
>>>    Polycom
>>>
>>>
>>>    On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden
>>>    <rob.glidden@sbcglobal.net <mailto:rob.glidden@sbcglobal.net>> wrote=
:
>>>
>>>        stephen botzko wrote:
>>>
>>>>        >>>
>>>>        To date neither ITU-T nor MPEG have ever delivered on this
>>>>        royalty free undertaking.
>>>>        >>>
>>>>        That should be viewed as very *bad* news here, since all the
>>>>        IPR declarations in JVT for the baseline tools indicated
>>>>        royalty free terms. In other words, the SDOs did everything
>>>>        possible to deliver, and when H.264 baseline was
>>>>        standardized they thought they had succeeded.
>>>>
>>>        I'd suggest that it is hard to see things this way after reading
>>>
>>>        http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>>
>>>        The process was enforceable, and enforced.
>>>        The patents could have been found earlier, and removed.
>>>
>>>        So any "h.264 successor" type work (audio/video/transport)
>>>        should complete, not drop, the royalty free undertaking.
>>>  IETF and ITU-T should lead there, not give up or hide in a niche.
>>>
>>>        See November 10, 2009 "Preliminary call for proposals signals
>>>        work start for H.264/MPEG-4 AVC successor"
>>>
>>>
>>> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals=
+Work+Start+For+H264MPEG4+AVC+Successor.aspx
>>>
>>>        Rob
>>>
>>>
>>>         Stephen Botzko
>>>>        Polycom.
>>>>
>>>>        On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden
>>>>        <rob.glidden@sbcglobal.net
>>>>        <mailto:rob.glidden@sbcglobal.net>> wrote:
>>>>
>>>>            BTW I hear that in MPEG the Chinese National Body
>>>>            initiated a (re)consideration of royalty free
>>>>            standardization and MPEG has issued a call for comments
>>>>            to other national bodies.
>>>>
>>>>            Someone may want to contact their national MPEG Head of
>>>>            Delegation or numerous liaisons including IETF, listed
>>>>            at http://www.itscj.ipsj.or.jp/sc29/.
>>>>
>>>>            At the same time, MPEG is also considering launching new
>>>>            royalty bearing activities HVC (High Performance Video
>>>>            Coding) and MMT (Multimedia Transport).
>>>>            http://www.chiariglione.org/mpeg/working_documents.htm
>>>>
>>>>            You may recall that h.264 was launched in 2001 as a
>>>>            joint project between ITU-T Q.6/SG16 and ISO/IEC JTC
>>>>            1/SC 29/WG11 with the undertaking that the "JVT [Joint
>>>>            Video Team] will define a =93baseline=94 profile. That
>>>>            profile should be royalty-free for all implementations."
>>>>            To date neither ITU-T nor MPEG have ever delivered on
>>>>            this royalty free undertaking.
>>>>
>>>>            Rob
>>>>
>>>>            Eric Burger wrote:
>>>>
>>>>                Thank you to everyone who participated in the room
>>>>                and remotely. We succeeded in getting a lot of work
>>>>                done, and we have a sense of whether or not we have
>>>>                a well-formed problem to solve, if there are people
>>>>                who need the work product, if people are willing to
>>>>                work on it, and if the IETF is an acceptable venue
>>>>                to do the work. In addition, we learned a lot about
>>>>                the possibilities for cooperating with ITU-T SG 16.
>>>>
>>>>                Please review the minutes and send corrections.
>>>>
>>>>                The minutes are posted to:
>>>>                http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>>>>                _______________________________________________
>>>>                codec mailing list
>>>>                codec@ietf.org <mailto:codec@ietf.org>
>>>>
>>>>                https://www.ietf.org/mailman/listinfo/codec
>>>>
>>>>
>>>>            _______________________________________________
>>>>            codec mailing list
>>>>            codec@ietf.org <mailto:codec@ietf.org>
>>>>
>>>>            https://www.ietf.org/mailman/listinfo/codec
>>>>
>>>>
>>>>
>>>
>>>
>>
>>
>

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Content-Type: text/html; charset=windows-1252
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<br><div class=3D"gmail_quote">The draft calls for proposals (there are act=
ually 2, one from the ITU-T
and one from ISO/IEC) start the process.=A0 Responses are not
profile-specific (since there are no profiles defined at this point).=A0
There is more than one operating point envisioned, but it is rather
difficult to figure out what tools belong to what operating point
before you have proposals.<br>
<br>
Also ITU-T and ISO/IEC have not yet worked out terms of reference for
this work.=A0 There is a desire (largely shared in both communities) to
work together again, but this has not yet been accomplished organizationall=
y.<br>
<br>
Having attended some of these meetings, I think it is premature to say who =
has the upper hand.=A0 The effort is just beginning, and almost all of the =
meeting focus has been on technical requirements and terms of reference.<br=
>
<font color=3D"#888888">
<br>Stephen Botzko<br>Polycom</font><div><div></div><div class=3D"h5"><br><=
br><br><br><div class=3D"gmail_quote">On Tue, Nov 17, 2009 at 6:37 AM, Rob =
Glidden <span dir=3D"ltr">&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" =
target=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;</span> wrote:<br>

<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Stephen:<br>
<br>
Millions of patents, even a limited search could be quite expensive, amateu=
r search done without lawyers could be a waste of time.<br>
<br>
I believe all could &quot;stipulate&quot; to these points.<br>
<br>
But obviously, others did do this work. So better can be done.<br>
<br>
Yes, I am critical of JVT for dropping royalty free ball, we can debate who=
 dropped it and when and whether the ball was yanked from their hands or we=
re outfoxed, dis-spirited or whatever.<br>
<br>
But the new successor call to h.264 drops any public mention of a royalty-f=
ree at all. =A0So it is clear who has upper hand now -- and this should not=
 be acceptable.<br>
<br>
Rob<br>
<br>
stephen botzko wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>
I did read the case. And despite the fact that the court did not criticize =
the JVT at all, I think that your own posts left a false impression that so=
mehow it did.<br>
<br>
What you haven&#39;t done so far is identify how the IETF (or ITU-T, MPEG) =
could ensure unencumbered standards with any certainty.<br>
<br>
Ex-ante assessment of the millions of =A0US patents (+ the millions more fi=
led in other countries) is not a practical answer. =A0Perhaps a limited sea=
rch would have caught some patents. =A0But it would not even come close to =
catching them all.<br>


<br>
And of course there are cases where the granted claims are hard to interpre=
t, even if you have access to the prosecution history. And others where the=
 claims are actually invalid. =A0Even a limited search could be quite expen=
sive (and an amateur search done without lawyers would IMHO be a waste of t=
ime)..<br>


<br>
The JVT made a noble effort, and I really don&#39;t see how a normal SDO (i=
ncluding the IETF) could do much better.<br>
<br>
Stephen Botzko<br>
Polycom<br>
<br></div><div><div></div><div>
On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden &lt;<a href=3D"mailto:rob.glid=
den@sbcglobal.net" target=3D"_blank">rob.glidden@sbcglobal.net</a> &lt;mail=
to:<a href=3D"mailto:rob.glidden@sbcglobal.net" target=3D"_blank">rob.glidd=
en@sbcglobal.net</a>&gt;&gt; wrote:<br>


<br>
 =A0 =A0There is another way to read this.<br>
<br>
 =A0 =A0This case has been called &quot;the most infamous discovery fiasco =
in<br>
 =A0 =A0recent times&quot;:<br>
<br>
 =A0 =A0- The lawyers were sanctioned<br>
 =A0 =A0- The patents were held both unenforceable and inapplicable<br>
 =A0 =A0- Fines were levied<br>
 =A0 =A0- The law firm crumbled and was sold<br>
<br>
 =A0 =A0But read the case: =A0these were not patents that turned up two<br>
 =A0 =A0years later. =A0The two were issued and therefore public in 1995 an=
d<br>
 =A0 =A01996 (5 years before the JVT), and had been presented to the MPEG<b=
r>
 =A0 =A0committee before.<br>
<br>
 =A0 =A0Going forward, a more proactive ex ante assessment of known<br>
 =A0 =A0patents, at least of the participants in the activity, rather than<=
br>
 =A0 =A0just relying on statements, would be good practice to check for<br>
 =A0 =A0blocking patents.<br>
<br>
 =A0 =A0But yes, you are right the court did not blame the JVT process and<=
br>
 =A0 =A0certainly not those who took the royalty-free objective<br>
 =A0 =A0seriously. =A0Clearly not everyone shared that goal, and got caught=
<br>
 =A0 =A0in subverting it.<br>
<br>
 =A0 =A0But no, the subsequent ITU/ISO/IEC Common Patent Policy did more<br=
>
 =A0 =A0than just keep presuming that such things never occur and accept<br=
>
 =A0 =A0being blind sided, and has tightened its IPR policy (which<br>
 =A0 =A0provides for third-parties coming forward with blocking info).<br>
<br>
 =A0 =A0And yes, any one can sue about anything, and they can lie about<br>
 =A0 =A0their participation in a standards group. =A0They can fail to<br>
 =A0 =A0disclose. =A0They can assert patents that end up being ruled as<br>
 =A0 =A0inapplicable. =A0Maybe they will get away with it, or maybe as in<b=
r>
 =A0 =A0this case they won&#39;t.<br>
<br>
 =A0 =A0But that isn&#39;t a good reason to fail to develop the standards t=
he<br>
 =A0 =A0Web needs for its open, royalty-free future. =A0Rather, the<br>
 =A0 =A0opposite. If it takes this kind of extreme behavior and it still<br=
>
 =A0 =A0doesn&#39;t work, then time to keep moving forward with royalty-fre=
e<br>
 =A0 =A0standardization.<br>
<br>
 =A0 =A0Rob<br>
<br>
 =A0 =A0<a href=3D"http://www.law.com/jsp/article.jsp?id=3D1202435137932" t=
arget=3D"_blank">http://www.law.com/jsp/article.jsp?id=3D1202435137932</a><=
br>
<br>
 =A0 =A0&quot;Lawyers in Discovery Scandal Say Qualcomm Lied&quot;, Novembe=
r 3, 2009<br>
<br>
 =A0 =A0&quot;Lawyers in the Qualcomm discovery scandal claim that the comp=
any<br>
 =A0 =A0misled and stonewalled them, ultimately leading to the failure to<b=
r>
 =A0 =A0turn over a mountain of relevant evidence and harsh sanctions from<=
br>
 =A0 =A0the court.&quot;<br>
<br>
 =A0 =A0The allegations were made in briefs filed Monday by lawyers from<br=
>
 =A0 =A0the now-defunct Day Casebeer Batchelder &amp; Madrid<br></div></div=
>
 =A0 =A0&lt;<a href=3D"http://www.law.com/jsp/article.jsp?id=3D120243167965=
9" target=3D"_blank">http://www.law.com/jsp/article.jsp?id=3D1202431679659<=
/a>&gt;, who for the<div><br>
 =A0 =A0first time are telling their side of what has become the most<br>
 =A0 =A0infamous discovery fiasco in recent times<br></div><div>
 =A0 =A0&lt;<a href=3D"http://www.law.com/jsp/legaltechnology/pubArticleLT.=
jsp?id=3D900005504954" target=3D"_blank">http://www.law.com/jsp/legaltechno=
logy/pubArticleLT.jsp?id=3D900005504954</a>&gt;.<br>
<br>
<br></div><div><div></div><div>
 =A0 =A0Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara<=
br>
 =A0 =A0Major in January 2008 for intentionally withholding &quot;tens of<b=
r>
 =A0 =A0thousands of e-mails&quot; in an infringement case against Broadcom=
<br>
 =A0 =A0Corp. involving video compression technology patents. The<br>
 =A0 =A0company&#39;s lawyers -- six from Day Casebeer and one from Heller<=
br>
 =A0 =A0Ehrman -- were also sanctioned for assisting &quot;Qualcomm in<br>
 =A0 =A0committing this incredible discovery violation,&quot; either knowin=
gly<br>
 =A0 =A0or recklessly, Major wrote at the time.&quot;<br>
<br>
<br>
 =A0 =A0stephen botzko wrote:<br>
</div></div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px sol=
id rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>=
<div></div><div>
 =A0 =A0As Stephan Wenger indicated, it is not clear if the JVT actually<br=
>
 =A0 =A0failed or not. =A0What is clear is that they did everything they<br=
>
 =A0 =A0reasonably could have done. =A0There were several folks<br>
 =A0 =A0participating who took the royalty-free baseline profile<br>
 =A0 =A0objective very seriously.<br>
<br>
 =A0 =A0Again, all submitted IPR for the baseline tools indicated royalty<b=
r>
 =A0 =A0free terms. =A0So the JVT had every reason to think they had<br>
 =A0 =A0succeeded. =A0 =A0By the time this IPR turned up, H.264 had been<br=
>
 =A0 =A0standardized for over 2 years. =A0H.264 implementations were<br>
 =A0 =A0already out there - so any attempts to do work-arounds would have<b=
r>
 =A0 =A0broken existing implementations (including implementations in<br>
 =A0 =A0silicon). <br>
 =A0 =A0Certainly any existing IETF group would have presumed exactly the<b=
r>
 =A0 =A0same thing the JVT did. =A0The lesson here is that even if the SDO<=
br>
 =A0 =A0is conscientious, an unencumbered codec can not be guaranteed. I<br=
>
 =A0 =A0don&#39;t see any other way to read this.<br>
<br>
 =A0 =A0Stephen Botzko<br>
 =A0 =A0Polycom<br>
<br>
<br>
 =A0 =A0On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden<br></div></div><div>
 =A0 =A0&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" target=3D"_blank">=
rob.glidden@sbcglobal.net</a> &lt;mailto:<a href=3D"mailto:rob.glidden@sbcg=
lobal.net" target=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<b=
r>
<br>
 =A0 =A0 =A0 =A0stephen botzko wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
 =A0 =A0 =A0 =A0&gt;&gt;&gt;<br>
 =A0 =A0 =A0 =A0To date neither ITU-T nor MPEG have ever delivered on this<=
br>
 =A0 =A0 =A0 =A0royalty free undertaking.<br>
 =A0 =A0 =A0 =A0&gt;&gt;&gt;<br>
 =A0 =A0 =A0 =A0That should be viewed as very *bad* news here, since all th=
e<br>
 =A0 =A0 =A0 =A0IPR declarations in JVT for the baseline tools indicated<br=
>
 =A0 =A0 =A0 =A0royalty free terms. In other words, the SDOs did everything=
<br>
 =A0 =A0 =A0 =A0possible to deliver, and when H.264 baseline was<br>
 =A0 =A0 =A0 =A0standardized they thought they had succeeded.<br>
</blockquote>
 =A0 =A0 =A0 =A0I&#39;d suggest that it is hard to see things this way afte=
r reading<br>
<br>
 =A0 =A0 =A0 =A0<a href=3D"http://www.cafc.uscourts.gov/opinions/07-1545.pd=
f" target=3D"_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><=
br>
<br>
 =A0 =A0 =A0 =A0The process was enforceable, and enforced.<br>
 =A0 =A0 =A0 =A0The patents could have been found earlier, and removed.<br>
<br>
 =A0 =A0 =A0 =A0So any &quot;h.264 successor&quot; type work (audio/video/t=
ransport)<br>
 =A0 =A0 =A0 =A0should complete, not drop, the royalty free undertaking.  =
=A0 =A0 =A0 =A0IETF and ITU-T should lead there, not give up or hide in a n=
iche.<br>
<br>
 =A0 =A0 =A0 =A0See November 10, 2009 &quot;Preliminary call for proposals =
signals<br>
 =A0 =A0 =A0 =A0work start for H.264/MPEG-4 AVC successor&quot;<br>
<br>
 =A0 =A0 =A0 =A0<a href=3D"http://www.itu.int/ITU-T/newslog/Preliminary+Cal=
l+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx" target=
=3D"_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals=
+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>


<br>
 =A0 =A0 =A0 =A0Rob<br>
<br>
<br>
</div><blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"><div>
 =A0 =A0 =A0 =A0Stephen Botzko<br>
 =A0 =A0 =A0 =A0Polycom. <br>
 =A0 =A0 =A0 =A0 <br>
 =A0 =A0 =A0 =A0On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden<br>
 =A0 =A0 =A0 =A0&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" target=3D"=
_blank">rob.glidden@sbcglobal.net</a><br></div><div><div></div><div>
 =A0 =A0 =A0 =A0&lt;mailto:<a href=3D"mailto:rob.glidden@sbcglobal.net" tar=
get=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0BTW I hear that in MPEG the Chinese National Body<b=
r>
 =A0 =A0 =A0 =A0 =A0 =A0initiated a (re)consideration of royalty free<br>
 =A0 =A0 =A0 =A0 =A0 =A0standardization and MPEG has issued a call for comm=
ents<br>
 =A0 =A0 =A0 =A0 =A0 =A0to other national bodies.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Someone may want to contact their national MPEG Hea=
d of<br>
 =A0 =A0 =A0 =A0 =A0 =A0Delegation or numerous liaisons including IETF, lis=
ted<br>
 =A0 =A0 =A0 =A0 =A0 =A0at <a href=3D"http://www.itscj.ipsj.or.jp/sc29/" ta=
rget=3D"_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0At the same time, MPEG is also considering launchin=
g new<br>
 =A0 =A0 =A0 =A0 =A0 =A0royalty bearing activities HVC (High Performance Vi=
deo<br>
 =A0 =A0 =A0 =A0 =A0 =A0Coding) and MMT (Multimedia Transport).<br>
 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"http://www.chiariglione.org/mpeg/working=
_documents.htm" target=3D"_blank">http://www.chiariglione.org/mpeg/working_=
documents.htm</a><br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0You may recall that h.264 was launched in 2001 as a=
<br>
 =A0 =A0 =A0 =A0 =A0 =A0joint project between ITU-T Q.6/SG16 and ISO/IEC JT=
C<br>
 =A0 =A0 =A0 =A0 =A0 =A01/SC 29/WG11 with the undertaking that the &quot;JV=
T [Joint<br>
 =A0 =A0 =A0 =A0 =A0 =A0Video Team] will define a =93baseline=94 profile. T=
hat<br>
 =A0 =A0 =A0 =A0 =A0 =A0profile should be royalty-free for all implementati=
ons.&quot;<br>
 =A0 =A0 =A0 =A0 =A0 =A0To date neither ITU-T nor MPEG have ever delivered =
on<br>
 =A0 =A0 =A0 =A0 =A0 =A0this royalty free undertaking.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Rob<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0Eric Burger wrote:<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Thank you to everyone who participated in t=
he room<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0and remotely. We succeeded in getting a lot=
 of work<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0done, and we have a sense of whether or not=
 we have<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0a well-formed problem to solve, if there ar=
e people<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0who need the work product, if people are wi=
lling to<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0work on it, and if the IETF is an acceptabl=
e venue<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0to do the work. In addition, we learned a l=
ot about<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0the possibilities for cooperating with ITU-=
T SG 16.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Please review the minutes and send correcti=
ons.<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0The minutes are posted to:<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"http://www.ietf.org/proceedings/=
09nov/minutes/codec.txt" target=3D"_blank">http://www.ietf.org/proceedings/=
09nov/minutes/codec.txt</a><br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0___________________________________________=
____<br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0codec mailing list<br></div></div>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"mailto:codec@ietf.org" target=3D=
"_blank">codec@ietf.org</a> &lt;mailto:<a href=3D"mailto:codec@ietf.org" ta=
rget=3D"_blank">codec@ietf.org</a>&gt;<div><br>
 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"https://www.ietf.org/mailman/lis=
tinfo/codec" target=3D"_blank">https://www.ietf.org/mailman/listinfo/codec<=
/a><br>
<br>
<br>
 =A0 =A0 =A0 =A0 =A0 =A0_______________________________________________<br>
 =A0 =A0 =A0 =A0 =A0 =A0codec mailing list<br></div>
 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"mailto:codec@ietf.org" target=3D"_blank"=
>codec@ietf.org</a> &lt;mailto:<a href=3D"mailto:codec@ietf.org" target=3D"=
_blank">codec@ietf.org</a>&gt;<div><br>
 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"https://www.ietf.org/mailman/listinfo/co=
dec" target=3D"_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
<br>
<br>
</div></blockquote>
<br>
<br>
</blockquote>
<br>
<br>
</blockquote>
<br>
</blockquote></div><br>
</div></div></div><br>

--0016e65a044ee73d120478904f89--

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Subject: Re: [codec] Fwd:  I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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As this thread starts off, there appear to be three.<br>
<br>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand. 
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>
<br>
Rob<br>
<br>
stephen botzko wrote:
<blockquote
 cite="mid:6e9223710911170431o42d2c898pd67a01bda248e536@mail.gmail.com"
 type="cite"><br>
  <div class="gmail_quote">The draft calls for proposals (there are
actually 2, one from the ITU-T
and one from ISO/IEC) start the process.  Responses are not
profile-specific (since there are no profiles defined at this point). 
There is more than one operating point envisioned, but it is rather
difficult to figure out what tools belong to what operating point
before you have proposals.<br>
  <br>
Also ITU-T and ISO/IEC have not yet worked out terms of reference for
this work.  There is a desire (largely shared in both communities) to
work together again, but this has not yet been accomplished
organizationally.<br>
  <br>
Having attended some of these meetings, I think it is premature to say
who has the upper hand.  The effort is just beginning, and almost all
of the meeting focus has been on technical requirements and terms of
reference.<br>
  <font color="#888888">
  <br>
Stephen Botzko<br>
Polycom</font>
  <div>
  <div class="h5"><br>
  <br>
  <br>
  <br>
  <div class="gmail_quote">On Tue, Nov 17, 2009 at 6:37 AM, Rob Glidden
  <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Stephen:<br>
    <br>
Millions of patents, even a limited search could be quite expensive,
amateur search done without lawyers could be a waste of time.<br>
    <br>
I believe all could "stipulate" to these points.<br>
    <br>
But obviously, others did do this work. So better can be done.<br>
    <br>
Yes, I am critical of JVT for dropping royalty free ball, we can debate
who dropped it and when and whether the ball was yanked from their
hands or were outfoxed, dis-spirited or whatever.<br>
    <br>
But the new successor call to h.264 drops any public mention of a
royalty-free at all.  So it is clear who has upper hand now -- and this
should not be acceptable.<br>
    <br>
Rob<br>
    <br>
stephen botzko wrote:<br>
    <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
      <div>I did read the case. And despite the fact that the court did
not criticize the JVT at all, I think that your own posts left a false
impression that somehow it did.<br>
      <br>
What you haven't done so far is identify how the IETF (or ITU-T, MPEG)
could ensure unencumbered standards with any certainty.<br>
      <br>
Ex-ante assessment of the millions of  US patents (+ the millions more
filed in other countries) is not a practical answer.  Perhaps a limited
search would have caught some patents.  But it would not even come
close to catching them all.<br>
      <br>
And of course there are cases where the granted claims are hard to
interpret, even if you have access to the prosecution history. And
others where the claims are actually invalid.  Even a limited search
could be quite expensive (and an amateur search done without lawyers
would IMHO be a waste of time)..<br>
      <br>
The JVT made a noble effort, and I really don't see how a normal SDO
(including the IETF) could do much better.<br>
      <br>
Stephen Botzko<br>
Polycom<br>
      <br>
      </div>
      <div>
      <div>On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden &lt;<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a> &lt;mailto:<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<br>
      <br>
   There is another way to read this.<br>
      <br>
   This case has been called "the most infamous discovery fiasco in<br>
   recent times":<br>
      <br>
   - The lawyers were sanctioned<br>
   - The patents were held both unenforceable and inapplicable<br>
   - Fines were levied<br>
   - The law firm crumbled and was sold<br>
      <br>
   But read the case:  these were not patents that turned up two<br>
   years later.  The two were issued and therefore public in 1995 and<br>
   1996 (5 years before the JVT), and had been presented to the MPEG<br>
   committee before.<br>
      <br>
   Going forward, a more proactive ex ante assessment of known<br>
   patents, at least of the participants in the activity, rather than<br>
   just relying on statements, would be good practice to check for<br>
   blocking patents.<br>
      <br>
   But yes, you are right the court did not blame the JVT process and<br>
   certainly not those who took the royalty-free objective<br>
   seriously.  Clearly not everyone shared that goal, and got caught<br>
   in subverting it.<br>
      <br>
   But no, the subsequent ITU/ISO/IEC Common Patent Policy did more<br>
   than just keep presuming that such things never occur and accept<br>
   being blind sided, and has tightened its IPR policy (which<br>
   provides for third-parties coming forward with blocking info).<br>
      <br>
   And yes, any one can sue about anything, and they can lie about<br>
   their participation in a standards group.  They can fail to<br>
   disclose.  They can assert patents that end up being ruled as<br>
   inapplicable.  Maybe they will get away with it, or maybe as in<br>
   this case they won't.<br>
      <br>
   But that isn't a good reason to fail to develop the standards the<br>
   Web needs for its open, royalty-free future.  Rather, the<br>
   opposite. If it takes this kind of extreme behavior and it still<br>
   doesn't work, then time to keep moving forward with royalty-free<br>
   standardization.<br>
      <br>
   Rob<br>
      <br>
   <a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202435137932"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202435137932</a><br>
      <br>
   "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009<br>
      <br>
   "Lawyers in the Qualcomm discovery scandal claim that the company<br>
   misled and stonewalled them, ultimately leading to the failure to<br>
   turn over a mountain of relevant evidence and harsh sanctions from<br>
   the court."<br>
      <br>
   The allegations were made in briefs filed Monday by lawyers from<br>
   the now-defunct Day Casebeer Batchelder &amp; Madrid<br>
      </div>
      </div>
   &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202431679659"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202431679659</a>&gt;,
who for the
      <div><br>
   first time are telling their side of what has become the most<br>
   infamous discovery fiasco in recent times<br>
      </div>
      <div>    &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954"
 target="_blank">http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954</a>&gt;.<br>
      <br>
      <br>
      </div>
      <div>
      <div>    Qualcomm Inc. was sanctioned by San Diego Magistrate
Judge Barbara<br>
   Major in January 2008 for intentionally withholding "tens of<br>
   thousands of e-mails" in an infringement case against Broadcom<br>
   Corp. involving video compression technology patents. The<br>
   company's lawyers -- six from Day Casebeer and one from Heller<br>
   Ehrman -- were also sanctioned for assisting "Qualcomm in<br>
   committing this incredible discovery violation," either knowingly<br>
   or recklessly, Major wrote at the time."<br>
      <br>
      <br>
   stephen botzko wrote:<br>
      </div>
      </div>
      <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
        <div>
        <div>    As Stephan Wenger indicated, it is not clear if the
JVT actually<br>
   failed or not.  What is clear is that they did everything they<br>
   reasonably could have done.  There were several folks<br>
   participating who took the royalty-free baseline profile<br>
   objective very seriously.<br>
        <br>
   Again, all submitted IPR for the baseline tools indicated royalty<br>
   free terms.  So the JVT had every reason to think they had<br>
   succeeded.    By the time this IPR turned up, H.264 had been<br>
   standardized for over 2 years.  H.264 implementations were<br>
   already out there - so any attempts to do work-arounds would have<br>
   broken existing implementations (including implementations in<br>
   silicon). <br>
   Certainly any existing IETF group would have presumed exactly the<br>
   same thing the JVT did.  The lesson here is that even if the SDO<br>
   is conscientious, an unencumbered codec can not be guaranteed. I<br>
   don't see any other way to read this.<br>
        <br>
   Stephen Botzko<br>
   Polycom<br>
        <br>
        <br>
   On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden<br>
        </div>
        </div>
        <div>    &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>
&lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
        <br>
       stephen botzko wrote:<br>
        <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
       &gt;&gt;&gt;<br>
       To date neither ITU-T nor MPEG have ever delivered on this<br>
       royalty free undertaking.<br>
       &gt;&gt;&gt;<br>
       That should be viewed as very *bad* news here, since all the<br>
       IPR declarations in JVT for the baseline tools indicated<br>
       royalty free terms. In other words, the SDOs did everything<br>
       possible to deliver, and when H.264 baseline was<br>
       standardized they thought they had succeeded.<br>
        </blockquote>
       I'd suggest that it is hard to see things this way after reading<br>
        <br>
       <a moz-do-not-send="true"
 href="http://www.cafc.uscourts.gov/opinions/07-1545.pdf"
 target="_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
        <br>
       The process was enforceable, and enforced.<br>
       The patents could have been found earlier, and removed.<br>
        <br>
       So any "h.264 successor" type work (audio/video/transport)<br>
       should complete, not drop, the royalty free undertaking.      
 IETF and ITU-T should lead there, not give up or hide in a niche.<br>
        <br>
       See November 10, 2009 "Preliminary call for proposals signals<br>
       work start for H.264/MPEG-4 AVC successor"<br>
        <br>
       <a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx"
 target="_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>
        <br>
       Rob<br>
        <br>
        <br>
        </div>
        <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
          <div>        Stephen Botzko<br>
       Polycom. <br>
        <br>
       On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden<br>
       &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a><br>
          </div>
          <div>
          <div>        &lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
          <br>
           BTW I hear that in MPEG the Chinese National Body<br>
           initiated a (re)consideration of royalty free<br>
           standardization and MPEG has issued a call for comments<br>
           to other national bodies.<br>
          <br>
           Someone may want to contact their national MPEG Head of<br>
           Delegation or numerous liaisons including IETF, listed<br>
           at <a moz-do-not-send="true"
 href="http://www.itscj.ipsj.or.jp/sc29/" target="_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
          <br>
           At the same time, MPEG is also considering launching new<br>
           royalty bearing activities HVC (High Performance Video<br>
           Coding) and MMT (Multimedia Transport).<br>
           <a moz-do-not-send="true"
 href="http://www.chiariglione.org/mpeg/working_documents.htm"
 target="_blank">http://www.chiariglione.org/mpeg/working_documents.htm</a><br>
          <br>
           You may recall that h.264 was launched in 2001 as a<br>
           joint project between ITU-T Q.6/SG16 and ISO/IEC JTC<br>
           1/SC 29/WG11 with the undertaking that the "JVT [Joint<br>
           Video Team] will define a “baseline” profile. That<br>
           profile should be royalty-free for all implementations."<br>
           To date neither ITU-T nor MPEG have ever delivered on<br>
           this royalty free undertaking.<br>
          <br>
           Rob<br>
          <br>
           Eric Burger wrote:<br>
          <br>
               Thank you to everyone who participated in the room<br>
               and remotely. We succeeded in getting a lot of work<br>
               done, and we have a sense of whether or not we have<br>
               a well-formed problem to solve, if there are people<br>
               who need the work product, if people are willing to<br>
               work on it, and if the IETF is an acceptable venue<br>
               to do the work. In addition, we learned a lot about<br>
               the possibilities for cooperating with ITU-T SG 16.<br>
          <br>
               Please review the minutes and send corrections.<br>
          <br>
               The minutes are posted to:<br>
               <a moz-do-not-send="true"
 href="http://www.ietf.org/proceedings/09nov/minutes/codec.txt"
 target="_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><br>
               _______________________________________________<br>
               codec mailing list<br>
          </div>
          </div>
               <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
          <div><br>
               <a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
          <br>
          <br>
           _______________________________________________<br>
           codec mailing list<br>
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           <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
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 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
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          </div>
        </blockquote>
        <br>
        <br>
      </blockquote>
      <br>
      <br>
    </blockquote>
    <br>
  </blockquote>
  </div>
  <br>
  </div>
  </div>
  </div>
  <br>
  <pre wrap="">
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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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You jest of course, but of course the opposite.

Trust but verify.

Rob

stephen botzko wrote:
> Perhaps you should add the word "sincere" to the proposed codec 
> charter.  That would certainly fix it.
>
> Stephen Botzko
> Polycom
>
> On Tue, Nov 17, 2009 at 6:28 AM, Rob Glidden 
> <rob.glidden@sbcglobal.net <mailto:rob.glidden@sbcglobal.net>> wrote:
>
>     Stephan:
>
>     It doesn't appear there was ever much more than a paper consensus
>     that was undermined by 2003 (see previous email) when patent pools
>     started announcing coverage of the h.264 baseline (years before
>     the Qualcomm litigation).
>
>     As the impressive curriculum states on 2001-2003 time frame:
>
>     "Fought the political battles to make those contributions pass,
>     despite substantial resistance from some of the largest companies
>     in the field."
>
>     http://www.stewe.org/cv-business-wenger.pdf
>
>     So I'd suggest a different interpretation, one that does not
>     assume there was a sincere or sustained political consensus.
>     Accepting this, a more realistic forward look is possible.
>
>     Rob
>
>
>
>     Stephan Wenger wrote:
>>     Hi Rob,
>>
>>     I will not comment more on the BC/QC San Diego case, except to
>>     say that misconduct before the standardization committee
>>     (violation of both written and de-facto practiced rules of the
>>     committee) was only one and, as some people have argued, small
>>     factor in the ruling.  I wish one could come to the conclusion
>>     that any misconduct before a standardization committee would
>>     automatically render related patents unenforceable (the
>>     inapplicable part is a very different story), but I fear that
>>     this is too much to hope for.
>>
>>     My current view of the likeliness of success of Codec in relation
>>     to JVT’s success or failure (depending whom you ask):
>>
>>        1. JVT took on the creation a /royalty-free/ /baseline /(that
>>           is, a part of a standard only, and rightholders may still
>>           require a signed license that may be encumbered to the
>>           point where it becomes unusable for some open source
>>           communities—clearly a factor for some software companies),
>>           in a /heavily patented field./  The vast majority of the
>>           participating companies—enough to create a consensus-based
>>           decision in the committee, and many of them known or likely
>>           future rightholders—was /in support/ of that goal.
>>        2. Codec attempts to take on of creating a /standard /(not
>>           only a baseline of a standard—rightholders cannot be
>>           appeased by arguing they can make money from non-baseline
>>           applications) under what the BOF chairs called “acceptable
>>           terms”--which translate to an /open-source friendly
>>           non-assert requirement/.  The field of technology is at
>>           least as /heavily patented/ as video.  A /significant
>>           percentage/ of companies known to hold a sizeable portfolio
>>           of audio/speech codec patents have spoken quite /clearly
>>           against the goal/.  It’s not up to me to declare an IETF
>>           consensus on whether acceptable terms are achievable, but
>>           if someone were a declaring such a consensus, I would
>>           object—and I’m sure I would not be alone.  In fact,
>>           “acceptable terms”, by policy cannot and will not be a hard
>>           requirement for the work of a hypothetical codec WG.
>>
>>     Based on these perceptions and facts it seems obvious that it’s
>>     going to be much harder to achieve—that is also: easier to
>>     prevent for those not amicable—the goals of a hypothetical codec
>>     WG when compared to the goals of JVT.  
>>     Regards,
>>     Stephan
>>
>>
>>     On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net
>>     <http://rob.glidden@sbcglobal.net>> wrote:
>>
>>         There is another way to read this.
>>
>>         This case has been called "the most infamous discovery fiasco
>>         in recent times":
>>
>>         - The lawyers were sanctioned
>>         - The patents were held both unenforceable and inapplicable
>>         - Fines were levied
>>         - The law firm crumbled and was sold
>>
>>         But read the case:  these were not patents that turned up two
>>         years later.  The two were issued and therefore public in
>>         1995 and 1996 (5 years before the JVT), and had been
>>         presented to the MPEG committee before.
>>
>>         Going forward, a more proactive ex ante assessment of known
>>         patents, at least of the participants in the activity, rather
>>         than just relying on statements, would be good practice to
>>         check for blocking patents.
>>
>>         But yes, you are right the court did not blame the JVT
>>         process and certainly not those who took the royalty-free
>>         objective seriously.  Clearly not everyone shared that goal,
>>         and got caught in subverting it.
>>
>>         But no, the subsequent ITU/ISO/IEC Common Patent Policy did
>>         more than just keep presuming that such things never occur
>>         and accept being blind sided, and has tightened its IPR
>>         policy (which provides for third-parties coming forward with
>>         blocking info).
>>
>>         And yes, any one can sue about anything, and they can lie
>>         about their participation in a standards group.  They can
>>         fail to disclose.  They can assert patents that end up being
>>         ruled as inapplicable.  Maybe they will get away with it, or
>>         maybe as in this case they won't.
>>
>>         But that isn't a good reason to fail to develop the standards
>>         the Web needs for its open, royalty-free future.  Rather, the
>>         opposite. If it takes this kind of extreme behavior and it
>>         still doesn't work, then time to keep moving forward with
>>         royalty-free standardization.
>>
>>         Rob
>>
>>         http://www.law.com/jsp/article.jsp?id=1202435137932
>>
>>         "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3,
>>         2009
>>
>>         "Lawyers in the Qualcomm discovery scandal claim that the
>>         company misled and stonewalled them, ultimately leading to
>>         the failure to turn over a mountain of relevant evidence and
>>         harsh sanctions from the court."
>>
>>         The allegations were made in briefs filed Monday by lawyers
>>         from the now-defunct Day Casebeer Batchelder & Madrid
>>         <http://www.law.com/jsp/article.jsp?id=1202431679659> , who
>>         for the first time are telling their side of what has become
>>         the most infamous discovery fiasco in recent times
>>         <http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954>
>>         .
>>
>>         Qualcomm Inc. was sanctioned by San Diego Magistrate Judge
>>         Barbara Major in January 2008 for intentionally withholding
>>         "tens of thousands of e-mails" in an infringement case
>>         against Broadcom Corp. involving video compression technology
>>         patents. The company's lawyers -- six from Day Casebeer and
>>         one from Heller Ehrman -- were also sanctioned for assisting
>>         "Qualcomm in committing this incredible discovery violation,"
>>         either knowingly or recklessly, Major wrote at the time."
>>
>>         stephen botzko wrote:
>>
>>             As Stephan Wenger indicated, it is not clear if the JVT
>>             actually failed or not.  What is clear is that they did
>>             everything they reasonably could have done.  There were
>>             several folks participating who took the royalty-free
>>             baseline profile objective very seriously.
>>              
>>             Again, all submitted IPR for the baseline tools indicated
>>             royalty free terms.  So the JVT had every reason to think
>>             they had succeeded.    By the time this IPR turned up,
>>             H.264 had been standardized for over 2 years.  H.264
>>             implementations were already out there - so any attempts
>>             to do work-arounds would have broken existing
>>             implementations (including implementations in silicon). 
>>              
>>             Certainly any existing IETF group would have presumed
>>             exactly the same thing the JVT did.  The lesson here is
>>             that even if the SDO is conscientious, an unencumbered
>>             codec can not be guaranteed. I don't see any other way to
>>             read this.
>>              
>>             Stephen Botzko
>>             Polycom
>>              
>>              
>>              
>>             On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden
>>             <rob.glidden@sbcglobal.net
>>             <http://rob.glidden@sbcglobal.net>> wrote:
>>              
>>
>>
>>                  
>>                 stephen botzko wrote:
>>
>>                     >>>
>>                     To date neither ITU-T nor MPEG have ever
>>                     delivered on this royalty free undertaking.
>>                     >>>
>>                     That should be viewed as very *bad* news here,
>>                     since all the IPR declarations in JVT for the
>>                     baseline tools indicated royalty free terms. In
>>                     other words, the SDOs did everything possible to
>>                     deliver, and when H.264 baseline was standardized
>>                     they thought they had succeeded.
>>                      
>>
>>
>>                 I'd suggest that it is hard to see things this way
>>                 after reading
>>                  
>>                  http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>                  
>>                 The process was enforceable, and enforced.
>>                 The patents could have been found earlier, and removed.
>>                  
>>                 So any "h.264 successor" type work
>>                 (audio/video/transport) should complete, not drop,
>>                 the royalty free undertaking.  IETF and ITU-T should
>>                 lead there, not give up or hide in a niche.
>>                  
>>                 See November 10, 2009 "Preliminary call for proposals
>>                 signals work start for H.264/MPEG-4 AVC successor"
>>                  
>>                  http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx
>>                  
>>                 Rob
>>
>>                  
>>                  
>>
>>                     Stephen Botzko
>>                     Polycom. 
>>                      
>>                      
>>                      
>>                      
>>                     On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden
>>                     <rob.glidden@sbcglobal.net
>>                     <http://rob.glidden@sbcglobal.net>> wrote:
>>                      
>>
>>                         BTW I hear that in MPEG the Chinese National
>>                         Body initiated a (re)consideration of royalty
>>                         free standardization and MPEG has issued a
>>                         call for comments to other national bodies.
>>                          
>>                         Someone may want to contact their national
>>                         MPEG Head of Delegation or numerous liaisons
>>                         including IETF, listed at
>>                         http://www.itscj.ipsj.or.jp/sc29/.
>>                          
>>                         At the same time, MPEG is also considering
>>                         launching new royalty bearing activities HVC
>>                         (High Performance Video Coding) and MMT
>>                         (Multimedia Transport).
>>                         http://www.chiariglione.org/mpeg/working_documents.htm
>>                          
>>                         You may recall that h.264 was launched in
>>                         2001 as a joint project between ITU-T
>>                         Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with
>>                         the undertaking that the "JVT [Joint Video
>>                         Team] will define a “baseline” profile. That
>>                         profile should be royalty-free for all
>>                         implementations." To date neither ITU-T nor
>>                         MPEG have ever delivered on this royalty free
>>                         undertaking.
>>                          
>>                         Rob
>>                          
>>                         Eric Burger wrote:
>>                          
>>
>>                             Thank you to everyone who participated in
>>                             the room and remotely. We succeeded in
>>                             getting a lot of work done, and we have a
>>                             sense of whether or not we have a
>>                             well-formed problem to solve, if there
>>                             are people who need the work product, if
>>                             people are willing to work on it, and if
>>                             the IETF is an acceptable venue to do the
>>                             work. In addition, we learned a lot about
>>                             the possibilities for cooperating with
>>                             ITU-T SG 16.
>>                              
>>                             Please review the minutes and send
>>                             corrections.
>>                              
>>                             The minutes are posted to:
>>                              http://www.ietf.org/proceedings/09nov/minutes/codec.txt
>>                             _______________________________________________
>>                             codec mailing list
>>                              codec@ietf.org <http://codec@ietf.org>
>>                              https://www.ietf.org/mailman/listinfo/codec
>>                              
>>                              
>>
>>
>>                         _______________________________________________
>>                         codec mailing list
>>                          codec@ietf.org <http://codec@ietf.org>
>>                          https://www.ietf.org/mailman/listinfo/codec
>>                          
>>
>>
>>                      
>>                      
>>
>>
>>                  
>>                  
>>                  
>>
>>
>>              
>>
>>
>>
>>         ------------------------------------------------------------------------
>>         _______________________________________________
>>         codec mailing list
>>         codec@ietf.org <http://codec@ietf.org>
>>         https://www.ietf.org/mailman/listinfo/codec
>>
>
>


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Subject: Re: [codec] Fwd:  I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
  <meta content="text/html;charset=windows-1252"
 http-equiv="Content-Type">
</head>
<body bgcolor="#ffffff" text="#000000">
And of course, a public draft call for proposals, a "preliminary
official call for submissions...signal work start", is counter to a
characterization of preliminary activity for which requirements have
not been set.<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.itu.int/ITU-T/studygroups/com16/ngvc/">http://www.itu.int/ITU-T/studygroups/com16/ngvc/</a><br>
<br>
I'd restate my encouragement to any one who cares about royalty free
standardization to get to work rather than justify the past or status
quo.<br>
<br>
Rob<br>
<br>
Rob Glidden wrote:
<blockquote cite="mid:4B029A3B.6060209@sbcglobal.net" type="cite">
  <meta content="text/html;charset=windows-1252"
 http-equiv="Content-Type">
  <title></title>
As this thread starts off, there appear to be three.<br>
  <br>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand. 
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>
  <br>
Rob<br>
  <br>
stephen botzko wrote:
  <blockquote
 cite="mid:6e9223710911170431o42d2c898pd67a01bda248e536@mail.gmail.com"
 type="cite"><br>
    <div class="gmail_quote">The draft calls for proposals (there are
actually 2, one from the ITU-T
and one from ISO/IEC) start the process.  Responses are not
profile-specific (since there are no profiles defined at this point). 
There is more than one operating point envisioned, but it is rather
difficult to figure out what tools belong to what operating point
before you have proposals.<br>
    <br>
Also ITU-T and ISO/IEC have not yet worked out terms of reference for
this work.  There is a desire (largely shared in both communities) to
work together again, but this has not yet been accomplished
organizationally.<br>
    <br>
Having attended some of these meetings, I think it is premature to say
who has the upper hand.  The effort is just beginning, and almost all
of the meeting focus has been on technical requirements and terms of
reference.<br>
    <font color="#888888"> <br>
Stephen Botzko<br>
Polycom</font>
    <div>
    <div class="h5"><br>
    <br>
    <br>
    <br>
    <div class="gmail_quote">On Tue, Nov 17, 2009 at 6:37 AM, Rob
Glidden <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
    <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Stephen:<br>
      <br>
Millions of patents, even a limited search could be quite expensive,
amateur search done without lawyers could be a waste of time.<br>
      <br>
I believe all could "stipulate" to these points.<br>
      <br>
But obviously, others did do this work. So better can be done.<br>
      <br>
Yes, I am critical of JVT for dropping royalty free ball, we can debate
who dropped it and when and whether the ball was yanked from their
hands or were outfoxed, dis-spirited or whatever.<br>
      <br>
But the new successor call to h.264 drops any public mention of a
royalty-free at all.  So it is clear who has upper hand now -- and this
should not be acceptable.<br>
      <br>
Rob<br>
      <br>
stephen botzko wrote:<br>
      <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
        <div>I did read the case. And despite the fact that the court
did
not criticize the JVT at all, I think that your own posts left a false
impression that somehow it did.<br>
        <br>
What you haven't done so far is identify how the IETF (or ITU-T, MPEG)
could ensure unencumbered standards with any certainty.<br>
        <br>
Ex-ante assessment of the millions of  US patents (+ the millions more
filed in other countries) is not a practical answer.  Perhaps a limited
search would have caught some patents.  But it would not even come
close to catching them all.<br>
        <br>
And of course there are cases where the granted claims are hard to
interpret, even if you have access to the prosecution history. And
others where the claims are actually invalid.  Even a limited search
could be quite expensive (and an amateur search done without lawyers
would IMHO be a waste of time)..<br>
        <br>
The JVT made a noble effort, and I really don't see how a normal SDO
(including the IETF) could do much better.<br>
        <br>
Stephen Botzko<br>
Polycom<br>
        <br>
        </div>
        <div>
        <div>On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden &lt;<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a> &lt;mailto:<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<br>
        <br>
   There is another way to read this.<br>
        <br>
   This case has been called "the most infamous discovery fiasco in<br>
   recent times":<br>
        <br>
   - The lawyers were sanctioned<br>
   - The patents were held both unenforceable and inapplicable<br>
   - Fines were levied<br>
   - The law firm crumbled and was sold<br>
        <br>
   But read the case:  these were not patents that turned up two<br>
   years later.  The two were issued and therefore public in 1995 and<br>
   1996 (5 years before the JVT), and had been presented to the MPEG<br>
   committee before.<br>
        <br>
   Going forward, a more proactive ex ante assessment of known<br>
   patents, at least of the participants in the activity, rather than<br>
   just relying on statements, would be good practice to check for<br>
   blocking patents.<br>
        <br>
   But yes, you are right the court did not blame the JVT process and<br>
   certainly not those who took the royalty-free objective<br>
   seriously.  Clearly not everyone shared that goal, and got caught<br>
   in subverting it.<br>
        <br>
   But no, the subsequent ITU/ISO/IEC Common Patent Policy did more<br>
   than just keep presuming that such things never occur and accept<br>
   being blind sided, and has tightened its IPR policy (which<br>
   provides for third-parties coming forward with blocking info).<br>
        <br>
   And yes, any one can sue about anything, and they can lie about<br>
   their participation in a standards group.  They can fail to<br>
   disclose.  They can assert patents that end up being ruled as<br>
   inapplicable.  Maybe they will get away with it, or maybe as in<br>
   this case they won't.<br>
        <br>
   But that isn't a good reason to fail to develop the standards the<br>
   Web needs for its open, royalty-free future.  Rather, the<br>
   opposite. If it takes this kind of extreme behavior and it still<br>
   doesn't work, then time to keep moving forward with royalty-free<br>
   standardization.<br>
        <br>
   Rob<br>
        <br>
   <a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202435137932"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202435137932</a><br>
        <br>
   "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009<br>
        <br>
   "Lawyers in the Qualcomm discovery scandal claim that the company<br>
   misled and stonewalled them, ultimately leading to the failure to<br>
   turn over a mountain of relevant evidence and harsh sanctions from<br>
   the court."<br>
        <br>
   The allegations were made in briefs filed Monday by lawyers from<br>
   the now-defunct Day Casebeer Batchelder &amp; Madrid<br>
        </div>
        </div>
   &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202431679659"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202431679659</a>&gt;,
who for the
        <div><br>
   first time are telling their side of what has become the most<br>
   infamous discovery fiasco in recent times<br>
        </div>
        <div>    &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954"
 target="_blank">http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954</a>&gt;.<br>
        <br>
        <br>
        </div>
        <div>
        <div>    Qualcomm Inc. was sanctioned by San Diego Magistrate
Judge Barbara<br>
   Major in January 2008 for intentionally withholding "tens of<br>
   thousands of e-mails" in an infringement case against Broadcom<br>
   Corp. involving video compression technology patents. The<br>
   company's lawyers -- six from Day Casebeer and one from Heller<br>
   Ehrman -- were also sanctioned for assisting "Qualcomm in<br>
   committing this incredible discovery violation," either knowingly<br>
   or recklessly, Major wrote at the time."<br>
        <br>
        <br>
   stephen botzko wrote:<br>
        </div>
        </div>
        <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
          <div>
          <div>    As Stephan Wenger indicated, it is not clear if the
JVT actually<br>
   failed or not.  What is clear is that they did everything they<br>
   reasonably could have done.  There were several folks<br>
   participating who took the royalty-free baseline profile<br>
   objective very seriously.<br>
          <br>
   Again, all submitted IPR for the baseline tools indicated royalty<br>
   free terms.  So the JVT had every reason to think they had<br>
   succeeded.    By the time this IPR turned up, H.264 had been<br>
   standardized for over 2 years.  H.264 implementations were<br>
   already out there - so any attempts to do work-arounds would have<br>
   broken existing implementations (including implementations in<br>
   silicon). <br>
   Certainly any existing IETF group would have presumed exactly the<br>
   same thing the JVT did.  The lesson here is that even if the SDO<br>
   is conscientious, an unencumbered codec can not be guaranteed. I<br>
   don't see any other way to read this.<br>
          <br>
   Stephen Botzko<br>
   Polycom<br>
          <br>
          <br>
   On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden<br>
          </div>
          </div>
          <div>    &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>
&lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
          <br>
       stephen botzko wrote:<br>
          <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> 
     &gt;&gt;&gt;<br>
       To date neither ITU-T nor MPEG have ever delivered on this<br>
       royalty free undertaking.<br>
       &gt;&gt;&gt;<br>
       That should be viewed as very *bad* news here, since all the<br>
       IPR declarations in JVT for the baseline tools indicated<br>
       royalty free terms. In other words, the SDOs did everything<br>
       possible to deliver, and when H.264 baseline was<br>
       standardized they thought they had succeeded.<br>
          </blockquote>
       I'd suggest that it is hard to see things this way after reading<br>
          <br>
       <a moz-do-not-send="true"
 href="http://www.cafc.uscourts.gov/opinions/07-1545.pdf"
 target="_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
          <br>
       The process was enforceable, and enforced.<br>
       The patents could have been found earlier, and removed.<br>
          <br>
       So any "h.264 successor" type work (audio/video/transport)<br>
       should complete, not drop, the royalty free undertaking.      
 IETF and ITU-T should lead there, not give up or hide in a niche.<br>
          <br>
       See November 10, 2009 "Preliminary call for proposals signals<br>
       work start for H.264/MPEG-4 AVC successor"<br>
          <br>
       <a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx"
 target="_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>
          <br>
       Rob<br>
          <br>
          <br>
          </div>
          <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
            <div>        Stephen Botzko<br>
       Polycom. <br>
        <br>
       On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden<br>
       &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a><br>
            </div>
            <div>
            <div>        &lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
            <br>
           BTW I hear that in MPEG the Chinese National Body<br>
           initiated a (re)consideration of royalty free<br>
           standardization and MPEG has issued a call for comments<br>
           to other national bodies.<br>
            <br>
           Someone may want to contact their national MPEG Head of<br>
           Delegation or numerous liaisons including IETF, listed<br>
           at <a moz-do-not-send="true"
 href="http://www.itscj.ipsj.or.jp/sc29/" target="_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
            <br>
           At the same time, MPEG is also considering launching new<br>
           royalty bearing activities HVC (High Performance Video<br>
           Coding) and MMT (Multimedia Transport).<br>
           <a moz-do-not-send="true"
 href="http://www.chiariglione.org/mpeg/working_documents.htm"
 target="_blank">http://www.chiariglione.org/mpeg/working_documents.htm</a><br>
            <br>
           You may recall that h.264 was launched in 2001 as a<br>
           joint project between ITU-T Q.6/SG16 and ISO/IEC JTC<br>
           1/SC 29/WG11 with the undertaking that the "JVT [Joint<br>
           Video Team] will define a “baseline” profile. That<br>
           profile should be royalty-free for all implementations."<br>
           To date neither ITU-T nor MPEG have ever delivered on<br>
           this royalty free undertaking.<br>
            <br>
           Rob<br>
            <br>
           Eric Burger wrote:<br>
            <br>
               Thank you to everyone who participated in the room<br>
               and remotely. We succeeded in getting a lot of work<br>
               done, and we have a sense of whether or not we have<br>
               a well-formed problem to solve, if there are people<br>
               who need the work product, if people are willing to<br>
               work on it, and if the IETF is an acceptable venue<br>
               to do the work. In addition, we learned a lot about<br>
               the possibilities for cooperating with ITU-T SG 16.<br>
            <br>
               Please review the minutes and send corrections.<br>
            <br>
               The minutes are posted to:<br>
               <a moz-do-not-send="true"
 href="http://www.ietf.org/proceedings/09nov/minutes/codec.txt"
 target="_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><br>
               _______________________________________________<br>
               codec mailing list<br>
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            </div>
               <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
            <div><br>
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 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
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            <br>
           _______________________________________________<br>
           codec mailing list<br>
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           <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
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 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
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          </blockquote>
          <br>
          <br>
        </blockquote>
        <br>
        <br>
      </blockquote>
      <br>
    </blockquote>
    </div>
    <br>
    </div>
    </div>
    </div>
    <br>
    <pre wrap=""><hr size="4" width="90%">
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From stephen.botzko@gmail.com  Tue Nov 17 07:12:23 2009
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Subject: Re: [codec] Fwd: I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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>>>
   As this thread starts off, there appear to be three.
>>>
Three what?  There are two draft calls for proposals, with nearly identical
text - one from the ITU-T, and one from ISO/IEC (MPEG).  Of course there ar=
e
many contributions and comments, but only two draft call for proposals that
I am aware of.  Are you saying there is independent work in a different SDO=
?

>>>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR proces=
s
to an after-thought, is indeed demonstrative of an upper hand.  Consider
what this would look like if royalty free had upper hand, equal say, or eve=
n
a seat at table.
>>>
>From Polycom's perspective, even an unencumbered video standard would need
to significantly out-perform H.264 in order to be worth doing.  We are
providing H.264 anyway, a new codec would be incremental and not a
replacement.  Before we add one, we would need to see a clear technical
improvement over what we are doing now (or a very strong business reason).
Like everyone, we prefer unencumbered technology when we can get it.  But
better performance is a requirement for us for the next gen video standard.

So starting from the technical requirements makes sense for us.  If it
doesn't outperform H.264, it doesn't matter what the terms are.  Obviously
there are other business models, and other viewpoints.  In the end consensu=
s
prevails, as it does in the IETF.

BTW, "terms of reference" in this context is the organizational framework
that the ITU-T and ISO/IEC need to establish in order to work together.
Without it, there would be two competing standards under development.  IMHO
this would be very undesirable.

I would suggest that we have gotten seriously off topic, as this is not a
video codec list.

Stephen Botzko
Polycom




On Tue, Nov 17, 2009 at 7:42 AM, Rob Glidden <rob.glidden@sbcglobal.net>wro=
te:

>  As this thread starts off, there appear to be three.
>
> I would assert that putting beginning business focus on technical
> requirements and terms of reference, delaying business model and IPR proc=
ess
> to an after-thought, is indeed demonstrative of an upper hand.  Consider
> what this would look like if royalty free had upper hand, equal say, or e=
ven
> a seat at table.
>
> Rob
>
> stephen botzko wrote:
>
>
> The draft calls for proposals (there are actually 2, one from the ITU-T a=
nd
> one from ISO/IEC) start the process.  Responses are not profile-specific
> (since there are no profiles defined at this point).  There is more than =
one
> operating point envisioned, but it is rather difficult to figure out what
> tools belong to what operating point before you have proposals.
>
> Also ITU-T and ISO/IEC have not yet worked out terms of reference for thi=
s
> work.  There is a desire (largely shared in both communities) to work
> together again, but this has not yet been accomplished organizationally.
>
> Having attended some of these meetings, I think it is premature to say wh=
o
> has the upper hand.  The effort is just beginning, and almost all of the
> meeting focus has been on technical requirements and terms of reference.
>
> Stephen Botzko
> Polycom
>
>
>
>
> On Tue, Nov 17, 2009 at 6:37 AM, Rob Glidden <rob.glidden@sbcglobal.net>w=
rote:
>
>> Stephen:
>>
>> Millions of patents, even a limited search could be quite expensive,
>> amateur search done without lawyers could be a waste of time.
>>
>> I believe all could "stipulate" to these points.
>>
>> But obviously, others did do this work. So better can be done.
>>
>> Yes, I am critical of JVT for dropping royalty free ball, we can debate
>> who dropped it and when and whether the ball was yanked from their hands=
 or
>> were outfoxed, dis-spirited or whatever.
>>
>> But the new successor call to h.264 drops any public mention of a
>> royalty-free at all.  So it is clear who has upper hand now -- and this
>> should not be acceptable.
>>
>> Rob
>>
>> stephen botzko wrote:
>>
>>> I did read the case. And despite the fact that the court did not
>>> criticize the JVT at all, I think that your own posts left a false
>>> impression that somehow it did.
>>>
>>> What you haven't done so far is identify how the IETF (or ITU-T, MPEG)
>>> could ensure unencumbered standards with any certainty.
>>>
>>> Ex-ante assessment of the millions of  US patents (+ the millions more
>>> filed in other countries) is not a practical answer.  Perhaps a limited
>>> search would have caught some patents.  But it would not even come clos=
e to
>>> catching them all.
>>>
>>> And of course there are cases where the granted claims are hard to
>>> interpret, even if you have access to the prosecution history. And othe=
rs
>>> where the claims are actually invalid.  Even a limited search could be =
quite
>>> expensive (and an amateur search done without lawyers would IMHO be a w=
aste
>>> of time)..
>>>
>>> The JVT made a noble effort, and I really don't see how a normal SDO
>>> (including the IETF) could do much better.
>>>
>>> Stephen Botzko
>>> Polycom
>>>
>>>  On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden <rob.glidden@sbcglobal.ne=
t<mailto:
>>> rob.glidden@sbcglobal.net>> wrote:
>>>
>>>    There is another way to read this.
>>>
>>>    This case has been called "the most infamous discovery fiasco in
>>>    recent times":
>>>
>>>    - The lawyers were sanctioned
>>>    - The patents were held both unenforceable and inapplicable
>>>    - Fines were levied
>>>    - The law firm crumbled and was sold
>>>
>>>    But read the case:  these were not patents that turned up two
>>>    years later.  The two were issued and therefore public in 1995 and
>>>    1996 (5 years before the JVT), and had been presented to the MPEG
>>>    committee before.
>>>
>>>    Going forward, a more proactive ex ante assessment of known
>>>    patents, at least of the participants in the activity, rather than
>>>    just relying on statements, would be good practice to check for
>>>    blocking patents.
>>>
>>>    But yes, you are right the court did not blame the JVT process and
>>>    certainly not those who took the royalty-free objective
>>>    seriously.  Clearly not everyone shared that goal, and got caught
>>>    in subverting it.
>>>
>>>    But no, the subsequent ITU/ISO/IEC Common Patent Policy did more
>>>    than just keep presuming that such things never occur and accept
>>>    being blind sided, and has tightened its IPR policy (which
>>>    provides for third-parties coming forward with blocking info).
>>>
>>>    And yes, any one can sue about anything, and they can lie about
>>>    their participation in a standards group.  They can fail to
>>>    disclose.  They can assert patents that end up being ruled as
>>>    inapplicable.  Maybe they will get away with it, or maybe as in
>>>    this case they won't.
>>>
>>>    But that isn't a good reason to fail to develop the standards the
>>>    Web needs for its open, royalty-free future.  Rather, the
>>>    opposite. If it takes this kind of extreme behavior and it still
>>>    doesn't work, then time to keep moving forward with royalty-free
>>>    standardization.
>>>
>>>    Rob
>>>
>>>    http://www.law.com/jsp/article.jsp?id=3D1202435137932
>>>
>>>    "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>>>
>>>    "Lawyers in the Qualcomm discovery scandal claim that the company
>>>    misled and stonewalled them, ultimately leading to the failure to
>>>    turn over a mountain of relevant evidence and harsh sanctions from
>>>    the court."
>>>
>>>    The allegations were made in briefs filed Monday by lawyers from
>>>    the now-defunct Day Casebeer Batchelder & Madrid
>>>     <http://www.law.com/jsp/article.jsp?id=3D1202431679659>, who for th=
e
>>>
>>>    first time are telling their side of what has become the most
>>>    infamous discovery fiasco in recent times
>>>     <
>>> http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D9000055049=
54
>>> >.
>>>
>>>
>>>      Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara
>>>    Major in January 2008 for intentionally withholding "tens of
>>>    thousands of e-mails" in an infringement case against Broadcom
>>>    Corp. involving video compression technology patents. The
>>>    company's lawyers -- six from Day Casebeer and one from Heller
>>>    Ehrman -- were also sanctioned for assisting "Qualcomm in
>>>    committing this incredible discovery violation," either knowingly
>>>    or recklessly, Major wrote at the time."
>>>
>>>
>>>    stephen botzko wrote:
>>>
>>>>     As Stephan Wenger indicated, it is not clear if the JVT actually
>>>>    failed or not.  What is clear is that they did everything they
>>>>    reasonably could have done.  There were several folks
>>>>    participating who took the royalty-free baseline profile
>>>>    objective very seriously.
>>>>
>>>>    Again, all submitted IPR for the baseline tools indicated royalty
>>>>    free terms.  So the JVT had every reason to think they had
>>>>    succeeded.    By the time this IPR turned up, H.264 had been
>>>>    standardized for over 2 years.  H.264 implementations were
>>>>    already out there - so any attempts to do work-arounds would have
>>>>    broken existing implementations (including implementations in
>>>>    silicon).
>>>>    Certainly any existing IETF group would have presumed exactly the
>>>>    same thing the JVT did.  The lesson here is that even if the SDO
>>>>    is conscientious, an unencumbered codec can not be guaranteed. I
>>>>    don't see any other way to read this.
>>>>
>>>>    Stephen Botzko
>>>>    Polycom
>>>>
>>>>
>>>>    On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden
>>>>      <rob.glidden@sbcglobal.net <mailto:rob.glidden@sbcglobal.net>>
>>>> wrote:
>>>>
>>>>        stephen botzko wrote:
>>>>
>>>>>        >>>
>>>>>        To date neither ITU-T nor MPEG have ever delivered on this
>>>>>        royalty free undertaking.
>>>>>        >>>
>>>>>        That should be viewed as very *bad* news here, since all the
>>>>>        IPR declarations in JVT for the baseline tools indicated
>>>>>        royalty free terms. In other words, the SDOs did everything
>>>>>        possible to deliver, and when H.264 baseline was
>>>>>        standardized they thought they had succeeded.
>>>>>
>>>>        I'd suggest that it is hard to see things this way after readin=
g
>>>>
>>>>        http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>>>
>>>>        The process was enforceable, and enforced.
>>>>        The patents could have been found earlier, and removed.
>>>>
>>>>        So any "h.264 successor" type work (audio/video/transport)
>>>>        should complete, not drop, the royalty free undertaking.
>>>>  IETF and ITU-T should lead there, not give up or hide in a niche.
>>>>
>>>>        See November 10, 2009 "Preliminary call for proposals signals
>>>>        work start for H.264/MPEG-4 AVC successor"
>>>>
>>>>
>>>> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signal=
s+Work+Start+For+H264MPEG4+AVC+Successor.aspx
>>>>
>>>>        Rob
>>>>
>>>>
>>>>          Stephen Botzko
>>>>>        Polycom.
>>>>>
>>>>>        On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden
>>>>>        <rob.glidden@sbcglobal.net
>>>>>          <mailto:rob.glidden@sbcglobal.net>> wrote:
>>>>>
>>>>>            BTW I hear that in MPEG the Chinese National Body
>>>>>            initiated a (re)consideration of royalty free
>>>>>            standardization and MPEG has issued a call for comments
>>>>>            to other national bodies.
>>>>>
>>>>>            Someone may want to contact their national MPEG Head of
>>>>>            Delegation or numerous liaisons including IETF, listed
>>>>>            at http://www.itscj.ipsj.or.jp/sc29/.
>>>>>
>>>>>            At the same time, MPEG is also considering launching new
>>>>>            royalty bearing activities HVC (High Performance Video
>>>>>            Coding) and MMT (Multimedia Transport).
>>>>>            http://www.chiariglione.org/mpeg/working_documents.htm
>>>>>
>>>>>            You may recall that h.264 was launched in 2001 as a
>>>>>            joint project between ITU-T Q.6/SG16 and ISO/IEC JTC
>>>>>            1/SC 29/WG11 with the undertaking that the "JVT [Joint
>>>>>            Video Team] will define a =93baseline=94 profile. That
>>>>>            profile should be royalty-free for all implementations."
>>>>>            To date neither ITU-T nor MPEG have ever delivered on
>>>>>            this royalty free undertaking.
>>>>>
>>>>>            Rob
>>>>>
>>>>>            Eric Burger wrote:
>>>>>
>>>>>                Thank you to everyone who participated in the room
>>>>>                and remotely. We succeeded in getting a lot of work
>>>>>                done, and we have a sense of whether or not we have
>>>>>                a well-formed problem to solve, if there are people
>>>>>                who need the work product, if people are willing to
>>>>>                work on it, and if the IETF is an acceptable venue
>>>>>                to do the work. In addition, we learned a lot about
>>>>>                the possibilities for cooperating with ITU-T SG 16.
>>>>>
>>>>>                Please review the minutes and send corrections.
>>>>>
>>>>>                The minutes are posted to:
>>>>>                http://www.ietf.org/proceedings/09nov/minutes/codec.tx=
t
>>>>>                _______________________________________________
>>>>>                codec mailing list
>>>>>                 codec@ietf.org <mailto:codec@ietf.org>
>>>>>
>>>>>                https://www.ietf.org/mailman/listinfo/codec
>>>>>
>>>>>
>>>>>            _______________________________________________
>>>>>            codec mailing list
>>>>>             codec@ietf.org <mailto:codec@ietf.org>
>>>>>
>>>>>            https://www.ietf.org/mailman/listinfo/codec
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>
>>>
>>
>
> ------------------------------
>
> _______________________________________________
> codec mailing listcodec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
>
>

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&gt;&gt;&gt;<br>=A0=A0 As this thread starts off, there appear to be three.=
<br>&gt;&gt;&gt;<br>Three what?=A0 There are two draft calls for proposals,=
 with nearly identical text - one from the ITU-T, and one from ISO/IEC (MPE=
G).=A0 Of course there are many contributions and comments, but only two dr=
aft call for proposals that I am aware of.=A0 Are you saying there is indep=
endent work in a different SDO?<br>
<br>&gt;&gt;&gt;<br>I would assert that putting beginning business focus on=
 technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand.=A0
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>&gt;&gt;&gt;<br>From Polycom&#39;s =
perspective, even an unencumbered video standard would need to significantl=
y out-perform H.264 in order to be worth doing.=A0 We are providing H.264 a=
nyway, a new codec would be incremental and not a replacement.=A0 Before we=
 add one, we would need to see a clear technical improvement over what we a=
re doing now (or a very strong business reason).=A0=A0 Like everyone, we pr=
efer unencumbered technology when we can get it.=A0 But better performance =
is a requirement for us for the next gen video standard. <br>
<br>So starting from the technical requirements makes sense for us.=A0 If i=
t doesn&#39;t outperform H.264, it doesn&#39;t matter what the terms are.=
=A0 Obviously there are other business models, and other viewpoints.=A0 In =
the end consensus prevails, as it does in the IETF.<br>
<br>BTW, &quot;terms of reference&quot; in this context is the organization=
al framework that the ITU-T and ISO/IEC need to establish in order to work =
together.=A0 Without it, there would be two competing standards under devel=
opment.=A0 IMHO this would be very undesirable.<br>
<br>I would suggest that we have gotten seriously off topic, as this is not=
 a video codec list.<br><br>Stephen Botzko<br>Polycom<br><br><br><br><br><d=
iv class=3D"gmail_quote">On Tue, Nov 17, 2009 at 7:42 AM, Rob Glidden <span=
 dir=3D"ltr">&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net">rob.glidden@s=
bcglobal.net</a>&gt;</span> wrote:<br>
<blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204, =
204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">


 =20
 =20

<div bgcolor=3D"#ffffff" text=3D"#000000">
As this thread starts off, there appear to be three.<br>
<br>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand.=A0
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>
<br>
Rob<br>
<br>
stephen botzko wrote:
<blockquote type=3D"cite"><div><div></div><div class=3D"h5"><br>
  <div class=3D"gmail_quote">The draft calls for proposals (there are
actually 2, one from the ITU-T
and one from ISO/IEC) start the process.=A0 Responses are not
profile-specific (since there are no profiles defined at this point).=A0
There is more than one operating point envisioned, but it is rather
difficult to figure out what tools belong to what operating point
before you have proposals.<br>
  <br>
Also ITU-T and ISO/IEC have not yet worked out terms of reference for
this work.=A0 There is a desire (largely shared in both communities) to
work together again, but this has not yet been accomplished
organizationally.<br>
  <br>
Having attended some of these meetings, I think it is premature to say
who has the upper hand.=A0 The effort is just beginning, and almost all
of the meeting focus has been on technical requirements and terms of
reference.<br>
  <font color=3D"#888888">
  <br>
Stephen Botzko<br>
Polycom</font>
  <div>
  <div><br>
  <br>
  <br>
  <br>
  <div class=3D"gmail_quote">On Tue, Nov 17, 2009 at 6:37 AM, Rob Glidden
  <span dir=3D"ltr">&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" target=
=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
  <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(204=
, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Stephen:<br>
    <br>
Millions of patents, even a limited search could be quite expensive,
amateur search done without lawyers could be a waste of time.<br>
    <br>
I believe all could &quot;stipulate&quot; to these points.<br>
    <br>
But obviously, others did do this work. So better can be done.<br>
    <br>
Yes, I am critical of JVT for dropping royalty free ball, we can debate
who dropped it and when and whether the ball was yanked from their
hands or were outfoxed, dis-spirited or whatever.<br>
    <br>
But the new successor call to h.264 drops any public mention of a
royalty-free at all. =A0So it is clear who has upper hand now -- and this
should not be acceptable.<br>
    <br>
Rob<br>
    <br>
stephen botzko wrote:<br>
    <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb(2=
04, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
      <div>I did read the case. And despite the fact that the court did
not criticize the JVT at all, I think that your own posts left a false
impression that somehow it did.<br>
      <br>
What you haven&#39;t done so far is identify how the IETF (or ITU-T, MPEG)
could ensure unencumbered standards with any certainty.<br>
      <br>
Ex-ante assessment of the millions of =A0US patents (+ the millions more
filed in other countries) is not a practical answer. =A0Perhaps a limited
search would have caught some patents. =A0But it would not even come
close to catching them all.<br>
      <br>
And of course there are cases where the granted claims are hard to
interpret, even if you have access to the prosecution history. And
others where the claims are actually invalid. =A0Even a limited search
could be quite expensive (and an amateur search done without lawyers
would IMHO be a waste of time)..<br>
      <br>
The JVT made a noble effort, and I really don&#39;t see how a normal SDO
(including the IETF) could do much better.<br>
      <br>
Stephen Botzko<br>
Polycom<br>
      <br>
      </div>
      <div>
      <div>On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden &lt;<a href=3D"mail=
to:rob.glidden@sbcglobal.net" target=3D"_blank">rob.glidden@sbcglobal.net</=
a> &lt;mailto:<a href=3D"mailto:rob.glidden@sbcglobal.net" target=3D"_blank=
">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<br>

      <br>
=A0 =A0There is another way to read this.<br>
      <br>
=A0 =A0This case has been called &quot;the most infamous discovery fiasco i=
n<br>
=A0 =A0recent times&quot;:<br>
      <br>
=A0 =A0- The lawyers were sanctioned<br>
=A0 =A0- The patents were held both unenforceable and inapplicable<br>
=A0 =A0- Fines were levied<br>
=A0 =A0- The law firm crumbled and was sold<br>
      <br>
=A0 =A0But read the case: =A0these were not patents that turned up two<br>
=A0 =A0years later. =A0The two were issued and therefore public in 1995 and=
<br>
=A0 =A01996 (5 years before the JVT), and had been presented to the MPEG<br=
>
=A0 =A0committee before.<br>
      <br>
=A0 =A0Going forward, a more proactive ex ante assessment of known<br>
=A0 =A0patents, at least of the participants in the activity, rather than<b=
r>
=A0 =A0just relying on statements, would be good practice to check for<br>
=A0 =A0blocking patents.<br>
      <br>
=A0 =A0But yes, you are right the court did not blame the JVT process and<b=
r>
=A0 =A0certainly not those who took the royalty-free objective<br>
=A0 =A0seriously. =A0Clearly not everyone shared that goal, and got caught<=
br>
=A0 =A0in subverting it.<br>
      <br>
=A0 =A0But no, the subsequent ITU/ISO/IEC Common Patent Policy did more<br>
=A0 =A0than just keep presuming that such things never occur and accept<br>
=A0 =A0being blind sided, and has tightened its IPR policy (which<br>
=A0 =A0provides for third-parties coming forward with blocking info).<br>
      <br>
=A0 =A0And yes, any one can sue about anything, and they can lie about<br>
=A0 =A0their participation in a standards group. =A0They can fail to<br>
=A0 =A0disclose. =A0They can assert patents that end up being ruled as<br>
=A0 =A0inapplicable. =A0Maybe they will get away with it, or maybe as in<br=
>
=A0 =A0this case they won&#39;t.<br>
      <br>
=A0 =A0But that isn&#39;t a good reason to fail to develop the standards th=
e<br>
=A0 =A0Web needs for its open, royalty-free future. =A0Rather, the<br>
=A0 =A0opposite. If it takes this kind of extreme behavior and it still<br>
=A0 =A0doesn&#39;t work, then time to keep moving forward with royalty-free=
<br>
=A0 =A0standardization.<br>
      <br>
=A0 =A0Rob<br>
      <br>
=A0 =A0<a href=3D"http://www.law.com/jsp/article.jsp?id=3D1202435137932" ta=
rget=3D"_blank">http://www.law.com/jsp/article.jsp?id=3D1202435137932</a><b=
r>
      <br>
=A0 =A0&quot;Lawyers in Discovery Scandal Say Qualcomm Lied&quot;, November=
 3, 2009<br>
      <br>
=A0 =A0&quot;Lawyers in the Qualcomm discovery scandal claim that the compa=
ny<br>
=A0 =A0misled and stonewalled them, ultimately leading to the failure to<br=
>
=A0 =A0turn over a mountain of relevant evidence and harsh sanctions from<b=
r>
=A0 =A0the court.&quot;<br>
      <br>
=A0 =A0The allegations were made in briefs filed Monday by lawyers from<br>
=A0 =A0the now-defunct Day Casebeer Batchelder &amp; Madrid<br>
      </div>
      </div>
=A0 =A0&lt;<a href=3D"http://www.law.com/jsp/article.jsp?id=3D1202431679659=
" target=3D"_blank">http://www.law.com/jsp/article.jsp?id=3D1202431679659</=
a>&gt;,
who for the
      <div><br>
=A0 =A0first time are telling their side of what has become the most<br>
=A0 =A0infamous discovery fiasco in recent times<br>
      </div>
      <div> =A0 =A0&lt;<a href=3D"http://www.law.com/jsp/legaltechnology/pu=
bArticleLT.jsp?id=3D900005504954" target=3D"_blank">http://www.law.com/jsp/=
legaltechnology/pubArticleLT.jsp?id=3D900005504954</a>&gt;.<br>
      <br>
      <br>
      </div>
      <div>
      <div> =A0 =A0Qualcomm Inc. was sanctioned by San Diego Magistrate
Judge Barbara<br>
=A0 =A0Major in January 2008 for intentionally withholding &quot;tens of<br=
>
=A0 =A0thousands of e-mails&quot; in an infringement case against Broadcom<=
br>
=A0 =A0Corp. involving video compression technology patents. The<br>
=A0 =A0company&#39;s lawyers -- six from Day Casebeer and one from Heller<b=
r>
=A0 =A0Ehrman -- were also sanctioned for assisting &quot;Qualcomm in<br>
=A0 =A0committing this incredible discovery violation,&quot; either knowing=
ly<br>
=A0 =A0or recklessly, Major wrote at the time.&quot;<br>
      <br>
      <br>
=A0 =A0stephen botzko wrote:<br>
      </div>
      </div>
      <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid rgb=
(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
        <div>
        <div> =A0 =A0As Stephan Wenger indicated, it is not clear if the
JVT actually<br>
=A0 =A0failed or not. =A0What is clear is that they did everything they<br>
=A0 =A0reasonably could have done. =A0There were several folks<br>
=A0 =A0participating who took the royalty-free baseline profile<br>
=A0 =A0objective very seriously.<br>
        <br>
=A0 =A0Again, all submitted IPR for the baseline tools indicated royalty<br=
>
=A0 =A0free terms. =A0So the JVT had every reason to think they had<br>
=A0 =A0succeeded. =A0 =A0By the time this IPR turned up, H.264 had been<br>
=A0 =A0standardized for over 2 years. =A0H.264 implementations were<br>
=A0 =A0already out there - so any attempts to do work-arounds would have<br=
>
=A0 =A0broken existing implementations (including implementations in<br>
=A0 =A0silicon). <br>
=A0 =A0Certainly any existing IETF group would have presumed exactly the<br=
>
=A0 =A0same thing the JVT did. =A0The lesson here is that even if the SDO<b=
r>
=A0 =A0is conscientious, an unencumbered codec can not be guaranteed. I<br>
=A0 =A0don&#39;t see any other way to read this.<br>
        <br>
=A0 =A0Stephen Botzko<br>
=A0 =A0Polycom<br>
        <br>
        <br>
=A0 =A0On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden<br>
        </div>
        </div>
        <div> =A0 =A0&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" targe=
t=3D"_blank">rob.glidden@sbcglobal.net</a>
&lt;mailto:<a href=3D"mailto:rob.glidden@sbcglobal.net" target=3D"_blank">r=
ob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
        <br>
=A0 =A0 =A0 =A0stephen botzko wrote:<br>
        <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
=A0 =A0 =A0 =A0&gt;&gt;&gt;<br>
=A0 =A0 =A0 =A0To date neither ITU-T nor MPEG have ever delivered on this<b=
r>
=A0 =A0 =A0 =A0royalty free undertaking.<br>
=A0 =A0 =A0 =A0&gt;&gt;&gt;<br>
=A0 =A0 =A0 =A0That should be viewed as very *bad* news here, since all the=
<br>
=A0 =A0 =A0 =A0IPR declarations in JVT for the baseline tools indicated<br>
=A0 =A0 =A0 =A0royalty free terms. In other words, the SDOs did everything<=
br>
=A0 =A0 =A0 =A0possible to deliver, and when H.264 baseline was<br>
=A0 =A0 =A0 =A0standardized they thought they had succeeded.<br>
        </blockquote>
=A0 =A0 =A0 =A0I&#39;d suggest that it is hard to see things this way after=
 reading<br>
        <br>
=A0 =A0 =A0 =A0<a href=3D"http://www.cafc.uscourts.gov/opinions/07-1545.pdf=
" target=3D"_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><b=
r>
        <br>
=A0 =A0 =A0 =A0The process was enforceable, and enforced.<br>
=A0 =A0 =A0 =A0The patents could have been found earlier, and removed.<br>
        <br>
=A0 =A0 =A0 =A0So any &quot;h.264 successor&quot; type work (audio/video/tr=
ansport)<br>
=A0 =A0 =A0 =A0should complete, not drop, the royalty free undertaking. =A0=
 =A0 =A0
=A0IETF and ITU-T should lead there, not give up or hide in a niche.<br>
        <br>
=A0 =A0 =A0 =A0See November 10, 2009 &quot;Preliminary call for proposals s=
ignals<br>
=A0 =A0 =A0 =A0work start for H.264/MPEG-4 AVC successor&quot;<br>
        <br>
=A0 =A0 =A0 =A0<a href=3D"http://www.itu.int/ITU-T/newslog/Preliminary+Call=
+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx" target=
=3D"_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals=
+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>

        <br>
=A0 =A0 =A0 =A0Rob<br>
        <br>
        <br>
        </div>
        <blockquote class=3D"gmail_quote" style=3D"border-left: 1px solid r=
gb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
          <div> =A0 =A0 =A0 =A0Stephen Botzko<br>
=A0 =A0 =A0 =A0Polycom. <br>
=A0 =A0 =A0 =A0 <br>
=A0 =A0 =A0 =A0On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden<br>
=A0 =A0 =A0 =A0&lt;<a href=3D"mailto:rob.glidden@sbcglobal.net" target=3D"_=
blank">rob.glidden@sbcglobal.net</a><br>
          </div>
          <div>
          <div> =A0 =A0 =A0 =A0&lt;mailto:<a href=3D"mailto:rob.glidden@sbc=
global.net" target=3D"_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0BTW I hear that in MPEG the Chinese National Body<br=
>
=A0 =A0 =A0 =A0 =A0 =A0initiated a (re)consideration of royalty free<br>
=A0 =A0 =A0 =A0 =A0 =A0standardization and MPEG has issued a call for comme=
nts<br>
=A0 =A0 =A0 =A0 =A0 =A0to other national bodies.<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0Someone may want to contact their national MPEG Head=
 of<br>
=A0 =A0 =A0 =A0 =A0 =A0Delegation or numerous liaisons including IETF, list=
ed<br>
=A0 =A0 =A0 =A0 =A0 =A0at <a href=3D"http://www.itscj.ipsj.or.jp/sc29/" tar=
get=3D"_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0At the same time, MPEG is also considering launching=
 new<br>
=A0 =A0 =A0 =A0 =A0 =A0royalty bearing activities HVC (High Performance Vid=
eo<br>
=A0 =A0 =A0 =A0 =A0 =A0Coding) and MMT (Multimedia Transport).<br>
=A0 =A0 =A0 =A0 =A0 =A0<a href=3D"http://www.chiariglione.org/mpeg/working_=
documents.htm" target=3D"_blank">http://www.chiariglione.org/mpeg/working_d=
ocuments.htm</a><br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0You may recall that h.264 was launched in 2001 as a<=
br>
=A0 =A0 =A0 =A0 =A0 =A0joint project between ITU-T Q.6/SG16 and ISO/IEC JTC=
<br>
=A0 =A0 =A0 =A0 =A0 =A01/SC 29/WG11 with the undertaking that the &quot;JVT=
 [Joint<br>
=A0 =A0 =A0 =A0 =A0 =A0Video Team] will define a =93baseline=94 profile. Th=
at<br>
=A0 =A0 =A0 =A0 =A0 =A0profile should be royalty-free for all implementatio=
ns.&quot;<br>
=A0 =A0 =A0 =A0 =A0 =A0To date neither ITU-T nor MPEG have ever delivered o=
n<br>
=A0 =A0 =A0 =A0 =A0 =A0this royalty free undertaking.<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0Rob<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0Eric Burger wrote:<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Thank you to everyone who participated in th=
e room<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0and remotely. We succeeded in getting a lot =
of work<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0done, and we have a sense of whether or not =
we have<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0a well-formed problem to solve, if there are=
 people<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0who need the work product, if people are wil=
ling to<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0work on it, and if the IETF is an acceptable=
 venue<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0to do the work. In addition, we learned a lo=
t about<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0the possibilities for cooperating with ITU-T=
 SG 16.<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0Please review the minutes and send correctio=
ns.<br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0The minutes are posted to:<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"http://www.ietf.org/proceedings/0=
9nov/minutes/codec.txt" target=3D"_blank">http://www.ietf.org/proceedings/0=
9nov/minutes/codec.txt</a><br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0____________________________________________=
___<br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0codec mailing list<br>
          </div>
          </div>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"mailto:codec@ietf.org" target=3D"=
_blank">codec@ietf.org</a> &lt;mailto:<a href=3D"mailto:codec@ietf.org" tar=
get=3D"_blank">codec@ietf.org</a>&gt;
          <div><br>
=A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0<a href=3D"https://www.ietf.org/mailman/list=
info/codec" target=3D"_blank">https://www.ietf.org/mailman/listinfo/codec</=
a><br>
          <br>
          <br>
=A0 =A0 =A0 =A0 =A0 =A0_______________________________________________<br>
=A0 =A0 =A0 =A0 =A0 =A0codec mailing list<br>
          </div>
=A0 =A0 =A0 =A0 =A0 =A0<a href=3D"mailto:codec@ietf.org" target=3D"_blank">=
codec@ietf.org</a> &lt;mailto:<a href=3D"mailto:codec@ietf.org" target=3D"_=
blank">codec@ietf.org</a>&gt;
          <div><br>
=A0 =A0 =A0 =A0 =A0 =A0<a href=3D"https://www.ietf.org/mailman/listinfo/cod=
ec" target=3D"_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
          <br>
          <br>
          </div>
        </blockquote>
        <br>
        <br>
      </blockquote>
      <br>
      <br>
    </blockquote>
    <br>
  </blockquote>
  </div>
  <br>
  </div>
  </div>
  </div>
  <br>
  </div></div><pre><hr width=3D"90%" size=3D"4"><div class=3D"im">
_______________________________________________
codec mailing list
<a href=3D"mailto:codec@ietf.org" target=3D"_blank">codec@ietf.org</a>
</div><div class=3D"im"><a href=3D"https://www.ietf.org/mailman/listinfo/co=
dec" target=3D"_blank">https://www.ietf.org/mailman/listinfo/codec</a>
  </div></pre>
</blockquote>
<br>
</div>

</blockquote></div><br>

--0016364174850dc9d10478928dac--

From singer@apple.com  Tue Nov 17 11:27:51 2009
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On Nov 17, 2009, at 3:28 , Rob Glidden wrote:

> So I'd suggest a different interpretation, one that does not assume =
there was a sincere or sustained political consensus. Accepting this, a =
more realistic forward look is possible.

You are entitled to your opinions, but the effort was sincere and =
sustained on the part of large numbers of participants.  This is not the =
place to go into where things went wrong, but it is worth noting that =
MPEG is looking again into the question of royalty-free standards, and =
what was learned from that process.


David Singer
Multimedia and Software Standards, Apple Inc.


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From: Stephan Wenger <stewe@stewe.org>
To: "codec@ietf.org" <codec@ietf.org>
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Thread-Topic: Fodder for thought: OWF agreement to augment the IETF patent policy
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Hi all,
I have mentioned this thing in passing before, but now that the release is
official, it may be a good time to remind everyone here.  Please take a loo=
k
at=20
http://openwebfoundation.org/2009/11/introducing-the-open-web-foundation-ag=
r
eement.html, and, if you like the ideas, have your lawyers take a look at
the agreement itself.  The agreement is designed to provide an
as-bulletproof-as-possible, open source friendly, assurance that both
copyright and patent rights required for a spec stay available in for the
lifetime of the rights.  If a group is able to keep track of all
contributors, and all contributors are willing to sign this, it provides
IMHO a considerably more solid assurance to users than IETF disclosures
alone, at least when considering how most of these disclosures have been
phrased in the past.
Note that the agreement is designed to be signed after standardization is
(almost) done, and, therefore, requires a trust relationship between the
parties contributing (which could be informal, but perhaps also documented
in the form of IETF IPR disclosures).  Note further that this exercise, if
adopted, would be in addition to the IETF=B9s standards and IPR processes, an=
d
not replacing them.
Regards,
Stephan

  

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<HTML>
<HEAD>
<TITLE>Fodder for thought: OWF agreement to augment the IETF patent policy<=
/TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:11pt=
'>Hi all,<BR>
I have mentioned this thing in passing before, but now that the release is =
official, it may be a good time to remind everyone here. &nbsp;Please take a=
 look at <a href=3D"http://openwebfoundation.org/2009/11/introducing-the-open-=
web-foundation-agreement.html">http://openwebfoundation.org/2009/11/introduc=
ing-the-open-web-foundation-agreement.html</a>, and, if you like the ideas, =
have your lawyers take a look at the agreement itself. &nbsp;The agreement i=
s designed to provide an as-bulletproof-as-possible, open source friendly, a=
ssurance that both copyright and patent rights required for a spec stay avai=
lable in for the lifetime of the rights. &nbsp;If a group is able to keep tr=
ack of all contributors, and all contributors are willing to sign this, it p=
rovides IMHO a considerably more solid assurance to users than IETF disclosu=
res alone, at least when considering how most of these disclosures have been=
 phrased in the past.<BR>
Note that the agreement is designed to be signed after standardization is (=
almost) done, and, therefore, requires a trust relationship between the part=
ies contributing (which could be informal, but perhaps also documented in th=
e form of IETF IPR disclosures). &nbsp;Note further that this exercise, if a=
dopted, would be in addition to the IETF&#8217;s standards and IPR processes=
, and not replacing them.<BR>
Regards,<BR>
Stephan<BR>
<BR>
&nbsp;&nbsp;</SPAN></FONT>
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From stewe@stewe.org  Tue Nov 17 12:53:03 2009
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From: Stephan Wenger <stewe@stewe.org>
To: Rob Glidden <rob.glidden@sbcglobal.net>
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Thread-Topic: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes Posted
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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes Posted
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Hi Rob,
Of course there was resistance against a proposed change in business models
for baseline video coding patents, and of course there were political
battles (for example on the strategic implications of those changes).  What
matters, though, is that a considerable percentage of the initial resistanc=
e
against the Royalty-Free Baseline went away after compelling arguments were
made.  And that consensus was established, on paper, and in reality.  You
may disagree, but, bluntly put, I was there and able to observe (however
biased my perception may have been), and you were not.  I think that this
may put me in a slightly better position to recollect and document what
happened.
The most prominent written evidence of consensus is, of course, the JVT
terms of reference (ToR,
http://www.itu.int/dms_pub/itu-t/oth/34/01/T34010000010001PDFE.pdf).  This
document was approved by both the SG16 and MPEG managements and plenaries.
Do you really think that either ITU SG16 or MPEG would have declared
consensus on something like this if it could have been challenged
successfully (for example by a claim of false consensus)?  Note further
that, once the ToR were in place, the provisions therein were followed in
every detail, at least until 2004.  (From that time on I attended JVT only
sporadically, and I=B9m not in the position to comment.  Further, baseline wa=
s
set in 2003; therefore, provisions directly related to baseline are not
overly relevant anymore after 2003).  Finally, as you may know, there has
been quite a bit of litigation around H.264 recently, but AFAIK, no one has
ever challenged the ToR or the operative mode of JVT.  (Closest to this
came, AFAIK, the BC/QC San Diego case, and we all know where that led to.)
Regards,
Stephan   =20


On 11/17/09 3:28 AM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:

> Stephan:
>=20
> It doesn't appear there was ever much more than a paper consensus that wa=
s
> undermined by 2003 (see previous email) when patent pools started announc=
ing
> coverage of the h.264 baseline (years before the Qualcomm litigation).
>=20
> As the impressive curriculum states on 2001-2003 time frame:
>=20
> "Fought the political battles to make those contributions pass, despite
> substantial resistance from some of the largest companies in the field."
>=20
> http://www.stewe.org/cv-business-wenger.pdf
>=20
> So I'd suggest a different interpretation, one that does not assume there=
 was
> a sincere or sustained political consensus. Accepting this, a more realis=
tic
> forward look is possible.
>=20
> Rob
>=20
>=20
> Stephan Wenger wrote:
>>  Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes  Poste=
d Hi
>> Rob,
>> =20
>> I will not comment more on the BC/QC San Diego case, except to say that
>> misconduct before the standardization committee (violation of both writt=
en
>> and de-facto practiced rules of the committee) was only one and, as some
>> people have argued, small factor in the ruling.  I wish one could come t=
o the
>> conclusion that any misconduct before a standardization committee would
>> automatically render related patents unenforceable (the inapplicable par=
t is
>> a very different story), but I fear that this is too much to hope for.
>> =20
>> My current view of the likeliness of success of Codec in relation to JVT=
=B9s
>> success or failure (depending whom you ask):
>>  =20
>> 1. JVT took on the creation a royalty-free baseline (that is, a part of =
a
>> standard only, and rightholders may still require a signed license that =
may
>> be encumbered to the point where it becomes unusable for some open sourc=
e
>> communities=8Bclearly a factor for some software companies), in a heavily
>> patented field.  The vast majority of the participating companies=8Benough=
 to
>> create a consensus-based decision in the committee, and many of them kno=
wn or
>> likely future rightholders=8Bwas in support of that goal.
>> 2. Codec attempts to take on of creating a standard (not only a baseline=
 of a
>> standard=8Brightholders cannot be appeased by arguing they can make money =
from
>> non-baseline applications) under what the BOF chairs called =B3acceptable
>> terms=B2--which translate to an open-source friendly non-assert requiremen=
t.
>> The field of technology is at least as heavily patented as video.  A
>> significant percentage of companies known to hold a sizeable portfolio o=
f
>> audio/speech codec patents have spoken quite clearly against the goal.  =
It=B9s
>> not up to me to declare an IETF consensus on whether acceptable terms ar=
e
>> achievable, but if someone were a declaring such a consensus, I would
>> object=8Band I=B9m sure I would not be alone.  In fact, =B3acceptable terms=B2, =
by
>> policy cannot and will not be a hard requirement for the work of a
>> hypothetical codec WG.
>> 3. =20
>>  Based on these perceptions and facts it seems obvious that it=B9s going t=
o be
>> much harder to achieve=8Bthat is also: easier to prevent for those not
>> amicable=8Bthe goals of a hypothetical codec WG when compared to the goals=
 of
>> JVT. =20
>> Regards,
>> Stephan
>> =20
>> =20
>> On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:
>> =20
>>  =20
>>> There is another way to read this.
>>> =20
>>> This case has been called "the most infamous discovery fiasco in recent
>>> times":
>>> =20
>>> - The lawyers were sanctioned
>>> - The patents were held both unenforceable and inapplicable
>>> - Fines were levied
>>> - The law firm crumbled and was sold
>>> =20
>>> But read the case:  these were not patents that turned up two years lat=
er.
>>> The two were issued and therefore public in 1995 and 1996 (5 years befo=
re
>>> the JVT), and had been presented to the MPEG committee before.
>>> =20
>>> Going forward, a more proactive ex ante assessment of known patents, at
>>> least of the participants in the activity, rather than just relying on
>>> statements, would be good practice to check for blocking patents.
>>> =20
>>> But yes, you are right the court did not blame the JVT process and cert=
ainly
>>> not those who took the royalty-free objective seriously. Clearly not
>>> everyone shared that goal, and got caught in subverting it.
>>> =20
>>> But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than j=
ust
>>> keep presuming that such things never occur and accept being blind side=
d,
>>> and has tightened its IPR policy (which provides for third-parties comi=
ng
>>> forward with blocking info).
>>> =20
>>> And yes, any one can sue about anything, and they can lie about their
>>> participation in a standards group.  They can fail to disclose.  They c=
an
>>> assert patents that end up being ruled as inapplicable.  Maybe they wil=
l get
>>> away with it, or maybe as in this case they won't.
>>> =20
>>> But that isn't a good reason to fail to develop the standards the Web n=
eeds
>>> for its open, royalty-free future.  Rather, the opposite. If it takes t=
his
>>> kind of extreme behavior and it still doesn't work, then time to keep m=
oving
>>> forward with royalty-free standardization.
>>> =20
>>> Rob
>>> =20
>>>  http://www.law.com/jsp/article.jsp?id=3D1202435137932
>>> =20
>>> "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009
>>> =20
>>> "Lawyers in the Qualcomm discovery scandal claim that the company misle=
d and
>>> stonewalled them, ultimately leading to the failure to turn over a moun=
tain
>>> of relevant evidence and harsh sanctions from the court."
>>> =20
>>> The allegations were made in briefs filed Monday by lawyers from the
>>> now-defunct Day Casebeer Batchelder & Madrid
>>> <http://www.law.com/jsp/article.jsp?id=3D1202431679659> , who for the fir=
st
>>> time are telling their side of what has become the most infamous discov=
ery
>>> fiasco in recent times
>>> <http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D90000550495=
4> .
>>> =20
>>> Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Majo=
r in
>>> January 2008 for intentionally withholding "tens of thousands of e-mail=
s" in
>>> an infringement case against Broadcom Corp. involving video compression
>>> technology patents. The company's lawyers -- six from Day Casebeer and =
one
>>> from Heller Ehrman -- were also sanctioned for assisting "Qualcomm in
>>> committing this incredible discovery violation," either knowingly or
>>> recklessly, Major wrote at the time."
>>> =20
>>> stephen botzko wrote:
>>>  =20
>>>> As Stephan Wenger indicated, it is not clear if the JVT actually faile=
d or
>>>> not.  What is clear is that they did everything they reasonably could =
have
>>>> done.  There were several folks participating who took the royalty-fre=
e
>>>> baseline profile objective very seriously.
>>>> =20
>>>> Again, all submitted IPR for the baseline tools indicated royalty free
>>>> terms.  So the JVT had every reason to think they had succeeded.    By=
 the
>>>> time this IPR turned up, H.264 had been standardized for over 2 years.
>>>> H.264 implementations were already out there - so any attempts to do
>>>> work-arounds would have broken existing implementations (including
>>>> implementations in silicon).
>>>> =20
>>>> Certainly any existing IETF group would have presumed exactly the same
>>>> thing the JVT did.  The lesson here is that even if the SDO is
>>>> conscientious, an unencumbered codec can not be guaranteed. I don't se=
e any
>>>> other way to read this.
>>>> =20
>>>> Stephen Botzko
>>>> Polycom
>>>> =20
>>>> =20
>>>> =20
>>>> On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden <rob.glidden@sbcglobal.ne=
t>
>>>> wrote:
>>>> =20
>>>>  =20
>>>>> =20
>>>>> =20
>>>>> stephen botzko wrote:
>>>>>  =20
>>>>>>>>> >>>
>>>>>> To date neither ITU-T nor MPEG have ever delivered on this royalty f=
ree
>>>>>> undertaking.
>>>>>>>>> >>>
>>>>>> That should be viewed as very bad news here, since all the IPR
>>>>>> declarations in JVT for the baseline tools indicated royalty free te=
rms.
>>>>>> In other words, the SDOs did everything possible to deliver, and whe=
n
>>>>>> H.264 baseline was standardized they thought they had succeeded.
>>>>>> =20
>>>>>> =20
>>>>>  =20
>>>>> I'd suggest that it is hard to see things this way after reading
>>>>> =20
>>>>>  http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>>>>> =20
>>>>> The process was enforceable, and enforced.
>>>>> The patents could have been found earlier, and removed.
>>>>> =20
>>>>> So any "h.264 successor" type work (audio/video/transport) should
>>>>> complete, not drop, the royalty free undertaking.  IETF and ITU-T sho=
uld
>>>>> lead there, not give up or hide in a niche.
>>>>> =20
>>>>> See November 10, 2009 "Preliminary call for proposals signals work st=
art
>>>>> for H.264/MPEG-4 AVC successor"
>>>>> =20
>>>>> =20
>>>>> http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signa=
ls+Wo
>>>>> rk+Start+For+H264MPEG4+AVC+Successor.aspx
>>>>>  =20
>>>>> Rob=20
>>>>> =20
>>>>> =20
>>>>> =20
>>>>>  =20
>>>>>> Stephen Botzko
>>>>>> Polycom. =20
>>>>>> =20
>>>>>> =20
>>>>>> =20
>>>>>> =20
>>>>>> On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden <rob.glidden@sbcglobal.=
net>
>>>>>> wrote:
>>>>>> =20
>>>>>>  =20
>>>>>>> BTW I hear that in MPEG the Chinese National Body initiated a
>>>>>>> (re)consideration of royalty free standardization and MPEG has issu=
ed a
>>>>>>> call for comments to other national bodies.
>>>>>>> =20
>>>>>>> Someone may want to contact their national MPEG Head of Delegation =
or
>>>>>>> numerous liaisons including IETF, listed at
>>>>>>> http://www.itscj.ipsj.or.jp/sc29/.
>>>>>>> =20
>>>>>>> At the same time, MPEG is also considering launching new royalty be=
aring
>>>>>>> activities HVC (High Performance Video Coding) and MMT (Multimedia
>>>>>>> Transport). http://www.chiariglione.org/mpeg/working_documents.htm
>>>>>>> =20
>>>>>>> You may recall that h.264 was launched in 2001 as a joint project
>>>>>>> between ITU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undert=
aking
>>>>>>> that the "JVT [Joint Video Team] will define a =B3baseline=B2 profile. =
That
>>>>>>> profile should be royalty-free for all implementations." To date ne=
ither
>>>>>>> ITU-T nor MPEG have ever delivered on this royalty free undertaking=
.
>>>>>>> =20
>>>>>>> Rob
>>>>>>> =20
>>>>>>> Eric Burger wrote:
>>>>>>> =20
>>>>>>>  =20
Thank you to everyone who participated in the room and remotely. We
succeeded in getting a lot of work done, and we have a sense of whether or
not we have a well-formed problem to solve, if there are people who need th=
e
work product, if people are willing to work on it, and if the IETF is an
acceptable venue to do the work. In addition, we learned a lot about the
possibilities for cooperating with ITU-T SG 16.
=20
Please review the minutes and send corrections.
=20
The minutes are posted to:
 http://www.ietf.org/proceedings/09nov/minutes/codec.txt
_______________________________________________
codec mailing list
 codec@ietf.org
 https://www.ietf.org/mailman/listinfo/codec
=20
=20
=20
>>>>>>>  =20
>>>>>>> _______________________________________________
>>>>>>> codec mailing list
>>>>>>>  codec@ietf.org
>>>>>>>  https://www.ietf.org/mailman/listinfo/codec
>>>>>>> =20
>>>>>>> =20
>>>>>>  =20
>>>>>> =20
>>>>>> =20
>>>>>> =20
>>>>>  =20
>>>>> =20
>>>>> =20
>>>>> =20
>>>>> =20
>>>>  =20
>>>> =20
>>>> =20
>>> =20
>>> =20
>>> =20
>>>=20
>>> _______________________________________________
>>> codec mailing list
>>>  codec@ietf.org
>>>  https://www.ietf.org/mailman/listinfo/codec
>>> =20
>=20
>=20


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<HTML>
<HEAD>
<TITLE>Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes Pos=
ted</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STYLE=3D'font-size:11pt=
'>Hi Rob,<BR>
Of course there was resistance against a proposed change in business models=
 for baseline video coding patents, and of course there were political battl=
es (for example on the strategic implications of those changes). &nbsp;What =
matters, though, is that a considerable percentage of the initial resistance=
 against the Royalty-Free Baseline went away after compelling arguments were=
 made. &nbsp;And that consensus was established, on paper, and in reality. &=
nbsp;You may disagree, but, bluntly put, I was there and able to observe (ho=
wever biased my perception may have been), and you were not. &nbsp;I think t=
hat this may put me in a slightly better position to recollect and document =
what happened.<BR>
The most prominent written evidence of consensus is, of course, the JVT ter=
ms of reference (ToR, <a href=3D"http://www.itu.int/dms_pub/itu-t/oth/34/01/T3=
4010000010001PDFE.pdf">http://www.itu.int/dms_pub/itu-t/oth/34/01/T340100000=
10001PDFE.pdf</a>). &nbsp;This document was approved by both the SG16 and MP=
EG managements and plenaries. &nbsp;Do you really think that either ITU SG16=
 or MPEG would have declared consensus on something like this if it could ha=
ve been challenged successfully (for example by a claim of false consensus)?=
 &nbsp;Note further that, once the ToR were in place, the provisions therein=
 were followed in every detail, at least until 2004. &nbsp;(From that time o=
n I attended JVT only sporadically, and I&#8217;m not in the position to com=
ment. &nbsp;Further, baseline was set in 2003; therefore, provisions directl=
y related to baseline are not overly relevant anymore after 2003). &nbsp;Fin=
ally, as you may know, there has been quite a bit of litigation around H.264=
 recently, but AFAIK, no one has ever challenged the ToR or the operative mo=
de of JVT. &nbsp;(Closest to this came, AFAIK, the BC/QC San Diego case, and=
 we all know where that led to.)<BR>
Regards,<BR>
Stephan &nbsp;&nbsp;&nbsp;<BR>
<BR>
<BR>
On 11/17/09 3:28 AM, &quot;Rob Glidden&quot; &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>Stephan:<BR>
<BR>
It doesn't appear there was ever much more than a paper consensus that was =
undermined by 2003 (see previous email) when patent pools started announcing=
 coverage of the h.264 baseline (years before the Qualcomm litigation).<BR>
<BR>
As the impressive curriculum states on 2001-2003 time frame:<BR>
<BR>
&quot;Fought the political battles to make those contributions pass, despit=
e substantial resistance from some of the largest companies in the field.&qu=
ot;<BR>
<BR>
<a href=3D"http://www.stewe.org/cv-business-wenger.pdf">http://www.stewe.org/=
cv-business-wenger.pdf</a><BR>
<BR>
So I'd suggest a different interpretation, one that does not assume there w=
as a sincere or sustained political consensus. Accepting this, a more realis=
tic forward look is possible.<BR>
<BR>
Rob<BR>
<BR>
<BR>
Stephan Wenger wrote: <BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'> Re: [codec] I wonder what is going on at MPEG, =
Re: DRAFT Minutes &nbsp;Posted Hi Rob,<BR>
&nbsp;<BR>
I will not comment more on the BC/QC San Diego case, except to say that mis=
conduct before the standardization committee (violation of both written and =
de-facto practiced rules of the committee) was only one and, as some people =
have argued, small factor in the ruling. &nbsp;I wish one could come to the =
conclusion that any misconduct before a standardization committee would auto=
matically render related patents unenforceable (the inapplicable part is a v=
ery different story), but I fear that this is too much to hope for.<BR>
&nbsp;<BR>
My current view of the likeliness of success of Codec in relation to JVT&#8=
217;s success or failure (depending whom you ask):<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><OL><LI><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN=
 STYLE=3D'font-size:11pt'>JVT took on the creation a <I>royalty-free</I> <I>ba=
seline </I>(that is, a part of a standard only, and rightholders may still r=
equire a signed license that may be encumbered to the point where it becomes=
 unusable for some open source communities&#8212;clearly a factor for some s=
oftware companies), in a <I>heavily patented field.</I> &nbsp;The vast major=
ity of the participating companies&#8212;enough to create a consensus-based =
decision in the committee, and many of them known or likely future righthold=
ers&#8212;was <I>in support</I> of that goal.=20
</SPAN></FONT><LI><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:11pt'>Codec attempts to take on of creating a <I>standard </I>=
(not only a baseline of a standard&#8212;rightholders cannot be appeased by =
arguing they can make money from non-baseline applications) under what the B=
OF chairs called &#8220;acceptable terms&#8221;--which translate to an <I>op=
en-source friendly non-assert requirement</I>. &nbsp;The field of technology=
 is at least as <I>heavily patented</I> as video. &nbsp;A <I>significant per=
centage</I> of companies known to hold a sizeable portfolio of audio/speech =
codec patents have spoken quite <I>clearly against the goal</I>. &nbsp;It&#8=
217;s not up to me to declare an IETF consensus on whether acceptable terms =
are achievable, but if someone were a declaring such a consensus, I would ob=
ject&#8212;and I&#8217;m sure I would not be alone. &nbsp;In fact, &#8220;ac=
ceptable terms&#8221;, by policy cannot and will not be a hard requirement f=
or the work of a hypothetical codec WG.=20
</SPAN></FONT><LI><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN STY=
LE=3D'font-size:11pt'> <BR>
</SPAN></FONT></OL><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN ST=
YLE=3D'font-size:11pt'> Based on these perceptions and facts it seems obvious =
that it&#8217;s going to be much harder to achieve&#8212;that is also: easie=
r to prevent for those not amicable&#8212;the goals of a hypothetical codec =
WG when compared to the goals of JVT. &nbsp;<BR>
Regards,<BR>
Stephan<BR>
&nbsp;<BR>
&nbsp;<BR>
On 11/15/09 3:17 PM, &quot;Rob Glidden&quot; &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
&nbsp;<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>There is another way to read this. <BR>
&nbsp;<BR>
This case has been called &quot;the most infamous discovery fiasco in recen=
t times&quot;:<BR>
&nbsp;<BR>
- The lawyers were sanctioned<BR>
- The patents were held both unenforceable and inapplicable<BR>
- Fines were levied<BR>
- The law firm crumbled and was sold<BR>
&nbsp;<BR>
But read the case: &nbsp;these were not patents that turned up two years la=
ter. &nbsp;The two were issued and therefore public in 1995 and 1996 (5 year=
s before the JVT), and had been presented to the MPEG committee before.<BR>
&nbsp;<BR>
Going forward, a more proactive ex ante assessment of known patents, at lea=
st of the participants in the activity, rather than just relying on statemen=
ts, would be good practice to check for blocking patents.<BR>
&nbsp;<BR>
But yes, you are right the court did not blame the JVT process and certainl=
y not those who took the royalty-free objective seriously. Clearly not every=
one shared that goal, and got caught in subverting it.<BR>
&nbsp;<BR>
But no, the subsequent ITU/ISO/IEC Common Patent Policy did more than just =
keep presuming that such things never occur and accept being blind sided, an=
d has tightened its IPR policy (which provides for third-parties coming forw=
ard with blocking info).<BR>
&nbsp;<BR>
And yes, any one can sue about anything, and they can lie about their parti=
cipation in a standards group. &nbsp;They can fail to disclose. &nbsp;They c=
an assert patents that end up being ruled as inapplicable. &nbsp;Maybe they =
will get away with it, or maybe as in this case they won't. <BR>
&nbsp;<BR>
But that isn't a good reason to fail to develop the standards the Web needs=
 for its open, royalty-free future. &nbsp;Rather, the opposite. If it takes =
this kind of extreme behavior and it still doesn't work, then time to keep m=
oving forward with royalty-free standardization.<BR>
&nbsp;<BR>
Rob<BR>
&nbsp;<BR>
&nbsp;<a href=3D"http://www.law.com/jsp/article.jsp?id=3D1202435137932">http://=
www.law.com/jsp/article.jsp?id=3D1202435137932</a><BR>
&nbsp;<BR>
&quot;Lawyers in Discovery Scandal Say Qualcomm Lied&quot;, November 3, 200=
9<BR>
&nbsp;<BR>
&quot;Lawyers in the Qualcomm discovery scandal claim that the company misl=
ed and stonewalled them, ultimately leading to the failure to turn over a mo=
untain of relevant evidence and harsh sanctions from the court.&quot;<BR>
&nbsp;<BR>
The allegations were made in briefs filed Monday by lawyers from the now-de=
funct Day Casebeer Batchelder &amp; Madrid &lt;<a href=3D"http://www.law.com/j=
sp/article.jsp?id=3D1202431679659">http://www.law.com/jsp/article.jsp?id=3D12024=
31679659</a>&gt; , who for the first time are telling their side of what has=
 become the most infamous discovery fiasco in recent times &lt;<a href=3D"http=
://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954">http://=
www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=3D900005504954</a>&gt; . <=
BR>
&nbsp;<BR>
Qualcomm Inc. was sanctioned by San Diego Magistrate Judge Barbara Major in=
 January 2008 for intentionally withholding &quot;tens of thousands of e-mai=
ls&quot; in an infringement case against Broadcom Corp. involving video comp=
ression technology patents. The company's lawyers -- six from Day Casebeer a=
nd one from Heller Ehrman -- were also sanctioned for assisting &quot;Qualco=
mm in committing this incredible discovery violation,&quot; either knowingly=
 or recklessly, Major wrote at the time.&quot; <BR>
&nbsp;<BR>
stephen botzko wrote: <BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>As Stephan Wenger indicated, it is not clear if =
the JVT actually failed or not. &nbsp;What is clear is that they did everyth=
ing they reasonably could have done. &nbsp;There were several folks particip=
ating who took the royalty-free baseline profile objective very seriously.<B=
R>
&nbsp;<BR>
Again, all submitted IPR for the baseline tools indicated royalty free term=
s. &nbsp;So the JVT had every reason to think they had succeeded. &nbsp;&nbs=
p;&nbsp;By the time this IPR turned up, H.264 had been standardized for over=
 2 years. &nbsp;H.264 implementations were already out there - so any attemp=
ts to do work-arounds would have broken existing implementations (including =
implementations in silicon). &nbsp;<BR>
&nbsp;<BR>
Certainly any existing IETF group would have presumed exactly the same thin=
g the JVT did. &nbsp;The lesson here is that even if the SDO is conscientiou=
s, an unencumbered codec can not be guaranteed. I don't see any other way to=
 read this.<BR>
&nbsp;<BR>
Stephen Botzko<BR>
Polycom<BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
&nbsp;<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'> <BR>
&nbsp;<BR>
stephen botzko wrote: <BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>&gt;&gt;&gt;<BR>
To date neither ITU-T nor MPEG have ever delivered on this royalty free und=
ertaking.<BR>
&gt;&gt;&gt;<BR>
That should be viewed as very <B>bad</B> news here, since all the IPR decla=
rations in JVT for the baseline tools indicated royalty free terms. In other=
 words, the SDOs did everything possible to deliver, and when H.264 baseline=
 was standardized they thought they had succeeded.<BR>
&nbsp;<BR>
&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
<SPAN STYLE=3D'font-size:11pt'> &nbsp;<BR>
I'd suggest that it is hard to see things this way after reading<BR>
&nbsp;<BR>
&nbsp;<a href=3D"http://www.cafc.uscourts.gov/opinions/07-1545.pdf">http://ww=
w.cafc.uscourts.gov/opinions/07-1545.pdf</a><BR>
&nbsp;<BR>
The process was enforceable, and enforced.<BR>
The patents could have been found earlier, and removed.<BR>
&nbsp;<BR>
So any &quot;h.264 successor&quot; type work (audio/video/transport) should=
 complete, not drop, the royalty free undertaking. &nbsp;IETF and ITU-T shou=
ld lead there, not give up or hide in a niche.<BR>
&nbsp;<BR>
See November 10, 2009 &quot;Preliminary call for proposals signals work sta=
rt for H.264/MPEG-4 AVC successor&quot;<BR>
&nbsp;<BR>
&nbsp;<a href=3D"http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Propos=
als+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx">http://www.itu.int/=
ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG=
4+AVC+Successor.aspx</a><BR>
&nbsp;<FONT COLOR=3D"#888888"> <BR>
Rob</FONT> <BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>Stephen Botzko<BR>
Polycom. &nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
&nbsp;<BR>
On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden &lt;<a href=3D"rob.glidden@sbcgl=
obal.net">rob.glidden@sbcglobal.net</a>&gt; wrote:<BR>
&nbsp;<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><=
SPAN STYLE=3D'font-size:11pt'>BTW I hear that in MPEG the Chinese National Bod=
y initiated a (re)consideration of royalty free standardization and MPEG has=
 issued a call for comments to other national bodies.<BR>
&nbsp;<BR>
Someone may want to contact their national MPEG Head of Delegation or numer=
ous liaisons including IETF, listed at <a href=3D"http://www.itscj.ipsj.or.jp/=
sc29/">http://www.itscj.ipsj.or.jp/sc29/</a>.<BR>
&nbsp;<BR>
At the same time, MPEG is also considering launching new royalty bearing ac=
tivities HVC (High Performance Video Coding) and MMT (Multimedia Transport).=
 <a href=3D"http://www.chiariglione.org/mpeg/working_documents.htm">http://www=
.chiariglione.org/mpeg/working_documents.htm</a><BR>
&nbsp;<BR>
You may recall that h.264 was launched in 2001 as a joint project between I=
TU-T Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with the undertaking that the &qu=
ot;JVT [Joint Video Team] will define a &#8220;baseline&#8221; profile. That=
 profile should be royalty-free for all implementations.&quot; To date neith=
er ITU-T nor MPEG have ever delivered on this royalty free undertaking.<BR>
&nbsp;<BR>
Rob<BR>
&nbsp;<BR>
Eric Burger wrote:<BR>
&nbsp;<BR>
&nbsp;&nbsp;<BR>
</SPAN></FONT></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQU=
OTE></BLOCKQUOTE></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial=
"><SPAN STYLE=3D'font-size:11pt'>Thank you to everyone who participated in the=
 room and remotely. We succeeded in getting a lot of work done, and we have =
a sense of whether or not we have a well-formed problem to solve, if there a=
re people who need the work product, if people are willing to work on it, an=
d if the IETF is an acceptable venue to do the work. In addition, we learned=
 a lot about the possibilities for cooperating with ITU-T SG 16.<BR>
&nbsp;<BR>
Please review the minutes and send corrections.<BR>
&nbsp;<BR>
The minutes are posted to:<BR>
&nbsp;<a href=3D"http://www.ietf.org/proceedings/09nov/minutes/codec.txt">htt=
p://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><BR>
_______________________________________________<BR>
codec mailing list<BR>
&nbsp;<a href=3D"codec@ietf.org">codec@ietf.org</a><BR>
&nbsp;<a href=3D"https://www.ietf.org/mailman/listinfo/codec">https://www.iet=
f.org/mailman/listinfo/codec</a><BR>
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&nbsp;<BR>
</SPAN></FONT><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><=
BLOCKQUOTE><BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN=
 STYLE=3D'font-size:11pt'> &nbsp;<BR>
_______________________________________________<BR>
codec mailing list<BR>
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</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
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</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
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</SPAN></FONT></BLOCKQUOTE><FONT FACE=3D"Calibri, Verdana, Helvetica, Arial">=
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<HR ALIGN=3DCENTER SIZE=3D"3" WIDTH=3D"95%"></SPAN></FONT><FONT SIZE=3D"2"><FONT FA=
CE=3D"Consolas, Courier New, Courier"><SPAN STYLE=3D'font-size:10pt'>___________=
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&gt;From Polycom's perspective, even an unencumbered video standard
would
need to significantly out-perform H.264 in order to be worth doing. <br>
<br>
Interesting, do you think this means that Polycom has dropped its
public 2003 support for royalty free baseline or further work in that
direction?  And disagrees the views of the MPEG convenor stated below
in 2008?  I would hope not.<br>
<br>
Rob<br>
<br>
<a class="moz-txt-link-freetext" href="http://www.imtc.org/press/pressrel/press022003.asp">http://www.imtc.org/press/pressrel/press022003.asp</a><br>
<br>
<a class="moz-txt-link-freetext" href="http://www.chiariglione.org/leonardo/publications/epo2008/index.asp">http://www.chiariglione.org/leonardo/publications/epo2008/index.asp</a><br>
<br>
"I believe MPEG should enlarge its portfolio of standards by offering
some that are expected to be royalty free and typically less performing
and with less functionality next to those that are state of the art,
more performing and with more functionality.<br>
<br>
The problem is of course not in that obligation but in the fact that
“fair – reasonable – non discriminatory” used to be meaningful words
when standards were designed for the needs of one industry whose
members generally shared the business model according to which the
standard would be used.<br>
<br>
So, the problem is not “how many cents, tens of cent or euros of
licensing fee is fair and reasonable” but “how can licensing be fair
and reasonable without specifying a business model”. The issue is
serious and more than one MPEG standard did not have the acceptance it
deserved because the licensing terms, perfectly acceptable and probably
“fair and reasonable” for certain business models were rejected by
those who had different ideas in mind."<br>
<br>
<br>
<br>
stephen botzko wrote:
<blockquote
 cite="mid:6e9223710911170712i465a4892u4cf6bfaca510b9b4@mail.gmail.com"
 type="cite">&gt;&gt;&gt;<br>
   As this thread starts off, there appear to be three.<br>
&gt;&gt;&gt;<br>
Three what?  There are two draft calls for proposals, with nearly
identical text - one from the ITU-T, and one from ISO/IEC (MPEG).  Of
course there are many contributions and comments, but only two draft
call for proposals that I am aware of.  Are you saying there is
independent work in a different SDO?<br>
  <br>
&gt;&gt;&gt;<br>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand. 
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>
&gt;&gt;&gt;<br>
>From Polycom's perspective, even an unencumbered video standard would
need to significantly out-perform H.264 in order to be worth doing.  We
are providing H.264 anyway, a new codec would be incremental and not a
replacement.  Before we add one, we would need to see a clear technical
improvement over what we are doing now (or a very strong business
reason).   Like everyone, we prefer unencumbered technology when we can
get it.  But better performance is a requirement for us for the next
gen video standard. <br>
  <br>
So starting from the technical requirements makes sense for us.  If it
doesn't outperform H.264, it doesn't matter what the terms are. 
Obviously there are other business models, and other viewpoints.  In
the end consensus prevails, as it does in the IETF.<br>
  <br>
BTW, "terms of reference" in this context is the organizational
framework that the ITU-T and ISO/IEC need to establish in order to work
together.  Without it, there would be two competing standards under
development.  IMHO this would be very undesirable.<br>
  <br>
I would suggest that we have gotten seriously off topic, as this is not
a video codec list.<br>
  <br>
Stephen Botzko<br>
Polycom<br>
  <br>
  <br>
  <br>
  <br>
  <div class="gmail_quote">On Tue, Nov 17, 2009 at 7:42 AM, Rob Glidden
  <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
    <div bgcolor="#ffffff" text="#000000">
As this thread starts off, there appear to be three.<br>
    <br>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand. 
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>
    <br>
Rob<br>
    <br>
stephen botzko wrote:
    <blockquote type="cite">
      <div>
      <div class="h5"><br>
      <div class="gmail_quote">The draft calls for proposals (there are
actually 2, one from the ITU-T
and one from ISO/IEC) start the process.  Responses are not
profile-specific (since there are no profiles defined at this point). 
There is more than one operating point envisioned, but it is rather
difficult to figure out what tools belong to what operating point
before you have proposals.<br>
      <br>
Also ITU-T and ISO/IEC have not yet worked out terms of reference for
this work.  There is a desire (largely shared in both communities) to
work together again, but this has not yet been accomplished
organizationally.<br>
      <br>
Having attended some of these meetings, I think it is premature to say
who has the upper hand.  The effort is just beginning, and almost all
of the meeting focus has been on technical requirements and terms of
reference.<br>
      <font color="#888888"> <br>
Stephen Botzko<br>
Polycom</font>
      <div>
      <div><br>
      <br>
      <br>
      <br>
      <div class="gmail_quote">On Tue, Nov 17, 2009 at 6:37 AM, Rob
Glidden <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
      <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Stephen:<br>
        <br>
Millions of patents, even a limited search could be quite expensive,
amateur search done without lawyers could be a waste of time.<br>
        <br>
I believe all could "stipulate" to these points.<br>
        <br>
But obviously, others did do this work. So better can be done.<br>
        <br>
Yes, I am critical of JVT for dropping royalty free ball, we can debate
who dropped it and when and whether the ball was yanked from their
hands or were outfoxed, dis-spirited or whatever.<br>
        <br>
But the new successor call to h.264 drops any public mention of a
royalty-free at all.  So it is clear who has upper hand now -- and this
should not be acceptable.<br>
        <br>
Rob<br>
        <br>
stephen botzko wrote:<br>
        <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
          <div>I did read the case. And despite the fact that the court
did
not criticize the JVT at all, I think that your own posts left a false
impression that somehow it did.<br>
          <br>
What you haven't done so far is identify how the IETF (or ITU-T, MPEG)
could ensure unencumbered standards with any certainty.<br>
          <br>
Ex-ante assessment of the millions of  US patents (+ the millions more
filed in other countries) is not a practical answer.  Perhaps a limited
search would have caught some patents.  But it would not even come
close to catching them all.<br>
          <br>
And of course there are cases where the granted claims are hard to
interpret, even if you have access to the prosecution history. And
others where the claims are actually invalid.  Even a limited search
could be quite expensive (and an amateur search done without lawyers
would IMHO be a waste of time)..<br>
          <br>
The JVT made a noble effort, and I really don't see how a normal SDO
(including the IETF) could do much better.<br>
          <br>
Stephen Botzko<br>
Polycom<br>
          <br>
          </div>
          <div>
          <div>On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden &lt;<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a> &lt;mailto:<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<br>
          <br>
   There is another way to read this.<br>
          <br>
   This case has been called "the most infamous discovery fiasco in<br>
   recent times":<br>
          <br>
   - The lawyers were sanctioned<br>
   - The patents were held both unenforceable and inapplicable<br>
   - Fines were levied<br>
   - The law firm crumbled and was sold<br>
          <br>
   But read the case:  these were not patents that turned up two<br>
   years later.  The two were issued and therefore public in 1995 and<br>
   1996 (5 years before the JVT), and had been presented to the MPEG<br>
   committee before.<br>
          <br>
   Going forward, a more proactive ex ante assessment of known<br>
   patents, at least of the participants in the activity, rather than<br>
   just relying on statements, would be good practice to check for<br>
   blocking patents.<br>
          <br>
   But yes, you are right the court did not blame the JVT process and<br>
   certainly not those who took the royalty-free objective<br>
   seriously.  Clearly not everyone shared that goal, and got caught<br>
   in subverting it.<br>
          <br>
   But no, the subsequent ITU/ISO/IEC Common Patent Policy did more<br>
   than just keep presuming that such things never occur and accept<br>
   being blind sided, and has tightened its IPR policy (which<br>
   provides for third-parties coming forward with blocking info).<br>
          <br>
   And yes, any one can sue about anything, and they can lie about<br>
   their participation in a standards group.  They can fail to<br>
   disclose.  They can assert patents that end up being ruled as<br>
   inapplicable.  Maybe they will get away with it, or maybe as in<br>
   this case they won't.<br>
          <br>
   But that isn't a good reason to fail to develop the standards the<br>
   Web needs for its open, royalty-free future.  Rather, the<br>
   opposite. If it takes this kind of extreme behavior and it still<br>
   doesn't work, then time to keep moving forward with royalty-free<br>
   standardization.<br>
          <br>
   Rob<br>
          <br>
   <a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202435137932"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202435137932</a><br>
          <br>
   "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009<br>
          <br>
   "Lawyers in the Qualcomm discovery scandal claim that the company<br>
   misled and stonewalled them, ultimately leading to the failure to<br>
   turn over a mountain of relevant evidence and harsh sanctions from<br>
   the court."<br>
          <br>
   The allegations were made in briefs filed Monday by lawyers from<br>
   the now-defunct Day Casebeer Batchelder &amp; Madrid<br>
          </div>
          </div>
   &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202431679659"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202431679659</a>&gt;,
who for the
          <div><br>
   first time are telling their side of what has become the most<br>
   infamous discovery fiasco in recent times<br>
          </div>
          <div>    &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954"
 target="_blank">http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954</a>&gt;.<br>
          <br>
          <br>
          </div>
          <div>
          <div>    Qualcomm Inc. was sanctioned by San Diego Magistrate
Judge Barbara<br>
   Major in January 2008 for intentionally withholding "tens of<br>
   thousands of e-mails" in an infringement case against Broadcom<br>
   Corp. involving video compression technology patents. The<br>
   company's lawyers -- six from Day Casebeer and one from Heller<br>
   Ehrman -- were also sanctioned for assisting "Qualcomm in<br>
   committing this incredible discovery violation," either knowingly<br>
   or recklessly, Major wrote at the time."<br>
          <br>
          <br>
   stephen botzko wrote:<br>
          </div>
          </div>
          <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
            <div>
            <div>    As Stephan Wenger indicated, it is not clear if
the
JVT actually<br>
   failed or not.  What is clear is that they did everything they<br>
   reasonably could have done.  There were several folks<br>
   participating who took the royalty-free baseline profile<br>
   objective very seriously.<br>
            <br>
   Again, all submitted IPR for the baseline tools indicated royalty<br>
   free terms.  So the JVT had every reason to think they had<br>
   succeeded.    By the time this IPR turned up, H.264 had been<br>
   standardized for over 2 years.  H.264 implementations were<br>
   already out there - so any attempts to do work-arounds would have<br>
   broken existing implementations (including implementations in<br>
   silicon). <br>
   Certainly any existing IETF group would have presumed exactly the<br>
   same thing the JVT did.  The lesson here is that even if the SDO<br>
   is conscientious, an unencumbered codec can not be guaranteed. I<br>
   don't see any other way to read this.<br>
            <br>
   Stephen Botzko<br>
   Polycom<br>
            <br>
            <br>
   On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden<br>
            </div>
            </div>
            <div>    &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>
&lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
            <br>
       stephen botzko wrote:<br>
            <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> 
     &gt;&gt;&gt;<br>
       To date neither ITU-T nor MPEG have ever delivered on this<br>
       royalty free undertaking.<br>
       &gt;&gt;&gt;<br>
       That should be viewed as very *bad* news here, since all the<br>
       IPR declarations in JVT for the baseline tools indicated<br>
       royalty free terms. In other words, the SDOs did everything<br>
       possible to deliver, and when H.264 baseline was<br>
       standardized they thought they had succeeded.<br>
            </blockquote>
       I'd suggest that it is hard to see things this way after reading<br>
            <br>
       <a moz-do-not-send="true"
 href="http://www.cafc.uscourts.gov/opinions/07-1545.pdf"
 target="_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
            <br>
       The process was enforceable, and enforced.<br>
       The patents could have been found earlier, and removed.<br>
            <br>
       So any "h.264 successor" type work (audio/video/transport)<br>
       should complete, not drop, the royalty free undertaking.      
 IETF and ITU-T should lead there, not give up or hide in a niche.<br>
            <br>
       See November 10, 2009 "Preliminary call for proposals signals<br>
       work start for H.264/MPEG-4 AVC successor"<br>
            <br>
       <a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx"
 target="_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>
            <br>
       Rob<br>
            <br>
            <br>
            </div>
            <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
              <div>        Stephen Botzko<br>
       Polycom. <br>
        <br>
       On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden<br>
       &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a><br>
              </div>
              <div>
              <div>        &lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
              <br>
           BTW I hear that in MPEG the Chinese National Body<br>
           initiated a (re)consideration of royalty free<br>
           standardization and MPEG has issued a call for comments<br>
           to other national bodies.<br>
              <br>
           Someone may want to contact their national MPEG Head of<br>
           Delegation or numerous liaisons including IETF, listed<br>
           at <a moz-do-not-send="true"
 href="http://www.itscj.ipsj.or.jp/sc29/" target="_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
              <br>
           At the same time, MPEG is also considering launching new<br>
           royalty bearing activities HVC (High Performance Video<br>
           Coding) and MMT (Multimedia Transport).<br>
           <a moz-do-not-send="true"
 href="http://www.chiariglione.org/mpeg/working_documents.htm"
 target="_blank">http://www.chiariglione.org/mpeg/working_documents.htm</a><br>
              <br>
           You may recall that h.264 was launched in 2001 as a<br>
           joint project between ITU-T Q.6/SG16 and ISO/IEC JTC<br>
           1/SC 29/WG11 with the undertaking that the "JVT [Joint<br>
           Video Team] will define a “baseline” profile. That<br>
           profile should be royalty-free for all implementations."<br>
           To date neither ITU-T nor MPEG have ever delivered on<br>
           this royalty free undertaking.<br>
              <br>
           Rob<br>
              <br>
           Eric Burger wrote:<br>
              <br>
               Thank you to everyone who participated in the room<br>
               and remotely. We succeeded in getting a lot of work<br>
               done, and we have a sense of whether or not we have<br>
               a well-formed problem to solve, if there are people<br>
               who need the work product, if people are willing to<br>
               work on it, and if the IETF is an acceptable venue<br>
               to do the work. In addition, we learned a lot about<br>
               the possibilities for cooperating with ITU-T SG 16.<br>
              <br>
               Please review the minutes and send corrections.<br>
              <br>
               The minutes are posted to:<br>
               <a moz-do-not-send="true"
 href="http://www.ietf.org/proceedings/09nov/minutes/codec.txt"
 target="_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><br>
               _______________________________________________<br>
               codec mailing list<br>
              </div>
              </div>
               <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
              <div><br>
               <a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
              <br>
              <br>
           _______________________________________________<br>
           codec mailing list<br>
              </div>
           <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
              <div><br>
           <a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
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            <br>
            <br>
          </blockquote>
          <br>
          <br>
        </blockquote>
        <br>
      </blockquote>
      </div>
      <br>
      </div>
      </div>
      </div>
      <br>
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      </div>
      <pre><hr size="4" width="90%"><div class="im">
_______________________________________________
codec mailing list
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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes Posted
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>Do you really think that either ITU SG16 or MPEG would have declared 
consensus on something like this if it could have been challenged 
successfully (for example by a claim of false consensus)?

Stephan:

Time has shown that some had very very different views of consensus.

Rob

Stephan Wenger wrote:
> Hi Rob,
> Of course there was resistance against a proposed change in business 
> models for baseline video coding patents, and of course there were 
> political battles (for example on the strategic implications of those 
> changes). What matters, though, is that a considerable percentage of 
> the initial resistance against the Royalty-Free Baseline went away 
> after compelling arguments were made. And that consensus was 
> established, on paper, and in reality. You may disagree, but, bluntly 
> put, I was there and able to observe (however biased my perception may 
> have been), and you were not. I think that this may put me in a 
> slightly better position to recollect and document what happened.
> The most prominent written evidence of consensus is, of course, the 
> JVT terms of reference (ToR, 
> http://www.itu.int/dms_pub/itu-t/oth/34/01/T34010000010001PDFE.pdf). 
> This document was approved by both the SG16 and MPEG managements and 
> plenaries. Do you really think that either ITU SG16 or MPEG would have 
> declared consensus on something like this if it could have been 
> challenged successfully (for example by a claim of false consensus)? 
> Note further that, once the ToR were in place, the provisions therein 
> were followed in every detail, at least until 2004. (From that time on 
> I attended JVT only sporadically, and I’m not in the position to 
> comment. Further, baseline was set in 2003; therefore, provisions 
> directly related to baseline are not overly relevant anymore after 
> 2003). Finally, as you may know, there has been quite a bit of 
> litigation around H.264 recently, but AFAIK, no one has ever 
> challenged the ToR or the operative mode of JVT. (Closest to this 
> came, AFAIK, the BC/QC San Diego case, and we all know where that led to.)
> Regards,
> Stephan
>
>
> On 11/17/09 3:28 AM, "Rob Glidden" <rob.glidden@sbcglobal.net> wrote:
>
>     Stephan:
>
>     It doesn't appear there was ever much more than a paper consensus
>     that was undermined by 2003 (see previous email) when patent pools
>     started announcing coverage of the h.264 baseline (years before
>     the Qualcomm litigation).
>
>     As the impressive curriculum states on 2001-2003 time frame:
>
>     "Fought the political battles to make those contributions pass,
>     despite substantial resistance from some of the largest companies
>     in the field."
>
>     http://www.stewe.org/cv-business-wenger.pdf
>
>     So I'd suggest a different interpretation, one that does not
>     assume there was a sincere or sustained political consensus.
>     Accepting this, a more realistic forward look is possible.
>
>     Rob
>
>
>     Stephan Wenger wrote:
>
>         Re: [codec] I wonder what is going on at MPEG, Re: DRAFT
>         Minutes Posted Hi Rob,
>
>         I will not comment more on the BC/QC San Diego case, except to
>         say that misconduct before the standardization committee
>         (violation of both written and de-facto practiced rules of the
>         committee) was only one and, as some people have argued, small
>         factor in the ruling. I wish one could come to the conclusion
>         that any misconduct before a standardization committee would
>         automatically render related patents unenforceable (the
>         inapplicable part is a very different story), but I fear that
>         this is too much to hope for.
>
>         My current view of the likeliness of success of Codec in
>         relation to JVT’s success or failure (depending whom you ask):
>
>            1. JVT took on the creation a /royalty-free/ /baseline
>               /(that is, a part of a standard only, and rightholders
>               may still require a signed license that may be
>               encumbered to the point where it becomes unusable for
>               some open source communities—clearly a factor for some
>               software companies), in a /heavily patented field./ The
>               vast majority of the participating companies—enough to
>               create a consensus-based decision in the committee, and
>               many of them known or likely future rightholders—was /in
>               support/ of that goal.
>            2. Codec attempts to take on of creating a /standard /(not
>               only a baseline of a standard—rightholders cannot be
>               appeased by arguing they can make money from
>               non-baseline applications) under what the BOF chairs
>               called “acceptable terms”--which translate to an
>               /open-source friendly non-assert requirement/. The field
>               of technology is at least as /heavily patented/ as
>               video. A /significant percentage/ of companies known to
>               hold a sizeable portfolio of audio/speech codec patents
>               have spoken quite /clearly against the goal/. It’s not
>               up to me to declare an IETF consensus on whether
>               acceptable terms are achievable, but if someone were a
>               declaring such a consensus, I would object—and I’m sure
>               I would not be alone. In fact, “acceptable terms”, by
>               policy cannot and will not be a hard requirement for the
>               work of a hypothetical codec WG.
>           3.
>
>         Based on these perceptions and facts it seems obvious that
>         it’s going to be much harder to achieve—that is also: easier
>         to prevent for those not amicable—the goals of a hypothetical
>         codec WG when compared to the goals of JVT.
>         Regards,
>         Stephan
>
>
>         On 11/15/09 3:17 PM, "Rob Glidden" <rob.glidden@sbcglobal.net>
>         wrote:
>
>
>             There is another way to read this.
>
>             This case has been called "the most infamous discovery
>             fiasco in recent times":
>
>             - The lawyers were sanctioned
>             - The patents were held both unenforceable and inapplicable
>             - Fines were levied
>             - The law firm crumbled and was sold
>
>             But read the case: these were not patents that turned up
>             two years later. The two were issued and therefore public
>             in 1995 and 1996 (5 years before the JVT), and had been
>             presented to the MPEG committee before.
>
>             Going forward, a more proactive ex ante assessment of
>             known patents, at least of the participants in the
>             activity, rather than just relying on statements, would be
>             good practice to check for blocking patents.
>
>             But yes, you are right the court did not blame the JVT
>             process and certainly not those who took the royalty-free
>             objective seriously. Clearly not everyone shared that
>             goal, and got caught in subverting it.
>
>             But no, the subsequent ITU/ISO/IEC Common Patent Policy
>             did more than just keep presuming that such things never
>             occur and accept being blind sided, and has tightened its
>             IPR policy (which provides for third-parties coming
>             forward with blocking info).
>
>             And yes, any one can sue about anything, and they can lie
>             about their participation in a standards group. They can
>             fail to disclose. They can assert patents that end up
>             being ruled as inapplicable. Maybe they will get away with
>             it, or maybe as in this case they won't.
>
>             But that isn't a good reason to fail to develop the
>             standards the Web needs for its open, royalty-free future.
>             Rather, the opposite. If it takes this kind of extreme
>             behavior and it still doesn't work, then time to keep
>             moving forward with royalty-free standardization.
>
>             Rob
>
>             http://www.law.com/jsp/article.jsp?id=1202435137932
>
>             "Lawyers in Discovery Scandal Say Qualcomm Lied", November
>             3, 2009
>
>             "Lawyers in the Qualcomm discovery scandal claim that the
>             company misled and stonewalled them, ultimately leading to
>             the failure to turn over a mountain of relevant evidence
>             and harsh sanctions from the court."
>
>             The allegations were made in briefs filed Monday by
>             lawyers from the now-defunct Day Casebeer Batchelder &
>             Madrid
>             <http://www.law.com/jsp/article.jsp?id=1202431679659> ,
>             who for the first time are telling their side of what has
>             become the most infamous discovery fiasco in recent times
>             <http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954>
>             .
>
>             Qualcomm Inc. was sanctioned by San Diego Magistrate Judge
>             Barbara Major in January 2008 for intentionally
>             withholding "tens of thousands of e-mails" in an
>             infringement case against Broadcom Corp. involving video
>             compression technology patents. The company's lawyers --
>             six from Day Casebeer and one from Heller Ehrman -- were
>             also sanctioned for assisting "Qualcomm in committing this
>             incredible discovery violation," either knowingly or
>             recklessly, Major wrote at the time."
>
>             stephen botzko wrote:
>
>                 As Stephan Wenger indicated, it is not clear if the
>                 JVT actually failed or not. What is clear is that they
>                 did everything they reasonably could have done. There
>                 were several folks participating who took the
>                 royalty-free baseline profile objective very seriously.
>
>                 Again, all submitted IPR for the baseline tools
>                 indicated royalty free terms. So the JVT had every
>                 reason to think they had succeeded. By the time this
>                 IPR turned up, H.264 had been standardized for over 2
>                 years. H.264 implementations were already out there -
>                 so any attempts to do work-arounds would have broken
>                 existing implementations (including implementations in
>                 silicon).
>
>                 Certainly any existing IETF group would have presumed
>                 exactly the same thing the JVT did. The lesson here is
>                 that even if the SDO is conscientious, an unencumbered
>                 codec can not be guaranteed. I don't see any other way
>                 to read this.
>
>                 Stephen Botzko
>                 Polycom
>
>
>
>                 On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden
>                 <rob.glidden@sbcglobal.net> wrote:
>
>
>
>
>                     stephen botzko wrote:
>
>                         >>>
>                         To date neither ITU-T nor MPEG have ever
>                         delivered on this royalty free undertaking.
>                         >>>
>                         That should be viewed as very *bad* news here,
>                         since all the IPR declarations in JVT for the
>                         baseline tools indicated royalty free terms.
>                         In other words, the SDOs did everything
>                         possible to deliver, and when H.264 baseline
>                         was standardized they thought they had succeeded.
>
>
>
>                     I'd suggest that it is hard to see things this way
>                     after reading
>
>                     http://www.cafc.uscourts.gov/opinions/07-1545.pdf
>
>                     The process was enforceable, and enforced.
>                     The patents could have been found earlier, and
>                     removed.
>
>                     So any "h.264 successor" type work
>                     (audio/video/transport) should complete, not drop,
>                     the royalty free undertaking. IETF and ITU-T
>                     should lead there, not give up or hide in a niche.
>
>                     See November 10, 2009 "Preliminary call for
>                     proposals signals work start for H.264/MPEG-4 AVC
>                     successor"
>
>                     http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx
>
>                     Rob
>
>
>
>
>                         Stephen Botzko
>                         Polycom.
>
>
>
>
>                         On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden
>                         <rob.glidden@sbcglobal.net> wrote:
>
>
>                             BTW I hear that in MPEG the Chinese
>                             National Body initiated a
>                             (re)consideration of royalty free
>                             standardization and MPEG has issued a call
>                             for comments to other national bodies.
>
>                             Someone may want to contact their national
>                             MPEG Head of Delegation or numerous
>                             liaisons including IETF, listed at
>                             http://www.itscj.ipsj.or.jp/sc29/.
>
>                             At the same time, MPEG is also considering
>                             launching new royalty bearing activities
>                             HVC (High Performance Video Coding) and
>                             MMT (Multimedia Transport).
>                             http://www.chiariglione.org/mpeg/working_documents.htm
>
>                             You may recall that h.264 was launched in
>                             2001 as a joint project between ITU-T
>                             Q.6/SG16 and ISO/IEC JTC 1/SC 29/WG11 with
>                             the undertaking that the "JVT [Joint Video
>                             Team] will define a “baseline” profile.
>                             That profile should be royalty-free for
>                             all implementations." To date neither
>                             ITU-T nor MPEG have ever delivered on this
>                             royalty free undertaking.
>
>                             Rob
>
>                             Eric Burger wrote:
>
>
> Thank you to everyone who participated in the room and remotely. We 
> succeeded in getting a lot of work done, and we have a sense of 
> whether or not we have a well-formed problem to solve, if there are 
> people who need the work product, if people are willing to work on it, 
> and if the IETF is an acceptable venue to do the work. In addition, we 
> learned a lot about the possibilities for cooperating with ITU-T SG 16.
>
> Please review the minutes and send corrections.
>
> The minutes are posted to:
> http://www.ietf.org/proceedings/09nov/minutes/codec.txt
> _______________________________________________
> codec mailing list
> codec@ietf.org
> https://www.ietf.org/mailman/listinfo/codec
>
>
>
>
>                             _______________________________________________
>                             codec mailing list
>                             codec@ietf.org
>                             https://www.ietf.org/mailman/listinfo/codec
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>             ------------------------------------------------------------------------
>             _______________________________________________
>             codec mailing list
>             codec@ietf.org
>             https://www.ietf.org/mailman/listinfo/codec
>
>
>


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Subject: Re: [codec] I wonder what is going on at MPEG, Re: DRAFT Minutes 	Posted
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David:

Yes there is a mention of this at

http://multimediacommunication.blogspot.com/2009/10/mpeg-news-report-from-90th-meeting-in.html

Here is a simple and fair test of whether there is "sincere and 
sustained" support for royalty free goal/profile/baseline/standard etc 
-- is it included in new work by ITU, ISO/MPEG (and ITEF).  Bonus points 
for addressing lessons learned and evolving process/approach.

Rob

David Singer wrote:
> On Nov 17, 2009, at 3:28 , Rob Glidden wrote:
>
>   
>> So I'd suggest a different interpretation, one that does not assume there was a sincere or sustained political consensus. Accepting this, a more realistic forward look is possible.
>>     
>
> You are entitled to your opinions, but the effort was sincere and sustained on the part of large numbers of participants.  This is not the place to go into where things went wrong, but it is worth noting that MPEG is looking again into the question of royalty-free standards, and what was learned from that process.
>
>
> David Singer
> Multimedia and Software Standards, Apple Inc.
>
> _______________________________________________
> codec mailing list
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> https://www.ietf.org/mailman/listinfo/codec
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>   


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<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
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Stephen:<br>
<br>
Thanks for the heads-up.  Like I said, looks like this is a jumping gun
on proper terms of reference restating and rejuvenating royalty free
goal/baseline/profile/standard.<br>
<br>
Rob<br>
<br>
stephen botzko wrote:
<blockquote
 cite="mid:6e9223710911170717v7b521ba7i495b88522fde63d3@mail.gmail.com"
 type="cite">Feel free to submit something.  Be aware that the cost for
subjective testing is likely to be around 5000 Euros and will be paid
for by the submitters.<br>
  <br>
Stephen Botzko<br>
  <br>
  <br>
  <div class="gmail_quote">On Tue, Nov 17, 2009 at 7:56 AM, Rob Glidden
  <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
  <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
    <div bgcolor="#ffffff" text="#000000">
And of course, a public draft call for proposals, a "preliminary
official call for submissions...signal work start", is counter to a
characterization of preliminary activity for which requirements have
not been set.<br>
    <br>
    <a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/studygroups/com16/ngvc/" target="_blank">http://www.itu.int/ITU-T/studygroups/com16/ngvc/</a><br>
    <br>
I'd restate my encouragement to any one who cares about royalty free
standardization to get to work rather than justify the past or status
quo.<br>
    <font color="#888888"><br>
Rob</font>
    <div>
    <div class="h5"><br>
    <br>
Rob Glidden wrote:
    <blockquote type="cite"> As this thread starts off, there appear to
be three.<br>
      <br>
I would assert that putting beginning business focus on technical
requirements and terms of reference, delaying business model and IPR
process to an after-thought, is indeed demonstrative of an upper hand. 
Consider what this would look like if royalty free had upper hand,
equal say, or even a seat at table. <br>
      <br>
Rob<br>
      <br>
stephen botzko wrote:
      <blockquote type="cite"><br>
        <div class="gmail_quote">The draft calls for proposals (there
are
actually 2, one from the ITU-T
and one from ISO/IEC) start the process.  Responses are not
profile-specific (since there are no profiles defined at this point). 
There is more than one operating point envisioned, but it is rather
difficult to figure out what tools belong to what operating point
before you have proposals.<br>
        <br>
Also ITU-T and ISO/IEC have not yet worked out terms of reference for
this work.  There is a desire (largely shared in both communities) to
work together again, but this has not yet been accomplished
organizationally.<br>
        <br>
Having attended some of these meetings, I think it is premature to say
who has the upper hand.  The effort is just beginning, and almost all
of the meeting focus has been on technical requirements and terms of
reference.<br>
        <font color="#888888"> <br>
Stephen Botzko<br>
Polycom</font>
        <div>
        <div><br>
        <br>
        <br>
        <br>
        <div class="gmail_quote">On Tue, Nov 17, 2009 at 6:37 AM, Rob
Glidden <span dir="ltr">&lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;</span>
wrote:<br>
        <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">Stephen:<br>
          <br>
Millions of patents, even a limited search could be quite expensive,
amateur search done without lawyers could be a waste of time.<br>
          <br>
I believe all could "stipulate" to these points.<br>
          <br>
But obviously, others did do this work. So better can be done.<br>
          <br>
Yes, I am critical of JVT for dropping royalty free ball, we can debate
who dropped it and when and whether the ball was yanked from their
hands or were outfoxed, dis-spirited or whatever.<br>
          <br>
But the new successor call to h.264 drops any public mention of a
royalty-free at all.  So it is clear who has upper hand now -- and this
should not be acceptable.<br>
          <br>
Rob<br>
          <br>
stephen botzko wrote:<br>
          <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
            <div>I did read the case. And despite the fact that the
court
did
not criticize the JVT at all, I think that your own posts left a false
impression that somehow it did.<br>
            <br>
What you haven't done so far is identify how the IETF (or ITU-T, MPEG)
could ensure unencumbered standards with any certainty.<br>
            <br>
Ex-ante assessment of the millions of  US patents (+ the millions more
filed in other countries) is not a practical answer.  Perhaps a limited
search would have caught some patents.  But it would not even come
close to catching them all.<br>
            <br>
And of course there are cases where the granted claims are hard to
interpret, even if you have access to the prosecution history. And
others where the claims are actually invalid.  Even a limited search
could be quite expensive (and an amateur search done without lawyers
would IMHO be a waste of time)..<br>
            <br>
The JVT made a noble effort, and I really don't see how a normal SDO
(including the IETF) could do much better.<br>
            <br>
Stephen Botzko<br>
Polycom<br>
            <br>
            </div>
            <div>
            <div>On Sun, Nov 15, 2009 at 6:17 PM, Rob Glidden &lt;<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a> &lt;mailto:<a
 moz-do-not-send="true" href="mailto:rob.glidden@sbcglobal.net"
 target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt; wrote:<br>
            <br>
   There is another way to read this.<br>
            <br>
   This case has been called "the most infamous discovery fiasco in<br>
   recent times":<br>
            <br>
   - The lawyers were sanctioned<br>
   - The patents were held both unenforceable and inapplicable<br>
   - Fines were levied<br>
   - The law firm crumbled and was sold<br>
            <br>
   But read the case:  these were not patents that turned up two<br>
   years later.  The two were issued and therefore public in 1995 and<br>
   1996 (5 years before the JVT), and had been presented to the MPEG<br>
   committee before.<br>
            <br>
   Going forward, a more proactive ex ante assessment of known<br>
   patents, at least of the participants in the activity, rather than<br>
   just relying on statements, would be good practice to check for<br>
   blocking patents.<br>
            <br>
   But yes, you are right the court did not blame the JVT process and<br>
   certainly not those who took the royalty-free objective<br>
   seriously.  Clearly not everyone shared that goal, and got caught<br>
   in subverting it.<br>
            <br>
   But no, the subsequent ITU/ISO/IEC Common Patent Policy did more<br>
   than just keep presuming that such things never occur and accept<br>
   being blind sided, and has tightened its IPR policy (which<br>
   provides for third-parties coming forward with blocking info).<br>
            <br>
   And yes, any one can sue about anything, and they can lie about<br>
   their participation in a standards group.  They can fail to<br>
   disclose.  They can assert patents that end up being ruled as<br>
   inapplicable.  Maybe they will get away with it, or maybe as in<br>
   this case they won't.<br>
            <br>
   But that isn't a good reason to fail to develop the standards the<br>
   Web needs for its open, royalty-free future.  Rather, the<br>
   opposite. If it takes this kind of extreme behavior and it still<br>
   doesn't work, then time to keep moving forward with royalty-free<br>
   standardization.<br>
            <br>
   Rob<br>
            <br>
   <a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202435137932"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202435137932</a><br>
            <br>
   "Lawyers in Discovery Scandal Say Qualcomm Lied", November 3, 2009<br>
            <br>
   "Lawyers in the Qualcomm discovery scandal claim that the company<br>
   misled and stonewalled them, ultimately leading to the failure to<br>
   turn over a mountain of relevant evidence and harsh sanctions from<br>
   the court."<br>
            <br>
   The allegations were made in briefs filed Monday by lawyers from<br>
   the now-defunct Day Casebeer Batchelder &amp; Madrid<br>
            </div>
            </div>
   &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/article.jsp?id=1202431679659"
 target="_blank">http://www.law.com/jsp/article.jsp?id=1202431679659</a>&gt;,
who for the
            <div><br>
   first time are telling their side of what has become the most<br>
   infamous discovery fiasco in recent times<br>
            </div>
            <div>    &lt;<a moz-do-not-send="true"
 href="http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954"
 target="_blank">http://www.law.com/jsp/legaltechnology/pubArticleLT.jsp?id=900005504954</a>&gt;.<br>
            <br>
            <br>
            </div>
            <div>
            <div>    Qualcomm Inc. was sanctioned by San Diego
Magistrate
Judge Barbara<br>
   Major in January 2008 for intentionally withholding "tens of<br>
   thousands of e-mails" in an infringement case against Broadcom<br>
   Corp. involving video compression technology patents. The<br>
   company's lawyers -- six from Day Casebeer and one from Heller<br>
   Ehrman -- were also sanctioned for assisting "Qualcomm in<br>
   committing this incredible discovery violation," either knowingly<br>
   or recklessly, Major wrote at the time."<br>
            <br>
            <br>
   stephen botzko wrote:<br>
            </div>
            </div>
            <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
              <div>
              <div>    As Stephan Wenger indicated, it is not clear if
the
JVT actually<br>
   failed or not.  What is clear is that they did everything they<br>
   reasonably could have done.  There were several folks<br>
   participating who took the royalty-free baseline profile<br>
   objective very seriously.<br>
              <br>
   Again, all submitted IPR for the baseline tools indicated royalty<br>
   free terms.  So the JVT had every reason to think they had<br>
   succeeded.    By the time this IPR turned up, H.264 had been<br>
   standardized for over 2 years.  H.264 implementations were<br>
   already out there - so any attempts to do work-arounds would have<br>
   broken existing implementations (including implementations in<br>
   silicon). <br>
   Certainly any existing IETF group would have presumed exactly the<br>
   same thing the JVT did.  The lesson here is that even if the SDO<br>
   is conscientious, an unencumbered codec can not be guaranteed. I<br>
   don't see any other way to read this.<br>
              <br>
   Stephen Botzko<br>
   Polycom<br>
              <br>
              <br>
   On Sun, Nov 15, 2009 at 9:01 AM, Rob Glidden<br>
              </div>
              </div>
              <div>    &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>
&lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
              <br>
       stephen botzko wrote:<br>
              <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;"> 
     &gt;&gt;&gt;<br>
       To date neither ITU-T nor MPEG have ever delivered on this<br>
       royalty free undertaking.<br>
       &gt;&gt;&gt;<br>
       That should be viewed as very *bad* news here, since all the<br>
       IPR declarations in JVT for the baseline tools indicated<br>
       royalty free terms. In other words, the SDOs did everything<br>
       possible to deliver, and when H.264 baseline was<br>
       standardized they thought they had succeeded.<br>
              </blockquote>
       I'd suggest that it is hard to see things this way after reading<br>
              <br>
       <a moz-do-not-send="true"
 href="http://www.cafc.uscourts.gov/opinions/07-1545.pdf"
 target="_blank">http://www.cafc.uscourts.gov/opinions/07-1545.pdf</a><br>
              <br>
       The process was enforceable, and enforced.<br>
       The patents could have been found earlier, and removed.<br>
              <br>
       So any "h.264 successor" type work (audio/video/transport)<br>
       should complete, not drop, the royalty free undertaking.      
 IETF and ITU-T should lead there, not give up or hide in a niche.<br>
              <br>
       See November 10, 2009 "Preliminary call for proposals signals<br>
       work start for H.264/MPEG-4 AVC successor"<br>
              <br>
       <a moz-do-not-send="true"
 href="http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx"
 target="_blank">http://www.itu.int/ITU-T/newslog/Preliminary+Call+For+Proposals+Signals+Work+Start+For+H264MPEG4+AVC+Successor.aspx</a><br>
              <br>
       Rob<br>
              <br>
              <br>
              </div>
              <blockquote class="gmail_quote"
 style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;">
                <div>        Stephen Botzko<br>
       Polycom. <br>
        <br>
       On Sat, Nov 14, 2009 at 6:42 AM, Rob Glidden<br>
       &lt;<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a><br>
                </div>
                <div>
                <div>        &lt;mailto:<a moz-do-not-send="true"
 href="mailto:rob.glidden@sbcglobal.net" target="_blank">rob.glidden@sbcglobal.net</a>&gt;&gt;
wrote:<br>
                <br>
           BTW I hear that in MPEG the Chinese National Body<br>
           initiated a (re)consideration of royalty free<br>
           standardization and MPEG has issued a call for comments<br>
           to other national bodies.<br>
                <br>
           Someone may want to contact their national MPEG Head of<br>
           Delegation or numerous liaisons including IETF, listed<br>
           at <a moz-do-not-send="true"
 href="http://www.itscj.ipsj.or.jp/sc29/" target="_blank">http://www.itscj.ipsj.or.jp/sc29/</a>.<br>
                <br>
           At the same time, MPEG is also considering launching new<br>
           royalty bearing activities HVC (High Performance Video<br>
           Coding) and MMT (Multimedia Transport).<br>
           <a moz-do-not-send="true"
 href="http://www.chiariglione.org/mpeg/working_documents.htm"
 target="_blank">http://www.chiariglione.org/mpeg/working_documents.htm</a><br>
                <br>
           You may recall that h.264 was launched in 2001 as a<br>
           joint project between ITU-T Q.6/SG16 and ISO/IEC JTC<br>
           1/SC 29/WG11 with the undertaking that the "JVT [Joint<br>
           Video Team] will define a “baseline” profile. That<br>
           profile should be royalty-free for all implementations."<br>
           To date neither ITU-T nor MPEG have ever delivered on<br>
           this royalty free undertaking.<br>
                <br>
           Rob<br>
                <br>
           Eric Burger wrote:<br>
                <br>
               Thank you to everyone who participated in the room<br>
               and remotely. We succeeded in getting a lot of work<br>
               done, and we have a sense of whether or not we have<br>
               a well-formed problem to solve, if there are people<br>
               who need the work product, if people are willing to<br>
               work on it, and if the IETF is an acceptable venue<br>
               to do the work. In addition, we learned a lot about<br>
               the possibilities for cooperating with ITU-T SG 16.<br>
                <br>
               Please review the minutes and send corrections.<br>
                <br>
               The minutes are posted to:<br>
               <a moz-do-not-send="true"
 href="http://www.ietf.org/proceedings/09nov/minutes/codec.txt"
 target="_blank">http://www.ietf.org/proceedings/09nov/minutes/codec.txt</a><br>
               _______________________________________________<br>
               codec mailing list<br>
                </div>
                </div>
               <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
                <div><br>
               <a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
                <br>
                <br>
           _______________________________________________<br>
           codec mailing list<br>
                </div>
           <a moz-do-not-send="true" href="mailto:codec@ietf.org"
 target="_blank">codec@ietf.org</a> &lt;mailto:<a moz-do-not-send="true"
 href="mailto:codec@ietf.org" target="_blank">codec@ietf.org</a>&gt;
                <div><br>
           <a moz-do-not-send="true"
 href="https://www.ietf.org/mailman/listinfo/codec" target="_blank">https://www.ietf.org/mailman/listinfo/codec</a><br>
                <br>
                <br>
                </div>
              </blockquote>
              <br>
              <br>
            </blockquote>
            <br>
            <br>
          </blockquote>
          <br>
        </blockquote>
        </div>
        <br>
        </div>
        </div>
        </div>
        <br>
        <pre><hr size="4" width="90%">
_______________________________________________
codec mailing list
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      <br>
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    <br>
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    </div>
  </blockquote>
  </div>
  <br>
</blockquote>
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I have taken the time to listen to the audio recording, based on which I
have corrected the minutes. I have pasted them below, and also uploaded
them to the following URL:

http://www.ietf.org/proceedings/09nov/minutes/codec.txt

(Unfortunately, the audio recording cuts out a few minutes before the
send of the session, but I think it captures all the hums and
hand-raisings requested by the chairs.)

Please let the BoF chairs know if you have further corrections.

/psa

######

========================================================================
CODEC BOF
IETF#76 CODEC Meeting Minutes
Thursday, November 12, 2009, 1300-1500
(Afternoon Session I -- Orchid East)

Chairs: Eric Burger and Peter Saint-Andre

Scribes: Daryl Malas and Enrico Marocco

Minutes Editor: Peter Saint-Andre

Agenda:

<http://www.ietf.org/proceedings/09nov/agenda/codec.txt>

Slides:

<https://datatracker.ietf.org/meeting/76/materials.html#wg-codec>

Audio:

<ftp://videolab.uoregon.edu/pub/videolab/media/ietf76/ietf76-ch6-thur-afnoon.mp3>

Chat Log:

<http://www.ietf.org/jabber/logs/codec/2009-11-12.txt>

NOTE: These minutes do not summarize the content of the presentations.
Refer to the slides and audio recording for that information.

========================================================================
Introduction and Agenda Bashing
Presented by: Eric Burger
========================================================================

IETF NOTE WELL statement reiterated.

Jabber scribe and note taker recognized.

Logistics noted.

Agenda bashing.

Eric Burger summarizes BoF results from Stockholm as well as work
completed since then.

Roni Even: Is the goal of this working group to produce one codec?

Eric Burger: Most likely one, but maybe 2 -- this is something for
us to discuss. Not going to replicate Study Group 16 and become a
codec factory.

Eric Burger summarizes the possible approaches...

Bob Hinden: In order to do something royalty free implies that we've
done an infinite amount of IPR searching and that would be hard to
guarantee.

Peter Saint-Andre: It is well understood that there is no guarantee.

Gregory Lebovitz: A lot of the legal, procedural aspects have been
vetted on the mailing list.

Stephan Wenger: The only realistic goal is to attempt to standardize
something where no IPR disclosures that are not acceptable to the WG
have been filed with the IETF.

Basavaraj Patil: Are you suggesting that none of the existing codecs
are "good", that they are not optimized for the internet, or that they
are not royalty free?

Eric Burger: There are good codecs and widely implemented codecs and
freely-available codecs. The goal is to create one aligning with all
three of those features -- it's the intersection of high quality,
optimized for the Internet, and royalty free that's empty.

========================================================================
ITU-T Speech and Audio Coding (ITU-T Study Group 16) Presentation
Presented by: Yusuke Hiwasaki
========================================================================

Yusuke Hisawaki provides an overview to clarify ITU-T speech/audio
coding standardization process, but not an official ITU-T position
(refer to the liaison statement).

Gregory Lebovitz: Is a sector member an organization that can bring
multiple people or an individual?

Yusuke Hiwasaki: It can be both.

Yusuke Hiwasaki continues presentation, discussing alternative of a
focus group...

Stephan Wenger: It is my understand that a focus group cannot create a
recommendation or a standard, only a report. Is that correct?

Yusuke Hiwasaki: Yes.

Question relayed from the Jabber room about whether working documents
are freely available.

Yusuke Hiwasaki: Documents from work at the question level are closed,
at least officially.

Non-normative comment by Stephan Wenger: Many documents at the
"question" level are readily available on an anonymous FTP server. That
is not official, published policy, but is often the case.

Yusuke Hiwasaki continues presentation, descrbing another alternative:
a joint effort, such as the Joint Video Team that produced H.264
between ITU-T SG 16 and ISO/IEC.

========================================================================
Guidelines for proposed codec working group
Presented by: Jean-Marc Valin
========================================================================

Jean-Marc Valin provides an overview of the proposed working group
procedures, as described in draft-valin-codec-guidelines.

Roni Evan: When you say identify requirement: a requirement
for a specific codec for a specific application?

Roni Evan: At what stage do you go from individual drafts to
working group drafts?

Eric Burger: That would be a WG decision in accordance with IETF
process.

Larry Masinter: The first time a WG issues a document, it becomes a WG
item.

Roni Evan: All of the tasks outlined here would be with reference to
individual drafts, no?

Eric Burger: That is my assumption, but that is really for the WG to
determine, because that is standard IETF practice.

Larry Masinter: How would you deal with differences of opinion about the
priority of requirements?

Russ Housley: Rough consensus and running code.

Larry Masinter: But there is a process for getting to rough consensus on
things like that, I'm not sure where that is in this process.

Eric Burger: This is IETF process.

Peter Saint-Andre: Larry, do you think that every WG needs to define
processes for reaching consensus, or do you think that there are special
requirements in this case?

Larry Masinter: It seemed to me that the largest source of dissension
would come from requirements for different applications, which would
underlie different choices. Having a process where you presume agreement
early in the process was fuzzy.

Eric Burger: Point taken.

Adrian Farrel: On the proposed process, "iteratively improve
requirements based on received contributions" -- does this begin at
the start of a working group, before contributions are solicited?

Jean-Marc Valin: There is no working group at this point, so no
contributions can be "improved" yet. But there are already contributions
on the table. So there is some overlap here, and that's unavoidable.

Colin Perkins: In the past some WGs have assumed that there is some
signficance to accepting a draft as a WG item. Concern that there might
be a formalized process for determining when an individual draft becomes
a working group item.

Eric Burger: The plan is to generate one, two, or three documents, but
there is no plan at this point to create a formalized process because
the plan is to get it done and close the WG.

Colin Perkins: I don't think there is a standardized model in the IETF
about when to accept an individual draft as a WG item.

Jean-Marc Valin continues his presentation...

Christian Hoene: What is the definition of "party" with respect to
participation / contribution, does that include companies and
standardization bodies?

Eric Burger: This is the IETF, it's individuals.

Jean-Marc Valin: Anyone.

Julien Meuric: It looks to me that this typical IETF process, but I
would have expected more focus on codec work specifically, such as
coordination with other SDOs.

Eric Burger: That's not a clarification question, that is coming up in
following slides.

Ingemar Johansson: Does requirements mean only technical requirements or
also non-technical requirements (IPR etc.)?

Roni Evan: My understanding is that contributors would need to disclose
their code.

Eric Burger: This is the difference between IETF and other SDOs, IPR
is taken into consideration during the technical work. So, yes, IPR
disclosures would be required.

Stephan Wenger: I don't agree that this a defining characteristic
because in the ITU you can IPR into account. In practice not openly
discussed, but in practice it is often discussed.

Eric Burger: I promise that we will discuss this.

Jean-Marc Valin continues his presentation...

Roni Evan: In order to enable evaluation, would someone be required
to provide their test results?

Jean-Marc Valin: Yes, this is assumed.

Roni Evan: It would be helpful to make that clear. It will take you five
years to finish this work...

Jean-Marc Valin continues his presentation...

Colin Perkins: What do you mean by the final codec? I-D that goes to WG
Last Call, Proposed Standard RFC, Draft Standard RFC, Internet Standard
RFC?

Jean-Marc Valin: I am not an expert on IETF process, but I would assume
the WG would decide. My personal opinion is that this should happen
close in time to WG Last Call.

Jean-Marc Valin continues his presentation...

Roni Evan: If companies decide to bring their own codec, how do you
decide which codec is good? Presumably a result of testing?

Jean-MarcValin : Our proposal is to say, bring your codec, and we will
work together in an effort to produce something that's even better.

Roni Evan: The process is not clear to me. You want to merge them. You
need to have some definitions. How do you decide what is better?

Eric Burger: So the question is: how do you compare solutions? And the
answer may be, this may be one of the first things the working group
tries to determine.

Jon Peterson: Point of order. The purpose of a working groups is for
people to bring their ideas and try to gain consensus. Can we stop
asking this question?

Xavier Marjou: One of the main goals seems to be to produce a royalty
free codec. With this process I see no guarantee that this can be
achieved.

Peter Saint-Andre: There are no guarantees.

Eric Burger: We realize this is a risk.

Xavier Marjou: Do you want to create a WG whose main goal is not
achievable?

Eric Burger: The goal of *guaranteed* royalty free output is not
achievable, however there are many existence proofs of royalty free
codecs.

Julien Meuric: As part of the qualification process, will you consider
interoperability with legacy codecs?

Jean-Marc Valin: It is not a goal of the working group to have legacy
compatibility.

Christian Hoene: You want to fulfill all requirements. What do you mean?
Isn't that the holy grail?

Jean-Marc Valin: We mean the three goals mentioned in the charter.

Larry Masinter: Several things in this process seem to be unusual for
the IETF: developing code and IPR. Are there precendents in other WGs?

Stephan Wenger: An example of doing this was iLBC, which was based on
open-source code. Not necessarily a successful example. My personal
opinion is that iLBC was not evaluated by people knowledgeable in this
field, no interest by people in the room, rubber stamped.

Peter Saint-Andre: So the problem was they did not have a real WG such
as the one being proposed here.

Jean-Francois Mule: Stephan, I disagree that evaluation was not done
on iLBC. I have proof I can show you offline.

Michael Knappe: There has been a lot of discussion about interworking,
how things would work in real environments.

Noboru Harada: Regarding bit-exact definitions, what are the plans to
ensure quality?

Jean-Marc Valin: Our goal will be to ensure quality. The point of the
conformance testing tools will be to make sure that the quality is the
same.

========================================================================
Charter Discussion
Presented by: Peter Saint-Andre
========================================================================

Peter Saint-Andre presenting...

Larry Masinter: Why would you want more than one codec? Why does it have
an objective to design "a very small number of codecs"?

Peter Saint-Andre: Our desire is to come up with one, but in reality, we
might end up with several. The objective is open to allowing the
potential for more than one.

Larry Masinter: So accomodating that as an objective...

Peter Saint-Andre: Agreed, maybe the charter needs to state as a goal:
"Try to design one".

Larry Masinter: Also, "not a rubber stamp" is a negative statement, what
is the positive goal that you want to do?

Peter Saint-Andre: I think the goal is that people would make
contributions and that the group would work together to take the best
concepts from each contribution to produce something that is better than
any one of the contributions and greater than the sum of its parts.

Roni Evan: I'm starting to be happier about what you as saying about the
number of codecs, because I think the requirements and charter should say
the goal is to develop only one codec.

Peter Saint-Andre: Agree this should be changed and/or clarified.

Basavaraj Patil: Is the goal for people to bring their codec in and get
a "rubber stamp"?

Peter Saint-Andre: No rubber stamps.

Basavaraj Patil: What is the benchmark and baseline to be considered for
publication as an RFC?

Peter Saint-Andre: This is the job of the requirements document, based on
which the WG will reach consensus.

Roni Evan: The problem is there are too many wide-band codecs in the
market today. This group should determine one, and recommend it to the
community. That would help solve the problem, don't provide options.

John Klensin: Concern in that the IETF is not set up to provide
conformance testing in order to validate a potential codec. We don't
have mechanisms for that here.

Colin Perkins: John, we do have such a mechanism. We have
interoperability testing before proceeding to Draft Standard. The same
process would apply here. The working groups can do this, we did it in
AVT.

Peter Saint-Andre continues presenting...

Eric Burger: Are we missing any goals?

Stephan Wenger: (Slide 6) While I do not agree that the goals are
reachable, I think these are the right goals.

Basavaraj Patil: (Slide 6) Where did these business goals come from?
>From inside or outside.

Peter Saint-Andre: These goals came from previous meetings and the
mailing list discussions.

Gregory Lebovitz: I have observed that a group of people came into
the IETF from the community and put forth a desire to accomplish what's
summarized on this slide. Once this set of goals was made public, then
there was some agreement and some objections. The community has not
come to consensus on the goals, but these represent some of the goals
from previous discussions.

Peter Saint-Andre: We create WGs for people who want to do the work.
We're trying to provide a forum for the people who want to do this work.

Noboru Habana: If existing codecs can be presented and meet the
criteria, will they be selected for this work (e.g., G.722)? Why
should we work on new codecs when we have G.722?

Peter Saint-Andre: People coming to the IETF and asking to do this
work believe they can do better than existing codecs.

Noboru Habana: But we are sure that there is no IPR on G.722.

Peter Saint-Andre: There is no point in putting an RFC number on a codec
that has already been standardized by the ITU-T.

Noboru Habana: What would we do if someone brings an old codec to the
WG?

Eric Burger: Any existing technology must be at least 20 years old, so
we can ensure no IPR issues. I was a naysayer about iLBC, saying that
the lawsuits would occur, and they have not occurred. I have been proven
wrong about the ability of the community to create, effectively, royalty
free work output.

Basavaraj Patil: Should the working group rely on an IETF legal "team"
to continuously monitor the work to ensure we are not violating IPR?

Eric Burger: This was discussed on the mailing list. That would be more
expensive than paying royalties.

Basavaraj Patil: How are you going to ensure that it will be royalty
free?

Eric Burger: This is the IETF, we have never strived for perfection.

Basavaraj Patil: Why are we doing this in the IETF?

Peter Saint-Andre: People have come to the IETF asking to do the work
here.

Stephan Wenger: If there are a group of people interested in a working
group, then it should fall somewhere in the IETF. One point missing:
the work must call somewhere within the mission of the IETF. The
mission of the IETF is to make the Internet better, and I do not think
adding another codec qualifies making the Internet better. I think the
goal of this work is to make a codec better for some people on the
Internet and a certain group of companies, and not for the Internet as
a whole.

Koen Vos: I do not agree that G.722 is IPR free. There have been
annexes added to G.722 recently that have been essential to make it
work over the Internet.

Jean-Marc Valin: I don't see how this is different than the rest of
the work being done by the IETF. The goal is to develop this work in
the same way as all other work in the IETF with regard to IPR. About
G.722, I think we can do better.

Yusuke Hiwasaki: About G.722, I want to make a clarification: those
PLCs (packet-loss concealments) are Appendices, not Annexes. And
Appendices are not mandatory part of Recommendations. Also, G.722 has
been accepted as a codec for ETSI and it is regarded important.

Larry Masinter: When people get together for a standard, everyone has
different business goals. I would request the "business goals" are
merely a statement of consideration and not a requirement for the
charter. Let individuals come up with their own business goals, just
provide fair warning about this as a common goal among those who want to
participate..

Ingemar Johansson: Are we creating technical work to solve a business
problem?

Peter Saint-Andre: I think this is semantics, we needed a name for these
considerations and didn't want to use the word "legal". Perhaps "other"
or "non-technical" considerations is more appropriate.

Ingemar Johansson: I do not think the IETF should be trying to do codec
work, because there is concern over businesses being able to charge for
this.  I think this is opening up anyway, and there's no need for the
IETF to do this from a technical perspective.

Peter Saint-Andre: My goal in assisting with this effort is to help the
Jabber open-source community by providing a single codec that can be
widely implemented and easily distributed.

Stephan Wenger: I do not think the "open-source" community is special.
They could become competitors of regular businesses. We should not be
working to specifically help them (creating unfair competition).

Basavaraj Patil: As far as I know the IETF is working on protocols, and
codec expertise does not reside here. The IETF should have told these
people to do the work elsewhere. It is incorrect for the IETF to do this
kind of work.

Joe Hidebrand: (Comments from the Jabber room) - The WG is responsible
for balancing considerations and that is the job of the WG. Producing
a new codec makes the Internet better if it is adopted, if not then it
does not harm.

Koen Vos: There have been multiple objections on the mailing list from
ITU-T individuals. How does ITU-T think it can be helpful?

Eric Burger: Yusuke, could you clarify that, because it's my
understanding that in the ITU-T an "objection" has a special status,
it's not an objections if just a few people express disagreement.

Yusuke Hiwasaki: Correct, objections would be really difficult at ITU-T
because that happens at the State level.

Xavier Marjou: I'm confused, did you say that you will remove the
business goals?

Peter Saint-Andre: I said I mislabeled them. Non-technical perhaps, or
"other" goals.

Christian Hoene: It is good to develop a codec for people who cannot
afford the "cost-basis" codecs, the poor people of the world who don't
have access to high technology.

Peter Saint-Andre: I agree, they are among our stakeholders.

Colin Perkins: Regarding IPR rules, there are many other WGs
following this process without any issues, they can have their own
strong preferences, including for unencumbered technologies. We have
lots of existence proofs of other groups working this way, so it should
not be a problem.

Stephan Wenger: I suggest that we avoid discussions on whether the ITU
is appropriate venue and instead focus on whether the IETF is an
appropriate venue.

Koen Vos: I don't understand why is the ITU-T so worried about the IETF
working on this? Concerned about duplication of effort?

Yusuke Hiwasaki: Some members of the ITU-T have showed concerns, but I
do not think they are speaking as a representatives of the ITU-T. What
we are trying to do is to find a way to cooperate, we are willing to
help and cooperate in this work.

Jean-Marc Valin: I think our views may not be that far apart. The IETF
is very willing to work with the ITU-T, and I think forming a working
group is a very good method for working with the ITU-T and Study Group
16. This can be the basis of good collaboration.

Colin Perkins: There may be people willing to license software if the
technology is approved as a standard, but it appears the working group
will not accept this because they want a grant up front.

Eric Burger: This was addressed on the mailing list. We can assuage
those concerns because standard procedure is that IPR is granted upon
stndardization, not up front.

Christian Hoene: Cooperation with ITU-T is important, but it's not clear
how that would happen.

Eric Burger: To be worked out.

Eric Burger calls questions...

Hum: Who here is interested in working on a CODEC in keeping with
BCP 79 for use on the Internet? Fair number of hums.

Hum forumulation in progress...

[Of those who hummed, are the problem statement, charter, and
documents clear? Or, do we need to do more work on these items?]

Russ Housley: I am concerned with that question. Let's look at the
standard questions from RFC 5434. Is there a problem to be solved?
Is there a constituency that cares about it? Are there people
willing to do the work? Those are the three big questions. I'd like to
see people raise their hands.

Peter Saint-Andre: Please raise your hand if you are interested in
actually working on this within the Internet Standard Process by
writing drafts, reviewing drafts, characterization, testing, etc.
20 hands (15 in room/5 Jabber)

Peter Saint-Andre: Of those, please raise your hand if you think
the IETF is the right place to do this work.
20 hands (14 in room/6 Jabber)

Basavaraj Patil: I would like to see a show of hands of people who do
not want to see the work done at the IETF...

Peter Saint-Andre: Of those who want to do the work, how many do not
want to see this work done at the IETF?
Zero hands.

Gregory Lebovitz: I would like to see, just for the record, a show of
hands of the people who don't want to see this work happen at the IETF.
We might be able to infer that those people don't want to do the work
and don't want to the IETF to do this work.

Peter Saint-Andre: Raise your hand if you think that work of this kind
should not happen at all at the IETF.
28 hands.

Peter Saint-Andre: How many people think this could potentially be
done successfully in an interaction between the IETF and the ITU-T?
21 hands.

Stephan Wenger: Suggested question: I would like to know how many
think this work is achievable / has a reasonable chance of success.

Peter Saint-Andre: Raise your hand if you think this work has a
reasonable chance of success somewhere (e.g., at IETF or via cooperation
between IETF and ITU-T).
30 hands.

Peter Saint-Andre: Raise your hand if you think this work does not have
a reasonable chance of success anywhere.
8 hands.

[audio stream cuts off here!]

Gregory Lebovitz: In conclusion, there is a shared desire between
the IETF and ITU-T to clearly articulate a practical mechanism to
work together. This must be worked out and documented.

END



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